24980 Results
Form:
photographs
Quantity:
16 album(s)
photographs
Quantity:
16 album(s)
Actions:
Reference number:
PH1986:0900.01-16
Description:
The 16 albums PH1986:0900.01-.16 comprises 849 photographs and 34 prints of works by Michel Roux-Spitz. The majority of the photographs show projects in Paris and Lyon, France, although Versailles and Fontainebleau, France, Brussels, Belgium, and Rome, Italy also feature. Amongst others, the photographs include views of La Croix-Rousse train station, Villa Weitz, Église Saint-François d'Assise, Salle des Fêtes De La Croix-Rousse, Banque Libre, Manufactures de Glaces de Saint-Gobain, and a housing project in Lyon; Les Galeries Lafayette, Boutique Roger Bal, the atelier de Monsieur Roger Bal, Bijouterie Kepta, a post-office, the Ford Building, Bibliothèque Nationale, Hôtel Roland Bonaparte, and various other buildings in Paris; The Bibliothèque Nationale in Versailles; and other furniture, interiors, fountains, monuments, tombs, vases, models and studies.
PH1986:0900.01-16
Description:
The 16 albums PH1986:0900.01-.16 comprises 849 photographs and 34 prints of works by Michel Roux-Spitz. The majority of the photographs show projects in Paris and Lyon, France, although Versailles and Fontainebleau, France, Brussels, Belgium, and Rome, Italy also feature. Amongst others, the photographs include views of La Croix-Rousse train station, Villa Weitz, Église Saint-François d'Assise, Salle des Fêtes De La Croix-Rousse, Banque Libre, Manufactures de Glaces de Saint-Gobain, and a housing project in Lyon; Les Galeries Lafayette, Boutique Roger Bal, the atelier de Monsieur Roger Bal, Bijouterie Kepta, a post-office, the Ford Building, Bibliothèque Nationale, Hôtel Roland Bonaparte, and various other buildings in Paris; The Bibliothèque Nationale in Versailles; and other furniture, interiors, fountains, monuments, tombs, vases, models and studies.
People:
Subject:
architecture, interior design, ornament, sculpture
architecture, interior design, ornament, sculpture
Date:
1920-1936
1920-1936
Title:
Albums of photographs of projects by Michel Roux-Spitz
Actions:
PH1986:0900.01-16
Description:
The 16 albums PH1986:0900.01-.16 comprises 849 photographs and 34 prints of works by Michel Roux-Spitz. The majority of the photographs show projects in Paris and Lyon, France, although Versailles and Fontainebleau, France, Brussels, Belgium, and Rome, Italy also feature. Amongst others, the photographs include views of La Croix-Rousse train station, Villa Weitz, Église Saint-François d'Assise, Salle des Fêtes De La Croix-Rousse, Banque Libre, Manufactures de Glaces de Saint-Gobain, and a housing project in Lyon; Les Galeries Lafayette, Boutique Roger Bal, the atelier de Monsieur Roger Bal, Bijouterie Kepta, a post-office, the Ford Building, Bibliothèque Nationale, Hôtel Roland Bonaparte, and various other buildings in Paris; The Bibliothèque Nationale in Versailles; and other furniture, interiors, fountains, monuments, tombs, vases, models and studies.
Albums of photographs of projects by Michel Roux-Spitz
Actions:
PH1986:0900.01-16
Description:
The 16 albums PH1986:0900.01-.16 comprises 849 photographs and 34 prints of works by Michel Roux-Spitz. The majority of the photographs show projects in Paris and Lyon, France, although Versailles and Fontainebleau, France, Brussels, Belgium, and Rome, Italy also feature. Amongst others, the photographs include views of La Croix-Rousse train station, Villa Weitz, Église Saint-François d'Assise, Salle des Fêtes De La Croix-Rousse, Banque Libre, Manufactures de Glaces de Saint-Gobain, and a housing project in Lyon; Les Galeries Lafayette, Boutique Roger Bal, the atelier de Monsieur Roger Bal, Bijouterie Kepta, a post-office, the Ford Building, Bibliothèque Nationale, Hôtel Roland Bonaparte, and various other buildings in Paris; The Bibliothèque Nationale in Versailles; and other furniture, interiors, fountains, monuments, tombs, vases, models and studies.
Form:
photographs
Quantity:
16 album(s)
photographs
Quantity:
16 album(s)
Date:
1920-1936
1920-1936
People:
Subject:
architecture, interior design, ornament, sculpture
architecture, interior design, ornament, sculpture
Level of archival description:
Project
Project
Reference number:
AP041.S1.1976.D1
Description:
Les Maisons de la Rue Sherbrooke was both a site-specific installation/construction for Corrid’Art (1976), commissioned by the Programme art et culture, XXIe Olympiade, and a series of drawings and constructed photographs. The installation consisted of the construction of two full-sized facades of 19th century greystone town houses out of rough plywood and pipe scaffolding. The facades were erected in a vacant lot on Rue Sherbrooke, and mirrored the townhouses which still stood on the opposite side of the intersection. The constructed photographs of the same name, and also The Site, Les Maisons, 1976 and The Site Altered, Les Maisons, 1976, depict an intersection in which one side of the street mirrors the other perfectly. By reprinting the photograph, reversed and superimposed on itself, Charney fills a vacant lot with a suggestion of its past. One week after the installation of Les Maisons de la Rue Sherbrooke municipal authorities of the City of Montreal ordered it to be destroyed. Demolition began the night of July 13, 1976.
AP041.S1.1976.D1
Description:
Les Maisons de la Rue Sherbrooke was both a site-specific installation/construction for Corrid’Art (1976), commissioned by the Programme art et culture, XXIe Olympiade, and a series of drawings and constructed photographs. The installation consisted of the construction of two full-sized facades of 19th century greystone town houses out of rough plywood and pipe scaffolding. The facades were erected in a vacant lot on Rue Sherbrooke, and mirrored the townhouses which still stood on the opposite side of the intersection. The constructed photographs of the same name, and also The Site, Les Maisons, 1976 and The Site Altered, Les Maisons, 1976, depict an intersection in which one side of the street mirrors the other perfectly. By reprinting the photograph, reversed and superimposed on itself, Charney fills a vacant lot with a suggestion of its past. One week after the installation of Les Maisons de la Rue Sherbrooke municipal authorities of the City of Montreal ordered it to be destroyed. Demolition began the night of July 13, 1976.
People:
Date:
1976
1976
Title:
Les maisons de la rue Sherbrooke, Montréal, Québec
Actions:
AP041.S1.1976.D1
Description:
Les Maisons de la Rue Sherbrooke was both a site-specific installation/construction for Corrid’Art (1976), commissioned by the Programme art et culture, XXIe Olympiade, and a series of drawings and constructed photographs. The installation consisted of the construction of two full-sized facades of 19th century greystone town houses out of rough plywood and pipe scaffolding. The facades were erected in a vacant lot on Rue Sherbrooke, and mirrored the townhouses which still stood on the opposite side of the intersection. The constructed photographs of the same name, and also The Site, Les Maisons, 1976 and The Site Altered, Les Maisons, 1976, depict an intersection in which one side of the street mirrors the other perfectly. By reprinting the photograph, reversed and superimposed on itself, Charney fills a vacant lot with a suggestion of its past. One week after the installation of Les Maisons de la Rue Sherbrooke municipal authorities of the City of Montreal ordered it to be destroyed. Demolition began the night of July 13, 1976.
Les maisons de la rue Sherbrooke, Montréal, Québec
Actions:
AP041.S1.1976.D1
Description:
Les Maisons de la Rue Sherbrooke was both a site-specific installation/construction for Corrid’Art (1976), commissioned by the Programme art et culture, XXIe Olympiade, and a series of drawings and constructed photographs. The installation consisted of the construction of two full-sized facades of 19th century greystone town houses out of rough plywood and pipe scaffolding. The facades were erected in a vacant lot on Rue Sherbrooke, and mirrored the townhouses which still stood on the opposite side of the intersection. The constructed photographs of the same name, and also The Site, Les Maisons, 1976 and The Site Altered, Les Maisons, 1976, depict an intersection in which one side of the street mirrors the other perfectly. By reprinting the photograph, reversed and superimposed on itself, Charney fills a vacant lot with a suggestion of its past. One week after the installation of Les Maisons de la Rue Sherbrooke municipal authorities of the City of Montreal ordered it to be destroyed. Demolition began the night of July 13, 1976.
Level of archival description:
Project
Project
Date:
1976
1976
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.1973.PR02
Description:
The project series documents the performance "Io Sono La Spia". It consists of a group of photographs of the founders of Global Tools taken in 1973, in Milan, in which Pettena identifies himself as "the spy" by holding a sign that reads "Io Sono La Spia" [I am the Spy]. Global Tools, was a multidisciplinary program of workshops used to promote different tools and materials in architecture and represented the peak in the radical movement in Italy. By identifying himself as "the spy", Pettena "claimed to be a betraying architect and he stated his own 'diversity' by calling into question his identified role as a 'radical architect'." [1] The project series contains the sign with the words "Io Sono La Spia" and photographs of the Global Tools team, including a photograph showing Pettena holding the sign "Io Sono La Spia". Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 184.
AP207.S1.1973.PR02
Description:
The project series documents the performance "Io Sono La Spia". It consists of a group of photographs of the founders of Global Tools taken in 1973, in Milan, in which Pettena identifies himself as "the spy" by holding a sign that reads "Io Sono La Spia" [I am the Spy]. Global Tools, was a multidisciplinary program of workshops used to promote different tools and materials in architecture and represented the peak in the radical movement in Italy. By identifying himself as "the spy", Pettena "claimed to be a betraying architect and he stated his own 'diversity' by calling into question his identified role as a 'radical architect'." [1] The project series contains the sign with the words "Io Sono La Spia" and photographs of the Global Tools team, including a photograph showing Pettena holding the sign "Io Sono La Spia". Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 184.
People:
Date:
1973-2015
1973-2015
Title:
Io Sono La Spia [I am the Spy] (1973)
Actions:
AP207.S1.1973.PR02
Description:
The project series documents the performance "Io Sono La Spia". It consists of a group of photographs of the founders of Global Tools taken in 1973, in Milan, in which Pettena identifies himself as "the spy" by holding a sign that reads "Io Sono La Spia" [I am the Spy]. Global Tools, was a multidisciplinary program of workshops used to promote different tools and materials in architecture and represented the peak in the radical movement in Italy. By identifying himself as "the spy", Pettena "claimed to be a betraying architect and he stated his own 'diversity' by calling into question his identified role as a 'radical architect'." [1] The project series contains the sign with the words "Io Sono La Spia" and photographs of the Global Tools team, including a photograph showing Pettena holding the sign "Io Sono La Spia". Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 184.
Io Sono La Spia [I am the Spy] (1973)
Actions:
AP207.S1.1973.PR02
Description:
The project series documents the performance "Io Sono La Spia". It consists of a group of photographs of the founders of Global Tools taken in 1973, in Milan, in which Pettena identifies himself as "the spy" by holding a sign that reads "Io Sono La Spia" [I am the Spy]. Global Tools, was a multidisciplinary program of workshops used to promote different tools and materials in architecture and represented the peak in the radical movement in Italy. By identifying himself as "the spy", Pettena "claimed to be a betraying architect and he stated his own 'diversity' by calling into question his identified role as a 'radical architect'." [1] The project series contains the sign with the words "Io Sono La Spia" and photographs of the Global Tools team, including a photograph showing Pettena holding the sign "Io Sono La Spia". Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 184.
Level of archival description:
Project
Project
Date:
1973-2015
1973-2015
People:
Level of archival description:
Series
Series
Title:
Construction documentation
Construction documentation
Actions:
Reference number:
AP192.S2
Description:
Series 2: Construction documentation, 1997 – 2016, consists of over 5100 born-digital files that relate to the construction and construction documentation phases of the Austrian Hypo Alpe-Adria Center. The majority of the records date from 1999 to 2003. This series relates to construction and largely contains CAD drawings and photographs which demonstrate the progress of the project in the built environment over time. The roughly 3600 drawings in this series include floorplans, detail documentation, as-built drawings, shop drawings, elevations, and site plans. CAD formats represented include PowerCAD, PowerDraw, Microstation, and AutoCAD. There are also approximately 200 3D models and plans completed in Form*Z. These were likely used for renderings and 3D printing. This series also contains a significant number of images, including renderings and photographs of the construction site and physical model. Notably, there are a number of high resolution photographs of the Hypo Alpe-Adria exterior. There is also a small amount of related textual documentation.
AP192.S2
Description:
Series 2: Construction documentation, 1997 – 2016, consists of over 5100 born-digital files that relate to the construction and construction documentation phases of the Austrian Hypo Alpe-Adria Center. The majority of the records date from 1999 to 2003. This series relates to construction and largely contains CAD drawings and photographs which demonstrate the progress of the project in the built environment over time. The roughly 3600 drawings in this series include floorplans, detail documentation, as-built drawings, shop drawings, elevations, and site plans. CAD formats represented include PowerCAD, PowerDraw, Microstation, and AutoCAD. There are also approximately 200 3D models and plans completed in Form*Z. These were likely used for renderings and 3D printing. This series also contains a significant number of images, including renderings and photographs of the construction site and physical model. Notably, there are a number of high resolution photographs of the Hypo Alpe-Adria exterior. There is also a small amount of related textual documentation.
People:
Date:
1997 - 2016
1997 - 2016
Title:
Construction documentation
Actions:
AP192.S2
Description:
Series 2: Construction documentation, 1997 – 2016, consists of over 5100 born-digital files that relate to the construction and construction documentation phases of the Austrian Hypo Alpe-Adria Center. The majority of the records date from 1999 to 2003. This series relates to construction and largely contains CAD drawings and photographs which demonstrate the progress of the project in the built environment over time. The roughly 3600 drawings in this series include floorplans, detail documentation, as-built drawings, shop drawings, elevations, and site plans. CAD formats represented include PowerCAD, PowerDraw, Microstation, and AutoCAD. There are also approximately 200 3D models and plans completed in Form*Z. These were likely used for renderings and 3D printing. This series also contains a significant number of images, including renderings and photographs of the construction site and physical model. Notably, there are a number of high resolution photographs of the Hypo Alpe-Adria exterior. There is also a small amount of related textual documentation.
Construction documentation
Actions:
AP192.S2
Description:
Series 2: Construction documentation, 1997 – 2016, consists of over 5100 born-digital files that relate to the construction and construction documentation phases of the Austrian Hypo Alpe-Adria Center. The majority of the records date from 1999 to 2003. This series relates to construction and largely contains CAD drawings and photographs which demonstrate the progress of the project in the built environment over time. The roughly 3600 drawings in this series include floorplans, detail documentation, as-built drawings, shop drawings, elevations, and site plans. CAD formats represented include PowerCAD, PowerDraw, Microstation, and AutoCAD. There are also approximately 200 3D models and plans completed in Form*Z. These were likely used for renderings and 3D printing. This series also contains a significant number of images, including renderings and photographs of the construction site and physical model. Notably, there are a number of high resolution photographs of the Hypo Alpe-Adria exterior. There is also a small amount of related textual documentation.
Level of archival description:
Series
Series
Date:
1997 - 2016
1997 - 2016
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Max Wolfe Roth fonds
Max Wolfe Roth fonds
Actions:
Reference number:
AP125
Synopsis:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
AP125
Synopsis:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
People:
Date:
1933-2000
1933-2000
Title:
Max Wolfe Roth fonds
Actions:
AP125
Synopsis:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
Max Wolfe Roth fonds
Actions:
AP125
Synopsis:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1933-2000
1933-2000
People:
Level of archival description:
Project
Project
Actions:
Reference number:
CI006.S1.1927.PR1
Description:
Series documents the architectural project of Mart Stam for Terraced housing Weissenhof in Stuffgart, Germany, in 1927. The material in this series was produced between 1931 and 1950. The series contains a photograph of the building.
CI006.S1.1927.PR1
Description:
Series documents the architectural project of Mart Stam for Terraced housing Weissenhof in Stuffgart, Germany, in 1927. The material in this series was produced between 1931 and 1950. The series contains a photograph of the building.
People:
Date:
between 1931 and 1950
between 1931 and 1950
Title:
Terraced housing Weissenhof, Stuttgart, Germany (1927)
Actions:
CI006.S1.1927.PR1
Description:
Series documents the architectural project of Mart Stam for Terraced housing Weissenhof in Stuffgart, Germany, in 1927. The material in this series was produced between 1931 and 1950. The series contains a photograph of the building.
Terraced housing Weissenhof, Stuttgart, Germany (1927)
Actions:
CI006.S1.1927.PR1
Description:
Series documents the architectural project of Mart Stam for Terraced housing Weissenhof in Stuffgart, Germany, in 1927. The material in this series was produced between 1931 and 1950. The series contains a photograph of the building.
Level of archival description:
project
project
Date:
between 1931 and 1950
between 1931 and 1950
People:
Level of archival description:
Project
Project
Title:
Bayshore Gardens
Bayshore Gardens
Actions:
Reference number:
AP022.S1.1989.PR14
Description:
File documents a mixed-use development consisting of a hotel, retail and terraced housing, a marina, public gardens and a playing field, Coal Harbour, Vancouver, British Columbia. File contains design development drawings, textual records (including photographs).
AP022.S1.1989.PR14
Description:
File documents a mixed-use development consisting of a hotel, retail and terraced housing, a marina, public gardens and a playing field, Coal Harbour, Vancouver, British Columbia. File contains design development drawings, textual records (including photographs).
People:
Date:
1989-1992
1989-1992
Title:
Bayshore Gardens
Actions:
AP022.S1.1989.PR14
Description:
File documents a mixed-use development consisting of a hotel, retail and terraced housing, a marina, public gardens and a playing field, Coal Harbour, Vancouver, British Columbia. File contains design development drawings, textual records (including photographs).
Bayshore Gardens
Actions:
AP022.S1.1989.PR14
Description:
File documents a mixed-use development consisting of a hotel, retail and terraced housing, a marina, public gardens and a playing field, Coal Harbour, Vancouver, British Columbia. File contains design development drawings, textual records (including photographs).
Level of archival description:
Project
Project
Date:
1989-1992
1989-1992
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP116.S2.SS11.D2
Description:
File documents the Anything Conference proceedings and related social events, and provides photographic material for the accompanying Anything Journal. Material in file was produced in 2000. File contains photographs, negatives, contact sheets, and a zip disk.
AP116.S2.SS11.D2
Description:
File documents the Anything Conference proceedings and related social events, and provides photographic material for the accompanying Anything Journal. Material in file was produced in 2000. File contains photographs, negatives, contact sheets, and a zip disk.
People:
Title:
Anything Conference - Photographs
Actions:
AP116.S2.SS11.D2
Description:
File documents the Anything Conference proceedings and related social events, and provides photographic material for the accompanying Anything Journal. Material in file was produced in 2000. File contains photographs, negatives, contact sheets, and a zip disk.
Anything Conference - Photographs
Actions:
AP116.S2.SS11.D2
Description:
File documents the Anything Conference proceedings and related social events, and provides photographic material for the accompanying Anything Journal. Material in file was produced in 2000. File contains photographs, negatives, contact sheets, and a zip disk.
Level of archival description:
File 2
File 2
People:
Level of archival description:
Sub-series
Sub-series
Title:
Anywise Journal - Production
Anywise Journal - Production
Actions:
Reference number:
AP116.S2.SS6.D6
Description:
File documents the production of the Anywise Journal. Material in file was produced between 1995 and 1996. File contains correspondence, production schedules, contracts, participant biographies, photocopied illustrative material, illustrative material on diskette photographs, sample sleeves, research material.
AP116.S2.SS6.D6
Description:
File documents the production of the Anywise Journal. Material in file was produced between 1995 and 1996. File contains correspondence, production schedules, contracts, participant biographies, photocopied illustrative material, illustrative material on diskette photographs, sample sleeves, research material.
People:
Date:
1995-1996
1995-1996
Title:
Anywise Journal - Production
Actions:
AP116.S2.SS6.D6
Description:
File documents the production of the Anywise Journal. Material in file was produced between 1995 and 1996. File contains correspondence, production schedules, contracts, participant biographies, photocopied illustrative material, illustrative material on diskette photographs, sample sleeves, research material.
Anywise Journal - Production
Actions:
AP116.S2.SS6.D6
Description:
File documents the production of the Anywise Journal. Material in file was produced between 1995 and 1996. File contains correspondence, production schedules, contracts, participant biographies, photocopied illustrative material, illustrative material on diskette photographs, sample sleeves, research material.
Level of archival description:
File 6
File 6
Date:
1995-1996
1995-1996
People:
Level of archival description:
Project
Project
Title:
Burrard Building
Burrard Building
Reference number:
AP096.D12
Description:
File documents an executed high-rise office building at 1030 W. Georgia St. in Vancouver, British Columbia. Material was produced between 1952 and 1957. File contains presentation drawings, a photograph, an album and a textual record.
AP096.D12
Description:
File documents an executed high-rise office building at 1030 W. Georgia St. in Vancouver, British Columbia. Material was produced between 1952 and 1957. File contains presentation drawings, a photograph, an album and a textual record.
People:
Date:
1952-1957
1952-1957
Title:
Burrard Building
Actions:
AP096.D12
Description:
File documents an executed high-rise office building at 1030 W. Georgia St. in Vancouver, British Columbia. Material was produced between 1952 and 1957. File contains presentation drawings, a photograph, an album and a textual record.
Burrard Building
Actions:
AP096.D12
Description:
File documents an executed high-rise office building at 1030 W. Georgia St. in Vancouver, British Columbia. Material was produced between 1952 and 1957. File contains presentation drawings, a photograph, an album and a textual record.
Level of archival description:
File 12
File 12
Date:
1952-1957
1952-1957
People:
