archives
Level of archival description:
Collection
Futurecasting collection
CD048
Synopsis:
This collection documents the activities of the “Futurecasting: Indigenous-led Architecture and Design in the Arctic” group formed by Jenni Hakovirta, Naomi Ratte, Nicole Luke, Magnus Antaris Tuolja, Andrea McIntosh, Robyn Adams, Berit Kristine Andersen Guvsám, Laila Susanna Kuhmunen, Johanna Minde, and Reanna Merasty. It contains materials related to the planning of seminars and workshops, and the creative process and projects created by its participants on the idea of home in 2022-2023 that were later presented in the Canadian Centre for Architecture’s exhibition and related publication “ᐊᖏᕐᕋᒧᑦ / Ruovttu Guvlui / Towards home” (2022-2023).
2008-2023
Futurecasting collection
Actions:
CD048
Synopsis:
This collection documents the activities of the “Futurecasting: Indigenous-led Architecture and Design in the Arctic” group formed by Jenni Hakovirta, Naomi Ratte, Nicole Luke, Magnus Antaris Tuolja, Andrea McIntosh, Robyn Adams, Berit Kristine Andersen Guvsám, Laila Susanna Kuhmunen, Johanna Minde, and Reanna Merasty. It contains materials related to the planning of seminars and workshops, and the creative process and projects created by its participants on the idea of home in 2022-2023 that were later presented in the Canadian Centre for Architecture’s exhibition and related publication “ᐊᖏᕐᕋᒧᑦ / Ruovttu Guvlui / Towards home” (2022-2023).
archives
Level of archival description:
Collection
2008-2023
Project
AP164.S1.2004.D9
Description:
The project series documents the entry for a competition organised by the École Polytechnique Fédérale de Lausanne. The firm identified this project as number 187. “The Learning Center occupies the closest point to the two existing pedestrian accesses and distributes its programme in two large pieces: the green platform which puts in relation the different levels of mobility and houses the active program and the helix which defines the library as a huge ascending space which winds around itself at the interior as well as exterior culminating in an observatory which contains a restaurant. An isolated pavilion emerges over the green platform as a scenic counterpoint. […] Three materials: water, lawn and show form the base of the choice of materials and chromatic proposal supported by a regular structure of white concrete.” (ARCH270975) Abalos & Herreros and Renata Sentkiewicz worked with Olivia de Oliveira, Blaise Sahy, Verónica Meléndez, Juanju González Castellón, Rubén Briongos and Teresa Galí. Documenting the project are conceptual, design development and presentation drawings, cartographic, graphic, photographic and reference materials, correspondence, and presentation documents.
1986, 2003-2004, predominant 2004
EPFL learning center, Lausanne, Switzerland (2004)
Actions:
AP164.S1.2004.D9
Description:
The project series documents the entry for a competition organised by the École Polytechnique Fédérale de Lausanne. The firm identified this project as number 187. “The Learning Center occupies the closest point to the two existing pedestrian accesses and distributes its programme in two large pieces: the green platform which puts in relation the different levels of mobility and houses the active program and the helix which defines the library as a huge ascending space which winds around itself at the interior as well as exterior culminating in an observatory which contains a restaurant. An isolated pavilion emerges over the green platform as a scenic counterpoint. […] Three materials: water, lawn and show form the base of the choice of materials and chromatic proposal supported by a regular structure of white concrete.” (ARCH270975) Abalos & Herreros and Renata Sentkiewicz worked with Olivia de Oliveira, Blaise Sahy, Verónica Meléndez, Juanju González Castellón, Rubén Briongos and Teresa Galí. Documenting the project are conceptual, design development and presentation drawings, cartographic, graphic, photographic and reference materials, correspondence, and presentation documents.
Project
1986, 2003-2004, predominant 2004
Series
AP140.S2
Description:
Series documents the professional activities of James Stirling, James Gowan, Michael Wilford, and the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; as well as the firm of Michael Wilford GmbH. It chiefly illustrates the architectural and urban planning projects by James Stirling and the successive firms, including earlier theoretical and housing schemes, competition entries, major international commissions, as well as dead projects. The series also relates to exhibitions and publications of the firms' work, to writing and lecturing activities, to prizes, distinctions and honours received by the partners and the successive firms, and to other professional activities including participation to competition juries and teaching. Administrative and office activities are also documented in this series. Material in this series was produced between ca. 1948 and probably 2004. Series contains a large number of reference, conceptual, and design development drawings, publication and presentation drawings and panels, working drawings and several models. Series also contains photographic materials, textual records, film reels and other audiovisual materials, and artefacts.
[ca. 1948-2004?]
James Stirling/Michael Wilford professional papers
Actions:
AP140.S2
Description:
Series documents the professional activities of James Stirling, James Gowan, Michael Wilford, and the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; as well as the firm of Michael Wilford GmbH. It chiefly illustrates the architectural and urban planning projects by James Stirling and the successive firms, including earlier theoretical and housing schemes, competition entries, major international commissions, as well as dead projects. The series also relates to exhibitions and publications of the firms' work, to writing and lecturing activities, to prizes, distinctions and honours received by the partners and the successive firms, and to other professional activities including participation to competition juries and teaching. Administrative and office activities are also documented in this series. Material in this series was produced between ca. 1948 and probably 2004. Series contains a large number of reference, conceptual, and design development drawings, publication and presentation drawings and panels, working drawings and several models. Series also contains photographic materials, textual records, film reels and other audiovisual materials, and artefacts.
Series 2
[ca. 1948-2004?]
Project
AP075.S1.1992.PR04
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Thunderbird Housing at University of British Columbia, in Vancouver, British Columbia. Orberlander worked on this project from 1992-1995 with architectural firm Waisman Dewar Grout Carter. Oberlander landscape design for this project included planting beds, trees and espaliers to screen the windows from the paved commun courtyard. The courtyard also includes a circular barbecue construsted by continuing pavers, the same used as pavement for the courtyard. She also included planting of trees along the facades of the building and along the pathway connecting the student housing to the rest of the campus pavilions. The project series includes sketches, design development drawings, including landscape concept plans with plant lists, landscape elevations and sections, presentation drawings, and working drawings, such as irrigation plans, site plans, landscape plans and planting plans. The project is also documented through working drawings for the new student housing used as reference and photographs of the landscaping work. Textual records for this project comprises a proposal, concept notes by Oberlander, correspondence, including with clients, architects and consultants, and specifications.
1991-2001
Thunderbird Housing, University of British Columbia, Vancouver, British Columbia (1992-1996)
Actions:
AP075.S1.1992.PR04
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Thunderbird Housing at University of British Columbia, in Vancouver, British Columbia. Orberlander worked on this project from 1992-1995 with architectural firm Waisman Dewar Grout Carter. Oberlander landscape design for this project included planting beds, trees and espaliers to screen the windows from the paved commun courtyard. The courtyard also includes a circular barbecue construsted by continuing pavers, the same used as pavement for the courtyard. She also included planting of trees along the facades of the building and along the pathway connecting the student housing to the rest of the campus pavilions. The project series includes sketches, design development drawings, including landscape concept plans with plant lists, landscape elevations and sections, presentation drawings, and working drawings, such as irrigation plans, site plans, landscape plans and planting plans. The project is also documented through working drawings for the new student housing used as reference and photographs of the landscaping work. Textual records for this project comprises a proposal, concept notes by Oberlander, correspondence, including with clients, architects and consultants, and specifications.
Project
1991-2001
Project
AP075.S1.1988.PR04
Description:
Project series documents Cornelie Hahn Oberlander's landscape project for the Jarvis Residence on Hudson Street in Vancouver, British Columbia. Oberlander worked on the initial landscape project from 1964-1966, and later on renovations of the garden in 1988-1989. The residence was designed by architect Ron Thom, from Thompson Berwick & Pratt Architects and was completed in 1964. The project consisted in creating well sunlit circular wooden deck where the family could gather, especially for breakfast in the morning, with sun-loving vegetation. The garden also integrated elements from Japanese traditional gardens, brought back by the owners of the house after a trip in Japan, including stepping-stones that were arranged to create a path from the house and the beginning of a woodland walk. Project series contains design development drawings, including landscape plans, planting plans and layout plans, and also working drawing, including irragation plans. The project series also comprises photographs of the residence and the garden, and textual records, such as specifications, correspondence with architects and clients, Oberlander's concept notes, and plant lists.
1966-2004
Jarvis Residence, Vancouver, British Columbia (1988-1992)
Actions:
AP075.S1.1988.PR04
Description:
Project series documents Cornelie Hahn Oberlander's landscape project for the Jarvis Residence on Hudson Street in Vancouver, British Columbia. Oberlander worked on the initial landscape project from 1964-1966, and later on renovations of the garden in 1988-1989. The residence was designed by architect Ron Thom, from Thompson Berwick & Pratt Architects and was completed in 1964. The project consisted in creating well sunlit circular wooden deck where the family could gather, especially for breakfast in the morning, with sun-loving vegetation. The garden also integrated elements from Japanese traditional gardens, brought back by the owners of the house after a trip in Japan, including stepping-stones that were arranged to create a path from the house and the beginning of a woodland walk. Project series contains design development drawings, including landscape plans, planting plans and layout plans, and also working drawing, including irragation plans. The project series also comprises photographs of the residence and the garden, and textual records, such as specifications, correspondence with architects and clients, Oberlander's concept notes, and plant lists.
Project
1966-2004
Project
AP178.S1.1994.PR09
Description:
This project series documents the Casa Van Middelem-Dupont in Oudenbourg, Belgium. While the records were held in the office’s archives this project was assigned the number 61/90. The office assigned the date 1994 to this project. The project files document the repurposing of a 200 year old farmhouse and stables, as well as the addition of new buildings. Siza collaborated with Roberto Cremascoli, Andrea Smaniotto, Ueli Krauss, Daniela Antonucci, and Maurice Custer on the project. The project is divided into a residential unit, a guest house, and an art gallery. The original farmhouse was transformed into an art gallery and the new buildings serve as housing. The housing units located on agricultural land form a U shape around the courtyard. The forms and materials of the new units were selected in order to respect Flemish architectural typologies. The buildings were designed in 1994 and completed in 2001. Documenting this project are studies, design development drawings, working drawings, structural drawings, and technical drawings. Textual material includes project documentation. Photographic material documents the models, construction work, and the built project.
1992-2000
Casa Van Middelem-Dupont [Van Middelem-Dupont house], Oudenbourg, Belgium (1994)
Actions:
AP178.S1.1994.PR09
Description:
This project series documents the Casa Van Middelem-Dupont in Oudenbourg, Belgium. While the records were held in the office’s archives this project was assigned the number 61/90. The office assigned the date 1994 to this project. The project files document the repurposing of a 200 year old farmhouse and stables, as well as the addition of new buildings. Siza collaborated with Roberto Cremascoli, Andrea Smaniotto, Ueli Krauss, Daniela Antonucci, and Maurice Custer on the project. The project is divided into a residential unit, a guest house, and an art gallery. The original farmhouse was transformed into an art gallery and the new buildings serve as housing. The housing units located on agricultural land form a U shape around the courtyard. The forms and materials of the new units were selected in order to respect Flemish architectural typologies. The buildings were designed in 1994 and completed in 2001. Documenting this project are studies, design development drawings, working drawings, structural drawings, and technical drawings. Textual material includes project documentation. Photographic material documents the models, construction work, and the built project.
Project
1992-2000
archives
Level of archival description:
Collection
Coen Beeker Collection
CD035
Synopsis:
The Coen Beeker collection comprises documents related to Coen Beeker’s urban and rural planning projects in Burkina Faso, Ethiopia and Sudan. Materials in this collection range from the late 1950s to the early 2000s.
1978-2006
Coen Beeker Collection
Actions:
CD035
Synopsis:
The Coen Beeker collection comprises documents related to Coen Beeker’s urban and rural planning projects in Burkina Faso, Ethiopia and Sudan. Materials in this collection range from the late 1950s to the early 2000s.
archives
Level of archival description:
Collection
1978-2006
archives
Level of archival description:
Fonds
Victor Depocas fonds
AP028
Synopsis:
Victor Depocas fonds is composed of documents and graphic materials produced between 1921 and 1986, predominantly between 1956 and 1984. It records Depocas activities as a member of the Province of Québec Association of Architects (A.A.P.Q.), the Ordre d’Architects du Québec (O.A.P.), and the Commission des monuments historiques du Québec; his activities as a Professor of architectural composition at l’École de Beaux-arts de Montréal (1953-1957); and his work as a professional architect along with general office files of the short-life firms David & Depocas and Deshaies & Depocas (1946-1950). The fonds documents mainly the architectural projects from the Commission that include restorations, renovations and modifications of residential, educational, ecclesiastical, and commercial buildings across Québec. Represented in drawings, textual records and photographs.
1921-1986
Victor Depocas fonds
Actions:
AP028
Synopsis:
Victor Depocas fonds is composed of documents and graphic materials produced between 1921 and 1986, predominantly between 1956 and 1984. It records Depocas activities as a member of the Province of Québec Association of Architects (A.A.P.Q.), the Ordre d’Architects du Québec (O.A.P.), and the Commission des monuments historiques du Québec; his activities as a Professor of architectural composition at l’École de Beaux-arts de Montréal (1953-1957); and his work as a professional architect along with general office files of the short-life firms David & Depocas and Deshaies & Depocas (1946-1950). The fonds documents mainly the architectural projects from the Commission that include restorations, renovations and modifications of residential, educational, ecclesiastical, and commercial buildings across Québec. Represented in drawings, textual records and photographs.
archives
Level of archival description:
Fonds
1921-1986
PH1986:0900.15
Description:
Album PH1986:0900.15 comprises 30 photographs of the Banque Libre, Manufactures de Glaces de Saint-Gobain, and a housing project all by Michel Roux-Spitz in Lyon, France. Views of the Banque Libre de Lyon show the wrought iron entrance door, the ground floor façade, the wrought iron gate and detail of its motif. Views of the Manufactures de Glaces de Saint-Gobain, Aniche, Boussois, Entrepôt de Lyon (Lyon warehouses) show the staircase in the exhibition hall on the ground floor, the exhibition hall (one with display unit showing glass samples), the salesroom on first floor, the storage hall, view of an office, a console, the entrance door of the warehouse and a glass panel. Views of the housing project on avenue Jean Jaurès show the development plan (plan d'ensemble) of the ground floor bearing the title 'Les Fils de Jules Weitz. Groupe d'Immeubles à petits logis hygiéniques et modernes. Plan d'ensemble du rez-de-chaussée', the façade on the south-east side and ground floor plan, first floor plan on the north side, the ground floor plan on the north side and cross-sections of buildings.
architecture, exhibition design, ornament
1925-1926
Banque Libre - Saint Gobain - Logements Salubres - 1925-1926
Actions:
PH1986:0900.15
Description:
Album PH1986:0900.15 comprises 30 photographs of the Banque Libre, Manufactures de Glaces de Saint-Gobain, and a housing project all by Michel Roux-Spitz in Lyon, France. Views of the Banque Libre de Lyon show the wrought iron entrance door, the ground floor façade, the wrought iron gate and detail of its motif. Views of the Manufactures de Glaces de Saint-Gobain, Aniche, Boussois, Entrepôt de Lyon (Lyon warehouses) show the staircase in the exhibition hall on the ground floor, the exhibition hall (one with display unit showing glass samples), the salesroom on first floor, the storage hall, view of an office, a console, the entrance door of the warehouse and a glass panel. Views of the housing project on avenue Jean Jaurès show the development plan (plan d'ensemble) of the ground floor bearing the title 'Les Fils de Jules Weitz. Groupe d'Immeubles à petits logis hygiéniques et modernes. Plan d'ensemble du rez-de-chaussée', the façade on the south-east side and ground floor plan, first floor plan on the north side, the ground floor plan on the north side and cross-sections of buildings.
1925-1926
architecture, exhibition design, ornament
Learning from... Copenhagen
Deane Simpson presents the Atlas of the Copenhagens, a book project addressing an urban territory that has been posited in the media and celebrated by the municipality of Copenhagen as the world’s most sustainable and liveable city. Such claims suggest that Copenhagen is a fitting site to study and engage in a debate on sustainability and liveability. The Atlas operates(...)
Paul-Desmarais Theatre
21 May 2015 , 6pm
Learning from... Copenhagen
Actions:
Description:
Deane Simpson presents the Atlas of the Copenhagens, a book project addressing an urban territory that has been posited in the media and celebrated by the municipality of Copenhagen as the world’s most sustainable and liveable city. Such claims suggest that Copenhagen is a fitting site to study and engage in a debate on sustainability and liveability. The Atlas operates(...)
Paul-Desmarais Theatre