10427 Results
Level of archival description:
Project
Project
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Reference number:
AP178.S1.1983.PR01
Description:
This project series documents the Reconstrução da Igreja Madre de Salemi, the Piazza Alicia and the Recuperação do Plano Cascio in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number [7]/80. The office assigned the dates 1983-1999 for this project. The reconstruction of the mother Church of Salemi, the construction of the Piazza Alicia, and the rehabilitation of Plano Cascio was part of an urban renewal for Salemi. In 1968, an earthquake destroyed the Igreja Madre de Salemi and damaged the area. The church was never rebuilt. In 1982, Roberto Collovà and Siza we're chosen by the Curia of Mazara del Vallo for the reconstruction of the church. Instead of rebuilding it, the architects decided to use the ruins to create something new that would represent the spirit of the church and the memory of the earthquake. Documenting this project are plans, project documentation, and correspondence. Photographic materials document construction work and the model.
AP178.S1.1983.PR01
Description:
This project series documents the Reconstrução da Igreja Madre de Salemi, the Piazza Alicia and the Recuperação do Plano Cascio in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number [7]/80. The office assigned the dates 1983-1999 for this project. The reconstruction of the mother Church of Salemi, the construction of the Piazza Alicia, and the rehabilitation of Plano Cascio was part of an urban renewal for Salemi. In 1968, an earthquake destroyed the Igreja Madre de Salemi and damaged the area. The church was never rebuilt. In 1982, Roberto Collovà and Siza we're chosen by the Curia of Mazara del Vallo for the reconstruction of the church. Instead of rebuilding it, the architects decided to use the ruins to create something new that would represent the spirit of the church and the memory of the earthquake. Documenting this project are plans, project documentation, and correspondence. Photographic materials document construction work and the model.
People:
Date:
1984-1992
1984-1992
Title:
Reconstrução da Igreja Madre de Salemi [Reconstruction of the Mother Church of Salemi], Salemi, Italy (1983-1999)
Actions:
AP178.S1.1983.PR01
Description:
This project series documents the Reconstrução da Igreja Madre de Salemi, the Piazza Alicia and the Recuperação do Plano Cascio in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number [7]/80. The office assigned the dates 1983-1999 for this project. The reconstruction of the mother Church of Salemi, the construction of the Piazza Alicia, and the rehabilitation of Plano Cascio was part of an urban renewal for Salemi. In 1968, an earthquake destroyed the Igreja Madre de Salemi and damaged the area. The church was never rebuilt. In 1982, Roberto Collovà and Siza we're chosen by the Curia of Mazara del Vallo for the reconstruction of the church. Instead of rebuilding it, the architects decided to use the ruins to create something new that would represent the spirit of the church and the memory of the earthquake. Documenting this project are plans, project documentation, and correspondence. Photographic materials document construction work and the model.
Reconstrução da Igreja Madre de Salemi [Reconstruction of the Mother Church of Salemi], Salemi, Italy (1983-1999)
Actions:
AP178.S1.1983.PR01
Description:
This project series documents the Reconstrução da Igreja Madre de Salemi, the Piazza Alicia and the Recuperação do Plano Cascio in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number [7]/80. The office assigned the dates 1983-1999 for this project. The reconstruction of the mother Church of Salemi, the construction of the Piazza Alicia, and the rehabilitation of Plano Cascio was part of an urban renewal for Salemi. In 1968, an earthquake destroyed the Igreja Madre de Salemi and damaged the area. The church was never rebuilt. In 1982, Roberto Collovà and Siza we're chosen by the Curia of Mazara del Vallo for the reconstruction of the church. Instead of rebuilding it, the architects decided to use the ruins to create something new that would represent the spirit of the church and the memory of the earthquake. Documenting this project are plans, project documentation, and correspondence. Photographic materials document construction work and the model.
Level of archival description:
Project
Project
Date:
1984-1992
1984-1992
People:
Form:
photographs
photographs
Actions:
Reference number:
PH1987:0700
Description:
- There is a sketch in graphite on the verso of the photograph, apparently a block plan of the project. The sketch may be by N. Podgorny, then Chief of Urban Services in Kharkov, since he was involved in the U.S.S.R. Study Tour as one of the Soviet architects that had meetings and conferences with study tour members ('L'Architecture d'aujourd'hui', p. 74).
PH1987:0700
Description:
- There is a sketch in graphite on the verso of the photograph, apparently a block plan of the project. The sketch may be by N. Podgorny, then Chief of Urban Services in Kharkov, since he was involved in the U.S.S.R. Study Tour as one of the Soviet architects that had meetings and conferences with study tour members ('L'Architecture d'aujourd'hui', p. 74).
People:
Subject:
architecture
architecture
Date:
September 1932
September 1932
Title:
Photograph of a perspective drawing for the House of Political Prisoners of Tsarism, Kharkov, Soviet Union (now in Ukraine)
Actions:
PH1987:0700
Description:
- There is a sketch in graphite on the verso of the photograph, apparently a block plan of the project. The sketch may be by N. Podgorny, then Chief of Urban Services in Kharkov, since he was involved in the U.S.S.R. Study Tour as one of the Soviet architects that had meetings and conferences with study tour members ('L'Architecture d'aujourd'hui', p. 74).
Photograph of a perspective drawing for the House of Political Prisoners of Tsarism, Kharkov, Soviet Union (now in Ukraine)
Actions:
PH1987:0700
Description:
- There is a sketch in graphite on the verso of the photograph, apparently a block plan of the project. The sketch may be by N. Podgorny, then Chief of Urban Services in Kharkov, since he was involved in the U.S.S.R. Study Tour as one of the Soviet architects that had meetings and conferences with study tour members ('L'Architecture d'aujourd'hui', p. 74).
Form:
photographs
photographs
Date:
September 1932
September 1932
People:
Subject:
architecture
architecture
Level of archival description:
Series
Series
Reference number:
AP156.S3
Description:
La série documente les projets d'architectures en Europe et en Inde de Pierre Jeanneret et autres architectes entre la fin des années 1930 et la moitié des années 1970s. La série inclute des projets comme le Centre d'apprentissage de Béziers, en France, ainsi que plusieurs des projets d'architecture ou d'urbanisme réalisés pour la nouvelle ville de Chandigarh et Talwara, en Inde, avec Le Corbusier. Le matériel dans la série a été produit entre 1932 et 1975. La série contient des dessins et des reprographies de dessins conceptuel, de dessin de développement du design, de dessins d'exécution et de dessins de présentation. La série contient aussi quelques documents textuels et des photographies reliées à certains des projets. Series documents the architectural projects in Europe and India of Pierre Jeanneret and other architects between the end of the 1930s to the middle of the 1970s. The series includes projects like the Centre d'apprentissage de Béziers, in France, and also many projects of architectural and urban planning completed for the new city of Chandigarh and Talwara, in India, with Le Corbusier. The material in the series was produced between 1932 and 1975. The series contains drawings and reprograhic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series contains also some textual records and photographs related to some of the projects.
AP156.S3
Description:
La série documente les projets d'architectures en Europe et en Inde de Pierre Jeanneret et autres architectes entre la fin des années 1930 et la moitié des années 1970s. La série inclute des projets comme le Centre d'apprentissage de Béziers, en France, ainsi que plusieurs des projets d'architecture ou d'urbanisme réalisés pour la nouvelle ville de Chandigarh et Talwara, en Inde, avec Le Corbusier. Le matériel dans la série a été produit entre 1932 et 1975. La série contient des dessins et des reprographies de dessins conceptuel, de dessin de développement du design, de dessins d'exécution et de dessins de présentation. La série contient aussi quelques documents textuels et des photographies reliées à certains des projets. Series documents the architectural projects in Europe and India of Pierre Jeanneret and other architects between the end of the 1930s to the middle of the 1970s. The series includes projects like the Centre d'apprentissage de Béziers, in France, and also many projects of architectural and urban planning completed for the new city of Chandigarh and Talwara, in India, with Le Corbusier. The material in the series was produced between 1932 and 1975. The series contains drawings and reprograhic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series contains also some textual records and photographs related to some of the projects.
People:
Date:
1932-1975
1932-1975
Title:
Projets d'architecture = Architectural projects
Actions:
AP156.S3
Description:
La série documente les projets d'architectures en Europe et en Inde de Pierre Jeanneret et autres architectes entre la fin des années 1930 et la moitié des années 1970s. La série inclute des projets comme le Centre d'apprentissage de Béziers, en France, ainsi que plusieurs des projets d'architecture ou d'urbanisme réalisés pour la nouvelle ville de Chandigarh et Talwara, en Inde, avec Le Corbusier. Le matériel dans la série a été produit entre 1932 et 1975. La série contient des dessins et des reprographies de dessins conceptuel, de dessin de développement du design, de dessins d'exécution et de dessins de présentation. La série contient aussi quelques documents textuels et des photographies reliées à certains des projets. Series documents the architectural projects in Europe and India of Pierre Jeanneret and other architects between the end of the 1930s to the middle of the 1970s. The series includes projects like the Centre d'apprentissage de Béziers, in France, and also many projects of architectural and urban planning completed for the new city of Chandigarh and Talwara, in India, with Le Corbusier. The material in the series was produced between 1932 and 1975. The series contains drawings and reprograhic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series contains also some textual records and photographs related to some of the projects.
Projets d'architecture = Architectural projects
Actions:
AP156.S3
Description:
La série documente les projets d'architectures en Europe et en Inde de Pierre Jeanneret et autres architectes entre la fin des années 1930 et la moitié des années 1970s. La série inclute des projets comme le Centre d'apprentissage de Béziers, en France, ainsi que plusieurs des projets d'architecture ou d'urbanisme réalisés pour la nouvelle ville de Chandigarh et Talwara, en Inde, avec Le Corbusier. Le matériel dans la série a été produit entre 1932 et 1975. La série contient des dessins et des reprographies de dessins conceptuel, de dessin de développement du design, de dessins d'exécution et de dessins de présentation. La série contient aussi quelques documents textuels et des photographies reliées à certains des projets. Series documents the architectural projects in Europe and India of Pierre Jeanneret and other architects between the end of the 1930s to the middle of the 1970s. The series includes projects like the Centre d'apprentissage de Béziers, in France, and also many projects of architectural and urban planning completed for the new city of Chandigarh and Talwara, in India, with Le Corbusier. The material in the series was produced between 1932 and 1975. The series contains drawings and reprograhic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series contains also some textual records and photographs related to some of the projects.
Level of archival description:
Série 3
Série 3
Date:
1932-1975
1932-1975
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP178.S1.2001.PR06
Description:
This project series documents the Centro de Alto Rendimento en el Balneario de Panticosa in Panticosa, Spain. While the records were held in the office’s archives this project was assigned the number 32/00 A. The office assigned the date 2001 for this project. The project site is located in the mountains of Panticosa on the site of a spa resort. Siza's project was part of a revitalization project of the area supervised by Rafael Moneo. Moneo's project included the urban rehabilitation of the area and the renovation of the Nuestra Señora del Carmen church, as well as the construction of a hotel, a casino, and a cultural center. Siza's project consisted of a hotel for athletes, that included gymnasiums, exterior and interior pools, massage rooms, saunas, thermal baths, a solarium, a restaurant, a library, and a shop. During the beginning of the construction, a hot thermal watercourse was discovered under the project site and obliged the architect to revise the plans. The project was realized. Documenting this project are studies, design development drawings, and plans. Textual material includes project documentation and correspondence. Photographic material documents the project site, model, and built project.
AP178.S1.2001.PR06
Description:
This project series documents the Centro de Alto Rendimento en el Balneario de Panticosa in Panticosa, Spain. While the records were held in the office’s archives this project was assigned the number 32/00 A. The office assigned the date 2001 for this project. The project site is located in the mountains of Panticosa on the site of a spa resort. Siza's project was part of a revitalization project of the area supervised by Rafael Moneo. Moneo's project included the urban rehabilitation of the area and the renovation of the Nuestra Señora del Carmen church, as well as the construction of a hotel, a casino, and a cultural center. Siza's project consisted of a hotel for athletes, that included gymnasiums, exterior and interior pools, massage rooms, saunas, thermal baths, a solarium, a restaurant, a library, and a shop. During the beginning of the construction, a hot thermal watercourse was discovered under the project site and obliged the architect to revise the plans. The project was realized. Documenting this project are studies, design development drawings, and plans. Textual material includes project documentation and correspondence. Photographic material documents the project site, model, and built project.
People:
Date:
2000-2008
2000-2008
Title:
Centro de Alto Rendimento en el Balneario de Panticosa [Sports Hotel and High-performance center], Panticosa, Spain (2001)
Actions:
AP178.S1.2001.PR06
Description:
This project series documents the Centro de Alto Rendimento en el Balneario de Panticosa in Panticosa, Spain. While the records were held in the office’s archives this project was assigned the number 32/00 A. The office assigned the date 2001 for this project. The project site is located in the mountains of Panticosa on the site of a spa resort. Siza's project was part of a revitalization project of the area supervised by Rafael Moneo. Moneo's project included the urban rehabilitation of the area and the renovation of the Nuestra Señora del Carmen church, as well as the construction of a hotel, a casino, and a cultural center. Siza's project consisted of a hotel for athletes, that included gymnasiums, exterior and interior pools, massage rooms, saunas, thermal baths, a solarium, a restaurant, a library, and a shop. During the beginning of the construction, a hot thermal watercourse was discovered under the project site and obliged the architect to revise the plans. The project was realized. Documenting this project are studies, design development drawings, and plans. Textual material includes project documentation and correspondence. Photographic material documents the project site, model, and built project.
Centro de Alto Rendimento en el Balneario de Panticosa [Sports Hotel and High-performance center], Panticosa, Spain (2001)
Actions:
AP178.S1.2001.PR06
Description:
This project series documents the Centro de Alto Rendimento en el Balneario de Panticosa in Panticosa, Spain. While the records were held in the office’s archives this project was assigned the number 32/00 A. The office assigned the date 2001 for this project. The project site is located in the mountains of Panticosa on the site of a spa resort. Siza's project was part of a revitalization project of the area supervised by Rafael Moneo. Moneo's project included the urban rehabilitation of the area and the renovation of the Nuestra Señora del Carmen church, as well as the construction of a hotel, a casino, and a cultural center. Siza's project consisted of a hotel for athletes, that included gymnasiums, exterior and interior pools, massage rooms, saunas, thermal baths, a solarium, a restaurant, a library, and a shop. During the beginning of the construction, a hot thermal watercourse was discovered under the project site and obliged the architect to revise the plans. The project was realized. Documenting this project are studies, design development drawings, and plans. Textual material includes project documentation and correspondence. Photographic material documents the project site, model, and built project.
Level of archival description:
Project
Project
Date:
2000-2008
2000-2008
People:
Form:
drawings, textual records
drawings, textual records
Actions:
Reference number:
ARCH187130
Description:
c.v.'s of firms and architects Jacques Lefaivre David, Pierre J. Boulva, Dimitri Dimakopoulos, Guy Desbarats, selected lists of projects, perspective and plan of Urban Renewal Project in Montreal, perspective and section of Place des Arts, plans of Dow Planetarium. Loyola Athletic Complex, Montreal Institute of Diagnostic and Clinical Research Building, Banque Canadienne Nationale b/w and colour photocopies
ARCH187130
Description:
c.v.'s of firms and architects Jacques Lefaivre David, Pierre J. Boulva, Dimitri Dimakopoulos, Guy Desbarats, selected lists of projects, perspective and plan of Urban Renewal Project in Montreal, perspective and section of Place des Arts, plans of Dow Planetarium. Loyola Athletic Complex, Montreal Institute of Diagnostic and Clinical Research Building, Banque Canadienne Nationale b/w and colour photocopies
People:
Title:
Publicity for Proposed Joint Venture
Actions:
ARCH187130
Description:
c.v.'s of firms and architects Jacques Lefaivre David, Pierre J. Boulva, Dimitri Dimakopoulos, Guy Desbarats, selected lists of projects, perspective and plan of Urban Renewal Project in Montreal, perspective and section of Place des Arts, plans of Dow Planetarium. Loyola Athletic Complex, Montreal Institute of Diagnostic and Clinical Research Building, Banque Canadienne Nationale b/w and colour photocopies
Publicity for Proposed Joint Venture
Actions:
ARCH187130
Description:
c.v.'s of firms and architects Jacques Lefaivre David, Pierre J. Boulva, Dimitri Dimakopoulos, Guy Desbarats, selected lists of projects, perspective and plan of Urban Renewal Project in Montreal, perspective and section of Place des Arts, plans of Dow Planetarium. Loyola Athletic Complex, Montreal Institute of Diagnostic and Clinical Research Building, Banque Canadienne Nationale b/w and colour photocopies
Form:
drawings, textual records
drawings, textual records
People:
Level of archival description:
Project
Project
Reference number:
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
People:
Date:
circa 1975-2003
circa 1975-2003
Title:
Linear city, Chandigarh, India (circa 1975-1987)
Actions:
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
Linear city, Chandigarh, India (circa 1975-1987)
Actions:
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
Level of archival description:
Project
Project
Date:
circa 1975-2003
circa 1975-2003
People:
Form:
events
events
Title:
Learning from... Shanghai
Learning from... Shanghai
Actions:
Description:
In 2001, Shanghai announced the development plan of “One City Nine Towns,” a series of towns each built around a theme inspired by a different Western tradition. Chinese urban theorist Xiangning Li examines the themed spaces in the city’s post-colonial context, relating them to Shanghai’s contemporary urban culture and situating them within the changing dynamics between(...)
In 2001, Shanghai announced the development plan of “One City Nine Towns,” a series of towns each built around a theme inspired by a different Western tradition. Chinese urban theorist Xiangning Li examines the themed spaces in the city’s post-colonial context, relating them to Shanghai’s contemporary urban culture and situating them within the changing dynamics between(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
7 May 2009
7 May 2009
Title:
Learning from... Shanghai
Actions:
Description:
In 2001, Shanghai announced the development plan of “One City Nine Towns,” a series of towns each built around a theme inspired by a different Western tradition. Chinese urban theorist Xiangning Li examines the themed spaces in the city’s post-colonial context, relating them to Shanghai’s contemporary urban culture and situating them within the changing dynamics between(...)
Learning from... Shanghai
Actions:
Description:
In 2001, Shanghai announced the development plan of “One City Nine Towns,” a series of towns each built around a theme inspired by a different Western tradition. Chinese urban theorist Xiangning Li examines the themed spaces in the city’s post-colonial context, relating them to Shanghai’s contemporary urban culture and situating them within the changing dynamics between(...)
Form:
events
events
Date:
7 May 2009
7 May 2009
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Level of archival description:
Series
Series
Title:
Housing Research Projects
Housing Research Projects
Reference number:
AP149.S1
Description:
Series related to the Minimum Cost Housing Group projects and publications, including the publications known as the "The Problem is" series about low-cost housing between 1971 and 1978 and all the other publications related to projects from 1984 to 2004. This series documents publications about the projects of prefabricated houses for the developing countries, a self-sufficient habitable low-cost house, low-cost sanitation systems, sulphur concrete for low-cost housing, building components from secondary use, rooftop gardens and urban agriculture, domestic water saving devices, human settlement developement or improvement in developping countries and in Native American communities. The material in this series was produced between 1970 and 2011. The file contains textual records, mainly dummies for the publications, office records and reports, photographic material related to the projects, copies of the publications, a few drawings and plans related to the housing project and samples of the sulphur bricks developed by the Minimum Cost Housing Group.
AP149.S1
Description:
Series related to the Minimum Cost Housing Group projects and publications, including the publications known as the "The Problem is" series about low-cost housing between 1971 and 1978 and all the other publications related to projects from 1984 to 2004. This series documents publications about the projects of prefabricated houses for the developing countries, a self-sufficient habitable low-cost house, low-cost sanitation systems, sulphur concrete for low-cost housing, building components from secondary use, rooftop gardens and urban agriculture, domestic water saving devices, human settlement developement or improvement in developping countries and in Native American communities. The material in this series was produced between 1970 and 2011. The file contains textual records, mainly dummies for the publications, office records and reports, photographic material related to the projects, copies of the publications, a few drawings and plans related to the housing project and samples of the sulphur bricks developed by the Minimum Cost Housing Group.
People:
Date:
1970-2011
1970-2011
Title:
Housing Research Projects
Actions:
AP149.S1
Description:
Series related to the Minimum Cost Housing Group projects and publications, including the publications known as the "The Problem is" series about low-cost housing between 1971 and 1978 and all the other publications related to projects from 1984 to 2004. This series documents publications about the projects of prefabricated houses for the developing countries, a self-sufficient habitable low-cost house, low-cost sanitation systems, sulphur concrete for low-cost housing, building components from secondary use, rooftop gardens and urban agriculture, domestic water saving devices, human settlement developement or improvement in developping countries and in Native American communities. The material in this series was produced between 1970 and 2011. The file contains textual records, mainly dummies for the publications, office records and reports, photographic material related to the projects, copies of the publications, a few drawings and plans related to the housing project and samples of the sulphur bricks developed by the Minimum Cost Housing Group.
Housing Research Projects
Actions:
AP149.S1
Description:
Series related to the Minimum Cost Housing Group projects and publications, including the publications known as the "The Problem is" series about low-cost housing between 1971 and 1978 and all the other publications related to projects from 1984 to 2004. This series documents publications about the projects of prefabricated houses for the developing countries, a self-sufficient habitable low-cost house, low-cost sanitation systems, sulphur concrete for low-cost housing, building components from secondary use, rooftop gardens and urban agriculture, domestic water saving devices, human settlement developement or improvement in developping countries and in Native American communities. The material in this series was produced between 1970 and 2011. The file contains textual records, mainly dummies for the publications, office records and reports, photographic material related to the projects, copies of the publications, a few drawings and plans related to the housing project and samples of the sulphur bricks developed by the Minimum Cost Housing Group.
Level of archival description:
Series
Series
Date:
1970-2011
1970-2011
People:
Form:
events
events
Actions:
Description:
On the occasion of the opening of How architects, experts, politicians, international agencies, and citizens negotiate modern planning: Casablanca Chandigarh the two featured photographers Yto Barrada and Takashi Homma join a conversation with the exhibition curators. They discuss how inhabitants take ownership of the city and urban life in Casablanca and Chandigarh.
On the occasion of the opening of How architects, experts, politicians, international agencies, and citizens negotiate modern planning: Casablanca Chandigarh the two featured photographers Yto Barrada and Takashi Homma join a conversation with the exhibition curators. They discuss how inhabitants take ownership of the city and urban life in Casablanca and Chandigarh.
Date:
27 November 2013
27 November 2013
Title:
In conversation: Yto Barrada & Takashi Homma
Actions:
Description:
On the occasion of the opening of How architects, experts, politicians, international agencies, and citizens negotiate modern planning: Casablanca Chandigarh the two featured photographers Yto Barrada and Takashi Homma join a conversation with the exhibition curators. They discuss how inhabitants take ownership of the city and urban life in Casablanca and Chandigarh.
In conversation: Yto Barrada & Takashi Homma
Actions:
Description:
On the occasion of the opening of How architects, experts, politicians, international agencies, and citizens negotiate modern planning: Casablanca Chandigarh the two featured photographers Yto Barrada and Takashi Homma join a conversation with the exhibition curators. They discuss how inhabitants take ownership of the city and urban life in Casablanca and Chandigarh.
Form:
events
events
Date:
27 November 2013
27 November 2013
Form:
drawings
drawings
Actions:
Reference number:
AP178.S2.1993.002
Description:
This sketchbook includes sketches for the Galician Centre of Contemporary Art, Faculty of Journalism of Santiago de Compostela and Puerta Real 1' office building and restaurant in Spain, Chiado in Portugal, as well as for the urban plan for Montreuil in France. It also includes notes, sketches of peoples and furniture, as well as and notes about exhibitions in Barcelona and Vienna.
AP178.S2.1993.002
Description:
This sketchbook includes sketches for the Galician Centre of Contemporary Art, Faculty of Journalism of Santiago de Compostela and Puerta Real 1' office building and restaurant in Spain, Chiado in Portugal, as well as for the urban plan for Montreuil in France. It also includes notes, sketches of peoples and furniture, as well as and notes about exhibitions in Barcelona and Vienna.
People:
Date:
February 1993
February 1993
Title:
Sketchbook 342: Alcoy - Granada - Setubal - Louça Sanitaria - Relatorio Haia - Santiago
Actions:
AP178.S2.1993.002
Description:
This sketchbook includes sketches for the Galician Centre of Contemporary Art, Faculty of Journalism of Santiago de Compostela and Puerta Real 1' office building and restaurant in Spain, Chiado in Portugal, as well as for the urban plan for Montreuil in France. It also includes notes, sketches of peoples and furniture, as well as and notes about exhibitions in Barcelona and Vienna.
Sketchbook 342: Alcoy - Granada - Setubal - Louça Sanitaria - Relatorio Haia - Santiago
Actions:
AP178.S2.1993.002
Description:
This sketchbook includes sketches for the Galician Centre of Contemporary Art, Faculty of Journalism of Santiago de Compostela and Puerta Real 1' office building and restaurant in Spain, Chiado in Portugal, as well as for the urban plan for Montreuil in France. It also includes notes, sketches of peoples and furniture, as well as and notes about exhibitions in Barcelona and Vienna.
Form:
drawings
drawings
Date:
February 1993
February 1993
People:
