118926 Results
Form:
textual records
textual records
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Reference number:
ARCH263877
Description:
Le manuscrit a pour sujet les employés travaillant sur le chantier à Chandigarh. De plus, il traite de la gestion du bureau d'architecture.
ARCH263877
Description:
Le manuscrit a pour sujet les employés travaillant sur le chantier à Chandigarh. De plus, il traite de la gestion du bureau d'architecture.
People:
Date:
17 avril 1958
17 avril 1958
Title:
Manuscrit de Pierre Jeanneret relatif à Chandigarh, Inde
Actions:
ARCH263877
Description:
Le manuscrit a pour sujet les employés travaillant sur le chantier à Chandigarh. De plus, il traite de la gestion du bureau d'architecture.
Manuscrit de Pierre Jeanneret relatif à Chandigarh, Inde
Actions:
ARCH263877
Description:
Le manuscrit a pour sujet les employés travaillant sur le chantier à Chandigarh. De plus, il traite de la gestion du bureau d'architecture.
Form:
textual records
textual records
Date:
17 avril 1958
17 avril 1958
People:
Form:
journals and magazines
journals and magazines
Title:
L'architecture d'aujourd'hui
L'architecture d'aujourd'hui
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Reference number:
ARCH270238
Description:
Issue of April/May 1962 of "L'architecture d'aujourd'hui" with an article on Chandigarh.
ARCH270238
Description:
Issue of April/May 1962 of "L'architecture d'aujourd'hui" with an article on Chandigarh.
People:
Date:
1962
1962
Title:
L'architecture d'aujourd'hui
Actions:
ARCH270238
Description:
Issue of April/May 1962 of "L'architecture d'aujourd'hui" with an article on Chandigarh.
L'architecture d'aujourd'hui
Actions:
ARCH270238
Description:
Issue of April/May 1962 of "L'architecture d'aujourd'hui" with an article on Chandigarh.
Form:
journals and magazines
journals and magazines
Date:
1962
1962
People:
Form:
events
events
Form:
events
events
Date:
13 February 2020
6:30pm
13 February 2020
6:30pm
Form:
exhibitions
exhibitions
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Description:
The beginning of the 1950s was a moment of global upheaval. From India to Morocco, from Guatemala to Indochina, the process of decolonization gained momentum and the Cold War began. Architects working or acting as experts in the non-Western areas of the globe could no longer plan as if sites were terrains vague and people were mute subjects. The end of colonial(...)
The beginning of the 1950s was a moment of global upheaval. From India to Morocco, from Guatemala to Indochina, the process of decolonization gained momentum and the Cold War began. Architects working or acting as experts in the non-Western areas of the globe could no longer plan as if sites were terrains vague and people were mute subjects. The end of colonial(...)
Location:
Main galleries Keyword(s):
Casablanca, Chandigarh, Le Corbusier, Jeanneret, Morocco, Punjab, India, Morocco, modernism, Africa, Takashi Homma, Yto Barrada
Main galleries Keyword(s):
Casablanca, Chandigarh, Le Corbusier, Jeanneret, Morocco, Punjab, India, Morocco, modernism, Africa, Takashi Homma, Yto Barrada
Date:
26 November 2013 to 20 April 2014
26 November 2013 to 20 April 2014
Title:
How architects, experts, politicians, international agencies and citizens negotiate modern planning: Casablanca Chandigarh
Actions:
Description:
The beginning of the 1950s was a moment of global upheaval. From India to Morocco, from Guatemala to Indochina, the process of decolonization gained momentum and the Cold War began. Architects working or acting as experts in the non-Western areas of the globe could no longer plan as if sites were terrains vague and people were mute subjects. The end of colonial(...)
How architects, experts, politicians, international agencies and citizens negotiate modern planning: Casablanca Chandigarh
Actions:
Description:
The beginning of the 1950s was a moment of global upheaval. From India to Morocco, from Guatemala to Indochina, the process of decolonization gained momentum and the Cold War began. Architects working or acting as experts in the non-Western areas of the globe could no longer plan as if sites were terrains vague and people were mute subjects. The end of colonial(...)
Form:
exhibitions
exhibitions
Date:
26 November 2013 to
20 April 2014
26 November 2013 to
20 April 2014
Location:
Main galleries Keyword(s):
Casablanca, Chandigarh, Le Corbusier, Jeanneret, Morocco, Punjab, India, Morocco, modernism, Africa, Takashi Homma, Yto Barrada
Main galleries Keyword(s):
Casablanca, Chandigarh, Le Corbusier, Jeanneret, Morocco, Punjab, India, Morocco, modernism, Africa, Takashi Homma, Yto Barrada
Form:
events
events
Actions:
Description:
Visiting scholar Adam Morton presents his research: Under capitalism, how is space organized in our everyday lives through the streets we walk, the monuments we visit, and the places where we meet? This talk presents the making of modern state space in Mexico through the perspective of a spatial political economy. It will draw on my ongoing research on the production of(...)
Visiting scholar Adam Morton presents his research: Under capitalism, how is space organized in our everyday lives through the streets we walk, the monuments we visit, and the places where we meet? This talk presents the making of modern state space in Mexico through the perspective of a spatial political economy. It will draw on my ongoing research on the production of(...)
Location:
Shaughnessy House
Shaughnessy House
Date:
22 June 2017, 6pm
22 June 2017, 6pm
Title:
Visiting Scholar Seminar: Adam Morton
Actions:
Description:
Visiting scholar Adam Morton presents his research: Under capitalism, how is space organized in our everyday lives through the streets we walk, the monuments we visit, and the places where we meet? This talk presents the making of modern state space in Mexico through the perspective of a spatial political economy. It will draw on my ongoing research on the production of(...)
Visiting Scholar Seminar: Adam Morton
Actions:
Description:
Visiting scholar Adam Morton presents his research: Under capitalism, how is space organized in our everyday lives through the streets we walk, the monuments we visit, and the places where we meet? This talk presents the making of modern state space in Mexico through the perspective of a spatial political economy. It will draw on my ongoing research on the production of(...)
Form:
events
events
Date:
22 June 2017
6pm
22 June 2017
6pm
Location:
Shaughnessy House
Shaughnessy House
Form:
events
events
Title:
Bas Princen: Volcano Walks
Bas Princen: Volcano Walks
Actions:
Description:
In this artist’s talk, Bas Princen will discuss the current status of the 17 Volcanoes project and explore the resonances between the works of Franz Wilhelm Junghuhn, works by early-twentieth-century Dutch photographers in Java (like van Nieuwenhuis), and his own practice. Although discovering new places seems impossible today, the talk takes as a point of departure the(...)
In this artist’s talk, Bas Princen will discuss the current status of the 17 Volcanoes project and explore the resonances between the works of Franz Wilhelm Junghuhn, works by early-twentieth-century Dutch photographers in Java (like van Nieuwenhuis), and his own practice. Although discovering new places seems impossible today, the talk takes as a point of departure the(...)
Date:
15 October 2016, 3pm
15 October 2016, 3pm
Title:
Bas Princen: Volcano Walks
Actions:
Description:
In this artist’s talk, Bas Princen will discuss the current status of the 17 Volcanoes project and explore the resonances between the works of Franz Wilhelm Junghuhn, works by early-twentieth-century Dutch photographers in Java (like van Nieuwenhuis), and his own practice. Although discovering new places seems impossible today, the talk takes as a point of departure the(...)
Bas Princen: Volcano Walks
Actions:
Description:
In this artist’s talk, Bas Princen will discuss the current status of the 17 Volcanoes project and explore the resonances between the works of Franz Wilhelm Junghuhn, works by early-twentieth-century Dutch photographers in Java (like van Nieuwenhuis), and his own practice. Although discovering new places seems impossible today, the talk takes as a point of departure the(...)
Form:
events
events
Date:
15 October 2016
3pm
15 October 2016
3pm
Level of archival description:
Sub-series
Sub-series
Reference number:
AP156.S3.SS3
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret, de Le Corbusier et d'autres architectes à Chandigarh, Inde. La sous-série comprend des documents sur des projets comme les résidences gouvernementaux ou privées, certains des bâtiments du Capitol et de l'Université du Punjab. Le matériel dans ce dossier a probablement été produit entre 1945 et 1972. Le sous-série contient des dessins et des reprographies d'études, de dessin conceptuel, de dessin de développement du design, de dessin d'exécution et de dessins de présentation. Il y a aussi 2 albums de plans, l'un contenant des divers plans signés par Pierre Jeanneret de logements et l'autres contenant des plans pour la Musée de la Connaissance de Le Corbusier. La sous-série comprend aussi des documents textuels et quelques photographies reliées à des projets. Sub-series documents architectural and urban planning projects of Pierre Jeanneret, Le Corbusier and other architects in Chandigarh, India. The sub-series contains documents on projects like government or private residences, some of the Capitol's or Punjab University's buildings. Material in this sub-series was produced between 1945 and 1972. The sub-series contains drawings and reprographic copies of studies, conceptual drawings, design developement drawings, working drawings and presentation drawings. There is also 2 albums of plans, one containing various plans signed by Pierre Jeanneret of various dwellings and the other containing plans for the Museum of Knowledge by Le Corbusier. The sub-series contains also textual records and some photographs related to projects.
AP156.S3.SS3
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret, de Le Corbusier et d'autres architectes à Chandigarh, Inde. La sous-série comprend des documents sur des projets comme les résidences gouvernementaux ou privées, certains des bâtiments du Capitol et de l'Université du Punjab. Le matériel dans ce dossier a probablement été produit entre 1945 et 1972. Le sous-série contient des dessins et des reprographies d'études, de dessin conceptuel, de dessin de développement du design, de dessin d'exécution et de dessins de présentation. Il y a aussi 2 albums de plans, l'un contenant des divers plans signés par Pierre Jeanneret de logements et l'autres contenant des plans pour la Musée de la Connaissance de Le Corbusier. La sous-série comprend aussi des documents textuels et quelques photographies reliées à des projets. Sub-series documents architectural and urban planning projects of Pierre Jeanneret, Le Corbusier and other architects in Chandigarh, India. The sub-series contains documents on projects like government or private residences, some of the Capitol's or Punjab University's buildings. Material in this sub-series was produced between 1945 and 1972. The sub-series contains drawings and reprographic copies of studies, conceptual drawings, design developement drawings, working drawings and presentation drawings. There is also 2 albums of plans, one containing various plans signed by Pierre Jeanneret of various dwellings and the other containing plans for the Museum of Knowledge by Le Corbusier. The sub-series contains also textual records and some photographs related to projects.
People:
Date:
1945-1975
1945-1975
Title:
Chandigarh, Inde = Chandigarh, India
Actions:
AP156.S3.SS3
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret, de Le Corbusier et d'autres architectes à Chandigarh, Inde. La sous-série comprend des documents sur des projets comme les résidences gouvernementaux ou privées, certains des bâtiments du Capitol et de l'Université du Punjab. Le matériel dans ce dossier a probablement été produit entre 1945 et 1972. Le sous-série contient des dessins et des reprographies d'études, de dessin conceptuel, de dessin de développement du design, de dessin d'exécution et de dessins de présentation. Il y a aussi 2 albums de plans, l'un contenant des divers plans signés par Pierre Jeanneret de logements et l'autres contenant des plans pour la Musée de la Connaissance de Le Corbusier. La sous-série comprend aussi des documents textuels et quelques photographies reliées à des projets. Sub-series documents architectural and urban planning projects of Pierre Jeanneret, Le Corbusier and other architects in Chandigarh, India. The sub-series contains documents on projects like government or private residences, some of the Capitol's or Punjab University's buildings. Material in this sub-series was produced between 1945 and 1972. The sub-series contains drawings and reprographic copies of studies, conceptual drawings, design developement drawings, working drawings and presentation drawings. There is also 2 albums of plans, one containing various plans signed by Pierre Jeanneret of various dwellings and the other containing plans for the Museum of Knowledge by Le Corbusier. The sub-series contains also textual records and some photographs related to projects.
Chandigarh, Inde = Chandigarh, India
Actions:
AP156.S3.SS3
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret, de Le Corbusier et d'autres architectes à Chandigarh, Inde. La sous-série comprend des documents sur des projets comme les résidences gouvernementaux ou privées, certains des bâtiments du Capitol et de l'Université du Punjab. Le matériel dans ce dossier a probablement été produit entre 1945 et 1972. Le sous-série contient des dessins et des reprographies d'études, de dessin conceptuel, de dessin de développement du design, de dessin d'exécution et de dessins de présentation. Il y a aussi 2 albums de plans, l'un contenant des divers plans signés par Pierre Jeanneret de logements et l'autres contenant des plans pour la Musée de la Connaissance de Le Corbusier. La sous-série comprend aussi des documents textuels et quelques photographies reliées à des projets. Sub-series documents architectural and urban planning projects of Pierre Jeanneret, Le Corbusier and other architects in Chandigarh, India. The sub-series contains documents on projects like government or private residences, some of the Capitol's or Punjab University's buildings. Material in this sub-series was produced between 1945 and 1972. The sub-series contains drawings and reprographic copies of studies, conceptual drawings, design developement drawings, working drawings and presentation drawings. There is also 2 albums of plans, one containing various plans signed by Pierre Jeanneret of various dwellings and the other containing plans for the Museum of Knowledge by Le Corbusier. The sub-series contains also textual records and some photographs related to projects.
Level of archival description:
Sous-série 3
Sous-série 3
Date:
1945-1975
1945-1975
People:
Form:
textual records
textual records
Actions:
Reference number:
AP197.S3.010
Description:
The box is comprised of correspondence for the year 2001. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Yale University; Université de Montréal; Patkau Architects; Tadao Ando; Manuel de Sola-Morales; the Royal Institute of British Architects; ArquitecturaViva; Maki and Associates; and Kisho Kurakawa. Included in this box is correspondence with Oscar Niemeyer and Alvaro Siza in relation to the Michael Blackwood production on both these architects; correspondence about the Aga Khan Award; correspondence about writing an introduction essay to the publication Tadao Ando Light & Water; and correspondence about Frampton’s trip and itinerary to Japan and to meet with Tadao Ando.
AP197.S3.010
Description:
The box is comprised of correspondence for the year 2001. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Yale University; Université de Montréal; Patkau Architects; Tadao Ando; Manuel de Sola-Morales; the Royal Institute of British Architects; ArquitecturaViva; Maki and Associates; and Kisho Kurakawa. Included in this box is correspondence with Oscar Niemeyer and Alvaro Siza in relation to the Michael Blackwood production on both these architects; correspondence about the Aga Khan Award; correspondence about writing an introduction essay to the publication Tadao Ando Light & Water; and correspondence about Frampton’s trip and itinerary to Japan and to meet with Tadao Ando.
People:
Date:
2001
2001
Title:
Personal and professional correspondence from 2001
Actions:
AP197.S3.010
Description:
The box is comprised of correspondence for the year 2001. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Yale University; Université de Montréal; Patkau Architects; Tadao Ando; Manuel de Sola-Morales; the Royal Institute of British Architects; ArquitecturaViva; Maki and Associates; and Kisho Kurakawa. Included in this box is correspondence with Oscar Niemeyer and Alvaro Siza in relation to the Michael Blackwood production on both these architects; correspondence about the Aga Khan Award; correspondence about writing an introduction essay to the publication Tadao Ando Light & Water; and correspondence about Frampton’s trip and itinerary to Japan and to meet with Tadao Ando.
Personal and professional correspondence from 2001
Actions:
AP197.S3.010
Description:
The box is comprised of correspondence for the year 2001. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Yale University; Université de Montréal; Patkau Architects; Tadao Ando; Manuel de Sola-Morales; the Royal Institute of British Architects; ArquitecturaViva; Maki and Associates; and Kisho Kurakawa. Included in this box is correspondence with Oscar Niemeyer and Alvaro Siza in relation to the Michael Blackwood production on both these architects; correspondence about the Aga Khan Award; correspondence about writing an introduction essay to the publication Tadao Ando Light & Water; and correspondence about Frampton’s trip and itinerary to Japan and to meet with Tadao Ando.
Form:
textual records
textual records
Date:
2001
2001
People:
Level of archival description:
Project
Project
Reference number:
CI005.S1.1921.PR1
Description:
German architectural critic, Adolf Behne, requested Oud submit a design for a private house that was to be built for private clients in Berlin-Grünewald in 1921. Although Oud's designs never came to fruition, the project promoted his international reputation, with his designs circulating in lectures and publications. Behn, who maintained a correspondence with Oud, helped introduce Oud to the international scene with a positive review of his designs, including one for Villa Kallenbach. Oud's design was in stark contrast to the prevailing contemporary German aesthetic of Expressionism. Oud created a functional symmetric design for a detached, spacious country dwelling; he placed the building toward the anterior of the site and angled the front away from the street to take advantage of the sunlight and garden space (Taverne et al. 2001, 312-317). Oud made some modifications based on the client's desire to enlarge the ground floor in February, 1922. Project series includes drawings of plans and elevations.
CI005.S1.1921.PR1
Description:
German architectural critic, Adolf Behne, requested Oud submit a design for a private house that was to be built for private clients in Berlin-Grünewald in 1921. Although Oud's designs never came to fruition, the project promoted his international reputation, with his designs circulating in lectures and publications. Behn, who maintained a correspondence with Oud, helped introduce Oud to the international scene with a positive review of his designs, including one for Villa Kallenbach. Oud's design was in stark contrast to the prevailing contemporary German aesthetic of Expressionism. Oud created a functional symmetric design for a detached, spacious country dwelling; he placed the building toward the anterior of the site and angled the front away from the street to take advantage of the sunlight and garden space (Taverne et al. 2001, 312-317). Oud made some modifications based on the client's desire to enlarge the ground floor in February, 1922. Project series includes drawings of plans and elevations.
People:
Date:
1921-1922
1921-1922
Title:
Project for the Kallenbach House, Berlin, Germany (1921-1922)
Actions:
CI005.S1.1921.PR1
Description:
German architectural critic, Adolf Behne, requested Oud submit a design for a private house that was to be built for private clients in Berlin-Grünewald in 1921. Although Oud's designs never came to fruition, the project promoted his international reputation, with his designs circulating in lectures and publications. Behn, who maintained a correspondence with Oud, helped introduce Oud to the international scene with a positive review of his designs, including one for Villa Kallenbach. Oud's design was in stark contrast to the prevailing contemporary German aesthetic of Expressionism. Oud created a functional symmetric design for a detached, spacious country dwelling; he placed the building toward the anterior of the site and angled the front away from the street to take advantage of the sunlight and garden space (Taverne et al. 2001, 312-317). Oud made some modifications based on the client's desire to enlarge the ground floor in February, 1922. Project series includes drawings of plans and elevations.
Project for the Kallenbach House, Berlin, Germany (1921-1922)
Actions:
CI005.S1.1921.PR1
Description:
German architectural critic, Adolf Behne, requested Oud submit a design for a private house that was to be built for private clients in Berlin-Grünewald in 1921. Although Oud's designs never came to fruition, the project promoted his international reputation, with his designs circulating in lectures and publications. Behn, who maintained a correspondence with Oud, helped introduce Oud to the international scene with a positive review of his designs, including one for Villa Kallenbach. Oud's design was in stark contrast to the prevailing contemporary German aesthetic of Expressionism. Oud created a functional symmetric design for a detached, spacious country dwelling; he placed the building toward the anterior of the site and angled the front away from the street to take advantage of the sunlight and garden space (Taverne et al. 2001, 312-317). Oud made some modifications based on the client's desire to enlarge the ground floor in February, 1922. Project series includes drawings of plans and elevations.
Level of archival description:
project
project
Date:
1921-1922
1921-1922
People:
Level of archival description:
Project
Project
Actions:
Reference number:
CI005.S1.1936.PR3
Description:
Construction for the transatlantic ocean liner, S.S. Nieuw Amsterdam – an initiative of the Holland-America Line – began in 1936 and was completed by May 1938. After the death of a leading figure of the Brinkman & Van der Vlugt architectural firm, the director of the Holland-American Line contracted the interior design to several architects, each working in partnership with artists. Oud was responsible for designing the First Class Swimming Pool and Second Class Tourist Lounge and Smoking Room. Oud outfitted the Second Class lounge with a rug, wooden furniture and a parquet dance floor; at one end of the room he set a stage, grand piano, and projection booth. The Smoking Room featured cork floors, panelled walls and a long reading table. The Smoking Room featured club chairs in brown leather and wooden chairs (Taverne et al. 2001, 389-392). Project series includes plans for the Tourist Lounge, and photographs of its interior.
CI005.S1.1936.PR3
Description:
Construction for the transatlantic ocean liner, S.S. Nieuw Amsterdam – an initiative of the Holland-America Line – began in 1936 and was completed by May 1938. After the death of a leading figure of the Brinkman & Van der Vlugt architectural firm, the director of the Holland-American Line contracted the interior design to several architects, each working in partnership with artists. Oud was responsible for designing the First Class Swimming Pool and Second Class Tourist Lounge and Smoking Room. Oud outfitted the Second Class lounge with a rug, wooden furniture and a parquet dance floor; at one end of the room he set a stage, grand piano, and projection booth. The Smoking Room featured cork floors, panelled walls and a long reading table. The Smoking Room featured club chairs in brown leather and wooden chairs (Taverne et al. 2001, 389-392). Project series includes plans for the Tourist Lounge, and photographs of its interior.
People:
Date:
1936-1938
1936-1938
Title:
Interior of the S.S. Nieuw Amsterdam (1936-1938)
Actions:
CI005.S1.1936.PR3
Description:
Construction for the transatlantic ocean liner, S.S. Nieuw Amsterdam – an initiative of the Holland-America Line – began in 1936 and was completed by May 1938. After the death of a leading figure of the Brinkman & Van der Vlugt architectural firm, the director of the Holland-American Line contracted the interior design to several architects, each working in partnership with artists. Oud was responsible for designing the First Class Swimming Pool and Second Class Tourist Lounge and Smoking Room. Oud outfitted the Second Class lounge with a rug, wooden furniture and a parquet dance floor; at one end of the room he set a stage, grand piano, and projection booth. The Smoking Room featured cork floors, panelled walls and a long reading table. The Smoking Room featured club chairs in brown leather and wooden chairs (Taverne et al. 2001, 389-392). Project series includes plans for the Tourist Lounge, and photographs of its interior.
Interior of the S.S. Nieuw Amsterdam (1936-1938)
Actions:
CI005.S1.1936.PR3
Description:
Construction for the transatlantic ocean liner, S.S. Nieuw Amsterdam – an initiative of the Holland-America Line – began in 1936 and was completed by May 1938. After the death of a leading figure of the Brinkman & Van der Vlugt architectural firm, the director of the Holland-American Line contracted the interior design to several architects, each working in partnership with artists. Oud was responsible for designing the First Class Swimming Pool and Second Class Tourist Lounge and Smoking Room. Oud outfitted the Second Class lounge with a rug, wooden furniture and a parquet dance floor; at one end of the room he set a stage, grand piano, and projection booth. The Smoking Room featured cork floors, panelled walls and a long reading table. The Smoking Room featured club chairs in brown leather and wooden chairs (Taverne et al. 2001, 389-392). Project series includes plans for the Tourist Lounge, and photographs of its interior.
Level of archival description:
project
project
Date:
1936-1938
1936-1938
People:
