11307 Results
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events
events
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Description:
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
22 September 2016, 6pm
22 September 2016, 6pm
Title:
Nicholas de Monchaux: Local Code
Actions:
Description:
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Nicholas de Monchaux: Local Code
Actions:
Description:
When Gordon Matta-Clark assembled the titles to and documentation of a dozen-odd small, vacant parcels of New York property between 1974 and 1977 (later assembled and exhibited as Reality Properties: Fake Estates in 1992), it was with no well-formed agenda—other than his view that the availability of vacant and underutilized parcels [was] a direct reminder of the fallacy(...)
Form:
events
events
Date:
22 September 2016
6pm
22 September 2016
6pm
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Pierlucio Pellissier fonds
Pierlucio Pellissier fonds
Actions:
Reference number:
AP215
Synopsis:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
AP215
Synopsis:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
People:
Date:
1946-2020
1946-2020
Title:
Pierlucio Pellissier fonds
Actions:
AP215
Synopsis:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
Pierlucio Pellissier fonds
Actions:
AP215
Synopsis:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1946-2020
1946-2020
People:
Form:
events
events
Description:
The first biography of one of the most influential landscape architects of the 20th century, Cornelia Hahn Oberlander: Making the Modern Landscape draws upon archival research, site analyses, and numerous interviews with Cornelia Oberlander and her collaborators. Author Susan Herrington joins Oberlander in conversation about her works and career. The series They want(...)
The first biography of one of the most influential landscape architects of the 20th century, Cornelia Hahn Oberlander: Making the Modern Landscape draws upon archival research, site analyses, and numerous interviews with Cornelia Oberlander and her collaborators. Author Susan Herrington joins Oberlander in conversation about her works and career. The series They want(...)
Date:
14 September 2014 , 3pm
14 September 2014 , 3pm
Title:
Cornelia Oberlander and Susan Herrington want to speak with you
Actions:
Description:
The first biography of one of the most influential landscape architects of the 20th century, Cornelia Hahn Oberlander: Making the Modern Landscape draws upon archival research, site analyses, and numerous interviews with Cornelia Oberlander and her collaborators. Author Susan Herrington joins Oberlander in conversation about her works and career. The series They want(...)
Cornelia Oberlander and Susan Herrington want to speak with you
Actions:
Description:
The first biography of one of the most influential landscape architects of the 20th century, Cornelia Hahn Oberlander: Making the Modern Landscape draws upon archival research, site analyses, and numerous interviews with Cornelia Oberlander and her collaborators. Author Susan Herrington joins Oberlander in conversation about her works and career. The series They want(...)
Form:
events
events
Date:
14 September 2014
3pm
14 September 2014
3pm
Level of archival description:
Project
Project
Reference number:
AP178.S1.2002.PR05
Description:
This project series documents the Parque de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2002-2010 to this project. This project consisted of extensive modifications to the spa resort Parque de Vidago Palace Hotel for owner VMPS - Águas & Turismo, S.A, part of Unicer (now Super Bock Group). The Palace Hotel and its surrounding nature park were originally proposed by King Carlos I at the beginning of the 20th century in order to create a luxurious resort around the famous Vidago mineral springs. In 2006, the resort was temporarily closed for the work to begin. For Siza, this primarily consisted of the construction of a new thermal spa, the conversion of rural buildings into vacation homes, and the building of a new clubhouse for the golf course. These three aspects of the project were divided as three subprojects by the office and have been arranged under AP178.S1.2002.PR05.SS1, AP178.S1.2002.PR05.SS2 and AP178.S1.2002.PR05.SS3, respectively. While the spa and clubhouse were both built, the vacation homes were not realized. The resort reopened in 2010. Several smaller buildings were also realized as part of this project including the Fonte Salus (spring), the Fonte de Vidago (spring) and the Portaria (gatehouse). Materials for these three building are arranged in AP178.S1.2002.PR05.SS1. Also included were several buildings that were not realized such as the Academia de golfe and the Edifício da manutenção (arranged in AP178.S1.2002.PR05.SS3), and the Espaço Serralves (arranged in AP178.S1.2002.PR05.SS1). This project was realized in tandem with another similar project by Siza, the Parque de Pedras Salgadas (AP178.S1.2002.PR06), also owned by Unicer. For this reason, the materials for both projects are mixed together. Files in this project series that contain materials for the Pedras Salgadas project have been identified at the file level.
AP178.S1.2002.PR05
Description:
This project series documents the Parque de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2002-2010 to this project. This project consisted of extensive modifications to the spa resort Parque de Vidago Palace Hotel for owner VMPS - Águas & Turismo, S.A, part of Unicer (now Super Bock Group). The Palace Hotel and its surrounding nature park were originally proposed by King Carlos I at the beginning of the 20th century in order to create a luxurious resort around the famous Vidago mineral springs. In 2006, the resort was temporarily closed for the work to begin. For Siza, this primarily consisted of the construction of a new thermal spa, the conversion of rural buildings into vacation homes, and the building of a new clubhouse for the golf course. These three aspects of the project were divided as three subprojects by the office and have been arranged under AP178.S1.2002.PR05.SS1, AP178.S1.2002.PR05.SS2 and AP178.S1.2002.PR05.SS3, respectively. While the spa and clubhouse were both built, the vacation homes were not realized. The resort reopened in 2010. Several smaller buildings were also realized as part of this project including the Fonte Salus (spring), the Fonte de Vidago (spring) and the Portaria (gatehouse). Materials for these three building are arranged in AP178.S1.2002.PR05.SS1. Also included were several buildings that were not realized such as the Academia de golfe and the Edifício da manutenção (arranged in AP178.S1.2002.PR05.SS3), and the Espaço Serralves (arranged in AP178.S1.2002.PR05.SS1). This project was realized in tandem with another similar project by Siza, the Parque de Pedras Salgadas (AP178.S1.2002.PR06), also owned by Unicer. For this reason, the materials for both projects are mixed together. Files in this project series that contain materials for the Pedras Salgadas project have been identified at the file level.
People:
Date:
2002-2012
2002-2012
Title:
Parque de Vidago [Vidago Palace], Vidago, Portugal (2002-2010)
Actions:
AP178.S1.2002.PR05
Description:
This project series documents the Parque de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2002-2010 to this project. This project consisted of extensive modifications to the spa resort Parque de Vidago Palace Hotel for owner VMPS - Águas & Turismo, S.A, part of Unicer (now Super Bock Group). The Palace Hotel and its surrounding nature park were originally proposed by King Carlos I at the beginning of the 20th century in order to create a luxurious resort around the famous Vidago mineral springs. In 2006, the resort was temporarily closed for the work to begin. For Siza, this primarily consisted of the construction of a new thermal spa, the conversion of rural buildings into vacation homes, and the building of a new clubhouse for the golf course. These three aspects of the project were divided as three subprojects by the office and have been arranged under AP178.S1.2002.PR05.SS1, AP178.S1.2002.PR05.SS2 and AP178.S1.2002.PR05.SS3, respectively. While the spa and clubhouse were both built, the vacation homes were not realized. The resort reopened in 2010. Several smaller buildings were also realized as part of this project including the Fonte Salus (spring), the Fonte de Vidago (spring) and the Portaria (gatehouse). Materials for these three building are arranged in AP178.S1.2002.PR05.SS1. Also included were several buildings that were not realized such as the Academia de golfe and the Edifício da manutenção (arranged in AP178.S1.2002.PR05.SS3), and the Espaço Serralves (arranged in AP178.S1.2002.PR05.SS1). This project was realized in tandem with another similar project by Siza, the Parque de Pedras Salgadas (AP178.S1.2002.PR06), also owned by Unicer. For this reason, the materials for both projects are mixed together. Files in this project series that contain materials for the Pedras Salgadas project have been identified at the file level.
Parque de Vidago [Vidago Palace], Vidago, Portugal (2002-2010)
Actions:
AP178.S1.2002.PR05
Description:
This project series documents the Parque de Vidago in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the dates 2002-2010 to this project. This project consisted of extensive modifications to the spa resort Parque de Vidago Palace Hotel for owner VMPS - Águas & Turismo, S.A, part of Unicer (now Super Bock Group). The Palace Hotel and its surrounding nature park were originally proposed by King Carlos I at the beginning of the 20th century in order to create a luxurious resort around the famous Vidago mineral springs. In 2006, the resort was temporarily closed for the work to begin. For Siza, this primarily consisted of the construction of a new thermal spa, the conversion of rural buildings into vacation homes, and the building of a new clubhouse for the golf course. These three aspects of the project were divided as three subprojects by the office and have been arranged under AP178.S1.2002.PR05.SS1, AP178.S1.2002.PR05.SS2 and AP178.S1.2002.PR05.SS3, respectively. While the spa and clubhouse were both built, the vacation homes were not realized. The resort reopened in 2010. Several smaller buildings were also realized as part of this project including the Fonte Salus (spring), the Fonte de Vidago (spring) and the Portaria (gatehouse). Materials for these three building are arranged in AP178.S1.2002.PR05.SS1. Also included were several buildings that were not realized such as the Academia de golfe and the Edifício da manutenção (arranged in AP178.S1.2002.PR05.SS3), and the Espaço Serralves (arranged in AP178.S1.2002.PR05.SS1). This project was realized in tandem with another similar project by Siza, the Parque de Pedras Salgadas (AP178.S1.2002.PR06), also owned by Unicer. For this reason, the materials for both projects are mixed together. Files in this project series that contain materials for the Pedras Salgadas project have been identified at the file level.
Level of archival description:
Project
Project
Date:
2002-2012
2002-2012
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
John Bird fonds
John Bird fonds
Actions:
Reference number:
AP108
Synopsis:
The John Bird fonds documents the professional practice of the Westmount-based architect, and includes drawings and photographs of 24 architectural projects carried out in and around Montréal, Québec between 1954 and 1992. The fonds also contains a number of published articles that document John Bird's professional activities. Key projects that are represented include the Canadian Technical Tape Building, St. Laurent (1955-1963), Saint Gabriel's Church, Montréal (1959-1960), and Saint John Brebeuf Church, Lasalle (1962-1966). The fonds also includes numerous projects for Toronto-Dominion Bank buildings (1959-1992) as well as residential designs completed for the Central Mortgage and Housing Corporation (1956-1969).
AP108
Synopsis:
The John Bird fonds documents the professional practice of the Westmount-based architect, and includes drawings and photographs of 24 architectural projects carried out in and around Montréal, Québec between 1954 and 1992. The fonds also contains a number of published articles that document John Bird's professional activities. Key projects that are represented include the Canadian Technical Tape Building, St. Laurent (1955-1963), Saint Gabriel's Church, Montréal (1959-1960), and Saint John Brebeuf Church, Lasalle (1962-1966). The fonds also includes numerous projects for Toronto-Dominion Bank buildings (1959-1992) as well as residential designs completed for the Central Mortgage and Housing Corporation (1956-1969).
People:
Date:
1942 - 1992
1942 - 1992
Title:
John Bird fonds
Actions:
AP108
Synopsis:
The John Bird fonds documents the professional practice of the Westmount-based architect, and includes drawings and photographs of 24 architectural projects carried out in and around Montréal, Québec between 1954 and 1992. The fonds also contains a number of published articles that document John Bird's professional activities. Key projects that are represented include the Canadian Technical Tape Building, St. Laurent (1955-1963), Saint Gabriel's Church, Montréal (1959-1960), and Saint John Brebeuf Church, Lasalle (1962-1966). The fonds also includes numerous projects for Toronto-Dominion Bank buildings (1959-1992) as well as residential designs completed for the Central Mortgage and Housing Corporation (1956-1969).
John Bird fonds
Actions:
AP108
Synopsis:
The John Bird fonds documents the professional practice of the Westmount-based architect, and includes drawings and photographs of 24 architectural projects carried out in and around Montréal, Québec between 1954 and 1992. The fonds also contains a number of published articles that document John Bird's professional activities. Key projects that are represented include the Canadian Technical Tape Building, St. Laurent (1955-1963), Saint Gabriel's Church, Montréal (1959-1960), and Saint John Brebeuf Church, Lasalle (1962-1966). The fonds also includes numerous projects for Toronto-Dominion Bank buildings (1959-1992) as well as residential designs completed for the Central Mortgage and Housing Corporation (1956-1969).
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1942 - 1992
1942 - 1992
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1980.PR02
Description:
The project series documents Block 121, better known as Bonjour Tristesse. While the records were held in the office’s archives this project was assigned the number 2/80. This project was one of several projects Siza submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), and was Siza’s first international built project. The IBA was an urban renewal strategy for West Berlin and received submissions from several international architects. The IBA divided West Berlin into two parts: IBA Neubau ('new building'), led by Josef Paul Kleihues and IBA Altbau ('old building') led by Hardt-Walherr Hämer. IBA Nuebau's focus was to build new buildings while IBA Altbau's was to renovate existing buildings. The project site for Block 121 was in the district of Kreuzberg, a district on the eastern side of then West Berlin. Due to low rents, there was an influx of immigrants and students to Kreuzberg in the late 1970s. Bonjour Tristesse would serve as a residential complex for a predominantly Turkish immigrant population. In 1980, Hämer invited Siza to submit an entry for this complex to be built on the east side of Kreuzberg beside the Schlesisches Tor train station. Hämer encouraged the participatory model which Siza had become known for from his work with the Servicio Ambulatorio de Apoio Local (SAAL) in Portugal. This project series is arranged in four subseries: AP178.S1.1980.PR02.SS1, Competition, Block 121 (identified as 2/80); AP178.S1.1980.PR02.SS2, Bonjour Tristesse (identified as 2/80 A); AP178.S1.1980.PR02.SS3, Kita [Kindergarten] (identified as 2/80 B); and AP178.S1.1980.PR02.SS4, Senior Club Anziani [Senior citizens’ clubhouse] (identified as 2/80 C). The office’s archivist assigned the number 2/80 to materials related to the competition phase of this project; letters (A, B, and C) were then assigned to each subsequent portion of the project following the competition. All documentation for this project series, including the project subseries, has been kept together to maintain the order of the office’s arrangement.
AP178.S1.1980.PR02
Description:
The project series documents Block 121, better known as Bonjour Tristesse. While the records were held in the office’s archives this project was assigned the number 2/80. This project was one of several projects Siza submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), and was Siza’s first international built project. The IBA was an urban renewal strategy for West Berlin and received submissions from several international architects. The IBA divided West Berlin into two parts: IBA Neubau ('new building'), led by Josef Paul Kleihues and IBA Altbau ('old building') led by Hardt-Walherr Hämer. IBA Nuebau's focus was to build new buildings while IBA Altbau's was to renovate existing buildings. The project site for Block 121 was in the district of Kreuzberg, a district on the eastern side of then West Berlin. Due to low rents, there was an influx of immigrants and students to Kreuzberg in the late 1970s. Bonjour Tristesse would serve as a residential complex for a predominantly Turkish immigrant population. In 1980, Hämer invited Siza to submit an entry for this complex to be built on the east side of Kreuzberg beside the Schlesisches Tor train station. Hämer encouraged the participatory model which Siza had become known for from his work with the Servicio Ambulatorio de Apoio Local (SAAL) in Portugal. This project series is arranged in four subseries: AP178.S1.1980.PR02.SS1, Competition, Block 121 (identified as 2/80); AP178.S1.1980.PR02.SS2, Bonjour Tristesse (identified as 2/80 A); AP178.S1.1980.PR02.SS3, Kita [Kindergarten] (identified as 2/80 B); and AP178.S1.1980.PR02.SS4, Senior Club Anziani [Senior citizens’ clubhouse] (identified as 2/80 C). The office’s archivist assigned the number 2/80 to materials related to the competition phase of this project; letters (A, B, and C) were then assigned to each subsequent portion of the project following the competition. All documentation for this project series, including the project subseries, has been kept together to maintain the order of the office’s arrangement.
People:
Date:
circa 1980-1990
circa 1980-1990
Title:
Block 121, Schlesisches Tor [Block 121, Schlesisches Tor residential complex], Berlin, Germany (1980-1990)
Actions:
AP178.S1.1980.PR02
Description:
The project series documents Block 121, better known as Bonjour Tristesse. While the records were held in the office’s archives this project was assigned the number 2/80. This project was one of several projects Siza submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), and was Siza’s first international built project. The IBA was an urban renewal strategy for West Berlin and received submissions from several international architects. The IBA divided West Berlin into two parts: IBA Neubau ('new building'), led by Josef Paul Kleihues and IBA Altbau ('old building') led by Hardt-Walherr Hämer. IBA Nuebau's focus was to build new buildings while IBA Altbau's was to renovate existing buildings. The project site for Block 121 was in the district of Kreuzberg, a district on the eastern side of then West Berlin. Due to low rents, there was an influx of immigrants and students to Kreuzberg in the late 1970s. Bonjour Tristesse would serve as a residential complex for a predominantly Turkish immigrant population. In 1980, Hämer invited Siza to submit an entry for this complex to be built on the east side of Kreuzberg beside the Schlesisches Tor train station. Hämer encouraged the participatory model which Siza had become known for from his work with the Servicio Ambulatorio de Apoio Local (SAAL) in Portugal. This project series is arranged in four subseries: AP178.S1.1980.PR02.SS1, Competition, Block 121 (identified as 2/80); AP178.S1.1980.PR02.SS2, Bonjour Tristesse (identified as 2/80 A); AP178.S1.1980.PR02.SS3, Kita [Kindergarten] (identified as 2/80 B); and AP178.S1.1980.PR02.SS4, Senior Club Anziani [Senior citizens’ clubhouse] (identified as 2/80 C). The office’s archivist assigned the number 2/80 to materials related to the competition phase of this project; letters (A, B, and C) were then assigned to each subsequent portion of the project following the competition. All documentation for this project series, including the project subseries, has been kept together to maintain the order of the office’s arrangement.
Block 121, Schlesisches Tor [Block 121, Schlesisches Tor residential complex], Berlin, Germany (1980-1990)
Actions:
AP178.S1.1980.PR02
Description:
The project series documents Block 121, better known as Bonjour Tristesse. While the records were held in the office’s archives this project was assigned the number 2/80. This project was one of several projects Siza submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987), and was Siza’s first international built project. The IBA was an urban renewal strategy for West Berlin and received submissions from several international architects. The IBA divided West Berlin into two parts: IBA Neubau ('new building'), led by Josef Paul Kleihues and IBA Altbau ('old building') led by Hardt-Walherr Hämer. IBA Nuebau's focus was to build new buildings while IBA Altbau's was to renovate existing buildings. The project site for Block 121 was in the district of Kreuzberg, a district on the eastern side of then West Berlin. Due to low rents, there was an influx of immigrants and students to Kreuzberg in the late 1970s. Bonjour Tristesse would serve as a residential complex for a predominantly Turkish immigrant population. In 1980, Hämer invited Siza to submit an entry for this complex to be built on the east side of Kreuzberg beside the Schlesisches Tor train station. Hämer encouraged the participatory model which Siza had become known for from his work with the Servicio Ambulatorio de Apoio Local (SAAL) in Portugal. This project series is arranged in four subseries: AP178.S1.1980.PR02.SS1, Competition, Block 121 (identified as 2/80); AP178.S1.1980.PR02.SS2, Bonjour Tristesse (identified as 2/80 A); AP178.S1.1980.PR02.SS3, Kita [Kindergarten] (identified as 2/80 B); and AP178.S1.1980.PR02.SS4, Senior Club Anziani [Senior citizens’ clubhouse] (identified as 2/80 C). The office’s archivist assigned the number 2/80 to materials related to the competition phase of this project; letters (A, B, and C) were then assigned to each subsequent portion of the project following the competition. All documentation for this project series, including the project subseries, has been kept together to maintain the order of the office’s arrangement.
Level of archival description:
Project
Project
Date:
circa 1980-1990
circa 1980-1990
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Through a commission from the CCA, three contemporary photographers spent six years interpreting the work of Frederick Law Olmsted (1822–1903), North America’s most important landscape architect. *Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander, and Geoffrey James* presents 155 photographs from this commission to offer visitors an opportunity to understand(...)
Through a commission from the CCA, three contemporary photographers spent six years interpreting the work of Frederick Law Olmsted (1822–1903), North America’s most important landscape architect. *Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander, and Geoffrey James* presents 155 photographs from this commission to offer visitors an opportunity to understand(...)
Location:
Main galleries
Main galleries
Date:
16 October 1996 to 2 February 1997
16 October 1996 to 2 February 1997
Title:
Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander, and Geoffrey James
Actions:
Description:
Through a commission from the CCA, three contemporary photographers spent six years interpreting the work of Frederick Law Olmsted (1822–1903), North America’s most important landscape architect. *Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander, and Geoffrey James* presents 155 photographs from this commission to offer visitors an opportunity to understand(...)
Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander, and Geoffrey James
Actions:
Description:
Through a commission from the CCA, three contemporary photographers spent six years interpreting the work of Frederick Law Olmsted (1822–1903), North America’s most important landscape architect. *Viewing Olmsted: Photographs by Robert Burley, Lee Friedlander, and Geoffrey James* presents 155 photographs from this commission to offer visitors an opportunity to understand(...)
Form:
exhibitions
exhibitions
Date:
16 October 1996 to
2 February 1997
16 October 1996 to
2 February 1997
Location:
Main galleries
Main galleries
Form:
articles
articles
Title:
Lateral Gaze
Lateral Gaze
Actions:
Stefano Boeri on Gabriele Basilico, in conversation with Stefano Graziani and Bas Princen
Published:
21 August 2023
21 August 2023
Title:
Lateral Gaze
Stefano Boeri on Gabriele Basilico, in conversation with Stefano Graziani and Bas Princen
Actions:
Lateral Gaze
Stefano Boeri on Gabriele Basilico, in conversation with Stefano Graziani and Bas Princen
Actions:
Form:
events
events
Description:
David Howes, Professor of Anthropology and Director of the Centre for Sensory Studies at Concordia University, applies a sensory studies approach to the analysis of a series of interiors he has encountered in the course of his anthropological and archival research. These range from a men’s house in the Sepik River region of Papua New Guinea to the exclusively feminine(...)
David Howes, Professor of Anthropology and Director of the Centre for Sensory Studies at Concordia University, applies a sensory studies approach to the analysis of a series of interiors he has encountered in the course of his anthropological and archival research. These range from a men’s house in the Sepik River region of Papua New Guinea to the exclusively feminine(...)
Location:
Shaughnessy House
Shaughnessy House
Date:
26 February 2015 , 6pm
26 February 2015 , 6pm
Title:
The Sensory Interior
Actions:
Description:
David Howes, Professor of Anthropology and Director of the Centre for Sensory Studies at Concordia University, applies a sensory studies approach to the analysis of a series of interiors he has encountered in the course of his anthropological and archival research. These range from a men’s house in the Sepik River region of Papua New Guinea to the exclusively feminine(...)
The Sensory Interior
Actions:
Description:
David Howes, Professor of Anthropology and Director of the Centre for Sensory Studies at Concordia University, applies a sensory studies approach to the analysis of a series of interiors he has encountered in the course of his anthropological and archival research. These range from a men’s house in the Sepik River region of Papua New Guinea to the exclusively feminine(...)
Form:
events
events
Date:
26 February 2015
6pm
26 February 2015
6pm
Location:
Shaughnessy House
Shaughnessy House
Level of archival description:
Project
Project
Title:
Un dépôt d'archives
Un dépôt d'archives
Actions:
Reference number:
AP012.S1.SS1.D1
Description:
Le dossier est constitué d'un dessin de présentation relié au projet de Dépôt d'archives.
AP012.S1.SS1.D1
Description:
Le dossier est constitué d'un dessin de présentation relié au projet de Dépôt d'archives.
People:
Date:
s.d.
s.d.
Title:
Un dépôt d'archives
Actions:
AP012.S1.SS1.D1
Description:
Le dossier est constitué d'un dessin de présentation relié au projet de Dépôt d'archives.
Un dépôt d'archives
Actions:
AP012.S1.SS1.D1
Description:
Le dossier est constitué d'un dessin de présentation relié au projet de Dépôt d'archives.
Level of archival description:
Dossier 1
Dossier 1
Date:
s.d.
s.d.
People:
