10680 Results
Level of archival description:
Project
Project
Title:
Renovations 40 W. 25 St.
Renovations 40 W. 25 St.
Actions:
Reference number:
AP143.S4.D77
Description:
File documents the executed [?] project for Renovations to Eisenman Architects Offices, 40 West 25th Street, New York City, New York. Material in this file was produced between 1988 and 1990. File contains design development drawings, working drawings, and textual records. Textual records include correspondence, cost analysis, and notes.
AP143.S4.D77
Description:
File documents the executed [?] project for Renovations to Eisenman Architects Offices, 40 West 25th Street, New York City, New York. Material in this file was produced between 1988 and 1990. File contains design development drawings, working drawings, and textual records. Textual records include correspondence, cost analysis, and notes.
People:
Date:
1988-1990
1988-1990
Title:
Renovations 40 W. 25 St.
Actions:
AP143.S4.D77
Description:
File documents the executed [?] project for Renovations to Eisenman Architects Offices, 40 West 25th Street, New York City, New York. Material in this file was produced between 1988 and 1990. File contains design development drawings, working drawings, and textual records. Textual records include correspondence, cost analysis, and notes.
Renovations 40 W. 25 St.
Actions:
AP143.S4.D77
Description:
File documents the executed [?] project for Renovations to Eisenman Architects Offices, 40 West 25th Street, New York City, New York. Material in this file was produced between 1988 and 1990. File contains design development drawings, working drawings, and textual records. Textual records include correspondence, cost analysis, and notes.
Level of archival description:
File 77
File 77
Date:
1988-1990
1988-1990
People:
Level of archival description:
Project
Project
Reference number:
AP022.S1.1963.PR01
Description:
File documents the competition entry for Simon Fraser University (1963), the master plan and university buildings including the central mall, academic quadrangle, transportation centre, library, residences, and offices (built), Burnaby, British Columbia. File contains design development drawings, working drawings, reference drawings, photographs, a model, textual records.
AP022.S1.1963.PR01
Description:
File documents the competition entry for Simon Fraser University (1963), the master plan and university buildings including the central mall, academic quadrangle, transportation centre, library, residences, and offices (built), Burnaby, British Columbia. File contains design development drawings, working drawings, reference drawings, photographs, a model, textual records.
People:
Date:
1963-1970
1963-1970
Title:
Simon Fraser University
Actions:
AP022.S1.1963.PR01
Description:
File documents the competition entry for Simon Fraser University (1963), the master plan and university buildings including the central mall, academic quadrangle, transportation centre, library, residences, and offices (built), Burnaby, British Columbia. File contains design development drawings, working drawings, reference drawings, photographs, a model, textual records.
Simon Fraser University
Actions:
AP022.S1.1963.PR01
Description:
File documents the competition entry for Simon Fraser University (1963), the master plan and university buildings including the central mall, academic quadrangle, transportation centre, library, residences, and offices (built), Burnaby, British Columbia. File contains design development drawings, working drawings, reference drawings, photographs, a model, textual records.
Level of archival description:
Project
Project
Date:
1963-1970
1963-1970
People:
Level of archival description:
Project
Project
Title:
San Diego Convention Center
San Diego Convention Center
Actions:
Reference number:
AP022.S1.1981.PR16
Description:
File documents a built convention centre comprised of exhibit spaces, meeting rooms and offices on the upper level, a 250.000 square-foot exhibition hall at street level, and underground parking, San Diego, California. File contains photographic materials, publication drawings, a presentation drawing, textual records and a model.
AP022.S1.1981.PR16
Description:
File documents a built convention centre comprised of exhibit spaces, meeting rooms and offices on the upper level, a 250.000 square-foot exhibition hall at street level, and underground parking, San Diego, California. File contains photographic materials, publication drawings, a presentation drawing, textual records and a model.
People:
Date:
1981-1985
1981-1985
Title:
San Diego Convention Center
Actions:
AP022.S1.1981.PR16
Description:
File documents a built convention centre comprised of exhibit spaces, meeting rooms and offices on the upper level, a 250.000 square-foot exhibition hall at street level, and underground parking, San Diego, California. File contains photographic materials, publication drawings, a presentation drawing, textual records and a model.
San Diego Convention Center
Actions:
AP022.S1.1981.PR16
Description:
File documents a built convention centre comprised of exhibit spaces, meeting rooms and offices on the upper level, a 250.000 square-foot exhibition hall at street level, and underground parking, San Diego, California. File contains photographic materials, publication drawings, a presentation drawing, textual records and a model.
Level of archival description:
Project
Project
Date:
1981-1985
1981-1985
People:
Form:
drawings
drawings
Title:
Sketchbook 434: Fonte Jardim- Matosinhos-Ceuta-Evora:programa -Terraços Brag-Mobiliario - Expo
Sketchbook 434: Fonte Jardim- Matosinhos-Ceuta-Evora:programa -Terraços Brag-Mobiliario - Expo
Actions:
Reference number:
AP178.S2.1997.003
Description:
This sketchbook includes sketches for the Portuguese pavillion for the Expo '98 in Lisbon, Portugal, the Ceramic Terrain housing and offices in Maastricht, The Netherlands, the restoration and extension of Stedelijk Museum in Amsterdam, the Serralves Gardens in Porto, as well as for the Manzana dei Revellin Cultural Centre in Ceuta, Spain. It also contains sketches of babies, sculptures, furniture, and crucifixes.
AP178.S2.1997.003
Description:
This sketchbook includes sketches for the Portuguese pavillion for the Expo '98 in Lisbon, Portugal, the Ceramic Terrain housing and offices in Maastricht, The Netherlands, the restoration and extension of Stedelijk Museum in Amsterdam, the Serralves Gardens in Porto, as well as for the Manzana dei Revellin Cultural Centre in Ceuta, Spain. It also contains sketches of babies, sculptures, furniture, and crucifixes.
People:
Date:
May 1997
May 1997
Title:
Sketchbook 434: Fonte Jardim- Matosinhos-Ceuta-Evora:programa -Terraços Brag-Mobiliario - Expo
Actions:
AP178.S2.1997.003
Description:
This sketchbook includes sketches for the Portuguese pavillion for the Expo '98 in Lisbon, Portugal, the Ceramic Terrain housing and offices in Maastricht, The Netherlands, the restoration and extension of Stedelijk Museum in Amsterdam, the Serralves Gardens in Porto, as well as for the Manzana dei Revellin Cultural Centre in Ceuta, Spain. It also contains sketches of babies, sculptures, furniture, and crucifixes.
Sketchbook 434: Fonte Jardim- Matosinhos-Ceuta-Evora:programa -Terraços Brag-Mobiliario - Expo
Actions:
AP178.S2.1997.003
Description:
This sketchbook includes sketches for the Portuguese pavillion for the Expo '98 in Lisbon, Portugal, the Ceramic Terrain housing and offices in Maastricht, The Netherlands, the restoration and extension of Stedelijk Museum in Amsterdam, the Serralves Gardens in Porto, as well as for the Manzana dei Revellin Cultural Centre in Ceuta, Spain. It also contains sketches of babies, sculptures, furniture, and crucifixes.
Form:
drawings
drawings
Date:
May 1997
May 1997
People:
Level of archival description:
Project
Project
Reference number:
AP075.S1.2003.PR01
Description:
Project series documents Cornelia Hahn Oberlander's unrealized design stemming from a competition launched in 2002 by the Canadian government to construct a building housing parliamentary offices and committee rooms at the corner of Bank and Wellington Streets in Ottawa. The project series includes correspondence, specifications, and presentation drawings.
AP075.S1.2003.PR01
Description:
Project series documents Cornelia Hahn Oberlander's unrealized design stemming from a competition launched in 2002 by the Canadian government to construct a building housing parliamentary offices and committee rooms at the corner of Bank and Wellington Streets in Ottawa. The project series includes correspondence, specifications, and presentation drawings.
People:
Date:
2003
2003
Title:
Bank Street Competition, Ottawa, Ontario (2003)
Actions:
AP075.S1.2003.PR01
Description:
Project series documents Cornelia Hahn Oberlander's unrealized design stemming from a competition launched in 2002 by the Canadian government to construct a building housing parliamentary offices and committee rooms at the corner of Bank and Wellington Streets in Ottawa. The project series includes correspondence, specifications, and presentation drawings.
Bank Street Competition, Ottawa, Ontario (2003)
Actions:
AP075.S1.2003.PR01
Description:
Project series documents Cornelia Hahn Oberlander's unrealized design stemming from a competition launched in 2002 by the Canadian government to construct a building housing parliamentary offices and committee rooms at the corner of Bank and Wellington Streets in Ottawa. The project series includes correspondence, specifications, and presentation drawings.
Level of archival description:
Project
Project
Date:
2003
2003
People:
Level of archival description:
Project
Project
Title:
Fashion House
Fashion House
Reference number:
AP140.S1.SS1.D11
Description:
File documents a student project for the commercial and administrative building of a fashion house. Project was probably designed in Stirling's third year at the Liverpool School of Architecture and includes offices, an apartment, showroom, and studio. Material in this file was probably produced in 1947. File contains photographs.
AP140.S1.SS1.D11
Description:
File documents a student project for the commercial and administrative building of a fashion house. Project was probably designed in Stirling's third year at the Liverpool School of Architecture and includes offices, an apartment, showroom, and studio. Material in this file was probably produced in 1947. File contains photographs.
People:
Date:
[1947?]
[1947?]
Title:
Fashion House
Actions:
AP140.S1.SS1.D11
Description:
File documents a student project for the commercial and administrative building of a fashion house. Project was probably designed in Stirling's third year at the Liverpool School of Architecture and includes offices, an apartment, showroom, and studio. Material in this file was probably produced in 1947. File contains photographs.
Fashion House
Actions:
AP140.S1.SS1.D11
Description:
File documents a student project for the commercial and administrative building of a fashion house. Project was probably designed in Stirling's third year at the Liverpool School of Architecture and includes offices, an apartment, showroom, and studio. Material in this file was probably produced in 1947. File contains photographs.
Level of archival description:
File 11
File 11
Date:
[1947?]
[1947?]
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
KOL/MAC project records
KOL/MAC project records
Reference number:
AP185
Synopsis:
The KOL/MAC project records, 1994-2001, document the conceptualization, design, and installation of two projects: the Ost/Kuttner Apartment and Housings. The records consist of physical drawings, textual records, Hi-8 cassette tapes, and material samples, as well as a substantial body of digital materials. These primarily document the design, construction and installation of the O/K Apartment and Housings through drawings, 3D models, photographs, still images, construction documentation, and material samples.
AP185
Synopsis:
The KOL/MAC project records, 1994-2001, document the conceptualization, design, and installation of two projects: the Ost/Kuttner Apartment and Housings. The records consist of physical drawings, textual records, Hi-8 cassette tapes, and material samples, as well as a substantial body of digital materials. These primarily document the design, construction and installation of the O/K Apartment and Housings through drawings, 3D models, photographs, still images, construction documentation, and material samples.
People:
Date:
1994-2001
1994-2001
Title:
KOL/MAC project records
Actions:
AP185
Synopsis:
The KOL/MAC project records, 1994-2001, document the conceptualization, design, and installation of two projects: the Ost/Kuttner Apartment and Housings. The records consist of physical drawings, textual records, Hi-8 cassette tapes, and material samples, as well as a substantial body of digital materials. These primarily document the design, construction and installation of the O/K Apartment and Housings through drawings, 3D models, photographs, still images, construction documentation, and material samples.
KOL/MAC project records
Actions:
AP185
Synopsis:
The KOL/MAC project records, 1994-2001, document the conceptualization, design, and installation of two projects: the Ost/Kuttner Apartment and Housings. The records consist of physical drawings, textual records, Hi-8 cassette tapes, and material samples, as well as a substantial body of digital materials. These primarily document the design, construction and installation of the O/K Apartment and Housings through drawings, 3D models, photographs, still images, construction documentation, and material samples.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1994-2001
1994-2001
People:
Level of archival description:
Series
Series
Reference number:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
People:
Date:
1994 - 2004
1994 - 2004
Title:
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Level of archival description:
Series
Series
Date:
1994 - 2004
1994 - 2004
People:
Level of archival description:
Project
Project
Title:
Guggenheim Venezia
Guggenheim Venezia
Actions:
Reference number:
AP142.S1.D167
Description:
File documents an unexecuted project for a cafe, bookshop, and offices for the Peggy Guggenheim Collection in Venice, Italy. Material in this file was produced in 1989 and 1990. File contains textual records, including drawings, photographs, correspondence, a proposal, a building programme, a technical report, and photocopies of views of models.
AP142.S1.D167
Description:
File documents an unexecuted project for a cafe, bookshop, and offices for the Peggy Guggenheim Collection in Venice, Italy. Material in this file was produced in 1989 and 1990. File contains textual records, including drawings, photographs, correspondence, a proposal, a building programme, a technical report, and photocopies of views of models.
People:
Date:
1989-1990
1989-1990
Title:
Guggenheim Venezia
Actions:
AP142.S1.D167
Description:
File documents an unexecuted project for a cafe, bookshop, and offices for the Peggy Guggenheim Collection in Venice, Italy. Material in this file was produced in 1989 and 1990. File contains textual records, including drawings, photographs, correspondence, a proposal, a building programme, a technical report, and photocopies of views of models.
Guggenheim Venezia
Actions:
AP142.S1.D167
Description:
File documents an unexecuted project for a cafe, bookshop, and offices for the Peggy Guggenheim Collection in Venice, Italy. Material in this file was produced in 1989 and 1990. File contains textual records, including drawings, photographs, correspondence, a proposal, a building programme, a technical report, and photocopies of views of models.
Level of archival description:
File 167
File 167
Date:
1989-1990
1989-1990
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Van Ginkel Associates fonds
Van Ginkel Associates fonds
Reference number:
AP027
Synopsis:
The Van Ginkel Associates fonds is comprised of documents concerning van Ginkel Associates, van Ginkel Associates Ltd., Ecos Ltd., van Ginkel Partners, Ginkelvan Ltd, van Ginkel Associates Ltd. (1977), the styles under which H.P. van Ginkel and Blanche Lemco van Ginkel practiced as a multidisciplinary planning, management and architecture firm. Much of the van Ginkels' work was done in the Montréal area and nation-wide. The fonds contains approximately 1 985 drawings (1 420 originals plus 565 reproductions), 41 boards, 3 photographs, 2 collages, 2 typescripts, 1 model, 1 sketchbook and approximately 12.23 meters of textual documents. The documents were primarily produced between 1955 and 1980.
AP027
Synopsis:
The Van Ginkel Associates fonds is comprised of documents concerning van Ginkel Associates, van Ginkel Associates Ltd., Ecos Ltd., van Ginkel Partners, Ginkelvan Ltd, van Ginkel Associates Ltd. (1977), the styles under which H.P. van Ginkel and Blanche Lemco van Ginkel practiced as a multidisciplinary planning, management and architecture firm. Much of the van Ginkels' work was done in the Montréal area and nation-wide. The fonds contains approximately 1 985 drawings (1 420 originals plus 565 reproductions), 41 boards, 3 photographs, 2 collages, 2 typescripts, 1 model, 1 sketchbook and approximately 12.23 meters of textual documents. The documents were primarily produced between 1955 and 1980.
People:
Date:
1944-1992
1944-1992
Title:
Van Ginkel Associates fonds
Actions:
AP027
Synopsis:
The Van Ginkel Associates fonds is comprised of documents concerning van Ginkel Associates, van Ginkel Associates Ltd., Ecos Ltd., van Ginkel Partners, Ginkelvan Ltd, van Ginkel Associates Ltd. (1977), the styles under which H.P. van Ginkel and Blanche Lemco van Ginkel practiced as a multidisciplinary planning, management and architecture firm. Much of the van Ginkels' work was done in the Montréal area and nation-wide. The fonds contains approximately 1 985 drawings (1 420 originals plus 565 reproductions), 41 boards, 3 photographs, 2 collages, 2 typescripts, 1 model, 1 sketchbook and approximately 12.23 meters of textual documents. The documents were primarily produced between 1955 and 1980.
Van Ginkel Associates fonds
Actions:
AP027
Synopsis:
The Van Ginkel Associates fonds is comprised of documents concerning van Ginkel Associates, van Ginkel Associates Ltd., Ecos Ltd., van Ginkel Partners, Ginkelvan Ltd, van Ginkel Associates Ltd. (1977), the styles under which H.P. van Ginkel and Blanche Lemco van Ginkel practiced as a multidisciplinary planning, management and architecture firm. Much of the van Ginkels' work was done in the Montréal area and nation-wide. The fonds contains approximately 1 985 drawings (1 420 originals plus 565 reproductions), 41 boards, 3 photographs, 2 collages, 2 typescripts, 1 model, 1 sketchbook and approximately 12.23 meters of textual documents. The documents were primarily produced between 1955 and 1980.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1944-1992
1944-1992
People:
