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Form:
archives

Level of archival description:
Fonds

Title:
Harold Ship Alexis Nihon Plaza and Nuns’ Island Master Plan project records

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Reference number:
AP128

Synopsis:
The Harold Ship Alexis Nihon Plaza and Nuns’ Island Master Plan project records, (1956- 1973), document architect Harold Ship’s design and plan for the Alexis Nihon Plaza (1956-1965) and the Nun’s Island Master Plan (1959-1973). Materials in these project records consist of 1 619 drawings (including reprographic copies), 330 photographs, 5 l.m. of textual records, 5 models and 2 panels.

People:

Harold Ship (archive creator)
Harold Ship (architect)

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Date:
1956-1973

Title:
Harold Ship Alexis Nihon Plaza and Nuns’ Island Master Plan project records

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AP128

Form:
archives

Level of archival description:
Fonds

Date:
1956-1973

People:

Harold Ship (archive creator)
Harold Ship (architect)

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Form:
archives

Level of archival description:
Fonds

Title:
Umberto Riva fonds

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Reference number:
AP180

Synopsis:
The Umberto Riva fonds documents Riva’s work as an architect and designer, predominantly in Italy, between the 1960s to the early 2010s. Included are drawings related to over 80 architectural projects, furniture designs, and exhibition designs.

People:

Umberto Riva (archive creator)
Umberto Riva (architect)

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Date:
1959-2012

Title:
Umberto Riva fonds

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See digitized items (574)

AP180

Form:
archives

Level of archival description:
Fonds

Date:
1959-2012

People:

Umberto Riva (archive creator)
Umberto Riva (architect)

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Form:
audio

Title:
Lectures

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Reference number:
DR1999:0361

Description:
audiocassettes include: 1986 (X1) August 4th: PDE & J. H - House I & House II; 1987 (X2) October 13th: Grotesque II Cooper; October 27th - Cooper: Grotesque III; 1988 (X8) April: 15th - Arizona State, Grotesque; September: 12th - P.E. at Cooper Union; 20th , 26th - P.E. at Cooper on Terragni; October: 4th ,10th - P.E. at Cooper on Terragni; 14th - P.E/Kipnis at OSU; 17th - Asilo Infantile/Terragni at Cooper; 1989 (X50) March: 6th - Cooper; April: 6th & 13th - OSU; 12th - University of California, Irvine (X2); 13th - OSU May: 4th - Texas Tech " Weak Image"; 25th - OSU (X3); August: 22nd - Kip & Eisenman; September: 11th , 12th - Cooper; 13th - Kip & Johnson on PDE; 28th - Cooper; 28th , 29th- OSU; October: 2nd , 3rd , 9th , 10th - Cooper; 13th - OSU (X6); 16th , 18th - Cooper; 20th - OSU; 23rd , 31st - Cooper; November: 2nd - Cooper; 3rd - Cooper (X2); 9th - Cooper; 10th - OSU (X2); 17th - OSU (X2); 20th - Cooper; December: 4th - OSU; Undated: All School Lecture Series Fall 1989; Eisenman/Hejduk; Wexner Center for the Visual Arts, 1989; 1990 (X36) February: 5th, 12th , 20th, 26th, 27th - Cooper; March: 1st - Cincinnati Presentation; 5th, 19th, 20th, 26th - Cooper; lecture on Guardiola House (Sintra Portugal); April: 3rd - Cooper; 5th , 11th- Chicago; 16th - Cooper; 19th - Eisenman/R.M.; 24th - Cooper; 25th - Chicago; May: 1st - Cooper; 2nd - Chicago; 7th - Cooper; 10th & 11th , 18th, 29th - Chicago; June: 16th - Any: One Etc. Meeting June 14, 1990; 18th - summer seminar (X2); July: 3rd - Koizumi lecture; 18th - summer seminar (X2); August: 15th - seminar # 4; 22nd - seminar; September: 20th - PDE & Yatsuka; October: 15th - Cooper (Yale essays introduction); December: 18th , 19th - Frankfurt Competition; 1991 (X4) April: 22nd - Cooper/Blanchard; May: 7th - Cooper/Blanchard; June: 12th - Gehry/Eisenman; July: 30th - P.E. seminar #3; 1992 (X15) January: 9th - Philip Johnson; March ?: Rice University Kennon Memorial (X2); May: 7th - Empay; July: 2nd - PDE seminar #2; 10th - seminar #2; 24th - seminar #3; 24th - seminar #4; 31st - seminar; August: 31st - Düsseldorf; December: 15th - Max Reinhardt Haus; 29th - WOSU FM Columbus; 1992 - 1993 (X3) Proust; 1993 (X8) summer lecture '93 Derrida Conference (X3); August: 6th , 13th, 20th, 27th - summer seminar; September: 22nd - Inside: The Difference; UNDATED (X32): Cooper/Blanchard 3; Blanchot; The Sea; Cooper/Blanchard; Eisenman Pt. 3; Hejduk & Eisenman House I & House II; Blanchot; Eisenman #1; "The Writing of the Disaster"; PDE & Isozaki July 10th; Banyoles staff meeting 10/5; DAAP project meeting; Alberti; German interview; Cooper/Blanchot 2; Nakamura & P. Johnson on PDE; P.E. Heimrod 9/16; Eisenman/Hejduk #3; Eisenman/Hejduk #4; unidentified; lecture on pinchin; unidentified; lecture on classicism - architecture; Eisenman & Hejduk #2; Cooper Bataille; Folding in Architecture; unidentified; Alcatraz; PDE seminar #3; PDE seminar #6; Eisenman #4; Eisenman #2;

People:

Peter Eisenman (archive creator)

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Title:
Lectures

Actions:

DR1999:0361

Form:
audio

People:

Peter Eisenman (archive creator)

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Form:
archives

Level of archival description:
Collection

Title:
Eva Hollo Vecsei collection

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Reference number:
CD041

Synopsis:
The Eva Hollo Vecsei collection documents the career of Hungarian-Canadian architect Eva Hollo Vecsei with a few materials from her husband’s, Andrei Vecsei, work. Records in this collection, ranging from 1959 to 2019, document key elements of several of Vecsei’s projects, including built and unbuilt designs.

People:

Eva Hollo Vecsei (archive creator)
Eva Hollo Vecsei (architect)
André Vecsei (architect)

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Date:
1959-2019

Title:
Eva Hollo Vecsei collection

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CD041

Form:
archives

Level of archival description:
Collection

Date:
1959-2019

People:

Eva Hollo Vecsei (archive creator)
Eva Hollo Vecsei (architect)
André Vecsei (architect)

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Level of archival description:
Sub-series

Title:
Opera Houses

Reference number:
CI001.S2.D3

Description:
Charles Rohault de Fleury's sustained involvement with the design of opera houses began with his appointment in 1846 as official architect of the existing Salle Le Pelletier, home to the *Paris Opera, and continued until an open competition was called in 1860 (Charles Garnier won this competition). During this period Rohault de Fleury submitted numerous proposals to replace theprovisional Salle Le Pelletier with a structure more appropriate to the grandeur and importance of France's national opera company. The CCA collection contains four projects related to his work for the Paris opera: two early projects (1846 and 1847) and one later one (1859) for a newopera house, and a portfolio of lithographs and drawings related to alterations and repairs to Salle Le Pelletier (1850-1854). The collection also includes Charles' earliest theatre project, a comprehensive plan for an opera house and surrounding infrastructure for the Theatre Royal Italien opera company (1838-1840), and an album containing drawings and prints of antique and contemporary theatres (1839-1854?). Charles' first project was for the Theatre Royal Italien opera company whose previous home, the Salle Favart, had burned down on the night of January 14 1838. The CCA collection contains an album of presentation drawings for a new theatre located on rue de la Paix with boutiques in the adjacent 'passages' (DR1974:0002:019:001-023). A second album consists of site plans including proposed 'maisons à loyers' (apartment buildings) and documents relating to the cost estimates and rental income for the entire project (DR1974:0002:036:001-016). The architectural style and interior arrangement of the theatre is heavily indebted to Francois Debret's Salle Le Pelletier. Charles' originality lies more in his conception of the social and economic role of the theatre in relation and integration, to its surrounding urban fabric. An explanation of the entire Theatre Royal Italien project, and Charles' role as architect in it, is found in two proposal letters (located in the Avery Library, Columbia University, NY) written by the entrepreneur Eugene Lecomte to the Minister of the Interior, Comte Duchatel, on May 15 and October 31 1839 (1). Charles' album of drawings at the CCA for the theatre and some of the cost and rental estimates are probably presentation copies directly related to the first letter, and most likely submitted to the Minister of the Interior. Charles' project was never executed, and the Italian opera company eventualy found a permanent home in the existing Salle Ventadour (1841). However, the inclusive nature of the Théâtre Royal Italien proposal, with its stress on urban development and contextuality, continued to play a seminal role in his later Paris Opera projects. Upon replacing Francois Debret as architect of Salle Le Pelletier in 1846, Charles proposed nine possible locations (site plans) for a new opera house for the Paris Opera (*Academie Royale de Musique) and, in the following year (1847) prepared a portfolio of drawings for the actual structure with an accompanying seven-page manuscript describing the project. Although executed in successive years, the site plans and 1847 drawings are conceptually related. Both components were undertaken in response to offical interest in a public competition that was never implemented (2)(3). The CCA has two sets of the nine site plans proposed in 1846 (DR1974:0002:036:001-016), one containing transfer lithographed site plans with a written analysis and cost estimate for each of the proposed locations, and the other with only the site plans (similar sets are located in the 'Archives Nationales' in France). They indicate that Charles, (heavily influenced by his Théâtre Royal Italien project) preferred the Rue de la Paix location (siteplan #3) for the new opera house. Although site plan number six, Boulevard des Capucines, was not favoured at this date, it is highly prophetic as it was the location officially chosen in 1860 for the new opera house. Apparently unique to the CCA collection is the 1847 manuscript and portfolio of drawings for the proposed opera house (DR1974:0002:036:001-016). The manuscript is both an indepth review of the requirements for a national opera house and a guide to his portfolio of drawings. Charles' conception and design continued to be strongly influenced by Debret's Salle Lepelletier, as well as his own Théâtre Italien project, and various antique and contemporary opera houses and theatres. Many of the French and Italian sources mentioned in the manuscript are collected in an album (DR1974:0002:010:001-048) as references for his own designs (4). As official architect of Salle Le pelletier, Charles was also responsible for repairs, restorations, and alterations to the existing structure. The drawings and transfer lithographs in the CCA collection (DR1974:0002:036:001-016) are primarily dated 1854, and relate to documented repair and restoration projects undertaken during this period (5)(6). The CCA collection has the presentation drawings and lithographs for the later 1859 project (DR1974:0002:027:001-027) for the Paris opera (*Theatre Imperiale de l'opera) that were sent to Achille Fould, the Minister of State. This project is probably a counterpart to a similiar one that he submitted to the Prefect of the Seine, Baron Haussmann, in the same year (7). Site plans show the opera house on an irregular polygonal site facing Boulevard des Capucines. The placement of the 'maisons à loyers' on the rear of the site reflects Charles' continued emphasis on integrating his opera projects into the surrounding urban context. In 1859, it appeared that Charles was favoured to build the new opera house. But late in the following year, a public competition was called in which Charles Garnier emerged as the victor. Although Charles did not build the final structure, his numerous projects, as exemplified in the CCA collection, were of prime importance in determining the location, configuration, and plan of the Place de l'Opera (8). * The 'Paris Opera' was France's national opera, and thus its name changed numerous times throughout its history according to altering perceptions of its role in French culture and/or changes in political regimes. For reasons of clarity, the national opera will be referred to as the Paris Opera. The names indicated in brackets with a star refer to the proper name of the opera company at the date of the project. (1) Eugene Le Comte, "Projet de Salle rue de la Paix, pour le Théâtre Royal Italien: Lettres à Monsieur le Ministre de l'Intérieur, en date des 15 mai et 31octobre 1839" (Paris: P. Dupont, 1839). (2) Christopher Curtis Mead, "Charles Garnier's Paris Opera and the Renaissance of Classicism in Nineteenth century French Architecture", 3 vols. (PhD thesis; Philadelphia: University of Pennsylvania, 1986), p. 234 and p. 956, fn. 30. (3) Monika Steinhauser, "Die Architektur des Pariser Oper" (Munich: Prestel Verlag, 1969), p. 45, fns. 143 and 144. (4) Barry Bergdoll, "Charles Rohault de Fleury: Part Three: Theatres and the Opera house", 'CCA Research Report', n.d., p. 3. (5) Larousse XIXth Century, s.v. "Rohault de Fleury, Charles". (6) Mead, p. 238. (7) Oeuvres de C. Rohault de Fleury, architecte" (Paris: Librarie centrale d'architecture, 1884).. (8) Macmillan, s.v. "Rohault de Fleury Familly".

People:

Centre canadien d'architecture (compiler)
Charles Rohault de Fleury (architect)

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Date:
1717-1868

Title:
Opera Houses

CI001.S2.D3

Level of archival description:
File 3

Date:
1717-1868

People:

Centre canadien d'architecture (compiler)
Charles Rohault de Fleury (architect)

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Level of archival description:
Project

Title:
Canadian Centre for Architecture, Montréal, Québec

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Reference number:
AP046.S1.1983.PR01

Description:
This project series documents the design and construction of the Canadian Centre for Architecture, Montréal, Québec. After initially working as a consultant on the CCA warehouse project in the early 1980s, Peter Rose began designing the current CCA building in 1983. Architect, Erol Argun joined the project in 1985. The CCA building integrates the historic Shaughnessy House whose restoration ran concurrently with the CCA construction and was supervised by architect Denis St-Louis. For the realization of the Canadian Centre for Architecture, Rose worked in collaboration with the CCA’s founder and consulting architect, Phyllis Lambert and architects Erol Argun and Denis St. Louis. The CCA’s unique design and construction earned Rose a Prix d'excellence from the Ordre des architectes du Québec (1989), a National Honour Award from the American Institute of Architects (1992), a Governor General’s Award for Architecture (1992), and a Medal of Excellence from the Royal Architectural Institute of Canada (1993). The drawings in this project are largely arranged chronologically from the restoration of the Shaughnessy House to the design and construction of the CCA building. The bulk of the drawings are dated between 1985 and 1989 which correspond with the dates of construction, however there is a large number of sketches from 1983 on. Any materials which are not explicitly dated have been given the date range of the project. The textual records include minutes, correspondence with contractors, consultants and suppliers which often include discussions of design revisions, reports, architectural plan record sets, administrative files, architectural change orders, and files specific to the Shaughnessy House restoration. The majority of the records follow the original file structure, the largest two categories being Consultants, and Builder / Construction manager. There are also approximately 1.32 l.m. of architectural and shop drawings which were kept with the textual records. The photographic material includes mainly research and reference photographs and documents the CCA construction phases as well as a few photographs that document the Shaughnessy House restoration. The models are presentation and development models for the CCA building. These models provide views of Shaughnessy House, the entrance pavilion to the CCA, the galleries, library, Alcan Scholar’s wing, the Paul Desmarais Theatre, mock-ups of the CCA’s handrails and exterior wall facades as well as lamp bases for the Shaughnessy House. In order to better navigate the materials it is important to note that when referring exclusively to the CCA floor plans or to floor plans which show both the CCA and Shaughnessy House, Rose often uses the term “level” with the height in feet above sea level, for example, level 149’ 9” is the main floor. However, architectural plans exclusively for Shaughnessy House often use floor numbers. It should also be noted that all plans for the Paul Desmarais Theatre are labeled as auditorium.

People:

Peter Rose (archive creator)
Peter Rose (architect)

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Date:
1983-1989

Title:
Canadian Centre for Architecture, Montréal, Québec

Actions:

AP046.S1.1983.PR01

Level of archival description:
Project

Date:
1983-1989

People:

Peter Rose (archive creator)
Peter Rose (architect)

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Form:
drawings

Title:
Album of drawings, mostly for French town and country houses, including some drawings for interiors and furniture, and one drawing for the Passage du saumon, Paris

Actions:

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Reference number:
DR1974:0002:035:001-034

Description:
- This album consists primarily of preliminary and design development drawings for diverse projects - mostly domestic - from the early years of Hubert Rohault de Fleury's career. Some of the fifteen more finished drawings in wash and watercolour are probably presentation drawings. Many of the drawings are inscribed with illegible or partially legible notations concerning the project's location, client, date and other particulars. There are seven drawings for a house on rue d'Aguesseau, Paris, probably the Rohault de Fleury family residence (DR1974:0002:035:002 - DR1974:OOO2:035:006 R/V) and several drawings for a house for Rohault de Fleury's uncle on rue Saint-Romain, Paris (DR1974:0002:035:012 V). Several drawings are after plates published in Durand's "Précis des Leçons d'architecture données à l'école Royale Polytechnique (1802-1805)": plans on drawings DR1974:0002:035:011 V, DR1974:0002:035:012 R are adapted from plate 25 and combined with façades designed by Rohault de Fleury, and drawing DR1974:0002:035:013 R is based on an engraving by Charles-Pierre-Joseph Normand (pl. 23) of Hôtel Lathuille in Paris which was designed by Jean-Nicolas-Louis Durand (1788). Perspective sketches and plans are included for the restoration of a château in Rocheux [?] for M. le Trône (DR1974:0002:035:017 R) and for the renovation for the house at Domaine de la Vallée (DR1974:0002:035:020). The drawing for a country villa was executed in 1804, while Rohault de Fleury was in Rome studying at the French Academy (DR1974:0002:035:021 R). The conceptual drawing of a small "orchestre" and the elevations of a gallery and portico gate are inscribed "Jardin du Frascati", and are perhaps travel sketches or projects executed while Rohault de Fleury was in Rome (DR1974:0002:035:032 V, DR1974:002:035:033 R, and DR1974:0002:035:034). Also included in the album are two plans for part of the Passage du saumon in Paris (DR1974:0002:035:014 R), a plan, elevation and section for a rustic pavilion for M. Abrial (DR1974:0002:035:024 V), a plan for a shepherd's house in St. Cueufin [?] (DR1974:0002:035:021 V), a house for M. Quitton in Paris (DR1974:0002:035:026 - DR1974:0002:035:027), a section, elevation and plan for a sheepfold (DR1974:0002:035:033 V) and a perspective for a rustic cabin (DR1974:0002:035:034). The album also contains a number of drawings for Empire-style interior design projects: interior wall elevations, furniture drawings, and plans, elevations and perspectives for a bed alcove.

People:

Hubert Rohault de Fleury (architect)
Hubert Rohault de Fleury (draughtsman)
Jean-Nicolas-Louis Durand (architect)
M. Rargot (client)
M. Quitton (client)
M. Le Trône (client)
M. Abrial (client)

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Subject:
architecture, landscape architecture, interior design

Date:
early 19th century

Title:
Album of drawings, mostly for French town and country houses, including some drawings for interiors and furniture, and one drawing for the Passage du saumon, Paris

Actions:

Add to folder

DR1974:0002:035:001-034

Form:
drawings

Album of drawings, mostly for French town and country houses, including some drawings for interiors and furniture, and one drawing for the Passage du saumon, Paris

Date:
early 19th century

People:

Hubert Rohault de Fleury (architect)
Hubert Rohault de Fleury (draughtsman)
Jean-Nicolas-Louis Durand (architect)
M. Rargot (client)
M. Quitton (client)
M. Le Trône (client)
M. Abrial (client)

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Subject:
architecture, landscape architecture, interior design

Level of archival description:
Project

Title:
Synthetic Landscape research project, Oslo, Norway (1995-2000)

Actions:

Reference number:
AP194.S1.1995.PR01

Description:
Project records consist of records documenting the three phases of the Synthetic Landscape project (1995-2000) as worked on by Johan Bettum and OCEAN North. The project was initially developed and submitted in 1995 for the Membrane Design International Competition held in Japan by the Taiyo Kogyo Corporation. The entry showcases a children’s playscape in the setting of Oslo’s Tøyen Park, joining both its urban surroundings and its natural landscape into a synthetic space. Afterwards, the project was exhibited at the Architecture Association (AA) in London, where Johan Bettum and Kivi Sotamaa met. This eventually led to Bettum and Sotamaa collaborating on projects, along with their respective OCEAN teams in Oslo and Helsinki. The Synthetic Landscape project continued as a research project, with a second phase in 1996 and a third phase which ran from 1997 through 2000 and integrated design methods (particle streaming, Channelling Systems) from the work made on the Töölö and Jyväskylä projects. In the third phase, a pavilion was also added to the setting. Aside from one drawing, all records for this project are in a digital format. Drawings and models from phase 1 show parts or the whole of a shell-like structure. A color scheme seems to be associated to the different components of the structure. A report on phases 1 and 2 discusses the use of synthetic and composite materials for the structure, explaining the concept for the site. Phase 2 textual records include a working plan, site charts and program. Additional drawings and models show an evolution in the shape of the landscape. Most records are related to the third phase of Synthetic Landscape. They are largely drawings and models showing textures and coloured grafts used in the design process, section and surfaces studies, as well as site plans. Other files of the third phase consist of animated renderings of Channelling Systems studies within the Synthetic Landscape topology, saved as Quicktime MOV files. Additionally, the third phase of Synthetic Landscape has files related to the FEM (finite element method) analysis process utilized in the project’s engineering. This particular section includes raster images showing vectorial drawings and data appearing to be surface studies. These were likely created with the software Mathematica. The bulk of textual documentation on the project’s scope and outcomes may be found in AP194.S1.1995.PR01.001 for phases 1 and 2, and in AP194.S1.1995.PR01.005 for phase 3. The latter file also contains documentation related to a grant application to The Research Council of Norway; a proposal for a conference and exhibition at the AA; and administrative records such as budgets, correspondence, invoices, progress reports, meeting agendas and minutes. For all project phases, records related to the design process consist of CAD models saved in a variety of modelling formats (iges, fmz, dgn, 3dm, dxf) as well as raster or vector images (tiff, jpeg, png, eps, pict, etc.). In some cases, only these raster or vector images of the original CAD drawings are present in the archive.

People:

Johan Bettum (archive creator)
OCEAN North (architectural firm)
Kivi Sotamaa (collaborator)
Bonsak Schieldrop (collaborator)
Kim Baumann Larsen (collaborator)
Michael Hensel (collaborator)
Birger R. Sevaldson (collaborator)
Dan Sevaldson (collaborator)
Komtek AS Oslo (consultant)
Devold AMT AS Oslo (consultant)

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Date:
1995-2000

Title:
Synthetic Landscape research project, Oslo, Norway (1995-2000)

Actions:

AP194.S1.1995.PR01

Level of archival description:
Project

Date:
1995-2000

People:

Johan Bettum (archive creator)
OCEAN North (architectural firm)
Kivi Sotamaa (collaborator)
Bonsak Schieldrop (collaborator)
Kim Baumann Larsen (collaborator)
Michael Hensel (collaborator)
Birger R. Sevaldson (collaborator)
Dan Sevaldson (collaborator)
Komtek AS Oslo (consultant)
Devold AMT AS Oslo (consultant)

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Form:
archives

Level of archival description:
Fonds

Title:
Roland Dumais fonds

Actions:

View the finding aid

Reference number:
AP005

Synopsis:
The Roland Dumais fonds, 1930-1975, documents architect Roland Dumais’s design and construction of over 500 built projects in Québec. In addition to documenting Dumais’s professional career (1935-1971), the fonds includes materials relating to the everyday administration of Dumais’s architectural firm (1941-1977) as well as materials pertaining to his personal life (1932-1982). Materials in this fonds consist of approximately 12 400 drawings (including reprographic copies), 126 photographic materials, 10.33 l.m. of textual records, 5 models, and 3 reels of 16 mm film.

People:

Roland Dumais (architect)
Roland Dumais (archive creator)

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Date:
1930-1975

Title:
Roland Dumais fonds

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AP005

Form:
archives

Level of archival description:
Fonds

Date:
1930-1975

People:

Roland Dumais (architect)
Roland Dumais (archive creator)

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Form:
textual records

Title:
Portfolio of projects

Actions:

Reference number:
ARCH270975

Description:
The book is in English and presents projects by the firm Abalos & Herreros from 1986 to 2006. It includes these projects: - Colegio oficial de architecturos Extremadura, Badajoz; - Centro cultural, Cobeña; - 3 Depuradoras de aguas residuales: Villalba, Guardarrama y Majadahonda; - Ordenación de la Plaza Castilla, Madrid; - Viviendas, locales y garajes en la M-30, Madrid; - Edificio de oficinas de RENFE; - Vivienda y Ciudad, avenida Diagonal, Barcelona; - Edificio administrativo por el Ministerio del Interior, Madrid; - Cityvips, Fuencarral, Madrid; - Palencia Parque Europa; - Ordenación del área de Abandoibarra, Bilbao; - Biblioteca Usera, Madrid; - Recualificación del espacio público de Ramos, Rio de Janeiro; - Aula medioambiental y oficinas, Arico, Tenerife; - Sala municipal y plaza en Colmenarejo, Madrid; - Museo arqueológico Alicante; - Centro universitario en Mérida; - Estación Zaragoza; - Estudio Gordillo, Villanueva de la Cañada, Madrid; - Estación maritima de Salerno; - El mirador: torre mixta en la bahía de Algeciras, Cádiz; - Pabellón de gimnasia en el parque del Retiro, Madrid; - Jardines Valdemingómez, Madrid; - Planta de biometanización y compostaje de residuos urbanos, Pinto, Madrid; - Barcelona Forum 2004 : Parque litroral nord-est, Barcelona; - Barcelona Forum 2004: Tersa/Edificio de oficinas y planta integral de RSU; - Barcelona Forum 2004: Bancos Xurret; - Barcelona Forum 2004: Bancos Pep; - Complejo de justicia, Aachen; - Southbank Londres; - Plaza y torre Woermann, Las Palmas; - Ciudad Real; - Torres mixtas bioclimáticas en el Humedal de Salburua, Vitoria; - Parque Cristina Enea, San Sebastián; - Parque Igara, San Sebastián; - Operación Chamartin; - Hotel Toyo, Almería; - Centro de cirugía de mínima invación, Cáceres; - Fira 2000 - Barcelona; - Fisur-Getafe; - New Museum de Arte Contemporaneo, New York; - Sociópolis, Valencia; - Ordenación de la ribera del arroyo Trejo-Guadalporcún, Setenil de las Bodegas; - Casa Luna, Chile; - Sagüés, San Sebastián; - Reordenación del Max-Reinhardt Platz, Salzburg; - Biblioteca de México, México D.F.; - Metro de Málaga; - Urbanización, ajardinamiento y paisajismo en el sector "La Lastra", León; - Helipuerto Forum; - The Collection building, Miami; - Laboratorios de ciencias moleculares para la Universidad de Puerto Rico, San Juan; - + Madrid. Desarrollo urbanistico del centro historico de Madrid y de las Orillas del rio Manzanares, Madrid; - Edificio de equipamiento, Alcalá de Henares; - Plan de ordenación territorial, Costa del Sol; - Pepe Cobo II, galería de arte; - EPFL learning center, Lausanne; - Integración del Ferrocarril, Logroño; - APTM Construmat; - Tour TSR, Geneva; - Colina artificial, International Architecture Biennale Rotterdam; - Grand Tour, Exposición; - Orange County Great Park; - DeCoro: decoración urbana; - Palacio de congresos y ferial internacional de León; - Viviendas en quartier Massena chevaleret, Paris, France; - Oru Yves Farge - Terres Neuves: architectural and urban feasibility study, Bégles, France; - Dos edificios de oficinas en Aravaca y Valdemarín, Madrid; - 200 viviendas para jóvenes en la Sagrera.

People:

Abalos & Herreros (issuing body)
Abalos & Herreros (architectural firm)
Abalos & Herreros (archive creator)

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Date:
2006 or after

Title:
Portfolio of projects

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ARCH270975

Form:
textual records

Date:
2006 or after

People:

Abalos & Herreros (issuing body)
Abalos & Herreros (architectural firm)
Abalos & Herreros (archive creator)

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(See fewer)

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