13323 Results
Form:
events
events
Title:
Do Not Come Any Closer
Do Not Come Any Closer
Actions:
Description:
Since 1997 Czech artist Barbora Šlapetová has made several expeditions to remote settlements in the jungles of Papua New Guinea with her colleague Lukáš Rittstein. The documentation of such visits and the dialogues they have prompted, including one with Czech premier Vaclav Havel, yielded books such as Why the Night is Black and Do Not Come Any Closer and several(...)
Since 1997 Czech artist Barbora Šlapetová has made several expeditions to remote settlements in the jungles of Papua New Guinea with her colleague Lukáš Rittstein. The documentation of such visits and the dialogues they have prompted, including one with Czech premier Vaclav Havel, yielded books such as Why the Night is Black and Do Not Come Any Closer and several(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
29 November 2012 , 7pm
29 November 2012 , 7pm
Title:
Do Not Come Any Closer
Actions:
Description:
Since 1997 Czech artist Barbora Šlapetová has made several expeditions to remote settlements in the jungles of Papua New Guinea with her colleague Lukáš Rittstein. The documentation of such visits and the dialogues they have prompted, including one with Czech premier Vaclav Havel, yielded books such as Why the Night is Black and Do Not Come Any Closer and several(...)
Do Not Come Any Closer
Actions:
Description:
Since 1997 Czech artist Barbora Šlapetová has made several expeditions to remote settlements in the jungles of Papua New Guinea with her colleague Lukáš Rittstein. The documentation of such visits and the dialogues they have prompted, including one with Czech premier Vaclav Havel, yielded books such as Why the Night is Black and Do Not Come Any Closer and several(...)
Form:
events
events
Date:
29 November 2012
7pm
29 November 2012
7pm
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Form:
exhibitions
exhibitions
Description:
Learning from… Ruscha and Venturi Scott Brown, 1962–1977 examines the relationship between the seminal illustrated books by artist Edward Ruscha and architects Robert Venturi and Denise Scott Brown that deal with the architecture and urbanism of the everyday in Los Angeles and Las Vegas during the 1960s and 1970s. Ruscha’s Every Building on the Sunset Strip and Venturi(...)
Learning from… Ruscha and Venturi Scott Brown, 1962–1977 examines the relationship between the seminal illustrated books by artist Edward Ruscha and architects Robert Venturi and Denise Scott Brown that deal with the architecture and urbanism of the everyday in Los Angeles and Las Vegas during the 1960s and 1970s. Ruscha’s Every Building on the Sunset Strip and Venturi(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
31 March 2004 to 30 May 2004
31 March 2004 to 30 May 2004
Title:
Learning from… Ruscha and Venturi Scott Brown, 1962–1977
Actions:
Description:
Learning from… Ruscha and Venturi Scott Brown, 1962–1977 examines the relationship between the seminal illustrated books by artist Edward Ruscha and architects Robert Venturi and Denise Scott Brown that deal with the architecture and urbanism of the everyday in Los Angeles and Las Vegas during the 1960s and 1970s. Ruscha’s Every Building on the Sunset Strip and Venturi(...)
Learning from… Ruscha and Venturi Scott Brown, 1962–1977
Actions:
Description:
Learning from… Ruscha and Venturi Scott Brown, 1962–1977 examines the relationship between the seminal illustrated books by artist Edward Ruscha and architects Robert Venturi and Denise Scott Brown that deal with the architecture and urbanism of the everyday in Los Angeles and Las Vegas during the 1960s and 1970s. Ruscha’s Every Building on the Sunset Strip and Venturi(...)
Form:
exhibitions
exhibitions
Date:
31 March 2004 to
30 May 2004
31 March 2004 to
30 May 2004
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Description:
Thirty-two Italian photographers honour Phyllis Lambert, Founding Director and Chair of the CCA, on the occasion of her seventieth birthday. The exhibition reflects the concerns of Italian photographers since the 1970s and provides an overview of contemporary Italian photographic culture. Included are photographers Andrea Abati, Cesare Ballardini, Marina Ballo Charmet,(...)
Thirty-two Italian photographers honour Phyllis Lambert, Founding Director and Chair of the CCA, on the occasion of her seventieth birthday. The exhibition reflects the concerns of Italian photographers since the 1970s and provides an overview of contemporary Italian photographic culture. Included are photographers Andrea Abati, Cesare Ballardini, Marina Ballo Charmet,(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
21 April 1999 to 26 September 1999
21 April 1999 to 26 September 1999
Title:
32 Italian Photographers: A Tribute to Phyllis Lambert
Actions:
Description:
Thirty-two Italian photographers honour Phyllis Lambert, Founding Director and Chair of the CCA, on the occasion of her seventieth birthday. The exhibition reflects the concerns of Italian photographers since the 1970s and provides an overview of contemporary Italian photographic culture. Included are photographers Andrea Abati, Cesare Ballardini, Marina Ballo Charmet,(...)
32 Italian Photographers: A Tribute to Phyllis Lambert
Actions:
Description:
Thirty-two Italian photographers honour Phyllis Lambert, Founding Director and Chair of the CCA, on the occasion of her seventieth birthday. The exhibition reflects the concerns of Italian photographers since the 1970s and provides an overview of contemporary Italian photographic culture. Included are photographers Andrea Abati, Cesare Ballardini, Marina Ballo Charmet,(...)
Form:
exhibitions
exhibitions
Date:
21 April 1999 to
26 September 1999
21 April 1999 to
26 September 1999
Location:
Octagonal gallery
Octagonal gallery
Form:
events
events
Title:
Learning from... Montréal
Learning from... Montréal
Actions:
Description:
Lance Blomgren uses his 2009 book Walkups—a novella set entirely within Montréal’s row house apartment buildings—as a springboard for an analysis of the discursive plane of fictional architecture. Looking at works by John Hejduk, Ilya Kabakov, Alice Aycock and others, Blomgren argues that contemporary modes of speculative architecture offer a vital, if ethically fraught,(...)
Lance Blomgren uses his 2009 book Walkups—a novella set entirely within Montréal’s row house apartment buildings—as a springboard for an analysis of the discursive plane of fictional architecture. Looking at works by John Hejduk, Ilya Kabakov, Alice Aycock and others, Blomgren argues that contemporary modes of speculative architecture offer a vital, if ethically fraught,(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
2 May 2013 , 7pm
2 May 2013 , 7pm
Title:
Learning from... Montréal
Actions:
Description:
Lance Blomgren uses his 2009 book Walkups—a novella set entirely within Montréal’s row house apartment buildings—as a springboard for an analysis of the discursive plane of fictional architecture. Looking at works by John Hejduk, Ilya Kabakov, Alice Aycock and others, Blomgren argues that contemporary modes of speculative architecture offer a vital, if ethically fraught,(...)
Learning from... Montréal
Actions:
Description:
Lance Blomgren uses his 2009 book Walkups—a novella set entirely within Montréal’s row house apartment buildings—as a springboard for an analysis of the discursive plane of fictional architecture. Looking at works by John Hejduk, Ilya Kabakov, Alice Aycock and others, Blomgren argues that contemporary modes of speculative architecture offer a vital, if ethically fraught,(...)
Form:
events
events
Date:
2 May 2013
7pm
2 May 2013
7pm
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Form:
events
events
Actions:
Description:
In this lecture, Christophe Girot discusses digital landscape models: A quiet revolution has taken place in digital landscape design and analysis over the past decade, caused by the introduction of digital point-cloud models. The scope and precision of these digital landscape models, created with terrestrial laser scanners and mobile and airborne lidar, lead to new(...)
In this lecture, Christophe Girot discusses digital landscape models: A quiet revolution has taken place in digital landscape design and analysis over the past decade, caused by the introduction of digital point-cloud models. The scope and precision of these digital landscape models, created with terrestrial laser scanners and mobile and airborne lidar, lead to new(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
6 October 2016, 6pm
6 October 2016, 6pm
Title:
Unravelling the Digital Landscape
Actions:
Description:
In this lecture, Christophe Girot discusses digital landscape models: A quiet revolution has taken place in digital landscape design and analysis over the past decade, caused by the introduction of digital point-cloud models. The scope and precision of these digital landscape models, created with terrestrial laser scanners and mobile and airborne lidar, lead to new(...)
Unravelling the Digital Landscape
Actions:
Description:
In this lecture, Christophe Girot discusses digital landscape models: A quiet revolution has taken place in digital landscape design and analysis over the past decade, caused by the introduction of digital point-cloud models. The scope and precision of these digital landscape models, created with terrestrial laser scanners and mobile and airborne lidar, lead to new(...)
Form:
events
events
Date:
6 October 2016
6pm
6 October 2016
6pm
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
events
events
Title:
Learning from... Shanghai
Learning from... Shanghai
Actions:
Description:
In 2001, Shanghai announced the development plan of “One City Nine Towns,” a series of towns each built around a theme inspired by a different Western tradition. Chinese urban theorist Xiangning Li examines the themed spaces in the city’s post-colonial context, relating them to Shanghai’s contemporary urban culture and situating them within the changing dynamics between(...)
In 2001, Shanghai announced the development plan of “One City Nine Towns,” a series of towns each built around a theme inspired by a different Western tradition. Chinese urban theorist Xiangning Li examines the themed spaces in the city’s post-colonial context, relating them to Shanghai’s contemporary urban culture and situating them within the changing dynamics between(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
7 May 2009
7 May 2009
Title:
Learning from... Shanghai
Actions:
Description:
In 2001, Shanghai announced the development plan of “One City Nine Towns,” a series of towns each built around a theme inspired by a different Western tradition. Chinese urban theorist Xiangning Li examines the themed spaces in the city’s post-colonial context, relating them to Shanghai’s contemporary urban culture and situating them within the changing dynamics between(...)
Learning from... Shanghai
Actions:
Description:
In 2001, Shanghai announced the development plan of “One City Nine Towns,” a series of towns each built around a theme inspired by a different Western tradition. Chinese urban theorist Xiangning Li examines the themed spaces in the city’s post-colonial context, relating them to Shanghai’s contemporary urban culture and situating them within the changing dynamics between(...)
Form:
events
events
Date:
7 May 2009
7 May 2009
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
exhibitions
exhibitions
Actions:
Description:
British conceptual artist Victor Burgin has been influential both as an artist and as a theorist of the still and moving image. Commissioned by the CCA, Voyage to Italy comprises two series of black and white photographs and an evocative video that engage the timeless beauty and lasting resonance of a nineteenth-century Carlo Fratacci photograph of Pompeii in the CCA(...)
British conceptual artist Victor Burgin has been influential both as an artist and as a theorist of the still and moving image. Commissioned by the CCA, Voyage to Italy comprises two series of black and white photographs and an evocative video that engage the timeless beauty and lasting resonance of a nineteenth-century Carlo Fratacci photograph of Pompeii in the CCA(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
7 December 2006 to 25 March 2007
7 December 2006 to 25 March 2007
Title:
Victor Burgin: Voyage to Italy
Actions:
Description:
British conceptual artist Victor Burgin has been influential both as an artist and as a theorist of the still and moving image. Commissioned by the CCA, Voyage to Italy comprises two series of black and white photographs and an evocative video that engage the timeless beauty and lasting resonance of a nineteenth-century Carlo Fratacci photograph of Pompeii in the CCA(...)
Victor Burgin: Voyage to Italy
Actions:
Description:
British conceptual artist Victor Burgin has been influential both as an artist and as a theorist of the still and moving image. Commissioned by the CCA, Voyage to Italy comprises two series of black and white photographs and an evocative video that engage the timeless beauty and lasting resonance of a nineteenth-century Carlo Fratacci photograph of Pompeii in the CCA(...)
Form:
exhibitions
exhibitions
Date:
7 December 2006 to
25 March 2007
7 December 2006 to
25 March 2007
Location:
Octagonal gallery
Octagonal gallery
Form:
drawings
Quantity:
3 portfolio(s)
drawings
Quantity:
3 portfolio(s)
Actions:
Reference number:
DR1974:0002:031:001-055
Description:
- The three portfolios of this group are entitled: Figures et Statues (DR1974:0002:031:001 - DR1974:0002:031:024), Architecture Antique Mélanges (DR1974:0002:031:025 - DR1974:0002:031:043), and Architecture Moderne Mélanges (DR1974:0002:031:044 - DR1974:0002:031:055). -- Portfolio Figures et Statues comprises primarily drawings of classical figures and architectural sculpture from both antique and 19th century sources. Few of the sources of these drawings are clearly identified, with the exception of Genie de la Liberté from the Colonne de Juillet (DR1974:0002:031:016:003). There are a number of drawings of sculpture from the 16th century tomb monument of Maximillian I in Innsbruck (DR1974:0002:031:017 - DR1974:0002:031:023:001-003). -- Portfolio Architecture Antique Mélanges comprises mostly architectural drawings from buildings or monuments in Pisa, Rome, Tivoli, Naples, Florence, Viterbo, and Nice. Also included are a reconstruction of Pliny the Younger's Villa Laurentine (DR1974:0002:031:043), an orthographic drawing of the L'arc des orfèvres (DR1974:0002:031:032:001-002), and an interior perspective of an imaginary church, perhaps inspired by Pugin (DR1974:0002:031:027). -- Portfolio Architecture Moderne Mélanges comprises drawings which represent the classical tradition of 19th century French and English architecture (Bergdoll, p. 2). The French subjects include the Palais de justice, Amiens (DR1974:0002:031:044:002), the Louvois fountain by Visconti, (DR1974:0002:031:049:002), the Arc du Carrousel (DR1974:0002:031:053:001), and the Vendome column (DR1974:0002:031:053:002). English architecture is represented by Charles Robert Cockerell's Hanover Chapel, Regent Street, London (DR1974:0002:031:054:001), and late Georgian\early Regency houses (DR1974:0002:031:045:001-002 and DR1974:0002:031:046:001-002). The drawings related to Amiens Cathedral (DR1974:0002:031:044:001-002) and the Cloaca Maxima (DR1974:0002:031:052:002) are notable exceptions to the contemporary contents of the folder.
DR1974:0002:031:001-055
Description:
- The three portfolios of this group are entitled: Figures et Statues (DR1974:0002:031:001 - DR1974:0002:031:024), Architecture Antique Mélanges (DR1974:0002:031:025 - DR1974:0002:031:043), and Architecture Moderne Mélanges (DR1974:0002:031:044 - DR1974:0002:031:055). -- Portfolio Figures et Statues comprises primarily drawings of classical figures and architectural sculpture from both antique and 19th century sources. Few of the sources of these drawings are clearly identified, with the exception of Genie de la Liberté from the Colonne de Juillet (DR1974:0002:031:016:003). There are a number of drawings of sculpture from the 16th century tomb monument of Maximillian I in Innsbruck (DR1974:0002:031:017 - DR1974:0002:031:023:001-003). -- Portfolio Architecture Antique Mélanges comprises mostly architectural drawings from buildings or monuments in Pisa, Rome, Tivoli, Naples, Florence, Viterbo, and Nice. Also included are a reconstruction of Pliny the Younger's Villa Laurentine (DR1974:0002:031:043), an orthographic drawing of the L'arc des orfèvres (DR1974:0002:031:032:001-002), and an interior perspective of an imaginary church, perhaps inspired by Pugin (DR1974:0002:031:027). -- Portfolio Architecture Moderne Mélanges comprises drawings which represent the classical tradition of 19th century French and English architecture (Bergdoll, p. 2). The French subjects include the Palais de justice, Amiens (DR1974:0002:031:044:002), the Louvois fountain by Visconti, (DR1974:0002:031:049:002), the Arc du Carrousel (DR1974:0002:031:053:001), and the Vendome column (DR1974:0002:031:053:002). English architecture is represented by Charles Robert Cockerell's Hanover Chapel, Regent Street, London (DR1974:0002:031:054:001), and late Georgian\early Regency houses (DR1974:0002:031:045:001-002 and DR1974:0002:031:046:001-002). The drawings related to Amiens Cathedral (DR1974:0002:031:044:001-002) and the Cloaca Maxima (DR1974:0002:031:052:002) are notable exceptions to the contemporary contents of the folder.
People:
Subject:
architecture, interior design, painting, sculpture
architecture, interior design, painting, sculpture
Date:
between 1800 and 1868
between 1800 and 1868
Title:
Three portfolios of drawings of classical figures, statues from the sepulchral monument of Maximilian I, Innsbruck, and ancient and modern buildings
Actions:
DR1974:0002:031:001-055
Description:
- The three portfolios of this group are entitled: Figures et Statues (DR1974:0002:031:001 - DR1974:0002:031:024), Architecture Antique Mélanges (DR1974:0002:031:025 - DR1974:0002:031:043), and Architecture Moderne Mélanges (DR1974:0002:031:044 - DR1974:0002:031:055). -- Portfolio Figures et Statues comprises primarily drawings of classical figures and architectural sculpture from both antique and 19th century sources. Few of the sources of these drawings are clearly identified, with the exception of Genie de la Liberté from the Colonne de Juillet (DR1974:0002:031:016:003). There are a number of drawings of sculpture from the 16th century tomb monument of Maximillian I in Innsbruck (DR1974:0002:031:017 - DR1974:0002:031:023:001-003). -- Portfolio Architecture Antique Mélanges comprises mostly architectural drawings from buildings or monuments in Pisa, Rome, Tivoli, Naples, Florence, Viterbo, and Nice. Also included are a reconstruction of Pliny the Younger's Villa Laurentine (DR1974:0002:031:043), an orthographic drawing of the L'arc des orfèvres (DR1974:0002:031:032:001-002), and an interior perspective of an imaginary church, perhaps inspired by Pugin (DR1974:0002:031:027). -- Portfolio Architecture Moderne Mélanges comprises drawings which represent the classical tradition of 19th century French and English architecture (Bergdoll, p. 2). The French subjects include the Palais de justice, Amiens (DR1974:0002:031:044:002), the Louvois fountain by Visconti, (DR1974:0002:031:049:002), the Arc du Carrousel (DR1974:0002:031:053:001), and the Vendome column (DR1974:0002:031:053:002). English architecture is represented by Charles Robert Cockerell's Hanover Chapel, Regent Street, London (DR1974:0002:031:054:001), and late Georgian\early Regency houses (DR1974:0002:031:045:001-002 and DR1974:0002:031:046:001-002). The drawings related to Amiens Cathedral (DR1974:0002:031:044:001-002) and the Cloaca Maxima (DR1974:0002:031:052:002) are notable exceptions to the contemporary contents of the folder.
Three portfolios of drawings of classical figures, statues from the sepulchral monument of Maximilian I, Innsbruck, and ancient and modern buildings
Actions:
DR1974:0002:031:001-055
Description:
- The three portfolios of this group are entitled: Figures et Statues (DR1974:0002:031:001 - DR1974:0002:031:024), Architecture Antique Mélanges (DR1974:0002:031:025 - DR1974:0002:031:043), and Architecture Moderne Mélanges (DR1974:0002:031:044 - DR1974:0002:031:055). -- Portfolio Figures et Statues comprises primarily drawings of classical figures and architectural sculpture from both antique and 19th century sources. Few of the sources of these drawings are clearly identified, with the exception of Genie de la Liberté from the Colonne de Juillet (DR1974:0002:031:016:003). There are a number of drawings of sculpture from the 16th century tomb monument of Maximillian I in Innsbruck (DR1974:0002:031:017 - DR1974:0002:031:023:001-003). -- Portfolio Architecture Antique Mélanges comprises mostly architectural drawings from buildings or monuments in Pisa, Rome, Tivoli, Naples, Florence, Viterbo, and Nice. Also included are a reconstruction of Pliny the Younger's Villa Laurentine (DR1974:0002:031:043), an orthographic drawing of the L'arc des orfèvres (DR1974:0002:031:032:001-002), and an interior perspective of an imaginary church, perhaps inspired by Pugin (DR1974:0002:031:027). -- Portfolio Architecture Moderne Mélanges comprises drawings which represent the classical tradition of 19th century French and English architecture (Bergdoll, p. 2). The French subjects include the Palais de justice, Amiens (DR1974:0002:031:044:002), the Louvois fountain by Visconti, (DR1974:0002:031:049:002), the Arc du Carrousel (DR1974:0002:031:053:001), and the Vendome column (DR1974:0002:031:053:002). English architecture is represented by Charles Robert Cockerell's Hanover Chapel, Regent Street, London (DR1974:0002:031:054:001), and late Georgian\early Regency houses (DR1974:0002:031:045:001-002 and DR1974:0002:031:046:001-002). The drawings related to Amiens Cathedral (DR1974:0002:031:044:001-002) and the Cloaca Maxima (DR1974:0002:031:052:002) are notable exceptions to the contemporary contents of the folder.
Form:
drawings
Quantity:
3 portfolio(s)
drawings
Quantity:
3 portfolio(s)
Date:
between 1800 and 1868
between 1800 and 1868
People:
Subject:
architecture, interior design, painting, sculpture
architecture, interior design, painting, sculpture
Reference number:
PHCON2002:0016:010
Description:
Binder documents exhibitions from 2001 to 2002 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, slides, and articles. Also included is documentation about his contemporaries including an obituary of his art dealer, Holly Solomon. Binder contains slides and textual records.
PHCON2002:0016:010
Description:
Binder documents exhibitions from 2001 to 2002 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, slides, and articles. Also included is documentation about his contemporaries including an obituary of his art dealer, Holly Solomon. Binder contains slides and textual records.
People:
Date:
2001-2002
2001-2002
Title:
Reviews, Announcements, Catalogues 2001-2002
Actions:
PHCON2002:0016:010
Description:
Binder documents exhibitions from 2001 to 2002 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, slides, and articles. Also included is documentation about his contemporaries including an obituary of his art dealer, Holly Solomon. Binder contains slides and textual records.
Reviews, Announcements, Catalogues 2001-2002
Actions:
PHCON2002:0016:010
Description:
Binder documents exhibitions from 2001 to 2002 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, slides, and articles. Also included is documentation about his contemporaries including an obituary of his art dealer, Holly Solomon. Binder contains slides and textual records.
Date:
2001-2002
2001-2002
People:
Form:
events
events
Title:
Learning from... Cairo
Learning from... Cairo
Actions:
Description:
Nasser Rabbat challenges the traditional framing strategies of East vs. West or traditional vs. modern, focusing instead on the dialectical relationship of modernity and history in the making of contemporary Cairo. Shaped by distinct waves of modernity from the colonial Napoleonic invasion of 1789 to the revolution and independence in 1952, the city responded with layers(...)
Nasser Rabbat challenges the traditional framing strategies of East vs. West or traditional vs. modern, focusing instead on the dialectical relationship of modernity and history in the making of contemporary Cairo. Shaped by distinct waves of modernity from the colonial Napoleonic invasion of 1789 to the revolution and independence in 1952, the city responded with layers(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
15 September 2011 , 7pm
15 September 2011 , 7pm
Title:
Learning from... Cairo
Actions:
Description:
Nasser Rabbat challenges the traditional framing strategies of East vs. West or traditional vs. modern, focusing instead on the dialectical relationship of modernity and history in the making of contemporary Cairo. Shaped by distinct waves of modernity from the colonial Napoleonic invasion of 1789 to the revolution and independence in 1952, the city responded with layers(...)
Learning from... Cairo
Actions:
Description:
Nasser Rabbat challenges the traditional framing strategies of East vs. West or traditional vs. modern, focusing instead on the dialectical relationship of modernity and history in the making of contemporary Cairo. Shaped by distinct waves of modernity from the colonial Napoleonic invasion of 1789 to the revolution and independence in 1952, the city responded with layers(...)
Form:
events
events
Date:
15 September 2011
7pm
15 September 2011
7pm
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
