118876 Results
Form:
research
research
Actions:
Description:
TD Bank Group-CCA Collection Research Grant Recipients: Esther Choi (Princeton University, Graduate School of Architecture); Meredith Gaglio (Columbia University, Graduate School of Architecture, Planning and Preservation); Lori Gibbs (University of Pennsylvania, PennDesign); Matthew Gin (Harvard University, Graduate School of Design); Elizabeth Knazook (Queen’s(...)
TD Bank Group-CCA Collection Research Grant Recipients: Esther Choi (Princeton University, Graduate School of Architecture); Meredith Gaglio (Columbia University, Graduate School of Architecture, Planning and Preservation); Lori Gibbs (University of Pennsylvania, PennDesign); Matthew Gin (Harvard University, Graduate School of Design); Elizabeth Knazook (Queen’s(...)
Date:
June 2015 to September 2015
June 2015 to September 2015
Title:
Doctoral Students Program 2015
Actions:
Description:
TD Bank Group-CCA Collection Research Grant Recipients: Esther Choi (Princeton University, Graduate School of Architecture); Meredith Gaglio (Columbia University, Graduate School of Architecture, Planning and Preservation); Lori Gibbs (University of Pennsylvania, PennDesign); Matthew Gin (Harvard University, Graduate School of Design); Elizabeth Knazook (Queen’s(...)
Doctoral Students Program 2015
Actions:
Description:
TD Bank Group-CCA Collection Research Grant Recipients: Esther Choi (Princeton University, Graduate School of Architecture); Meredith Gaglio (Columbia University, Graduate School of Architecture, Planning and Preservation); Lori Gibbs (University of Pennsylvania, PennDesign); Matthew Gin (Harvard University, Graduate School of Design); Elizabeth Knazook (Queen’s(...)
Form:
research
research
Date:
June 2015 to
September 2015
June 2015 to
September 2015
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP032.S3.D5
Description:
Architectural drawings and photographs of models by graduate students relating to thesis projects.
AP032.S3.D5
Description:
Architectural drawings and photographs of models by graduate students relating to thesis projects.
People:
Date:
1950-1996
1950-1996
Title:
Student Drawings and Photographs
Actions:
AP032.S3.D5
Description:
Architectural drawings and photographs of models by graduate students relating to thesis projects.
Student Drawings and Photographs
Actions:
AP032.S3.D5
Description:
Architectural drawings and photographs of models by graduate students relating to thesis projects.
Level of archival description:
File 5
File 5
Date:
1950-1996
1950-1996
People:
Level of archival description:
Sub-series
Sub-series
Title:
SOM Project Drawings
SOM Project Drawings
Actions:
Reference number:
AP032.S2.SS1.D2
Description:
Architectural and structural working drawings for 4 SOM buildings (1955-1958).
AP032.S2.SS1.D2
Description:
Architectural and structural working drawings for 4 SOM buildings (1955-1958).
People:
Date:
1955-1958
1955-1958
Title:
SOM Project Drawings
Actions:
AP032.S2.SS1.D2
Description:
Architectural and structural working drawings for 4 SOM buildings (1955-1958).
SOM Project Drawings
Actions:
AP032.S2.SS1.D2
Description:
Architectural and structural working drawings for 4 SOM buildings (1955-1958).
Level of archival description:
File 2
File 2
Date:
1955-1958
1955-1958
People:
Form:
books
books
Actions:
Reference number:
ARCH269252
ARCH269252
People:
Date:
1976
1976
Form:
books
books
Date:
1976
1976
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.1967.PR02
Description:
This project series documents The Pig "Carosello Italiano", a film made in the winter of 1967-1968 by Gianni Pettena with archivale footage and shots by Pettena himself. The film is "a comment on the violence of power and consumerism". [1] It consists of a montage of violent scenes, like the Vietnam war, protest demonstrations, the assassination of President John F. Kennedy, intersected with images of "mass society's rituals: traffic, shopping and parades in costume"[2]. The project series contains a video recording on VHS of the film, project descriptions in English and in Italian, and a digital version of the film. Source: [1] [2] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 100.
AP207.S1.1967.PR02
Description:
This project series documents The Pig "Carosello Italiano", a film made in the winter of 1967-1968 by Gianni Pettena with archivale footage and shots by Pettena himself. The film is "a comment on the violence of power and consumerism". [1] It consists of a montage of violent scenes, like the Vietnam war, protest demonstrations, the assassination of President John F. Kennedy, intersected with images of "mass society's rituals: traffic, shopping and parades in costume"[2]. The project series contains a video recording on VHS of the film, project descriptions in English and in Italian, and a digital version of the film. Source: [1] [2] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 100.
People:
Date:
circa 1967-2015
circa 1967-2015
Title:
The Pig “Carosello Italiano” (1967)
Actions:
AP207.S1.1967.PR02
Description:
This project series documents The Pig "Carosello Italiano", a film made in the winter of 1967-1968 by Gianni Pettena with archivale footage and shots by Pettena himself. The film is "a comment on the violence of power and consumerism". [1] It consists of a montage of violent scenes, like the Vietnam war, protest demonstrations, the assassination of President John F. Kennedy, intersected with images of "mass society's rituals: traffic, shopping and parades in costume"[2]. The project series contains a video recording on VHS of the film, project descriptions in English and in Italian, and a digital version of the film. Source: [1] [2] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 100.
The Pig “Carosello Italiano” (1967)
Actions:
AP207.S1.1967.PR02
Description:
This project series documents The Pig "Carosello Italiano", a film made in the winter of 1967-1968 by Gianni Pettena with archivale footage and shots by Pettena himself. The film is "a comment on the violence of power and consumerism". [1] It consists of a montage of violent scenes, like the Vietnam war, protest demonstrations, the assassination of President John F. Kennedy, intersected with images of "mass society's rituals: traffic, shopping and parades in costume"[2]. The project series contains a video recording on VHS of the film, project descriptions in English and in Italian, and a digital version of the film. Source: [1] [2] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 100.
Level of archival description:
Project
Project
Date:
circa 1967-2015
circa 1967-2015
People:
Form:
exhibitions
exhibitions
Description:
madskills: Self-Documenting Construction on Social Media investigates popular social media clips documenting construction work by those present on site. Inspired by the rise of the creator economy, contractors, builders, and tradespeople have started to record and share their skills, creativity, and concerns with a digitally connected community of peers, clients, and(...)
madskills: Self-Documenting Construction on Social Media investigates popular social media clips documenting construction work by those present on site. Inspired by the rise of the creator economy, contractors, builders, and tradespeople have started to record and share their skills, creativity, and concerns with a digitally connected community of peers, clients, and(...)
Location:
Octagonal gallery Keyword(s):
social media, TikTok, Instagram, architectural photography, construction workers, labour, skills
Octagonal gallery Keyword(s):
social media, TikTok, Instagram, architectural photography, construction workers, labour, skills
Date:
June 2024 to October 2024
June 2024 to October 2024
Title:
madskills: Self-Documenting Construction on Social Media
Actions:
Description:
madskills: Self-Documenting Construction on Social Media investigates popular social media clips documenting construction work by those present on site. Inspired by the rise of the creator economy, contractors, builders, and tradespeople have started to record and share their skills, creativity, and concerns with a digitally connected community of peers, clients, and(...)
madskills: Self-Documenting Construction on Social Media
Actions:
Description:
madskills: Self-Documenting Construction on Social Media investigates popular social media clips documenting construction work by those present on site. Inspired by the rise of the creator economy, contractors, builders, and tradespeople have started to record and share their skills, creativity, and concerns with a digitally connected community of peers, clients, and(...)
Form:
exhibitions
exhibitions
Date:
June 2024 to
October 2024
June 2024 to
October 2024
Location:
Octagonal gallery Keyword(s):
social media, TikTok, Instagram, architectural photography, construction workers, labour, skills
Octagonal gallery Keyword(s):
social media, TikTok, Instagram, architectural photography, construction workers, labour, skills
Form:
textual records
textual records
Reference number:
AP206.S2.067
Description:
File was originally housed in a binder along with content arranged in AP206.S2.065, AP206.S2.066 and AP206.S2.068. This file includes the following papers: "Modulor! A System of Proportions" "Art in Architecture," 1986 "The Capital for Haryana," 1985 Letters to newspaper editors, 1985 "Chandigarh," 1985 "Manifesto of the Peoples of Haryana" "Thoughts on the Capital for Haryana"
AP206.S2.067
Description:
File was originally housed in a binder along with content arranged in AP206.S2.065, AP206.S2.066 and AP206.S2.068. This file includes the following papers: "Modulor! A System of Proportions" "Art in Architecture," 1986 "The Capital for Haryana," 1985 Letters to newspaper editors, 1985 "Chandigarh," 1985 "Manifesto of the Peoples of Haryana" "Thoughts on the Capital for Haryana"
People:
Date:
1985-1997
1985-1997
Title:
Published and unpublished papers (folder 3 of 4)
Actions:
AP206.S2.067
Description:
File was originally housed in a binder along with content arranged in AP206.S2.065, AP206.S2.066 and AP206.S2.068. This file includes the following papers: "Modulor! A System of Proportions" "Art in Architecture," 1986 "The Capital for Haryana," 1985 Letters to newspaper editors, 1985 "Chandigarh," 1985 "Manifesto of the Peoples of Haryana" "Thoughts on the Capital for Haryana"
Published and unpublished papers (folder 3 of 4)
Actions:
AP206.S2.067
Description:
File was originally housed in a binder along with content arranged in AP206.S2.065, AP206.S2.066 and AP206.S2.068. This file includes the following papers: "Modulor! A System of Proportions" "Art in Architecture," 1986 "The Capital for Haryana," 1985 Letters to newspaper editors, 1985 "Chandigarh," 1985 "Manifesto of the Peoples of Haryana" "Thoughts on the Capital for Haryana"
Form:
textual records
textual records
Date:
1985-1997
1985-1997
People:
Form:
textual records
textual records
![Letter from J.J.P. Oud to Sigfried [Pep] Giedion, 28 June 1924, Rotterdam, Netherlands](/img-collection/9cYy5JETSbEp-z8bZ_ODx56G8Ws=/500x616/325342.jpg)
Actions:
Reference number:
DR1985:0388:001-006
Description:
- In this letter from J.J.P. Oud to Sigfried Giedion, Oud critiques Giedon's book about Modernist Dutch architecture (title not indicated). Oud challenges several points made by Giedion and rebukes the author for his anti-socialist approach to architectural analysis. Oud suggests a less romantic and speculative methodology, and concludes the letter with a proposal to meet with the author and discuss their ideas. The letter is addressed to "Pep", Sigfried Giedion's nickname.
DR1985:0388:001-006
Description:
- In this letter from J.J.P. Oud to Sigfried Giedion, Oud critiques Giedon's book about Modernist Dutch architecture (title not indicated). Oud challenges several points made by Giedion and rebukes the author for his anti-socialist approach to architectural analysis. Oud suggests a less romantic and speculative methodology, and concludes the letter with a proposal to meet with the author and discuss their ideas. The letter is addressed to "Pep", Sigfried Giedion's nickname.
People:
Subject:
architecture
architecture
Date:
24 June 1928
24 June 1928
Title:
Letter from J.J.P. Oud to Sigfried [Pep] Giedion, 28 June 1924, Rotterdam, Netherlands
Actions:
DR1985:0388:001-006
Description:
- In this letter from J.J.P. Oud to Sigfried Giedion, Oud critiques Giedon's book about Modernist Dutch architecture (title not indicated). Oud challenges several points made by Giedion and rebukes the author for his anti-socialist approach to architectural analysis. Oud suggests a less romantic and speculative methodology, and concludes the letter with a proposal to meet with the author and discuss their ideas. The letter is addressed to "Pep", Sigfried Giedion's nickname.
Letter from J.J.P. Oud to Sigfried [Pep] Giedion, 28 June 1924, Rotterdam, Netherlands
Actions:
DR1985:0388:001-006
Description:
- In this letter from J.J.P. Oud to Sigfried Giedion, Oud critiques Giedon's book about Modernist Dutch architecture (title not indicated). Oud challenges several points made by Giedion and rebukes the author for his anti-socialist approach to architectural analysis. Oud suggests a less romantic and speculative methodology, and concludes the letter with a proposal to meet with the author and discuss their ideas. The letter is addressed to "Pep", Sigfried Giedion's nickname.
Form:
textual records
textual records
Date:
24 June 1928
24 June 1928
People:
Subject:
architecture
architecture
Form:
research
research
Actions:
Description:
TD Bank Group-CCA Collection Research Grant recipients: José Aragüez (Princeton University, Graduate School of Architecture); Britt Eversole (Princeton University, Graduate School of Architecture); Michael Kubo (Massachusetts Institute of Technology); Peter Minosh (Columbia University, Graduate School of Architecture, Planning and Preservation); Bryan Norwood (Harvard(...)
TD Bank Group-CCA Collection Research Grant recipients: José Aragüez (Princeton University, Graduate School of Architecture); Britt Eversole (Princeton University, Graduate School of Architecture); Michael Kubo (Massachusetts Institute of Technology); Peter Minosh (Columbia University, Graduate School of Architecture, Planning and Preservation); Bryan Norwood (Harvard(...)
Date:
June 2013 to August 2013
June 2013 to August 2013
Title:
Doctoral Students Program 2013
Actions:
Description:
TD Bank Group-CCA Collection Research Grant recipients: José Aragüez (Princeton University, Graduate School of Architecture); Britt Eversole (Princeton University, Graduate School of Architecture); Michael Kubo (Massachusetts Institute of Technology); Peter Minosh (Columbia University, Graduate School of Architecture, Planning and Preservation); Bryan Norwood (Harvard(...)
Doctoral Students Program 2013
Actions:
Description:
TD Bank Group-CCA Collection Research Grant recipients: José Aragüez (Princeton University, Graduate School of Architecture); Britt Eversole (Princeton University, Graduate School of Architecture); Michael Kubo (Massachusetts Institute of Technology); Peter Minosh (Columbia University, Graduate School of Architecture, Planning and Preservation); Bryan Norwood (Harvard(...)
Form:
research
research
Date:
June 2013 to
August 2013
June 2013 to
August 2013
Form:
photographs
photographs
Actions:
Reference number:
PH1993:0222
Description:
- The early 1930s marked the beginning of limitations on creative freedom in the Soviet Union, government approval of Constructivism, and the arrival of Socialist Realism in the arts, literature, and architecture. This photograph may reflect the times in the architects' rather sombre facial expressions and the copy of 'Pravda' in the foreground, an apparent reference to the Communist presence in the creative process.
PH1993:0222
Description:
- The early 1930s marked the beginning of limitations on creative freedom in the Soviet Union, government approval of Constructivism, and the arrival of Socialist Realism in the arts, literature, and architecture. This photograph may reflect the times in the architects' rather sombre facial expressions and the copy of 'Pravda' in the foreground, an apparent reference to the Communist presence in the creative process.
People:
Subject:
architecture, portrait
architecture, portrait
Date:
1930-1931
1930-1931
Title:
Portrait of D. Fridman and G. Glushchenko through a glass model for the Building of Industry, Sverdlovsk, Soviet Union (now Ekaterinburg, Russia)
Actions:
PH1993:0222
Description:
- The early 1930s marked the beginning of limitations on creative freedom in the Soviet Union, government approval of Constructivism, and the arrival of Socialist Realism in the arts, literature, and architecture. This photograph may reflect the times in the architects' rather sombre facial expressions and the copy of 'Pravda' in the foreground, an apparent reference to the Communist presence in the creative process.
Portrait of D. Fridman and G. Glushchenko through a glass model for the Building of Industry, Sverdlovsk, Soviet Union (now Ekaterinburg, Russia)
Actions:
PH1993:0222
Description:
- The early 1930s marked the beginning of limitations on creative freedom in the Soviet Union, government approval of Constructivism, and the arrival of Socialist Realism in the arts, literature, and architecture. This photograph may reflect the times in the architects' rather sombre facial expressions and the copy of 'Pravda' in the foreground, an apparent reference to the Communist presence in the creative process.
Form:
photographs
photographs
Date:
1930-1931
1930-1931
People:
Subject:
architecture, portrait
architecture, portrait
