1157 Results
Form:
events
events
Actions:
Description:
The Toolkit for Today seminar is a constitutive part of the CCA Doctoral Students Program. We invite scholars to open up their toolboxes, share methodological challenges and approaches, and discuss the key concepts they work with on contemporary issues in architecture and related disciplines. In 2016, the Toolkit for Today focuses on “Keywords for the Environment,”(...)
The Toolkit for Today seminar is a constitutive part of the CCA Doctoral Students Program. We invite scholars to open up their toolboxes, share methodological challenges and approaches, and discuss the key concepts they work with on contemporary issues in architecture and related disciplines. In 2016, the Toolkit for Today focuses on “Keywords for the Environment,”(...)
Date:
27 June 2016 to 30 June 2016
27 June 2016 to 30 June 2016
Title:
Toolkit for Today: Keywords for the Environment
Actions:
Description:
The Toolkit for Today seminar is a constitutive part of the CCA Doctoral Students Program. We invite scholars to open up their toolboxes, share methodological challenges and approaches, and discuss the key concepts they work with on contemporary issues in architecture and related disciplines. In 2016, the Toolkit for Today focuses on “Keywords for the Environment,”(...)
Toolkit for Today: Keywords for the Environment
Actions:
Description:
The Toolkit for Today seminar is a constitutive part of the CCA Doctoral Students Program. We invite scholars to open up their toolboxes, share methodological challenges and approaches, and discuss the key concepts they work with on contemporary issues in architecture and related disciplines. In 2016, the Toolkit for Today focuses on “Keywords for the Environment,”(...)
Form:
events
events
Date:
27 June 2016 to
30 June 2016
27 June 2016 to
30 June 2016
Form:
events
events
Description:
Meat and dairy products are ubiquitous ingredients in the globe’s diet. However, the buildings that transform living beings into commodities are usually hidden from the public eye. The architecture of factory farming may seem anonymous and banal, and yet it is made possible by sophisticated technologies and practices of biosecurity. How was the design of intensive animal(...)
Meat and dairy products are ubiquitous ingredients in the globe’s diet. However, the buildings that transform living beings into commodities are usually hidden from the public eye. The architecture of factory farming may seem anonymous and banal, and yet it is made possible by sophisticated technologies and practices of biosecurity. How was the design of intensive animal(...)
Date:
20 July 2023, 6pm to 7:30pm
20 July 2023, 6pm to 7:30pm
Title:
Cages for non-humans: An architectural history of animal farming
Actions:
Description:
Meat and dairy products are ubiquitous ingredients in the globe’s diet. However, the buildings that transform living beings into commodities are usually hidden from the public eye. The architecture of factory farming may seem anonymous and banal, and yet it is made possible by sophisticated technologies and practices of biosecurity. How was the design of intensive animal(...)
Cages for non-humans: An architectural history of animal farming
Actions:
Description:
Meat and dairy products are ubiquitous ingredients in the globe’s diet. However, the buildings that transform living beings into commodities are usually hidden from the public eye. The architecture of factory farming may seem anonymous and banal, and yet it is made possible by sophisticated technologies and practices of biosecurity. How was the design of intensive animal(...)
Form:
events
events
Date:
20 July 2023
6pm to 7:30pm
20 July 2023
6pm to 7:30pm
Form:
events
events
Title:
In Response
In Response
Actions:
Description:
In Response is a series of public seminars that mark the final weeks of the exhibition The Other Architect. If the exhibition presents alternative approaches and models that have challenged traditional design practices, the seminars offer alternative curatorial views on the exhibition and accompanying publication. Respondents include: Felicity Scott (Thursday 10 March),(...)
In Response is a series of public seminars that mark the final weeks of the exhibition The Other Architect. If the exhibition presents alternative approaches and models that have challenged traditional design practices, the seminars offer alternative curatorial views on the exhibition and accompanying publication. Respondents include: Felicity Scott (Thursday 10 March),(...)
