11904 Results
Level of archival description:
Project
Project
Actions:
Reference number:
AP154.S1.1979.PR01
Description:
Project series AP154.S1.1979.PR01, George & Annette Murphy Center at Asphalt Green, New York, N.Y. (1979), documents an executed project to recycle a municipal asphalt plant into a youth sports and arts center. Clients for the project were the New York City Department of General Services and the Neighborhood Committee for the Asphalt Green, chaired by Dr. George Murphy. The asphalt plant was a parabolic structure built in the 1940s by the firm Kahn and Jacobs. Pasanella + Klein worked on the adaptive reuse project with HOK, successors to Kahn and Jacobs. The transformed interior includes two gymnasia of different sizes, a running track, art and photography studios, offices, lockers, showers and a theatre. The design includes an on-site total energy plant. The project series consists of presentation drawings. References: Kerr, Laurie. "Back to the future", Oculus, v. 64, no. 7/8 (March/April 2002), p. 7-8. Dixon, John Morris. "25-year watch", Oculus, v. 71, issue 1 (spring 2009) Doubilet, Susan. "Arch support", Progressive architecture, v. 66, no. 11 (Nov. 1985), p. 101 Architektur + Wettbewerbe, 127 (Sept. 1986), p. 16-17
AP154.S1.1979.PR01
Description:
Project series AP154.S1.1979.PR01, George & Annette Murphy Center at Asphalt Green, New York, N.Y. (1979), documents an executed project to recycle a municipal asphalt plant into a youth sports and arts center. Clients for the project were the New York City Department of General Services and the Neighborhood Committee for the Asphalt Green, chaired by Dr. George Murphy. The asphalt plant was a parabolic structure built in the 1940s by the firm Kahn and Jacobs. Pasanella + Klein worked on the adaptive reuse project with HOK, successors to Kahn and Jacobs. The transformed interior includes two gymnasia of different sizes, a running track, art and photography studios, offices, lockers, showers and a theatre. The design includes an on-site total energy plant. The project series consists of presentation drawings. References: Kerr, Laurie. "Back to the future", Oculus, v. 64, no. 7/8 (March/April 2002), p. 7-8. Dixon, John Morris. "25-year watch", Oculus, v. 71, issue 1 (spring 2009) Doubilet, Susan. "Arch support", Progressive architecture, v. 66, no. 11 (Nov. 1985), p. 101 Architektur + Wettbewerbe, 127 (Sept. 1986), p. 16-17
People:
Date:
between 1979 and 1984?
between 1979 and 1984?
Title:
George & Annette Murphy Center at Asphalt Green, New York, N.Y. (1979)
Actions:
AP154.S1.1979.PR01
Description:
Project series AP154.S1.1979.PR01, George & Annette Murphy Center at Asphalt Green, New York, N.Y. (1979), documents an executed project to recycle a municipal asphalt plant into a youth sports and arts center. Clients for the project were the New York City Department of General Services and the Neighborhood Committee for the Asphalt Green, chaired by Dr. George Murphy. The asphalt plant was a parabolic structure built in the 1940s by the firm Kahn and Jacobs. Pasanella + Klein worked on the adaptive reuse project with HOK, successors to Kahn and Jacobs. The transformed interior includes two gymnasia of different sizes, a running track, art and photography studios, offices, lockers, showers and a theatre. The design includes an on-site total energy plant. The project series consists of presentation drawings. References: Kerr, Laurie. "Back to the future", Oculus, v. 64, no. 7/8 (March/April 2002), p. 7-8. Dixon, John Morris. "25-year watch", Oculus, v. 71, issue 1 (spring 2009) Doubilet, Susan. "Arch support", Progressive architecture, v. 66, no. 11 (Nov. 1985), p. 101 Architektur + Wettbewerbe, 127 (Sept. 1986), p. 16-17
George & Annette Murphy Center at Asphalt Green, New York, N.Y. (1979)
Actions:
AP154.S1.1979.PR01
Description:
Project series AP154.S1.1979.PR01, George & Annette Murphy Center at Asphalt Green, New York, N.Y. (1979), documents an executed project to recycle a municipal asphalt plant into a youth sports and arts center. Clients for the project were the New York City Department of General Services and the Neighborhood Committee for the Asphalt Green, chaired by Dr. George Murphy. The asphalt plant was a parabolic structure built in the 1940s by the firm Kahn and Jacobs. Pasanella + Klein worked on the adaptive reuse project with HOK, successors to Kahn and Jacobs. The transformed interior includes two gymnasia of different sizes, a running track, art and photography studios, offices, lockers, showers and a theatre. The design includes an on-site total energy plant. The project series consists of presentation drawings. References: Kerr, Laurie. "Back to the future", Oculus, v. 64, no. 7/8 (March/April 2002), p. 7-8. Dixon, John Morris. "25-year watch", Oculus, v. 71, issue 1 (spring 2009) Doubilet, Susan. "Arch support", Progressive architecture, v. 66, no. 11 (Nov. 1985), p. 101 Architektur + Wettbewerbe, 127 (Sept. 1986), p. 16-17
Level of archival description:
Project
Project
Date:
between 1979 and 1984?
between 1979 and 1984?
People:
Form:
drawings
drawings
Actions:
Reference number:
ARCH274217
Description:
Includes a presentation book and unbound presentation drawings, including elevations, plans, sections, schemas and renderings. Contains as well a few maps. The book presented a few propositions and some of them are based on previous projects, like the public library in Usera, the general services building for the Universidad de Extremadura in Mérida and the administrative building for the Ministry of the Interior, in Madrid, Spain.
ARCH274217
Description:
Includes a presentation book and unbound presentation drawings, including elevations, plans, sections, schemas and renderings. Contains as well a few maps. The book presented a few propositions and some of them are based on previous projects, like the public library in Usera, the general services building for the Universidad de Extremadura in Mérida and the administrative building for the Ministry of the Interior, in Madrid, Spain.
People:
Date:
between 2003 and 2006
between 2003 and 2006
Title:
Portfolio containing presentation drawings for the project Laboratorios de ciencias moleculares para la Universidad de Puerto Rico, San Juan, Puerto Rico
Actions:
ARCH274217
Description:
Includes a presentation book and unbound presentation drawings, including elevations, plans, sections, schemas and renderings. Contains as well a few maps. The book presented a few propositions and some of them are based on previous projects, like the public library in Usera, the general services building for the Universidad de Extremadura in Mérida and the administrative building for the Ministry of the Interior, in Madrid, Spain.
Portfolio containing presentation drawings for the project Laboratorios de ciencias moleculares para la Universidad de Puerto Rico, San Juan, Puerto Rico
Actions:
ARCH274217
Description:
Includes a presentation book and unbound presentation drawings, including elevations, plans, sections, schemas and renderings. Contains as well a few maps. The book presented a few propositions and some of them are based on previous projects, like the public library in Usera, the general services building for the Universidad de Extremadura in Mérida and the administrative building for the Ministry of the Interior, in Madrid, Spain.
Form:
drawings
drawings
Date:
between 2003 and 2006
between 2003 and 2006
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP164.S1.1999.D6
Description:
The project series documents the commission, design, and construction of the Gordillo studio, neighbouring the client’s house (AP164.S1.1993.D2) on Castilla de Ponferrada Street, in Villanueva de la Cañada, Community of Madrid, Spain. The firm identified this project as number 119. “The Gordillo Studio is a prismatic, serrated volume that occupies the plot’s only available strip of land and minimizes its presence through the use of two materials, translucent polycarbonate and xerophilous plantings, which seek the best adaptation to the site, the program and the client. Using this system, a semi-buried interior is constructed in which the light has been modeled as a solid, expansive material, the aim being to satisfy not only the specific demands of the work space but also the creation of an agreeable atmosphere, as austere as it is sensual.” (ARCH270975) Abalos & Herreros worked with Ángel Jaramillo Sanchez, María Auxiliadora Gálvez, Renata Sentkiewicz, Juan Gómez, Fernando Valero and José Torras. In 2002, the project won the COAM 2000 prize. Documenting this project are conceptual, design development and working drawings, photographic and reference materials, correspondence, notes, budgets, reports, studies, forms, project descriptions, invoices, certifications and trade catalogues.
AP164.S1.1999.D6
Description:
The project series documents the commission, design, and construction of the Gordillo studio, neighbouring the client’s house (AP164.S1.1993.D2) on Castilla de Ponferrada Street, in Villanueva de la Cañada, Community of Madrid, Spain. The firm identified this project as number 119. “The Gordillo Studio is a prismatic, serrated volume that occupies the plot’s only available strip of land and minimizes its presence through the use of two materials, translucent polycarbonate and xerophilous plantings, which seek the best adaptation to the site, the program and the client. Using this system, a semi-buried interior is constructed in which the light has been modeled as a solid, expansive material, the aim being to satisfy not only the specific demands of the work space but also the creation of an agreeable atmosphere, as austere as it is sensual.” (ARCH270975) Abalos & Herreros worked with Ángel Jaramillo Sanchez, María Auxiliadora Gálvez, Renata Sentkiewicz, Juan Gómez, Fernando Valero and José Torras. In 2002, the project won the COAM 2000 prize. Documenting this project are conceptual, design development and working drawings, photographic and reference materials, correspondence, notes, budgets, reports, studies, forms, project descriptions, invoices, certifications and trade catalogues.
People:
Date:
1978, 1992-2002, predominant 1999-2000
1978, 1992-2002, predominant 1999-2000
Title:
Estudio Gordillo, Villanueva de la Cañada, Spain (1999)
Actions:
AP164.S1.1999.D6
Description:
The project series documents the commission, design, and construction of the Gordillo studio, neighbouring the client’s house (AP164.S1.1993.D2) on Castilla de Ponferrada Street, in Villanueva de la Cañada, Community of Madrid, Spain. The firm identified this project as number 119. “The Gordillo Studio is a prismatic, serrated volume that occupies the plot’s only available strip of land and minimizes its presence through the use of two materials, translucent polycarbonate and xerophilous plantings, which seek the best adaptation to the site, the program and the client. Using this system, a semi-buried interior is constructed in which the light has been modeled as a solid, expansive material, the aim being to satisfy not only the specific demands of the work space but also the creation of an agreeable atmosphere, as austere as it is sensual.” (ARCH270975) Abalos & Herreros worked with Ángel Jaramillo Sanchez, María Auxiliadora Gálvez, Renata Sentkiewicz, Juan Gómez, Fernando Valero and José Torras. In 2002, the project won the COAM 2000 prize. Documenting this project are conceptual, design development and working drawings, photographic and reference materials, correspondence, notes, budgets, reports, studies, forms, project descriptions, invoices, certifications and trade catalogues.
Estudio Gordillo, Villanueva de la Cañada, Spain (1999)
Actions:
AP164.S1.1999.D6
Description:
The project series documents the commission, design, and construction of the Gordillo studio, neighbouring the client’s house (AP164.S1.1993.D2) on Castilla de Ponferrada Street, in Villanueva de la Cañada, Community of Madrid, Spain. The firm identified this project as number 119. “The Gordillo Studio is a prismatic, serrated volume that occupies the plot’s only available strip of land and minimizes its presence through the use of two materials, translucent polycarbonate and xerophilous plantings, which seek the best adaptation to the site, the program and the client. Using this system, a semi-buried interior is constructed in which the light has been modeled as a solid, expansive material, the aim being to satisfy not only the specific demands of the work space but also the creation of an agreeable atmosphere, as austere as it is sensual.” (ARCH270975) Abalos & Herreros worked with Ángel Jaramillo Sanchez, María Auxiliadora Gálvez, Renata Sentkiewicz, Juan Gómez, Fernando Valero and José Torras. In 2002, the project won the COAM 2000 prize. Documenting this project are conceptual, design development and working drawings, photographic and reference materials, correspondence, notes, budgets, reports, studies, forms, project descriptions, invoices, certifications and trade catalogues.
Level of archival description:
Project
Project
Date:
1978, 1992-2002, predominant 1999-2000
1978, 1992-2002, predominant 1999-2000
People:
Level of archival description:
Sub-series
Sub-series
Title:
Miscellanea
Miscellanea
Reference number:
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
People:
Date:
[1800-1868]
[1800-1868]
Title:
Miscellanea
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
Miscellanea
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
Level of archival description:
File 4
File 4
Date:
[1800-1868]
[1800-1868]
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH269365
Description:
Contains mostly photographic materials related to the project Estación depuradora de aguas residuales "El Endrinal", by Abalos & Herreros (293 slides: interior/exterior views, plans, constuction and aerial views). It includes as well a few unsorted slides: - Poblenou, Cerdà Barcelona (3 slides: plans); - 2 portraits of Iñaki Abalos; - Parc/Parque litroral nord-est, Barcelona (3? slides: views of the park); - 1 unidentified sketch.
ARCH269365
Description:
Contains mostly photographic materials related to the project Estación depuradora de aguas residuales "El Endrinal", by Abalos & Herreros (293 slides: interior/exterior views, plans, constuction and aerial views). It includes as well a few unsorted slides: - Poblenou, Cerdà Barcelona (3 slides: plans); - 2 portraits of Iñaki Abalos; - Parc/Parque litroral nord-est, Barcelona (3? slides: views of the park); - 1 unidentified sketch.
People:
Date:
1986-1988
1986-1988
Title:
Photographic materials related to water treatment plant El Endrinal in Collado-Villalba, Tres depuradoras de aguas residuales, Madrid, Spain (1986-1988)
Actions:
ARCH269365
Description:
Contains mostly photographic materials related to the project Estación depuradora de aguas residuales "El Endrinal", by Abalos & Herreros (293 slides: interior/exterior views, plans, constuction and aerial views). It includes as well a few unsorted slides: - Poblenou, Cerdà Barcelona (3 slides: plans); - 2 portraits of Iñaki Abalos; - Parc/Parque litroral nord-est, Barcelona (3? slides: views of the park); - 1 unidentified sketch.
Photographic materials related to water treatment plant El Endrinal in Collado-Villalba, Tres depuradoras de aguas residuales, Madrid, Spain (1986-1988)
Actions:
ARCH269365
Description:
Contains mostly photographic materials related to the project Estación depuradora de aguas residuales "El Endrinal", by Abalos & Herreros (293 slides: interior/exterior views, plans, constuction and aerial views). It includes as well a few unsorted slides: - Poblenou, Cerdà Barcelona (3 slides: plans); - 2 portraits of Iñaki Abalos; - Parc/Parque litroral nord-est, Barcelona (3? slides: views of the park); - 1 unidentified sketch.
Form:
photographs
photographs
Date:
1986-1988
1986-1988
People:
Level of archival description:
Project
Project
Reference number:
AP075.S1.1958.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for her own residence on Olympic street, in Vancouver. Known as the Tick-Tack-Toe House, the Oberlanders designed the residence themselves in 1958-1959, as well as later additions in 1966-1967. The residence is a two-storey house, with the main living area all on the second floor, while the entrance and a part of the utility core is on the ground level. For minimal maintenance and to provide a dry space to play during rainy days, the landscaping included a paved perimeter around the central core. The landscape design included a wall on the west side of the site and tree planting along Olympic Street to block the view and the noise from the street. The project series is made up predominantly of plans of the residence, such as elevations, sections, details and floor plans, and working drawings for the landscaping, including landscape plans, and elevations and details for the garden wall. The project is also documented through photographs of the garden, and exterior and interior views of the house itself. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
AP075.S1.1958.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for her own residence on Olympic street, in Vancouver. Known as the Tick-Tack-Toe House, the Oberlanders designed the residence themselves in 1958-1959, as well as later additions in 1966-1967. The residence is a two-storey house, with the main living area all on the second floor, while the entrance and a part of the utility core is on the ground level. For minimal maintenance and to provide a dry space to play during rainy days, the landscaping included a paved perimeter around the central core. The landscape design included a wall on the west side of the site and tree planting along Olympic Street to block the view and the noise from the street. The project series is made up predominantly of plans of the residence, such as elevations, sections, details and floor plans, and working drawings for the landscaping, including landscape plans, and elevations and details for the garden wall. The project is also documented through photographs of the garden, and exterior and interior views of the house itself. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
People:
Date:
1958 and 1966-1967
1958 and 1966-1967
Title:
Oberlander Residence (construction and addition), Vancouver, British Columbia (1958 -1967)
Actions:
AP075.S1.1958.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for her own residence on Olympic street, in Vancouver. Known as the Tick-Tack-Toe House, the Oberlanders designed the residence themselves in 1958-1959, as well as later additions in 1966-1967. The residence is a two-storey house, with the main living area all on the second floor, while the entrance and a part of the utility core is on the ground level. For minimal maintenance and to provide a dry space to play during rainy days, the landscaping included a paved perimeter around the central core. The landscape design included a wall on the west side of the site and tree planting along Olympic Street to block the view and the noise from the street. The project series is made up predominantly of plans of the residence, such as elevations, sections, details and floor plans, and working drawings for the landscaping, including landscape plans, and elevations and details for the garden wall. The project is also documented through photographs of the garden, and exterior and interior views of the house itself. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Oberlander Residence (construction and addition), Vancouver, British Columbia (1958 -1967)
Actions:
AP075.S1.1958.PR02
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for her own residence on Olympic street, in Vancouver. Known as the Tick-Tack-Toe House, the Oberlanders designed the residence themselves in 1958-1959, as well as later additions in 1966-1967. The residence is a two-storey house, with the main living area all on the second floor, while the entrance and a part of the utility core is on the ground level. For minimal maintenance and to provide a dry space to play during rainy days, the landscaping included a paved perimeter around the central core. The landscape design included a wall on the west side of the site and tree planting along Olympic Street to block the view and the noise from the street. The project series is made up predominantly of plans of the residence, such as elevations, sections, details and floor plans, and working drawings for the landscaping, including landscape plans, and elevations and details for the garden wall. The project is also documented through photographs of the garden, and exterior and interior views of the house itself. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Level of archival description:
Project
Project
Date:
1958 and 1966-1967
1958 and 1966-1967
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Actions:
Reference number:
AP009
Synopsis:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
AP009
Synopsis:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
People:
Date:
1979-1983
1979-1983
Title:
Arcop Associates Maison Alcan project records
Actions:
AP009
Synopsis:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
Arcop Associates Maison Alcan project records
Actions:
AP009
Synopsis:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1979-1983
1979-1983
People:
Form:
drawings, textual records, photographs
drawings, textual records, photographs
Actions:
Reference number:
ARCH270749
Description:
Contains sketches, plans, reference materials and 4 photographs for the furniture, layout and lamps. Some plans are from the project VIPS Artura Soria. Further investigation is required to determine if the entire content of the file is also from the project VIPS Artura Soria or for Cityvips, Fuencarral, Madrid. Includes as well estimates for Administrative Building, Ministry of the Interior, Canillas, Madrid (paper recycled from other projects).
ARCH270749
Description:
Contains sketches, plans, reference materials and 4 photographs for the furniture, layout and lamps. Some plans are from the project VIPS Artura Soria. Further investigation is required to determine if the entire content of the file is also from the project VIPS Artura Soria or for Cityvips, Fuencarral, Madrid. Includes as well estimates for Administrative Building, Ministry of the Interior, Canillas, Madrid (paper recycled from other projects).
People:
Date:
ca. 1991
ca. 1991
Title:
Sketches, plans, reference materials and 4 photographs for the furniture
Actions:
ARCH270749
Description:
Contains sketches, plans, reference materials and 4 photographs for the furniture, layout and lamps. Some plans are from the project VIPS Artura Soria. Further investigation is required to determine if the entire content of the file is also from the project VIPS Artura Soria or for Cityvips, Fuencarral, Madrid. Includes as well estimates for Administrative Building, Ministry of the Interior, Canillas, Madrid (paper recycled from other projects).
Sketches, plans, reference materials and 4 photographs for the furniture
Actions:
ARCH270749
Description:
Contains sketches, plans, reference materials and 4 photographs for the furniture, layout and lamps. Some plans are from the project VIPS Artura Soria. Further investigation is required to determine if the entire content of the file is also from the project VIPS Artura Soria or for Cityvips, Fuencarral, Madrid. Includes as well estimates for Administrative Building, Ministry of the Interior, Canillas, Madrid (paper recycled from other projects).
Form:
drawings, textual records, photographs
drawings, textual records, photographs
Date:
ca. 1991
ca. 1991
People:
Level of archival description:
Project
Project
Reference number:
AP166.S1.1990.PR1
Description:
This file documents the design and construction of the Galaxy Toyama Gymnasium in Imizu, Toyama, Japan. The project was developed as a theme pavilion for the 1st Japan Expo Toyama in 1992. The roof of the gymnasium is an undulating space frame structure with ball joints. Computers were used to find an optimum form for the roof and to calculate the dimensions of each component. The file contains approximately 200 design development drawings. There are also working drawings, including 72 numbered architectural drawings and 44 structural drawings. Digital material includes a 3-dimensional model of the roof and sections from a photoelasticity experiment. The remainder of the digital files consist of digital images of the built work and scans of drawings.There are a number of images printed out from computer files, including photoelasticity models and 3-D perspectives of the roof and of the building interior. There is a series of images from computer simulations of the roof dating from 1996. A set of 12 presentation panels contain wireframe images of the roof. There is a small amount of textual material, including proposal documents, graphics for the name of the building, publications and facsimile transmissions. Material in this file was created between 1990 and 2012, but predominantly between 1990 and 1992.
AP166.S1.1990.PR1
Description:
This file documents the design and construction of the Galaxy Toyama Gymnasium in Imizu, Toyama, Japan. The project was developed as a theme pavilion for the 1st Japan Expo Toyama in 1992. The roof of the gymnasium is an undulating space frame structure with ball joints. Computers were used to find an optimum form for the roof and to calculate the dimensions of each component. The file contains approximately 200 design development drawings. There are also working drawings, including 72 numbered architectural drawings and 44 structural drawings. Digital material includes a 3-dimensional model of the roof and sections from a photoelasticity experiment. The remainder of the digital files consist of digital images of the built work and scans of drawings.There are a number of images printed out from computer files, including photoelasticity models and 3-D perspectives of the roof and of the building interior. There is a series of images from computer simulations of the roof dating from 1996. A set of 12 presentation panels contain wireframe images of the roof. There is a small amount of textual material, including proposal documents, graphics for the name of the building, publications and facsimile transmissions. Material in this file was created between 1990 and 2012, but predominantly between 1990 and 1992.
People:
Date:
1990-1996, 2012
1990-1996, 2012
Title:
Galaxy Toyama Gymnasium, Imizu, Japan (1990-1992)
Actions:
AP166.S1.1990.PR1
Description:
This file documents the design and construction of the Galaxy Toyama Gymnasium in Imizu, Toyama, Japan. The project was developed as a theme pavilion for the 1st Japan Expo Toyama in 1992. The roof of the gymnasium is an undulating space frame structure with ball joints. Computers were used to find an optimum form for the roof and to calculate the dimensions of each component. The file contains approximately 200 design development drawings. There are also working drawings, including 72 numbered architectural drawings and 44 structural drawings. Digital material includes a 3-dimensional model of the roof and sections from a photoelasticity experiment. The remainder of the digital files consist of digital images of the built work and scans of drawings.There are a number of images printed out from computer files, including photoelasticity models and 3-D perspectives of the roof and of the building interior. There is a series of images from computer simulations of the roof dating from 1996. A set of 12 presentation panels contain wireframe images of the roof. There is a small amount of textual material, including proposal documents, graphics for the name of the building, publications and facsimile transmissions. Material in this file was created between 1990 and 2012, but predominantly between 1990 and 1992.
Galaxy Toyama Gymnasium, Imizu, Japan (1990-1992)
Actions:
AP166.S1.1990.PR1
Description:
This file documents the design and construction of the Galaxy Toyama Gymnasium in Imizu, Toyama, Japan. The project was developed as a theme pavilion for the 1st Japan Expo Toyama in 1992. The roof of the gymnasium is an undulating space frame structure with ball joints. Computers were used to find an optimum form for the roof and to calculate the dimensions of each component. The file contains approximately 200 design development drawings. There are also working drawings, including 72 numbered architectural drawings and 44 structural drawings. Digital material includes a 3-dimensional model of the roof and sections from a photoelasticity experiment. The remainder of the digital files consist of digital images of the built work and scans of drawings.There are a number of images printed out from computer files, including photoelasticity models and 3-D perspectives of the roof and of the building interior. There is a series of images from computer simulations of the roof dating from 1996. A set of 12 presentation panels contain wireframe images of the roof. There is a small amount of textual material, including proposal documents, graphics for the name of the building, publications and facsimile transmissions. Material in this file was created between 1990 and 2012, but predominantly between 1990 and 1992.
Level of archival description:
project
project
Date:
1990-1996, 2012
1990-1996, 2012
People:
Form:
drawings
drawings
Reference number:
DR1992:0004
Description:
- This drawing is similar to several drawings for Museum for a Small City in groups DR1990:0030:001-031 and DR1994:0007:001 - DR1994:0007:098 R/V. The angle and attachment of the acoustic ceiling in drawing DR1992:0004 is evident in two elevations for the museum (DR1994:0007:050 and DR1994:0007:051) and in several interior perspectives for the auditorium (DR1994:0007:088 - DR1994:0007:095).
DR1992:0004
Description:
- This drawing is similar to several drawings for Museum for a Small City in groups DR1990:0030:001-031 and DR1994:0007:001 - DR1994:0007:098 R/V. The angle and attachment of the acoustic ceiling in drawing DR1992:0004 is evident in two elevations for the museum (DR1994:0007:050 and DR1994:0007:051) and in several interior perspectives for the auditorium (DR1994:0007:088 - DR1994:0007:095).
People:
Subject:
architecture
architecture
Date:
ca. 1942
ca. 1942
Title:
Sketch elevation for a theatre with suspended acoustic ceiling
Actions:
DR1992:0004
Description:
- This drawing is similar to several drawings for Museum for a Small City in groups DR1990:0030:001-031 and DR1994:0007:001 - DR1994:0007:098 R/V. The angle and attachment of the acoustic ceiling in drawing DR1992:0004 is evident in two elevations for the museum (DR1994:0007:050 and DR1994:0007:051) and in several interior perspectives for the auditorium (DR1994:0007:088 - DR1994:0007:095).
Sketch elevation for a theatre with suspended acoustic ceiling
Actions:
DR1992:0004
Description:
- This drawing is similar to several drawings for Museum for a Small City in groups DR1990:0030:001-031 and DR1994:0007:001 - DR1994:0007:098 R/V. The angle and attachment of the acoustic ceiling in drawing DR1992:0004 is evident in two elevations for the museum (DR1994:0007:050 and DR1994:0007:051) and in several interior perspectives for the auditorium (DR1994:0007:088 - DR1994:0007:095).
Form:
drawings
drawings
Date:
ca. 1942
ca. 1942
People:
Subject:
architecture
architecture
