Cabinet 39: Learning
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Cabinet 39 features an interview with John Haynes, pioneer of the modern instruction manual; Jeff Dolven outlining the theater of pedagogy; Elaine Traub tracing the history of distance learning; Sina Najafi tracking the development of the A-F grading system; and an interview with Zoe Readhead, principal of Summerhill, the world's first "free school." Elsewhere in the(...)
Cabinet 39: Learning
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Cabinet 39 features an interview with John Haynes, pioneer of the modern instruction manual; Jeff Dolven outlining the theater of pedagogy; Elaine Traub tracing the history of distance learning; Sina Najafi tracking the development of the A-F grading system; and an interview with Zoe Readhead, principal of Summerhill, the world's first "free school." Elsewhere in the issue: Michael Shipley on voice experts used by the police and security services; Emily Walters on boots and colonialism; Suzanne Scott on the history of suntanning; Kris Lee on Kierkegaard and the promotional blurb; and Katrin Arnardottir on the sex lives of Icelandic elves.
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Director of the Generali Foundation from 2008 to 2014, Sabine Folie helped establish the institution's reputation for generating new critical discussion on contemporary art through revisiting modernism. This survey catalog, illustrated with photographs and source materials, documents the extensive collection of works acquired during Folie's tenure. Essays by theorists and(...)
+ que 20 ans après: collected words and images
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Director of the Generali Foundation from 2008 to 2014, Sabine Folie helped establish the institution's reputation for generating new critical discussion on contemporary art through revisiting modernism. This survey catalog, illustrated with photographs and source materials, documents the extensive collection of works acquired during Folie's tenure. Essays by theorists and artists reflect on contemporary art themes exploring areas such as linguistic devices, the dismantling of representation and the reorganization of pictorial space, the changing roles of artist and museums, the relationship between subject and environment due to globalization and post-colonialism, artistic processing of history and the production of memorial culture.
Contre le colonialisme dopé aux stéroïdes : le combat des Inuit du Québec pour leurs terres ance
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Pour les Québécois, le projet hydroélectrique de la Baie-James, lancé en 1971, a marqué le point culminant de la Révolution tranquille. C’était la prise de possession, physique et symbolique, de l’ensemble du territoire sur lequel le peuple du Québec était destiné à connaître enfin son plein épanouissement. Et si ce grand projet avait un côté sombre ? Et si, en affirmant(...)
Contre le colonialisme dopé aux stéroïdes : le combat des Inuit du Québec pour leurs terres ance
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Pour les Québécois, le projet hydroélectrique de la Baie-James, lancé en 1971, a marqué le point culminant de la Révolution tranquille. C’était la prise de possession, physique et symbolique, de l’ensemble du territoire sur lequel le peuple du Québec était destiné à connaître enfin son plein épanouissement. Et si ce grand projet avait un côté sombre ? Et si, en affirmant notre langue, notre culture et notre emprise sur le territoire, nous avions été sourds et aveugles à l’attachement d’un autre peuple à sa langue, à sa culture et au territoire que ses ancêtres occupaient depuis des millénaires ? Choquant, dérangeant, exprimant des vérités sur lesquelles on préférerait parfois fermer les yeux, ce livre est un document essentiel pour comprendre le point de vue des Inuit dans le bras de fer qui les a opposés à Québec. C’est une occasion unique d’entendre une voix qui a eu bien peu d’échos au Sud et, pour les Québécois, de faire un examen de conscience salutaire quant à la façon dont ils ont, par le passé, transigé avec les Premières Nations.
indigenous
Volume 64: World Tour 2023
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With this second collaborative issue between Archis Foundation and Nieuwe Instituut, the magazine is now a cross-pollinator between its editorial content and the programmes of the Nieuwe Instituut itself. "World Tour 2023" is about appreciating "the naïve" and using it as a tool for enrichment. Readers embark on an itinerary through 22 contributions, covering a range of(...)
Volume 64: World Tour 2023
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With this second collaborative issue between Archis Foundation and Nieuwe Instituut, the magazine is now a cross-pollinator between its editorial content and the programmes of the Nieuwe Instituut itself. "World Tour 2023" is about appreciating "the naïve" and using it as a tool for enrichment. Readers embark on an itinerary through 22 contributions, covering a range of developments in design and architecture around the globe. From loss and transformation to parables and politics, it touches on pop culture in Japan, Indonesian post-colonialism in Jakarta, Mexican airports, Australian ugliness, Indian urban and cultural development, the next generation of American cars, and much more.
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The eleventh issue of "The Funambulist" can be read as the third installment of a trilogy about the territorialities and architectures of colonialism and postcolonialism. It is dedicated to the precise and strategic political order behind the apparent disorder of debris and ruin in various geographical and historical contexts. The current situations of systematic(...)
The Funambulist 11: Designed destructions
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The eleventh issue of "The Funambulist" can be read as the third installment of a trilogy about the territorialities and architectures of colonialism and postcolonialism. It is dedicated to the precise and strategic political order behind the apparent disorder of debris and ruin in various geographical and historical contexts. The current situations of systematic destruction historically and currently experienced by Syrian and Palestinian populations provides a core to this issue to which are added accounts of the Uyghur, Tamil, and Black American struggles respectively in Xinjiang, Eelam, and the United States, as well as historical descriptions of survival bodies in Sarajevo and monument desecration in West Africa and the Carribeans.
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"What is highly likely but not impossible?" is informed by themes found in the work of Hiwa K, such as statehood, war, migration, belonging, the effects of neoliberalism and colonialism, home as a concept, language, and the myth of the individual artist. The compendium ranges freely across mediums, drawing together experimental poetry, science fiction, photography,(...)
What is highly unlikely but not impossible?
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"What is highly likely but not impossible?" is informed by themes found in the work of Hiwa K, such as statehood, war, migration, belonging, the effects of neoliberalism and colonialism, home as a concept, language, and the myth of the individual artist. The compendium ranges freely across mediums, drawing together experimental poetry, science fiction, photography, memoir, academic essays, art historical texts, and more. Contributions include a short story by Benjamin Labatut, an excerpt from a lecture by Achille Mbembe, and drawings by Hajra Waheed. Like previous editions in the series, this book brings together a range of voices and mediums to consider?some of the most pressing issues of our time.?
Art Theory
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Sarah Malakoff’s large-scale color photographs investigate domestic interiors as both a refuge from and a re-creation of the outside world. In ''Personal History'', she turns her attention to objects displayed within American homes that reference culture, history, and ideology. Whether representations of historical figures, events, or monuments, the possessions point to a(...)
Sarah Malakoff: personal history
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Sarah Malakoff’s large-scale color photographs investigate domestic interiors as both a refuge from and a re-creation of the outside world. In ''Personal History'', she turns her attention to objects displayed within American homes that reference culture, history, and ideology. Whether representations of historical figures, events, or monuments, the possessions point to a longing for connection to the past and an engagement with the world at large. Often the collections of objects underscore the privilege and power implicit in the act of collecting. These souvenirs resonate—sometimes humorously, sometimes disturbingly—with the other possessions and architecture that surround them, uneasily vacillating between heroism and kitsch, patriotism and colonialism.
Photography monographs
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"The Earth that modernism built" traces the rise of planetary design to an imperialist discourse about the influence of the earthly environment on humanity. Kenny Cupers argues that to understand how the earth became an object of design, we need to radically shift the terms of analysis. Rather than describing how new design ideas and practices traveled and transformed(...)
The earth that modernism built: Empire and the rise of Planetary Design
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"The Earth that modernism built" traces the rise of planetary design to an imperialist discourse about the influence of the earthly environment on humanity. Kenny Cupers argues that to understand how the earth became an object of design, we need to radically shift the terms of analysis. Rather than describing how new design ideas and practices traveled and transformed people and places across the globe, this book interrogates the politics of life and earth underpinning this process. It demonstrates how approaches to modern housing, landscape design, and infrastructure planning are indebted to an understanding of planetary and human ecology fueled by settler colonialism and imperial ambition.
Architectural Theory
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''Before I was a critic I was a human being'' is the debut collection of essays by Amy Fung. In it, Fung takes a closer examination at Canada’s mythologies of multiculturalism, settler colonialism, and identity through the lens of a national art critic. Following the tangents of a foreign-born perspective and the complexities and complicities in participating in ongoing(...)
Before I was a critic I was a human being
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''Before I was a critic I was a human being'' is the debut collection of essays by Amy Fung. In it, Fung takes a closer examination at Canada’s mythologies of multiculturalism, settler colonialism, and identity through the lens of a national art critic. Following the tangents of a foreign-born perspective and the complexities and complicities in participating in ongoing acts of colonial violence, the book as a whole takes the form of a very long land acknowledgement. Taken individually, each piece roots itself in the learning and unlearning process of a first generation settler immigrant as she unfurls each region’s sense of place and identity.
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214 pages : illustrations ; 23 cm.
Montreuil : Éditions B42, 2026.
Toxicité coloniale : documenter le paysage radioactif dans le Sahara / un texte de Samia Henni ; traduit de l'anglais par Marc Saint-Upéry ; un livre conçu par deValence.
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214 pages : illustrations ; 23 cm.
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Montreuil : Éditions B42, 2026.