24070 Results
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drawings
drawings
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Reference number:
ARCH158612
Description:
La chemise contient : 1 croquis du "logo" - signature utilisée par Roger D'Astous ; 1 photographie, couleur, du dernier atelier de travail de Roger D'Astous, rue Crevier, à Montréal. 3 x 5
ARCH158612
Description:
La chemise contient : 1 croquis du "logo" - signature utilisée par Roger D'Astous ; 1 photographie, couleur, du dernier atelier de travail de Roger D'Astous, rue Crevier, à Montréal. 3 x 5
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Title:
Croquis du "logo", photographie, couleur, du dernier atelier de travail de Roger D'Astous
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ARCH158612
Description:
La chemise contient : 1 croquis du "logo" - signature utilisée par Roger D'Astous ; 1 photographie, couleur, du dernier atelier de travail de Roger D'Astous, rue Crevier, à Montréal. 3 x 5
Croquis du "logo", photographie, couleur, du dernier atelier de travail de Roger D'Astous
Actions:
ARCH158612
Description:
La chemise contient : 1 croquis du "logo" - signature utilisée par Roger D'Astous ; 1 photographie, couleur, du dernier atelier de travail de Roger D'Astous, rue Crevier, à Montréal. 3 x 5
Form:
drawings
drawings
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Form:
exhibitions
exhibitions
Description:
Twenty-two colour photographs reveal Ernest Cormier’s central pavilion of the Université de Montréal as an integral part of the Montréal urban landscape and as a complex, varied spatial experience. The exhibition originated in a commission to Gabor Szilasi by the CCA when research into the Fonds Cormier revealed a major gap in the photographic documentation of the(...)
Twenty-two colour photographs reveal Ernest Cormier’s central pavilion of the Université de Montréal as an integral part of the Montréal urban landscape and as a complex, varied spatial experience. The exhibition originated in a commission to Gabor Szilasi by the CCA when research into the Fonds Cormier revealed a major gap in the photographic documentation of the(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
2 May 1990 to 28 October 1990
2 May 1990 to 28 October 1990
Title:
Sighting the Université de Montréal: Photographs by Gabor Szilasi
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Description:
Twenty-two colour photographs reveal Ernest Cormier’s central pavilion of the Université de Montréal as an integral part of the Montréal urban landscape and as a complex, varied spatial experience. The exhibition originated in a commission to Gabor Szilasi by the CCA when research into the Fonds Cormier revealed a major gap in the photographic documentation of the(...)
Sighting the Université de Montréal: Photographs by Gabor Szilasi
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Description:
Twenty-two colour photographs reveal Ernest Cormier’s central pavilion of the Université de Montréal as an integral part of the Montréal urban landscape and as a complex, varied spatial experience. The exhibition originated in a commission to Gabor Szilasi by the CCA when research into the Fonds Cormier revealed a major gap in the photographic documentation of the(...)
Form:
exhibitions
exhibitions
Date:
2 May 1990 to
28 October 1990
2 May 1990 to
28 October 1990
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Description:
Commissioned by the CCA, for three years, French photographer Serge Hambourg recorded over four hundred historic mills and factories throughout New England. By capturing their surroundings as well as by focusing on the stark beauty of their interiors and exteriors, the images trace the evolution of this building type. The photographs included in the exhibition range from(...)
Commissioned by the CCA, for three years, French photographer Serge Hambourg recorded over four hundred historic mills and factories throughout New England. By capturing their surroundings as well as by focusing on the stark beauty of their interiors and exteriors, the images trace the evolution of this building type. The photographs included in the exhibition range from(...)
Location:
Octagonal gallery ante-room
Octagonal gallery ante-room
Date:
6 December 1989 to 11 February 1990
6 December 1989 to 11 February 1990
Title:
Mills and Factories of New England: Photographs by Serge Hambourg
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Description:
Commissioned by the CCA, for three years, French photographer Serge Hambourg recorded over four hundred historic mills and factories throughout New England. By capturing their surroundings as well as by focusing on the stark beauty of their interiors and exteriors, the images trace the evolution of this building type. The photographs included in the exhibition range from(...)
Mills and Factories of New England: Photographs by Serge Hambourg
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Description:
Commissioned by the CCA, for three years, French photographer Serge Hambourg recorded over four hundred historic mills and factories throughout New England. By capturing their surroundings as well as by focusing on the stark beauty of their interiors and exteriors, the images trace the evolution of this building type. The photographs included in the exhibition range from(...)
Form:
exhibitions
exhibitions
Date:
6 December 1989 to
11 February 1990
6 December 1989 to
11 February 1990
Location:
Octagonal gallery ante-room
Octagonal gallery ante-room
Form:
textual records
textual records
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Reference number:
ARCH210530
ARCH210530
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Form:
textual records
textual records
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Form:
drawings
drawings
Title:
Lithographie de la Cité de Montréal: reproduction d'une photographie panoramique d'après "Lookout"
Lithographie de la Cité de Montréal: reproduction d'une photographie panoramique d'après "Lookout"
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Reference number:
ARCH211118
ARCH211118
People:
Date:
1952
1952
Form:
drawings
drawings
Date:
1952
1952
People:
Form:
drawings
Quantity:
13 dessin(s)
drawings
Quantity:
13 dessin(s)
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Reference number:
ARCH172076
ARCH172076
People:
Form:
drawings
Quantity:
13 dessin(s)
drawings
Quantity:
13 dessin(s)
People:
Form:
exhibitions
exhibitions
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Description:
Architects of the Image: Photography in the Heroic Age of Construction explores the relationships between camera images and the making of large-scale architectural and engineering structures that stirred public imagination in the first hundred years of photography. The exhibition is predicated on the notion of the photographer as architect, an analogy that suggests(...)
Architects of the Image: Photography in the Heroic Age of Construction explores the relationships between camera images and the making of large-scale architectural and engineering structures that stirred public imagination in the first hundred years of photography. The exhibition is predicated on the notion of the photographer as architect, an analogy that suggests(...)
Date:
11 October 1995 to 4 February 1996
11 October 1995 to 4 February 1996
Title:
Architects of the Image: Photography in the Heroic Age of Construction
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Description:
Architects of the Image: Photography in the Heroic Age of Construction explores the relationships between camera images and the making of large-scale architectural and engineering structures that stirred public imagination in the first hundred years of photography. The exhibition is predicated on the notion of the photographer as architect, an analogy that suggests(...)
Architects of the Image: Photography in the Heroic Age of Construction
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Description:
Architects of the Image: Photography in the Heroic Age of Construction explores the relationships between camera images and the making of large-scale architectural and engineering structures that stirred public imagination in the first hundred years of photography. The exhibition is predicated on the notion of the photographer as architect, an analogy that suggests(...)
Form:
exhibitions
exhibitions
Date:
11 October 1995 to
4 February 1996
11 October 1995 to
4 February 1996
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Reference number:
ARCH252465
ARCH252465
People:
Date:
1960
1960
Title:
Photographie d'un dessin, Civic Centre, New Delhi, Inde : Plan du foyer du théâtre
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ARCH252465
Photographie d'un dessin, Civic Centre, New Delhi, Inde : Plan du foyer du théâtre
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ARCH252465
Date:
1960
1960
People:
Form:
articles
articles
Actions:
Issue:
Let us assure you
Let us assure you
Keyword(s):
Albert Kahn, Detroit, Hedrich-Blessing, Nancy Levinson, General Motors, Ford, Pour le CCA de la part de..., To CCA from...
Albert Kahn, Detroit, Hedrich-Blessing, Nancy Levinson, General Motors, Ford, Pour le CCA de la part de..., To CCA from...
Published:
12 December 2012
12 December 2012
Issue:
Let us assure you
Let us assure you
Form:
exhibitions
exhibitions
Description:
Letters from the People: Photographs by Lee Friedlander deals with words and language—how commercial signs and graffiti structure our perception of urban environment and, to a large extent, define our relationship to it. American photographer Lee Friedlander’s work is concerned not with the systematic and thorough documentation of various North American cities, but with(...)
Letters from the People: Photographs by Lee Friedlander deals with words and language—how commercial signs and graffiti structure our perception of urban environment and, to a large extent, define our relationship to it. American photographer Lee Friedlander’s work is concerned not with the systematic and thorough documentation of various North American cities, but with(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
22 September 1993 to 28 November 1993
22 September 1993 to 28 November 1993
Title:
"Letters from the People": Photographs by Lee Friedlander
Actions:
Description:
Letters from the People: Photographs by Lee Friedlander deals with words and language—how commercial signs and graffiti structure our perception of urban environment and, to a large extent, define our relationship to it. American photographer Lee Friedlander’s work is concerned not with the systematic and thorough documentation of various North American cities, but with(...)
"Letters from the People": Photographs by Lee Friedlander
Actions:
Description:
Letters from the People: Photographs by Lee Friedlander deals with words and language—how commercial signs and graffiti structure our perception of urban environment and, to a large extent, define our relationship to it. American photographer Lee Friedlander’s work is concerned not with the systematic and thorough documentation of various North American cities, but with(...)
Form:
exhibitions
exhibitions
Date:
22 September 1993 to
28 November 1993
22 September 1993 to
28 November 1993
Location:
Octagonal gallery
Octagonal gallery