Location:
Main galleries
Main galleries
Date:
10 March 2016 to 1 April 2016
10 March 2016 to 1 April 2016
Title:
In Response
Actions:
Description:
In Response is a series of public seminars that mark the final weeks of the exhibition The Other Architect. If the exhibition presents alternative approaches and models that have challenged traditional design practices, the seminars offer alternative curatorial views on the exhibition and accompanying publication. Respondents include: Felicity Scott (Thursday 10 March),(...)
In Response
Actions:
Description:
In Response is a series of public seminars that mark the final weeks of the exhibition The Other Architect. If the exhibition presents alternative approaches and models that have challenged traditional design practices, the seminars offer alternative curatorial views on the exhibition and accompanying publication. Respondents include: Felicity Scott (Thursday 10 March),(...)
Form:
events
events
Date:
10 March 2016 to
1 April 2016
10 March 2016 to
1 April 2016
Location:
Main galleries
Main galleries
Level of archival description:
Series
Series
Title:
Academic work and interviews
Academic work and interviews
Reference number:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
People:
Date:
circa 1970-2015
circa 1970-2015
Title:
Academic work and interviews
Actions:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Academic work and interviews
Actions:
AP207.S4
Description:
The series documents Pettena’s academic work and his activities as an architecture critic from the 1970s to the mid 2010s. It documents Pettena’s teaching, including his work as professor of History of Contemporary Architecture at the University of Florence from 1973 to 2008, but also as professor of Design at California State University. It also includes materials related to lectures and conferences he gave either on his work or on subjects he studied, including lectures for the Domus Academy in 1993. The series also documents interviews he gave during his career to promote his projects, his exhibitions or publications, as well as for publications and exhibitions on him and his work. The series contains administrative material related to Pettena’s work as a professor, chiefly at the University of Florence, such as correspondence and course syllabi. The series also includes Pettena’s teaching material, such as notes and reference material, and photocopies of reading assignments for courses. This series also contains a large collection of reference slides, predominantly on contemporary architecture and design and on architects, such as Ettore Sottsass Sr. and Jr., Hans Hollein, Alessandro Mendini, Carlo Scarpa, Oscar Niemeyer, Buckminster Fuller, and Studio Alchimia, as well as on contemporary artistic movements. Also included is student work, such as student theses from University of Florence and one thesis from a student at the California State University. The series also contains materials related to Pettena’s lectures, including correspondence, presentation texts, and promotional material for lectures, seminars and courses. Finally, the series includes material from Pettena’s interviews, such as interview transcripts, copies of published interviews, and audio and video recordings of interviews.
Level of archival description:
Series
Series
Date:
circa 1970-2015
circa 1970-2015
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Joseph Rykwert fonds
Joseph Rykwert fonds
Reference number:
AP209
Synopsis:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
AP209
Synopsis:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
People:
Date:
1928-2022
1928-2022
Title:
Joseph Rykwert fonds
Actions:
AP209
Synopsis:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
Joseph Rykwert fonds
Actions:
AP209
Synopsis:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1928-2022
1928-2022
People:
Form:
textual records
textual records
Actions:
Reference number:
AP197.S3.004
Description:
The box is comprised of correspondence for 1991-1994, organized in alphabetical order by last name, from L-T. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to Kenneth Frampton’s involvement/participation as: a lecturer at Association of Collegiate Schools of Architecture (ASCA) Conference and the Chinese University of Hong Kong; a keynote speaker at the National University of Singapore Conference; visiting professorship at the Université de Montréal; as Chairman of the Jerusalem Seminar in Architecture; a member of the advisory board for the World Architecture Triennale, Nara.
AP197.S3.004
Description:
The box is comprised of correspondence for 1991-1994, organized in alphabetical order by last name, from L-T. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to Kenneth Frampton’s involvement/participation as: a lecturer at Association of Collegiate Schools of Architecture (ASCA) Conference and the Chinese University of Hong Kong; a keynote speaker at the National University of Singapore Conference; visiting professorship at the Université de Montréal; as Chairman of the Jerusalem Seminar in Architecture; a member of the advisory board for the World Architecture Triennale, Nara.
People:
Date:
1991-1994
1991-1994
Title:
Personal and professional correspondence for names L-T from 1991-1994
Actions:
AP197.S3.004
Description:
The box is comprised of correspondence for 1991-1994, organized in alphabetical order by last name, from L-T. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to Kenneth Frampton’s involvement/participation as: a lecturer at Association of Collegiate Schools of Architecture (ASCA) Conference and the Chinese University of Hong Kong; a keynote speaker at the National University of Singapore Conference; visiting professorship at the Université de Montréal; as Chairman of the Jerusalem Seminar in Architecture; a member of the advisory board for the World Architecture Triennale, Nara.
Personal and professional correspondence for names L-T from 1991-1994
Actions:
AP197.S3.004
Description:
The box is comprised of correspondence for 1991-1994, organized in alphabetical order by last name, from L-T. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to Kenneth Frampton’s involvement/participation as: a lecturer at Association of Collegiate Schools of Architecture (ASCA) Conference and the Chinese University of Hong Kong; a keynote speaker at the National University of Singapore Conference; visiting professorship at the Université de Montréal; as Chairman of the Jerusalem Seminar in Architecture; a member of the advisory board for the World Architecture Triennale, Nara.
Form:
textual records
textual records
Date:
1991-1994
1991-1994
People:
Form:
textual records
textual records
Title:
F-I alphabetical files
F-I alphabetical files
Actions:
Reference number:
ARCH255609
Description:
15 files - F-I alphabetical files - Foundation of Canada, F-H miscellaneous files, Alastair Hunter photography litigation, Inner City Angels including 2 photographs of Erickson and company; International Year of the Child; Request for lectures, seminars, TV broadcasts, interview, or photo sittings; itineraries.
ARCH255609
Description:
15 files - F-I alphabetical files - Foundation of Canada, F-H miscellaneous files, Alastair Hunter photography litigation, Inner City Angels including 2 photographs of Erickson and company; International Year of the Child; Request for lectures, seminars, TV broadcasts, interview, or photo sittings; itineraries.
People:
Date:
1977-1986
1977-1986
Title:
F-I alphabetical files
Actions:
ARCH255609
Description:
15 files - F-I alphabetical files - Foundation of Canada, F-H miscellaneous files, Alastair Hunter photography litigation, Inner City Angels including 2 photographs of Erickson and company; International Year of the Child; Request for lectures, seminars, TV broadcasts, interview, or photo sittings; itineraries.
F-I alphabetical files
Actions:
ARCH255609
Description:
15 files - F-I alphabetical files - Foundation of Canada, F-H miscellaneous files, Alastair Hunter photography litigation, Inner City Angels including 2 photographs of Erickson and company; International Year of the Child; Request for lectures, seminars, TV broadcasts, interview, or photo sittings; itineraries.
Form:
textual records
textual records
Date:
1977-1986
1977-1986
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1998.PR07
Description:
This project series documents the C. Cultural e Audit. para a Fundação Ibere Camargo in Porto Alegre, Brazil. While the records were held in the office’s archives this project was assigned the number 102/90. The office assigned the date 1998 to this project. At the end of the nineties, an architectural competition was held for the construction of a new building for the Iberê Camargo Foundation. The foundation holds the archives and work of the Brazilian painter Ibere Carmargo, as well as hosts temporary exhibitions and seminars. The project site is located near the Guaíba River, between a cliff and the Avenida Padre Cacique. Collaborators on the project were Barbara Rangel, Pedro Polonia, Michele Gigante, Francesca Montalto, Atsushi Ueno, Rita Amaral, José Luiz Cana, and Camargo Correa. The three-stories building is 88,000 square feet and includes nine galleries, storage spaces, offices, a bookstore, an auditorium, and a video library. Each of the galleries is independent but linked via a system of ramps. One of the unique qualities of the building are the ramps that come out of its concrete façade. Due to the limited space, the parking was built below the Avenida Padre Cacique. The building respects the concept of sustainable development, with a sewage treatment station that redistributes the water to the surrounding vegetation. The museum was Siza's first built project in Brazil and it was inaugurated in 2008. Siza received the Golden Lion award at the Venice Architecture Biennale in 2003 for this project. Documenting this project are sketches, studies, preliminary drawings, working drawings, technical drawings, and electrical drawings. Textual material includes project documentation, correspondence, and documentation regarding exhibitions about the building. Photographic material documents the models, project site, and built project.
AP178.S1.1998.PR07
Description:
This project series documents the C. Cultural e Audit. para a Fundação Ibere Camargo in Porto Alegre, Brazil. While the records were held in the office’s archives this project was assigned the number 102/90. The office assigned the date 1998 to this project. At the end of the nineties, an architectural competition was held for the construction of a new building for the Iberê Camargo Foundation. The foundation holds the archives and work of the Brazilian painter Ibere Carmargo, as well as hosts temporary exhibitions and seminars. The project site is located near the Guaíba River, between a cliff and the Avenida Padre Cacique. Collaborators on the project were Barbara Rangel, Pedro Polonia, Michele Gigante, Francesca Montalto, Atsushi Ueno, Rita Amaral, José Luiz Cana, and Camargo Correa. The three-stories building is 88,000 square feet and includes nine galleries, storage spaces, offices, a bookstore, an auditorium, and a video library. Each of the galleries is independent but linked via a system of ramps. One of the unique qualities of the building are the ramps that come out of its concrete façade. Due to the limited space, the parking was built below the Avenida Padre Cacique. The building respects the concept of sustainable development, with a sewage treatment station that redistributes the water to the surrounding vegetation. The museum was Siza's first built project in Brazil and it was inaugurated in 2008. Siza received the Golden Lion award at the Venice Architecture Biennale in 2003 for this project. Documenting this project are sketches, studies, preliminary drawings, working drawings, technical drawings, and electrical drawings. Textual material includes project documentation, correspondence, and documentation regarding exhibitions about the building. Photographic material documents the models, project site, and built project.
People:
Date:
1998-2006
1998-2006
Title:
C. Cultural e Audit. para a Fundação Iberê Camargo [Iberê Camargo Foundation Museum], Porto Alegre, Brazil (1998)
Actions:
AP178.S1.1998.PR07
Description:
This project series documents the C. Cultural e Audit. para a Fundação Ibere Camargo in Porto Alegre, Brazil. While the records were held in the office’s archives this project was assigned the number 102/90. The office assigned the date 1998 to this project. At the end of the nineties, an architectural competition was held for the construction of a new building for the Iberê Camargo Foundation. The foundation holds the archives and work of the Brazilian painter Ibere Carmargo, as well as hosts temporary exhibitions and seminars. The project site is located near the Guaíba River, between a cliff and the Avenida Padre Cacique. Collaborators on the project were Barbara Rangel, Pedro Polonia, Michele Gigante, Francesca Montalto, Atsushi Ueno, Rita Amaral, José Luiz Cana, and Camargo Correa. The three-stories building is 88,000 square feet and includes nine galleries, storage spaces, offices, a bookstore, an auditorium, and a video library. Each of the galleries is independent but linked via a system of ramps. One of the unique qualities of the building are the ramps that come out of its concrete façade. Due to the limited space, the parking was built below the Avenida Padre Cacique. The building respects the concept of sustainable development, with a sewage treatment station that redistributes the water to the surrounding vegetation. The museum was Siza's first built project in Brazil and it was inaugurated in 2008. Siza received the Golden Lion award at the Venice Architecture Biennale in 2003 for this project. Documenting this project are sketches, studies, preliminary drawings, working drawings, technical drawings, and electrical drawings. Textual material includes project documentation, correspondence, and documentation regarding exhibitions about the building. Photographic material documents the models, project site, and built project.
C. Cultural e Audit. para a Fundação Iberê Camargo [Iberê Camargo Foundation Museum], Porto Alegre, Brazil (1998)
Actions:
AP178.S1.1998.PR07
Description:
This project series documents the C. Cultural e Audit. para a Fundação Ibere Camargo in Porto Alegre, Brazil. While the records were held in the office’s archives this project was assigned the number 102/90. The office assigned the date 1998 to this project. At the end of the nineties, an architectural competition was held for the construction of a new building for the Iberê Camargo Foundation. The foundation holds the archives and work of the Brazilian painter Ibere Carmargo, as well as hosts temporary exhibitions and seminars. The project site is located near the Guaíba River, between a cliff and the Avenida Padre Cacique. Collaborators on the project were Barbara Rangel, Pedro Polonia, Michele Gigante, Francesca Montalto, Atsushi Ueno, Rita Amaral, José Luiz Cana, and Camargo Correa. The three-stories building is 88,000 square feet and includes nine galleries, storage spaces, offices, a bookstore, an auditorium, and a video library. Each of the galleries is independent but linked via a system of ramps. One of the unique qualities of the building are the ramps that come out of its concrete façade. Due to the limited space, the parking was built below the Avenida Padre Cacique. The building respects the concept of sustainable development, with a sewage treatment station that redistributes the water to the surrounding vegetation. The museum was Siza's first built project in Brazil and it was inaugurated in 2008. Siza received the Golden Lion award at the Venice Architecture Biennale in 2003 for this project. Documenting this project are sketches, studies, preliminary drawings, working drawings, technical drawings, and electrical drawings. Textual material includes project documentation, correspondence, and documentation regarding exhibitions about the building. Photographic material documents the models, project site, and built project.
Level of archival description:
Project
Project
Date:
1998-2006
1998-2006
People:
Form:
exhibitions
exhibitions
Description:
Amid education reform in American schools of architecture in the 1970s, Kenneth Frampton was integral in transforming the curriculum of Columbia University’s Graduate School of Architecture Planning. In particular, he designed and taught what became three core courses: the theory seminar “Comparative Critical Analysis,” the history lectures “Thresholds of Modern(...)
Amid education reform in American schools of architecture in the 1970s, Kenneth Frampton was integral in transforming the curriculum of Columbia University’s Graduate School of Architecture Planning. In particular, he designed and taught what became three core courses: the theory seminar “Comparative Critical Analysis,” the history lectures “Thresholds of Modern(...)
Date:
31 May 2017 to 24 September 2017
31 May 2017 to 24 September 2017
Title:
Educating Architects: Four Courses by Kenneth Frampton
Actions:
Description:
Amid education reform in American schools of architecture in the 1970s, Kenneth Frampton was integral in transforming the curriculum of Columbia University’s Graduate School of Architecture Planning. In particular, he designed and taught what became three core courses: the theory seminar “Comparative Critical Analysis,” the history lectures “Thresholds of Modern(...)
Educating Architects: Four Courses by Kenneth Frampton
Actions:
Description:
Amid education reform in American schools of architecture in the 1970s, Kenneth Frampton was integral in transforming the curriculum of Columbia University’s Graduate School of Architecture Planning. In particular, he designed and taught what became three core courses: the theory seminar “Comparative Critical Analysis,” the history lectures “Thresholds of Modern(...)
Form:
exhibitions
exhibitions
Date:
31 May 2017 to
24 September 2017
31 May 2017 to
24 September 2017
Form:
textual records
textual records
Reference number:
ARCH153544
Description:
Documentation concerning the project of a Journal for Discussion, and Criticism of Architecture, Planning and Urban Design, to be edited by Stanford Anderson and Anthony Vidler : with lists of proposed writers and topics for first issues; budget data Photocopy of Denise Levertov : "Some Notes on Organic Form", Poetry, vol. 106, no 6, September 1965 Schedule and introductory text by H.-R. Hitchcock for the "3rd Modern Architecture Symposium", Columbia University, May 13-15, 1966 CASE editorial Board Meeting, May 9 1965 Schedule of Seminar on Constructivism, A.A. 24/6/65 "A Work Study Program" Correspondence between PDE and Anthony Vidler Letter from Stuart Cohen [Statements of the editors about] Re:Form Editorial Statement (CASE/Problems in Architecture) Statement of the Editorial Board New York May 9, 1965; Colin Rowe, Peter Eisenman, Stanford Anderson, Kenneth Frampton, Henry Millon
ARCH153544
Description:
Documentation concerning the project of a Journal for Discussion, and Criticism of Architecture, Planning and Urban Design, to be edited by Stanford Anderson and Anthony Vidler : with lists of proposed writers and topics for first issues; budget data Photocopy of Denise Levertov : "Some Notes on Organic Form", Poetry, vol. 106, no 6, September 1965 Schedule and introductory text by H.-R. Hitchcock for the "3rd Modern Architecture Symposium", Columbia University, May 13-15, 1966 CASE editorial Board Meeting, May 9 1965 Schedule of Seminar on Constructivism, A.A. 24/6/65 "A Work Study Program" Correspondence between PDE and Anthony Vidler Letter from Stuart Cohen [Statements of the editors about] Re:Form Editorial Statement (CASE/Problems in Architecture) Statement of the Editorial Board New York May 9, 1965; Colin Rowe, Peter Eisenman, Stanford Anderson, Kenneth Frampton, Henry Millon
People:
Date:
1965-1971
1965-1971
Title:
PDE IAUS, 1971: D Projects - 2 IAUS magazine: CASE Mag. 1965-1971
Actions:
ARCH153544
Description:
Documentation concerning the project of a Journal for Discussion, and Criticism of Architecture, Planning and Urban Design, to be edited by Stanford Anderson and Anthony Vidler : with lists of proposed writers and topics for first issues; budget data Photocopy of Denise Levertov : "Some Notes on Organic Form", Poetry, vol. 106, no 6, September 1965 Schedule and introductory text by H.-R. Hitchcock for the "3rd Modern Architecture Symposium", Columbia University, May 13-15, 1966 CASE editorial Board Meeting, May 9 1965 Schedule of Seminar on Constructivism, A.A. 24/6/65 "A Work Study Program" Correspondence between PDE and Anthony Vidler Letter from Stuart Cohen [Statements of the editors about] Re:Form Editorial Statement (CASE/Problems in Architecture) Statement of the Editorial Board New York May 9, 1965; Colin Rowe, Peter Eisenman, Stanford Anderson, Kenneth Frampton, Henry Millon
PDE IAUS, 1971: D Projects - 2 IAUS magazine: CASE Mag. 1965-1971
Actions:
ARCH153544
Description:
Documentation concerning the project of a Journal for Discussion, and Criticism of Architecture, Planning and Urban Design, to be edited by Stanford Anderson and Anthony Vidler : with lists of proposed writers and topics for first issues; budget data Photocopy of Denise Levertov : "Some Notes on Organic Form", Poetry, vol. 106, no 6, September 1965 Schedule and introductory text by H.-R. Hitchcock for the "3rd Modern Architecture Symposium", Columbia University, May 13-15, 1966 CASE editorial Board Meeting, May 9 1965 Schedule of Seminar on Constructivism, A.A. 24/6/65 "A Work Study Program" Correspondence between PDE and Anthony Vidler Letter from Stuart Cohen [Statements of the editors about] Re:Form Editorial Statement (CASE/Problems in Architecture) Statement of the Editorial Board New York May 9, 1965; Colin Rowe, Peter Eisenman, Stanford Anderson, Kenneth Frampton, Henry Millon
Form:
textual records
textual records
Date:
1965-1971
1965-1971
People:
