research
TD Bank Group-CCA Collection Research Grant Recipients: Esther Choi (Princeton University, Graduate School of Architecture); Meredith Gaglio (Columbia University, Graduate School of Architecture, Planning and Preservation); Lori Gibbs (University of Pennsylvania, PennDesign); Matthew Gin (Harvard University, Graduate School of Design); Elizabeth Knazook (Queen’s(...)
June 2015 to September 2015
Doctoral Students Program 2015
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Description:
TD Bank Group-CCA Collection Research Grant Recipients: Esther Choi (Princeton University, Graduate School of Architecture); Meredith Gaglio (Columbia University, Graduate School of Architecture, Planning and Preservation); Lori Gibbs (University of Pennsylvania, PennDesign); Matthew Gin (Harvard University, Graduate School of Design); Elizabeth Knazook (Queen’s(...)
research
June 2015 to
September 2015
archives
Level of archival description:
Fonds
AP196
Synopsis:
Studio Gang Ford Calumet Environmental Center project records, 2003-2012, documents the design process for the Ford Calumet Environmental Center in Chicago, United-States. The records represent both phases during the competition and the full-term design, after the firm won the project. The records consist of born-digital material, sketches and drawings, textual records, photographs and seven models.
2003-2011
Studio Gang Ford Calumet Environmental Center project records
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AP196
Synopsis:
Studio Gang Ford Calumet Environmental Center project records, 2003-2012, documents the design process for the Ford Calumet Environmental Center in Chicago, United-States. The records represent both phases during the competition and the full-term design, after the firm won the project. The records consist of born-digital material, sketches and drawings, textual records, photographs and seven models.
archives
Level of archival description:
Fonds
2003-2011
DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
drawings executed between 1818-1832, prints executed 1776 ?-1832
Album of mostly student drawings of the Orders
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DR1974:0002:021:001-033
Description:
- This album contains studies by Charles Rohault de Fleury of the five classical orders. The majority of the drawings are from his student years at the Ecole des Beaux-Arts (1822-1825). Others are from his student years at the Ecole Polytechnique (1820-1822), or drawings executed while he was a practicing architect (after 1825). Although the drawings are not physically organized into categories within the album, they can be divided into three groups according to their architectural sources: paradigmatic examples taken from named monuments of Greek and Roman architecture, examples taken from unnamed architectural monuments or treatises, and examples after 16th century Italian and French interpretors of the classical tradition, such as Palladio, Serlio, Vignola and Delorme. The only exception to these categories is the drawing of the "soubassement" for the pavilions of the Louvre (DR1974:0002:021:032 R/V). Most of the drawings focus on the proportions of the orders, their disposition within the portico in terms of intercolumnar spacing and number of columns, and the proper moulding and ornamentation particular to each order. This album also contains four etchings of similar subject matter by Gaitte, Stévigny, Piranesi, and an unknown early 19th century etcher.
research
Visiting Scholars 2007
S.M. Can Bilsel, University of San Diego, San Diego, United States Topic: The Modern Cult of Authenticity: Reproduction of Antiquity and the Location of Architecture in the 20th Century Museum Constance Classen, Concordia University, Montreal, Canada Topic: Beckford and Fonthill: Creating a Palace of the Senses Seminar: Multisensory Marketing and the Design of Retail(...)
May 2007 to September 2007
Visiting Scholars 2007
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Description:
S.M. Can Bilsel, University of San Diego, San Diego, United States Topic: The Modern Cult of Authenticity: Reproduction of Antiquity and the Location of Architecture in the 20th Century Museum Constance Classen, Concordia University, Montreal, Canada Topic: Beckford and Fonthill: Creating a Palace of the Senses Seminar: Multisensory Marketing and the Design of Retail(...)
research
May 2007 to
September 2007
research
Visiting Scholars 2013
Pierre Chabard, École nationale supérieure darchitecture de la ville et des territoires – ENSAVT, Marne-la-Vallée, France Topic: L’architecture en expositions. Contribution à une sociohistoire de la médiation architecturale. Les cas du CCA (Montréal) et du CCI (Paris) Jorge Manuel Simão Alvez Correia, Universidade do Minho, Guimarães, Portugal Topic: Late 19th-century(...)
29 April 2013 to 15 August 2013
Visiting Scholars 2013
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Description:
Pierre Chabard, École nationale supérieure darchitecture de la ville et des territoires – ENSAVT, Marne-la-Vallée, France Topic: L’architecture en expositions. Contribution à une sociohistoire de la médiation architecturale. Les cas du CCA (Montréal) et du CCI (Paris) Jorge Manuel Simão Alvez Correia, Universidade do Minho, Guimarães, Portugal Topic: Late 19th-century(...)
research
29 April 2013 to
15 August 2013
research
Visiting Scholars 2000–2001
Theme: The Phenomenon of Paradigm Shifts in Architecture since Antiquity: Oliver Botar, School of Art, University of Manitoba, Winnipeg, Canada Topic: On Biocentrism and Modernism in Weimar German Architecture and Art Fabrizio Nevola, School of Architecture, Syracuse University Florence, Italy Topic: Siena, 1450-1520: From ‘Medieval’ to ‘Renaissance’ City Alessandra(...)
September 2000 to August 2001
Visiting Scholars 2000–2001
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Description:
Theme: The Phenomenon of Paradigm Shifts in Architecture since Antiquity: Oliver Botar, School of Art, University of Manitoba, Winnipeg, Canada Topic: On Biocentrism and Modernism in Weimar German Architecture and Art Fabrizio Nevola, School of Architecture, Syracuse University Florence, Italy Topic: Siena, 1450-1520: From ‘Medieval’ to ‘Renaissance’ City Alessandra(...)
research
September 2000 to
August 2001
Sustainable?
Sustainable? is an international colloquium bringing together individuals from various disciplines to explore questions of sustainability in relation to architecture. Initiated by architect and scholar Iñaki Àbalos, the colloquium and roundtable discussion historically situates architectural engagement with sustainability, and constructs a program for future engagement(...)
Paul Desmarais Theatre
16 June 2007 to 17 June 2007
Sustainable?
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Description:
Sustainable? is an international colloquium bringing together individuals from various disciplines to explore questions of sustainability in relation to architecture. Initiated by architect and scholar Iñaki Àbalos, the colloquium and roundtable discussion historically situates architectural engagement with sustainability, and constructs a program for future engagement(...)
Paul Desmarais Theatre
archives
Level of archival description:
Fonds
Hal Ingberg fonds
AP120
Synopsis:
Le fonds documente les activités professionnels de l'architecte Hal Ingberg (b. 1960). Il contient des dessins, des photographies, des esquisses, des panneaux de présentation, ainsi que des documents textuels qui comprend une sélection de projets développés ou réalisés entre 1991 et 2002.
1991-2002
Hal Ingberg fonds
Actions:
AP120
Synopsis:
Le fonds documente les activités professionnels de l'architecte Hal Ingberg (b. 1960). Il contient des dessins, des photographies, des esquisses, des panneaux de présentation, ainsi que des documents textuels qui comprend une sélection de projets développés ou réalisés entre 1991 et 2002.
archives
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Fonds
1991-2002
research
Visiting Scholars 2012
Elke Krasny, Akademie der bildenden Künste Wien, Vienna, Austria Topic: Shim-Sutcliffe: Crafting Architecture. A Monograph as Critical Reflection Shannon Mattern, The New School, New York, United States Topic: Urban Media Archaeology. Communication Infrastructure and Material Cities Manfredo Nicolis di Robilant, Politecnico di Torino, Turin, Italy Topic: Utility versus(...)
2 April 2012 to 31 August 2012
Visiting Scholars 2012
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Description:
Elke Krasny, Akademie der bildenden Künste Wien, Vienna, Austria Topic: Shim-Sutcliffe: Crafting Architecture. A Monograph as Critical Reflection Shannon Mattern, The New School, New York, United States Topic: Urban Media Archaeology. Communication Infrastructure and Material Cities Manfredo Nicolis di Robilant, Politecnico di Torino, Turin, Italy Topic: Utility versus(...)
research
2 April 2012 to
31 August 2012
archives
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Fonds
Victor Prus fonds
AP163
Synopsis:
The Victor Prus fonds documents the professional practice of architect Victor Prus from student and professional work in England to architectural projects in Canada. The majority of the documents in the fonds consist of drawings and textual records relating to over 90 projects, such as Centre Rockland (1960), the Expo 67 Stadium (1967), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983).
1945-1992
Victor Prus fonds
Actions:
AP163
Synopsis:
The Victor Prus fonds documents the professional practice of architect Victor Prus from student and professional work in England to architectural projects in Canada. The majority of the documents in the fonds consist of drawings and textual records relating to over 90 projects, such as Centre Rockland (1960), the Expo 67 Stadium (1967), the Grand Théâtre de Québec (1971) and the Palais des Congrès de Montréal (1983).
archives
Level of archival description:
Fonds
1945-1992