Project
Diamond Houses
AP145.S2.D15
Description:
File documents projects for several houses and a museum. Material in this file was produced between 1963 and 1967, reprographic copies of some conceptual drawings and presentation drawings were created between 1963 and 1985. File contains conceptual drawings, design development drawings, presentation drawings, presentation panels, photographic materials, and presentation models.
[1963-1985, predominant 1963-1967]
Diamond Houses
Actions:
AP145.S2.D15
Description:
File documents projects for several houses and a museum. Material in this file was produced between 1963 and 1967, reprographic copies of some conceptual drawings and presentation drawings were created between 1963 and 1985. File contains conceptual drawings, design development drawings, presentation drawings, presentation panels, photographic materials, and presentation models.
File 15
[1963-1985, predominant 1963-1967]
Project
AP143.S4.D63
Description:
File documents the unexecuted project for Biocentrum, Frankfurt am Main, West Germany (now Germany). Material in this file was produced between 1979 and 1987 (predominant 1986-1987). File contains conceptual drawings, design development drawings, models, photographic materials, presentation drawings, publication drawings, reference drawings, schematic drawings, and textual records.
1979-1987, predominant 1986-1987
Biocentrum - Biology Center for the J.W. Goethe University
Actions:
AP143.S4.D63
Description:
File documents the unexecuted project for Biocentrum, Frankfurt am Main, West Germany (now Germany). Material in this file was produced between 1979 and 1987 (predominant 1986-1987). File contains conceptual drawings, design development drawings, models, photographic materials, presentation drawings, publication drawings, reference drawings, schematic drawings, and textual records.
File 63
1979-1987, predominant 1986-1987
Project
AP022.S1.1981.PR19
Description:
File documents a modernist-neoclassical embassy building consisting of six-levels and a U-shaped plan around an inner courtyard (constructed 1986-1988), Washington, D.C. File contains design development drawings, working drawings, reference drawings, presentation panels, photographs and photographic material, models, samples of building materials and textual records.
1981-1989
Canadian Chancery, Washington, D.C.
Actions:
AP022.S1.1981.PR19
Description:
File documents a modernist-neoclassical embassy building consisting of six-levels and a U-shaped plan around an inner courtyard (constructed 1986-1988), Washington, D.C. File contains design development drawings, working drawings, reference drawings, presentation panels, photographs and photographic material, models, samples of building materials and textual records.
Project
1981-1989
Project
AP164.S1.1988.D4
Description:
This project series documents the design for the Plaza de Opera, residential units and interchange, in Madrid, Spain. The firm identified this project as number 51. In 1988, Abalos & Herreros won second prize (ex-aequo) for this project at the national competition “De Opera: plaza, viviendas e intercambiador,” organised by the Colegio Oficial de Arquitectos de Madrid (C.O.A.M.). Abalos & Herreros worked with the following collaborators: Juan Manuel Fernández, Almudena García, Paloma Gómez, Jimena Robles, Miguel Santiago, Aurelio Cantero, José Maria Luzón and F. Javier Pascual. Documenting the project are design development and working drawings, one textual record and a model.
circa 1988
Propuesta para la Plaza de Ópera, Madrid, Spain (1988)
Actions:
AP164.S1.1988.D4
Description:
This project series documents the design for the Plaza de Opera, residential units and interchange, in Madrid, Spain. The firm identified this project as number 51. In 1988, Abalos & Herreros won second prize (ex-aequo) for this project at the national competition “De Opera: plaza, viviendas e intercambiador,” organised by the Colegio Oficial de Arquitectos de Madrid (C.O.A.M.). Abalos & Herreros worked with the following collaborators: Juan Manuel Fernández, Almudena García, Paloma Gómez, Jimena Robles, Miguel Santiago, Aurelio Cantero, José Maria Luzón and F. Javier Pascual. Documenting the project are design development and working drawings, one textual record and a model.
Project
circa 1988
Project
Renovação do Elevador de Santa Justa [Restoration of Santa Justa lift], Lisbon, Portugal (1994)
AP178.S1.1994.PR08
Description:
This project series documents the Renovação do Elevador de Santa Justa in Lisbon, Portugal. While the project was held at the office's archives, it was assigned the project number 54/90. The office assigned the date 1994 to this project. The project was for the restoration of the Santa Justa lift, which was originally built at the end of the 19th century in order to give access to the Carmo Square and the Baixa. The renovations included modifications to the information booth and renovations of the mechanical system. Documenting this project are studies, details and working drawings. There are photographs showing the model and the elevator. Textual materials include correspondence, competition documentation, project documentation and technical specifications.
1994-2002
Renovação do Elevador de Santa Justa [Restoration of Santa Justa lift], Lisbon, Portugal (1994)
Actions:
AP178.S1.1994.PR08
Description:
This project series documents the Renovação do Elevador de Santa Justa in Lisbon, Portugal. While the project was held at the office's archives, it was assigned the project number 54/90. The office assigned the date 1994 to this project. The project was for the restoration of the Santa Justa lift, which was originally built at the end of the 19th century in order to give access to the Carmo Square and the Baixa. The renovations included modifications to the information booth and renovations of the mechanical system. Documenting this project are studies, details and working drawings. There are photographs showing the model and the elevator. Textual materials include correspondence, competition documentation, project documentation and technical specifications.
Project
1994-2002
Project
AP140.S2.SS1.D58
Description:
File documents an executed project for the Arthur M. Sackler Museum, Harvard University, in Cambridge, Massachusetts, United States. The museum was initially conceived as an addition to the Fogg Museum to which it was to be linked by a new footbridge. Material in this file was produced between 1975 and 1987. File contains reference drawings, several conceptual and design development drawings, presentation drawings including several produced for publication purposes, and a large number of working drawings. Photographic materials includes views of drawings, of a model and of the completed building, including several by photographers Richard Bryant, Alastair Hunter, Timothy Hursley and Steve Rosenthal. File also contains textual records.
1979-1987
Arthur M. Sackler Museum, Cambridge, Massachusetts, United States
Actions:
AP140.S2.SS1.D58
Description:
File documents an executed project for the Arthur M. Sackler Museum, Harvard University, in Cambridge, Massachusetts, United States. The museum was initially conceived as an addition to the Fogg Museum to which it was to be linked by a new footbridge. Material in this file was produced between 1975 and 1987. File contains reference drawings, several conceptual and design development drawings, presentation drawings including several produced for publication purposes, and a large number of working drawings. Photographic materials includes views of drawings, of a model and of the completed building, including several by photographers Richard Bryant, Alastair Hunter, Timothy Hursley and Steve Rosenthal. File also contains textual records.
File 58
1979-1987
Project
AP140.S2.SS1.D28
Description:
File documents a partially executed scheme for students' residences for the University of St. Andrews, St. Andrews, Scotland, United Kingdom. The initial commission was for six residences, later revised to four, of which only one was built. Material in this file was produced between 1963 and 1979. File contains a small number of design development drawings, publications drawings and several working drawings. Photographic materials include views of drawings, of a model, of the site before construction, of the building site and of the completed building, several by photographer Richard Einzig of the studio Brecht-Einzig and by photographer Tim Street-Porter. File also contains textual records and printing plates.
1963-1979
Students' residences, University of St. Andrews, St. Andrews, Scotland, United Kingdom
Actions:
AP140.S2.SS1.D28
Description:
File documents a partially executed scheme for students' residences for the University of St. Andrews, St. Andrews, Scotland, United Kingdom. The initial commission was for six residences, later revised to four, of which only one was built. Material in this file was produced between 1963 and 1979. File contains a small number of design development drawings, publications drawings and several working drawings. Photographic materials include views of drawings, of a model, of the site before construction, of the building site and of the completed building, several by photographer Richard Einzig of the studio Brecht-Einzig and by photographer Tim Street-Porter. File also contains textual records and printing plates.
File 28
1963-1979
photographs
Ring binder containing photographic materials from four or five projects by Abalos & Herreros
ARCH274657
Description:
Contains materials from the following projects: - La Casa del Presidente, AP164.S1.1997.D3 (1 slide: collage?); - La Casa verde, Pozuelo de Alarcón, AP164.S1.1997.D4 (82 slides: model, map, rendering, plans, sketches and reference materials); - Casa González, Madrid, AP164.S1.1997.D5 (197 slides: models, plans and reference materials); - Unidentified project (4 slides: construction?); - Recualificación del espacio público de Ramos, Rio de Janeiro, AP164.S1.1997.D7 (77 slides, 1 colour reversal film).
1997-1998
Ring binder containing photographic materials from four or five projects by Abalos & Herreros
Actions:
ARCH274657
Description:
Contains materials from the following projects: - La Casa del Presidente, AP164.S1.1997.D3 (1 slide: collage?); - La Casa verde, Pozuelo de Alarcón, AP164.S1.1997.D4 (82 slides: model, map, rendering, plans, sketches and reference materials); - Casa González, Madrid, AP164.S1.1997.D5 (197 slides: models, plans and reference materials); - Unidentified project (4 slides: construction?); - Recualificación del espacio público de Ramos, Rio de Janeiro, AP164.S1.1997.D7 (77 slides, 1 colour reversal film).
photographs
1997-1998
Project
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
1997-1998
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry, Jyväskylä, Finland (1997)
Actions:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Project
1997-1998
drawings
DR2004:0597
Description:
site plans, maps, sketches, plans, axonometrics, sections, elevations, details, reference drawings, conceptual drawings, views of site, schematics, perspectives, drawings labelled with both the Strate and Newlink projects, clippings, brochure, schedule diagram, memorandum labelled with the Newlink and Sidings projects, view of model, view of escalators, and proposal document
Site plans, maps, sketches, plans, axonometrics, sections
Actions:
DR2004:0597
Description:
site plans, maps, sketches, plans, axonometrics, sections, elevations, details, reference drawings, conceptual drawings, views of site, schematics, perspectives, drawings labelled with both the Strate and Newlink projects, clippings, brochure, schedule diagram, memorandum labelled with the Newlink and Sidings projects, view of model, view of escalators, and proposal document
drawings