2972 Results
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articles
articles
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On Ludwig Berger’s recordings of melting landscapes
Keyword(s):
Oscillanting Spaces, Ludwig Berger, glacier, Morteratsch, Furka, melting, climate change, Alps, Switzerland, sound
Oscillanting Spaces, Ludwig Berger, glacier, Morteratsch, Furka, melting, climate change, Alps, Switzerland, sound
Published:
18 August 2025
18 August 2025
Title:
What does a glacier (or climate change) sound like?
On Ludwig Berger’s recordings of melting landscapes
Actions:
What does a glacier (or climate change) sound like?
On Ludwig Berger’s recordings of melting landscapes
Actions:
Level of archival description:
Series
Series
Title:
Une architecture des humeurs
Une architecture des humeurs
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Reference number:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
People:
Date:
2008-2011
2008-2011
Title:
Une architecture des humeurs
Actions:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Une architecture des humeurs
Actions:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Level of archival description:
Series
Series
Date:
2008-2011
2008-2011
People:
Form:
exhibitions
exhibitions
Form:
exhibitions
exhibitions
Date:
January 2018 to
September 2018
January 2018 to
September 2018
Level of archival description:
Series
Series
Title:
Projets et réalisations
Projets et réalisations
Reference number:
AP066.S2
Description:
Issue de la pratique professionnelle de Jacques Rousseau, cette série regroupe les documents illustrant quatre-vingt-trois projets et réalisations conçus, soit de façon autonome ou en collaboration, entre 1973 et 1997. Ces projets se distinguent autant par leur degré d'achèvement (de l'esquisse préliminaire au dessin de construction), par leur échelle (du mobilier au projet urbain), que par leur programme (commercial, domestique, social). Dans l'ensemble, tous les thèmes qui sont explorés, tels l'architecture du bar, le décor de la boutique, l'habitation individuelle et collective, le lieu de travail, et l'image publique des institutions, s'ancrent dans une pensée spéculative sur la ville comme processus de reconstruction et de refondation. Parmi les quatre-vingt-trois projets, vingt datent d'avant 1980, date à laquelle Jacques Rousseau est devenu membre de l'Ordre des architectes du Québec. Ces projets ont donc été réalisés soit pour le compte d'agences pour lesquelles Jacques Rousseau travaillait ou effectuait son stage professionnel, soit à titre officieux en offrant vraisemblablement ses services à ses connaissances. Dans ce dernier cas, il s'agit alors de projets de plus petite envergure pour des rénovations ou agrandissements de résidences. Par ailleurs, un certain nombre de nouveaux projets n'ont pas abouti et sont constitués seulement de dossiers préliminaires qui nous renseignent toutefois sur les démarches entreprises par l'architecte, parfois de sa propre initiative, pour amorcer des projets. La variété de ces derniers montre les multiples intérêts de Jacques Rousseau. Toutefois, trois d'entre eux émergent de sa pratique : l'architecture de bar et de restaurant, le logement collectif coopératif et la morphologie urbaine pour lesquels il consacre de nombreux projets et études. On trouvera aussi d'ailleurs dans la série 9 - Enseignement des documents relatifs à ses travaux sur la morphologie urbaine.
AP066.S2
Description:
Issue de la pratique professionnelle de Jacques Rousseau, cette série regroupe les documents illustrant quatre-vingt-trois projets et réalisations conçus, soit de façon autonome ou en collaboration, entre 1973 et 1997. Ces projets se distinguent autant par leur degré d'achèvement (de l'esquisse préliminaire au dessin de construction), par leur échelle (du mobilier au projet urbain), que par leur programme (commercial, domestique, social). Dans l'ensemble, tous les thèmes qui sont explorés, tels l'architecture du bar, le décor de la boutique, l'habitation individuelle et collective, le lieu de travail, et l'image publique des institutions, s'ancrent dans une pensée spéculative sur la ville comme processus de reconstruction et de refondation. Parmi les quatre-vingt-trois projets, vingt datent d'avant 1980, date à laquelle Jacques Rousseau est devenu membre de l'Ordre des architectes du Québec. Ces projets ont donc été réalisés soit pour le compte d'agences pour lesquelles Jacques Rousseau travaillait ou effectuait son stage professionnel, soit à titre officieux en offrant vraisemblablement ses services à ses connaissances. Dans ce dernier cas, il s'agit alors de projets de plus petite envergure pour des rénovations ou agrandissements de résidences. Par ailleurs, un certain nombre de nouveaux projets n'ont pas abouti et sont constitués seulement de dossiers préliminaires qui nous renseignent toutefois sur les démarches entreprises par l'architecte, parfois de sa propre initiative, pour amorcer des projets. La variété de ces derniers montre les multiples intérêts de Jacques Rousseau. Toutefois, trois d'entre eux émergent de sa pratique : l'architecture de bar et de restaurant, le logement collectif coopératif et la morphologie urbaine pour lesquels il consacre de nombreux projets et études. On trouvera aussi d'ailleurs dans la série 9 - Enseignement des documents relatifs à ses travaux sur la morphologie urbaine.
People:
Date:
1973-1997
1973-1997
Title:
Projets et réalisations
Actions:
AP066.S2
Description:
Issue de la pratique professionnelle de Jacques Rousseau, cette série regroupe les documents illustrant quatre-vingt-trois projets et réalisations conçus, soit de façon autonome ou en collaboration, entre 1973 et 1997. Ces projets se distinguent autant par leur degré d'achèvement (de l'esquisse préliminaire au dessin de construction), par leur échelle (du mobilier au projet urbain), que par leur programme (commercial, domestique, social). Dans l'ensemble, tous les thèmes qui sont explorés, tels l'architecture du bar, le décor de la boutique, l'habitation individuelle et collective, le lieu de travail, et l'image publique des institutions, s'ancrent dans une pensée spéculative sur la ville comme processus de reconstruction et de refondation. Parmi les quatre-vingt-trois projets, vingt datent d'avant 1980, date à laquelle Jacques Rousseau est devenu membre de l'Ordre des architectes du Québec. Ces projets ont donc été réalisés soit pour le compte d'agences pour lesquelles Jacques Rousseau travaillait ou effectuait son stage professionnel, soit à titre officieux en offrant vraisemblablement ses services à ses connaissances. Dans ce dernier cas, il s'agit alors de projets de plus petite envergure pour des rénovations ou agrandissements de résidences. Par ailleurs, un certain nombre de nouveaux projets n'ont pas abouti et sont constitués seulement de dossiers préliminaires qui nous renseignent toutefois sur les démarches entreprises par l'architecte, parfois de sa propre initiative, pour amorcer des projets. La variété de ces derniers montre les multiples intérêts de Jacques Rousseau. Toutefois, trois d'entre eux émergent de sa pratique : l'architecture de bar et de restaurant, le logement collectif coopératif et la morphologie urbaine pour lesquels il consacre de nombreux projets et études. On trouvera aussi d'ailleurs dans la série 9 - Enseignement des documents relatifs à ses travaux sur la morphologie urbaine.
Projets et réalisations
Actions:
AP066.S2
Description:
Issue de la pratique professionnelle de Jacques Rousseau, cette série regroupe les documents illustrant quatre-vingt-trois projets et réalisations conçus, soit de façon autonome ou en collaboration, entre 1973 et 1997. Ces projets se distinguent autant par leur degré d'achèvement (de l'esquisse préliminaire au dessin de construction), par leur échelle (du mobilier au projet urbain), que par leur programme (commercial, domestique, social). Dans l'ensemble, tous les thèmes qui sont explorés, tels l'architecture du bar, le décor de la boutique, l'habitation individuelle et collective, le lieu de travail, et l'image publique des institutions, s'ancrent dans une pensée spéculative sur la ville comme processus de reconstruction et de refondation. Parmi les quatre-vingt-trois projets, vingt datent d'avant 1980, date à laquelle Jacques Rousseau est devenu membre de l'Ordre des architectes du Québec. Ces projets ont donc été réalisés soit pour le compte d'agences pour lesquelles Jacques Rousseau travaillait ou effectuait son stage professionnel, soit à titre officieux en offrant vraisemblablement ses services à ses connaissances. Dans ce dernier cas, il s'agit alors de projets de plus petite envergure pour des rénovations ou agrandissements de résidences. Par ailleurs, un certain nombre de nouveaux projets n'ont pas abouti et sont constitués seulement de dossiers préliminaires qui nous renseignent toutefois sur les démarches entreprises par l'architecte, parfois de sa propre initiative, pour amorcer des projets. La variété de ces derniers montre les multiples intérêts de Jacques Rousseau. Toutefois, trois d'entre eux émergent de sa pratique : l'architecture de bar et de restaurant, le logement collectif coopératif et la morphologie urbaine pour lesquels il consacre de nombreux projets et études. On trouvera aussi d'ailleurs dans la série 9 - Enseignement des documents relatifs à ses travaux sur la morphologie urbaine.
Level of archival description:
Series
Series
Date:
1973-1997
1973-1997
People:
Form:
articles
articles
Actions:
Kim Courrèges and Felipe de Ferrari of Plan Común speak with Carles Baiges and Cristina Gamboa of Lacol
Issue:
With and Within
With and Within
Keyword(s):
cooperativism, collective, barcelona, spain, la borda, can batlló, social economy, indignados, context
cooperativism, collective, barcelona, spain, la borda, can batlló, social economy, indignados, context
Published:
19 April 2021
19 April 2021
Title:
The Architecture of Cooperation
Kim Courrèges and Felipe de Ferrari of Plan Común speak with Carles Baiges and Cristina Gamboa of Lacol
Actions:
The Architecture of Cooperation
Kim Courrèges and Felipe de Ferrari of Plan Común speak with Carles Baiges and Cristina Gamboa of Lacol
Actions:
Issue:
With and Within
With and Within
Form:
events
events
Actions:
Description:
Members of the Montréal collective SYN-atelier d’exploration urbaine present a workshop investigating urban microclimates in downtown Montréal. Caused by particular conditions in urban construction, microclimates are environments that have surprising temperature variations — a building courtyard that is several degrees warmer than the street or a windy alley many degrees(...)
Members of the Montréal collective SYN-atelier d’exploration urbaine present a workshop investigating urban microclimates in downtown Montréal. Caused by particular conditions in urban construction, microclimates are environments that have surprising temperature variations — a building courtyard that is several degrees warmer than the street or a windy alley many degrees(...)
Date:
7 March 2009
7 March 2009
Title:
Exploring Urban Microclimates
Actions:
Description:
Members of the Montréal collective SYN-atelier d’exploration urbaine present a workshop investigating urban microclimates in downtown Montréal. Caused by particular conditions in urban construction, microclimates are environments that have surprising temperature variations — a building courtyard that is several degrees warmer than the street or a windy alley many degrees(...)
Exploring Urban Microclimates
Actions:
Description:
Members of the Montréal collective SYN-atelier d’exploration urbaine present a workshop investigating urban microclimates in downtown Montréal. Caused by particular conditions in urban construction, microclimates are environments that have surprising temperature variations — a building courtyard that is several degrees warmer than the street or a windy alley many degrees(...)
Form:
events
events
Date:
7 March 2009
7 March 2009
Form:
articles
articles
Actions:
Brian Boigon asks Elizabeth Grosz, Sanford Kwinter, and Bruce Sterling to reflect on the computer revolution and its impact on bodies in space
Keyword(s):
digital technology, interactivity, television, TV, multidisciplinary, multidisciplinarity
digital technology, interactivity, television, TV, multidisciplinary, multidisciplinarity
Published:
13 July 2026
13 July 2026
Title:
Outer Space (Culture Lab, 1992)
Brian Boigon asks Elizabeth Grosz, Sanford Kwinter, and Bruce Sterling to reflect on the computer revolution and its impact on bodies in space
Actions:
Outer Space (Culture Lab, 1992)
Brian Boigon asks Elizabeth Grosz, Sanford Kwinter, and Bruce Sterling to reflect on the computer revolution and its impact on bodies in space
Actions:
Clarissa Lim Kye Lee reflects on the findings from Making Mamak
Keyword(s):
Making Mamak, Emerging curator 2022-2023, Malaysian art collectives, south east asia, commoning
Making Mamak, Emerging curator 2022-2023, Malaysian art collectives, south east asia, commoning
Published:
25 August 2024
25 August 2024
Title:
Field Notes: From an Island to a Peninsula, and Back to Another Island
Clarissa Lim Kye Lee reflects on the findings from Making Mamak
Actions:
Field Notes: From an Island to a Peninsula, and Back to Another Island
Clarissa Lim Kye Lee reflects on the findings from Making Mamak
Actions:
Form:
articles
articles
Published:
25 August 2024
25 August 2024
Form:
photographs
photographs
Actions:
Reference number:
DR2023:0017
Description:
Plates from the series "UN DICTIONNAIRE...Illuminations, 1970-2000" comprises of a portion of individual plates grouped according to 38 series that Charney arranged by themes and numbered by series and plate in a discontinuous fashion. Contains series 10 "Enveloppes génériques" and series 12 "Matrices collectives".
DR2023:0017
Description:
Plates from the series "UN DICTIONNAIRE...Illuminations, 1970-2000" comprises of a portion of individual plates grouped according to 38 series that Charney arranged by themes and numbered by series and plate in a discontinuous fashion. Contains series 10 "Enveloppes génériques" and series 12 "Matrices collectives".
People:
Date:
circa 1970-2000
circa 1970-2000
Title:
Plates from the series 10 and 12, Un dictionnaire
Actions:
DR2023:0017
Description:
Plates from the series "UN DICTIONNAIRE...Illuminations, 1970-2000" comprises of a portion of individual plates grouped according to 38 series that Charney arranged by themes and numbered by series and plate in a discontinuous fashion. Contains series 10 "Enveloppes génériques" and series 12 "Matrices collectives".
Plates from the series 10 and 12, Un dictionnaire
Actions:
DR2023:0017
Description:
Plates from the series "UN DICTIONNAIRE...Illuminations, 1970-2000" comprises of a portion of individual plates grouped according to 38 series that Charney arranged by themes and numbered by series and plate in a discontinuous fashion. Contains series 10 "Enveloppes génériques" and series 12 "Matrices collectives".
Form:
photographs
photographs
Date:
circa 1970-2000
circa 1970-2000
People:
Form:
articles
articles
Title:
What, if not the family?
What, if not the family?
Actions:
Guests from multidisciplinary perspectives discuss the spatial implications of ongoing shifts in ideas of the family
Issue:
A Social Reset
A Social Reset
Keyword(s):
Soirée, gala, family, what if not the family?, Miranda July, Other Architects, Grace Mortlock, David Neustein, Elena Schütz, Julian Schubert, Leonard Streich, Something Fantastic, Edit Collective, Marisa Morán Jahn, Rafi Segal, Carehaus, Johanna Hurme, 5468796 Architecture, Nahira Gerster-Sim, Frida Escobedo, Kumiko Inui, Emanuel Admasu, AD-WO
Soirée, gala, family, what if not the family?, Miranda July, Other Architects, Grace Mortlock, David Neustein, Elena Schütz, Julian Schubert, Leonard Streich, Something Fantastic, Edit Collective, Marisa Morán Jahn, Rafi Segal, Carehaus, Johanna Hurme, 5468796 Architecture, Nahira Gerster-Sim, Frida Escobedo, Kumiko Inui, Emanuel Admasu, AD-WO
Published:
7 June 2021
7 June 2021
Title:
What, if not the family?
Guests from multidisciplinary perspectives discuss the spatial implications of ongoing shifts in ideas of the family
Actions:
What, if not the family?
Guests from multidisciplinary perspectives discuss the spatial implications of ongoing shifts in ideas of the family
Actions:
Issue:
A Social Reset
A Social Reset
