24940 Results
Level of archival description:
Sub-series
Sub-series
Title:
General Textual Files
General Textual Files
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Reference number:
AP116.S3.SS9.D1
Description:
File documents some of the production of Form Work: Colin Rowe, issue 7/8 of ANY magazine (July/October). Material in file was produced between 1993 and 1994. File contains correspondence, articles, notes, and photographs.
AP116.S3.SS9.D1
Description:
File documents some of the production of Form Work: Colin Rowe, issue 7/8 of ANY magazine (July/October). Material in file was produced between 1993 and 1994. File contains correspondence, articles, notes, and photographs.
People:
Date:
1993-1994
1993-1994
Title:
General Textual Files
Actions:
AP116.S3.SS9.D1
Description:
File documents some of the production of Form Work: Colin Rowe, issue 7/8 of ANY magazine (July/October). Material in file was produced between 1993 and 1994. File contains correspondence, articles, notes, and photographs.
General Textual Files
Actions:
AP116.S3.SS9.D1
Description:
File documents some of the production of Form Work: Colin Rowe, issue 7/8 of ANY magazine (July/October). Material in file was produced between 1993 and 1994. File contains correspondence, articles, notes, and photographs.
Level of archival description:
File 1
File 1
Date:
1993-1994
1993-1994
People:
Level of archival description:
Sub-series
Sub-series
Title:
Prints and Plates
Prints and Plates
Reference number:
AP076.S4.SS1
Description:
Sub-series documents residential and commercial projects including houses, apartment houses, office buildings, a library and church, by Semmens, Simpson (Firm) and Douglas C. Simpson. Material was probably produced between 1948 and 1956. File contains photographs.
AP076.S4.SS1
Description:
Sub-series documents residential and commercial projects including houses, apartment houses, office buildings, a library and church, by Semmens, Simpson (Firm) and Douglas C. Simpson. Material was probably produced between 1948 and 1956. File contains photographs.
People:
Date:
[1948?-1956?]
[1948?-1956?]
Title:
Prints and Plates
Actions:
AP076.S4.SS1
Description:
Sub-series documents residential and commercial projects including houses, apartment houses, office buildings, a library and church, by Semmens, Simpson (Firm) and Douglas C. Simpson. Material was probably produced between 1948 and 1956. File contains photographs.
Prints and Plates
Actions:
AP076.S4.SS1
Description:
Sub-series documents residential and commercial projects including houses, apartment houses, office buildings, a library and church, by Semmens, Simpson (Firm) and Douglas C. Simpson. Material was probably produced between 1948 and 1956. File contains photographs.
Level of archival description:
Sub-series 1
Sub-series 1
Date:
[1948?-1956?]
[1948?-1956?]
People:
Level of archival description:
Project
Project
Title:
C.B.K. Van Norman House
C.B.K. Van Norman House
Actions:
Reference number:
AP096.D1
Description:
File documents an executed house, built between 1938 and 1939 and demolished in 1994, at 1840 W. 61st. Ave. in Vancouver, British Columbia. Material was produced between ca. 1942 and ca. 1968. File contains photographs.
AP096.D1
Description:
File documents an executed house, built between 1938 and 1939 and demolished in 1994, at 1840 W. 61st. Ave. in Vancouver, British Columbia. Material was produced between ca. 1942 and ca. 1968. File contains photographs.
People:
Date:
[ca. 1942-ca. 1968]
[ca. 1942-ca. 1968]
Title:
C.B.K. Van Norman House
Actions:
AP096.D1
Description:
File documents an executed house, built between 1938 and 1939 and demolished in 1994, at 1840 W. 61st. Ave. in Vancouver, British Columbia. Material was produced between ca. 1942 and ca. 1968. File contains photographs.
C.B.K. Van Norman House
Actions:
AP096.D1
Description:
File documents an executed house, built between 1938 and 1939 and demolished in 1994, at 1840 W. 61st. Ave. in Vancouver, British Columbia. Material was produced between ca. 1942 and ca. 1968. File contains photographs.
Level of archival description:
File 1
File 1
Date:
[ca. 1942-ca. 1968]
[ca. 1942-ca. 1968]
People:
Level of archival description:
Project
Project
Title:
CASE Boutique
CASE Boutique
Actions:
Reference number:
AP108.S1.D3
Description:
This project series documents the CASE Boutique building in Montréal, Québec. The boutique was built sometime between 1949 and 1959. The project records consist of photographs of the store façade that date from around 1954.
AP108.S1.D3
Description:
This project series documents the CASE Boutique building in Montréal, Québec. The boutique was built sometime between 1949 and 1959. The project records consist of photographs of the store façade that date from around 1954.
People:
Date:
circa 1949 - 1959
circa 1949 - 1959
Title:
CASE Boutique
Actions:
AP108.S1.D3
Description:
This project series documents the CASE Boutique building in Montréal, Québec. The boutique was built sometime between 1949 and 1959. The project records consist of photographs of the store façade that date from around 1954.
CASE Boutique
Actions:
AP108.S1.D3
Description:
This project series documents the CASE Boutique building in Montréal, Québec. The boutique was built sometime between 1949 and 1959. The project records consist of photographs of the store façade that date from around 1954.
Level of archival description:
File 3
File 3
Date:
circa 1949 - 1959
circa 1949 - 1959
People:
Level of archival description:
Project
Project
Title:
Guy Desbarats Residence
Guy Desbarats Residence
Actions:
Reference number:
AP109.S3.D71
Description:
File documents an executed project for a house for the architect in Montréal, Québec. Material in this file was produced between 1965 and 1967. File contains preliminary drawings, working drawings, a photograph and textual records.
AP109.S3.D71
Description:
File documents an executed project for a house for the architect in Montréal, Québec. Material in this file was produced between 1965 and 1967. File contains preliminary drawings, working drawings, a photograph and textual records.
People:
Date:
1965 - 1967
1965 - 1967
Title:
Guy Desbarats Residence
Actions:
AP109.S3.D71
Description:
File documents an executed project for a house for the architect in Montréal, Québec. Material in this file was produced between 1965 and 1967. File contains preliminary drawings, working drawings, a photograph and textual records.
Guy Desbarats Residence
Actions:
AP109.S3.D71
Description:
File documents an executed project for a house for the architect in Montréal, Québec. Material in this file was produced between 1965 and 1967. File contains preliminary drawings, working drawings, a photograph and textual records.
Level of archival description:
File 71
File 71
Date:
1965 - 1967
1965 - 1967
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP109.S3.D73
Description:
File documents an unexecuted project for a house in Barbados, West Indies. Material in this file was produced in 1968. File contains sketches, preliminary drawings, design development drawings, working drawings, a photograph and textual records.
AP109.S3.D73
Description:
File documents an unexecuted project for a house in Barbados, West Indies. Material in this file was produced in 1968. File contains sketches, preliminary drawings, design development drawings, working drawings, a photograph and textual records.
People:
Date:
1968
1968
Title:
Barbara and Dr. Sidney Smith House
Actions:
AP109.S3.D73
Description:
File documents an unexecuted project for a house in Barbados, West Indies. Material in this file was produced in 1968. File contains sketches, preliminary drawings, design development drawings, working drawings, a photograph and textual records.
Barbara and Dr. Sidney Smith House
Actions:
AP109.S3.D73
Description:
File documents an unexecuted project for a house in Barbados, West Indies. Material in this file was produced in 1968. File contains sketches, preliminary drawings, design development drawings, working drawings, a photograph and textual records.
Level of archival description:
File 73
File 73
Date:
1968
1968
People:
Level of archival description:
Project
Project
Title:
House for R. Streb
House for R. Streb
Actions:
Reference number:
AP013.S1.D536
Description:
File documents an executed project for a house in Saint John, New Brunswick. Material in this file was produced in 1957. File contains working and detail drawings, a miscellaneous drawing, photographs, and a textual document.
AP013.S1.D536
Description:
File documents an executed project for a house in Saint John, New Brunswick. Material in this file was produced in 1957. File contains working and detail drawings, a miscellaneous drawing, photographs, and a textual document.
People:
Date:
1957
1957
Title:
House for R. Streb
Actions:
AP013.S1.D536
Description:
File documents an executed project for a house in Saint John, New Brunswick. Material in this file was produced in 1957. File contains working and detail drawings, a miscellaneous drawing, photographs, and a textual document.
House for R. Streb
Actions:
AP013.S1.D536
Description:
File documents an executed project for a house in Saint John, New Brunswick. Material in this file was produced in 1957. File contains working and detail drawings, a miscellaneous drawing, photographs, and a textual document.
Level of archival description:
Project
Project
Date:
1957
1957
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP075.S1.2003.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscale project for the Kelowna Downtown Waterfront and the James Stuart Park design competition in Kelowna, British Columbia. The project series includes proposal, correspondence, photographs and design development drawings.
AP075.S1.2003.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscale project for the Kelowna Downtown Waterfront and the James Stuart Park design competition in Kelowna, British Columbia. The project series includes proposal, correspondence, photographs and design development drawings.
People:
Date:
2002-2003
2002-2003
Title:
Kelowna Downtown Waterfront and James Stuart Park, Kelowna, British Columbia (2003)
Actions:
AP075.S1.2003.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscale project for the Kelowna Downtown Waterfront and the James Stuart Park design competition in Kelowna, British Columbia. The project series includes proposal, correspondence, photographs and design development drawings.
Kelowna Downtown Waterfront and James Stuart Park, Kelowna, British Columbia (2003)
Actions:
AP075.S1.2003.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscale project for the Kelowna Downtown Waterfront and the James Stuart Park design competition in Kelowna, British Columbia. The project series includes proposal, correspondence, photographs and design development drawings.
Level of archival description:
Project
Project
Date:
2002-2003
2002-2003
People:
Level of archival description:
Project
Project
Reference number:
AP041.S1.1976.D1
Description:
Les Maisons de la Rue Sherbrooke was both a site-specific installation/construction for Corrid’Art (1976), commissioned by the Programme art et culture, XXIe Olympiade, and a series of drawings and constructed photographs. The installation consisted of the construction of two full-sized facades of 19th century greystone town houses out of rough plywood and pipe scaffolding. The facades were erected in a vacant lot on Rue Sherbrooke, and mirrored the townhouses which still stood on the opposite side of the intersection. The constructed photographs of the same name, and also The Site, Les Maisons, 1976 and The Site Altered, Les Maisons, 1976, depict an intersection in which one side of the street mirrors the other perfectly. By reprinting the photograph, reversed and superimposed on itself, Charney fills a vacant lot with a suggestion of its past. One week after the installation of Les Maisons de la Rue Sherbrooke municipal authorities of the City of Montreal ordered it to be destroyed. Demolition began the night of July 13, 1976.
AP041.S1.1976.D1
Description:
Les Maisons de la Rue Sherbrooke was both a site-specific installation/construction for Corrid’Art (1976), commissioned by the Programme art et culture, XXIe Olympiade, and a series of drawings and constructed photographs. The installation consisted of the construction of two full-sized facades of 19th century greystone town houses out of rough plywood and pipe scaffolding. The facades were erected in a vacant lot on Rue Sherbrooke, and mirrored the townhouses which still stood on the opposite side of the intersection. The constructed photographs of the same name, and also The Site, Les Maisons, 1976 and The Site Altered, Les Maisons, 1976, depict an intersection in which one side of the street mirrors the other perfectly. By reprinting the photograph, reversed and superimposed on itself, Charney fills a vacant lot with a suggestion of its past. One week after the installation of Les Maisons de la Rue Sherbrooke municipal authorities of the City of Montreal ordered it to be destroyed. Demolition began the night of July 13, 1976.
People:
Date:
1976
1976
Title:
Les maisons de la rue Sherbrooke, Montréal, Québec
Actions:
AP041.S1.1976.D1
Description:
Les Maisons de la Rue Sherbrooke was both a site-specific installation/construction for Corrid’Art (1976), commissioned by the Programme art et culture, XXIe Olympiade, and a series of drawings and constructed photographs. The installation consisted of the construction of two full-sized facades of 19th century greystone town houses out of rough plywood and pipe scaffolding. The facades were erected in a vacant lot on Rue Sherbrooke, and mirrored the townhouses which still stood on the opposite side of the intersection. The constructed photographs of the same name, and also The Site, Les Maisons, 1976 and The Site Altered, Les Maisons, 1976, depict an intersection in which one side of the street mirrors the other perfectly. By reprinting the photograph, reversed and superimposed on itself, Charney fills a vacant lot with a suggestion of its past. One week after the installation of Les Maisons de la Rue Sherbrooke municipal authorities of the City of Montreal ordered it to be destroyed. Demolition began the night of July 13, 1976.
Les maisons de la rue Sherbrooke, Montréal, Québec
Actions:
AP041.S1.1976.D1
Description:
Les Maisons de la Rue Sherbrooke was both a site-specific installation/construction for Corrid’Art (1976), commissioned by the Programme art et culture, XXIe Olympiade, and a series of drawings and constructed photographs. The installation consisted of the construction of two full-sized facades of 19th century greystone town houses out of rough plywood and pipe scaffolding. The facades were erected in a vacant lot on Rue Sherbrooke, and mirrored the townhouses which still stood on the opposite side of the intersection. The constructed photographs of the same name, and also The Site, Les Maisons, 1976 and The Site Altered, Les Maisons, 1976, depict an intersection in which one side of the street mirrors the other perfectly. By reprinting the photograph, reversed and superimposed on itself, Charney fills a vacant lot with a suggestion of its past. One week after the installation of Les Maisons de la Rue Sherbrooke municipal authorities of the City of Montreal ordered it to be destroyed. Demolition began the night of July 13, 1976.
Level of archival description:
Project
Project
Date:
1976
1976
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.1973.PR02
Description:
The project series documents the performance "Io Sono La Spia". It consists of a group of photographs of the founders of Global Tools taken in 1973, in Milan, in which Pettena identifies himself as "the spy" by holding a sign that reads "Io Sono La Spia" [I am the Spy]. Global Tools, was a multidisciplinary program of workshops used to promote different tools and materials in architecture and represented the peak in the radical movement in Italy. By identifying himself as "the spy", Pettena "claimed to be a betraying architect and he stated his own 'diversity' by calling into question his identified role as a 'radical architect'." [1] The project series contains the sign with the words "Io Sono La Spia" and photographs of the Global Tools team, including a photograph showing Pettena holding the sign "Io Sono La Spia". Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 184.
AP207.S1.1973.PR02
Description:
The project series documents the performance "Io Sono La Spia". It consists of a group of photographs of the founders of Global Tools taken in 1973, in Milan, in which Pettena identifies himself as "the spy" by holding a sign that reads "Io Sono La Spia" [I am the Spy]. Global Tools, was a multidisciplinary program of workshops used to promote different tools and materials in architecture and represented the peak in the radical movement in Italy. By identifying himself as "the spy", Pettena "claimed to be a betraying architect and he stated his own 'diversity' by calling into question his identified role as a 'radical architect'." [1] The project series contains the sign with the words "Io Sono La Spia" and photographs of the Global Tools team, including a photograph showing Pettena holding the sign "Io Sono La Spia". Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 184.
People:
Date:
1973-2015
1973-2015
Title:
Io Sono La Spia [I am the Spy] (1973)
Actions:
AP207.S1.1973.PR02
Description:
The project series documents the performance "Io Sono La Spia". It consists of a group of photographs of the founders of Global Tools taken in 1973, in Milan, in which Pettena identifies himself as "the spy" by holding a sign that reads "Io Sono La Spia" [I am the Spy]. Global Tools, was a multidisciplinary program of workshops used to promote different tools and materials in architecture and represented the peak in the radical movement in Italy. By identifying himself as "the spy", Pettena "claimed to be a betraying architect and he stated his own 'diversity' by calling into question his identified role as a 'radical architect'." [1] The project series contains the sign with the words "Io Sono La Spia" and photographs of the Global Tools team, including a photograph showing Pettena holding the sign "Io Sono La Spia". Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 184.
Io Sono La Spia [I am the Spy] (1973)
Actions:
AP207.S1.1973.PR02
Description:
The project series documents the performance "Io Sono La Spia". It consists of a group of photographs of the founders of Global Tools taken in 1973, in Milan, in which Pettena identifies himself as "the spy" by holding a sign that reads "Io Sono La Spia" [I am the Spy]. Global Tools, was a multidisciplinary program of workshops used to promote different tools and materials in architecture and represented the peak in the radical movement in Italy. By identifying himself as "the spy", Pettena "claimed to be a betraying architect and he stated his own 'diversity' by calling into question his identified role as a 'radical architect'." [1] The project series contains the sign with the words "Io Sono La Spia" and photographs of the Global Tools team, including a photograph showing Pettena holding the sign "Io Sono La Spia". Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 184.
Level of archival description:
Project
Project
Date:
1973-2015
1973-2015
People:
