Mrinalini Rajagopalan traces the history of the Red Fort in Delhi from its destruction by the British in 1857 to their later efforts to preserve and protect the same structure. Click here for a listing of the rest of this summer’s seminars.
Shaughnessy House
8 July 2010
Visiting Scholar Seminar: Mrinalini Rajagopalan
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Mrinalini Rajagopalan traces the history of the Red Fort in Delhi from its destruction by the British in 1857 to their later efforts to preserve and protect the same structure. Click here for a listing of the rest of this summer’s seminars.
Shaughnessy House
Project
AP142.S1.D279
Description:
File documents an unsuccessful (?) competition entry for alterations and renovations to the Musée national d'histoire et d'art, Luxembourg. Material in this file was produced in 1997. File contains drawings and textual records.
1997
Musée d'Histoire et d'Art, Luxembourg
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AP142.S1.D279
Description:
File documents an unsuccessful (?) competition entry for alterations and renovations to the Musée national d'histoire et d'art, Luxembourg. Material in this file was produced in 1997. File contains drawings and textual records.
File 279
1997
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
7 December 2017
Come and Forget the Internet, with Evgeny Morozov
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Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Craig Hodgetts
29 March 2018
Come and Forget the Grid, with Craig Hodgetts
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Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Craig Hodgetts
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Johannes Grenzfurthner
12 April 2018
Come and Forget the Counterculture, with Johannes Grenzfurthner
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Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
Johannes Grenzfurthner
In 1982, the CCA organized its first exhibition, Photography and Architecture: 1839–1939, prior to the construction of the CCA’s current building. The exhibition was shown in Galerie Lempertz Contempora in Cologne (1982), the Art Institute of Chicago (1983), the Cooper-Hewitt National Design Museum in New York (1983), Centre Georges Pompidou in Paris (1984), and the(...)
15 September 1982 to 16 October 1982
Photography and Architecture: 1839–1939
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Description:
In 1982, the CCA organized its first exhibition, Photography and Architecture: 1839–1939, prior to the construction of the CCA’s current building. The exhibition was shown in Galerie Lempertz Contempora in Cologne (1982), the Art Institute of Chicago (1983), the Cooper-Hewitt National Design Museum in New York (1983), Centre Georges Pompidou in Paris (1984), and the(...)
articles
Still the Housing Question
27 July 2026
Still the Housing Question
Joaquim Moreno reviews one of the episodes of the Open University’s course A305, History of Architecture and Design 1890–1939
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ARCH264858
Description:
Le manuscrit a pour sujet la ville de New Delhi, notamment de la mise en valeur de son histoire, de son bord de l'eau et des quais.
12 septembre 1960?
Fragment d'un manuscrit relatif à New Delhi, Inde
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ARCH264858
Description:
Le manuscrit a pour sujet la ville de New Delhi, notamment de la mise en valeur de son histoire, de son bord de l'eau et des quais.
12 septembre 1960?
ARCH264859
Description:
Le manuscrit a pour sujet la ville de New Delhi, notamment de la mise en valeur de son histoire, de son bord de l'eau et des quais.
12 septembre 1960
Manuscrit traitant de l'urbanisation de New Delhi, Inde
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ARCH264859
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Le manuscrit a pour sujet la ville de New Delhi, notamment de la mise en valeur de son histoire, de son bord de l'eau et des quais.
12 septembre 1960
ARCH265116:011
Description:
Le tapuscrit a pour sujet la ville de New Delhi, notamment de la mise en valeur de son histoire, de son bord de l'eau et des quais.
12 septembre 1960
Transcription d'un manuscrit traitant de l'urbanisation de New Delhi, Inde
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ARCH265116:011
Description:
Le tapuscrit a pour sujet la ville de New Delhi, notamment de la mise en valeur de son histoire, de son bord de l'eau et des quais.
12 septembre 1960