29585 Results
Form:
research
research
Title:
Visiting Scholars 2007
Visiting Scholars 2007
Actions:
Description:
S.M. Can Bilsel, University of San Diego, San Diego, United States Topic: The Modern Cult of Authenticity: Reproduction of Antiquity and the Location of Architecture in the 20th Century Museum Constance Classen, Concordia University, Montreal, Canada Topic: Beckford and Fonthill: Creating a Palace of the Senses Seminar: Multisensory Marketing and the Design of Retail(...)
S.M. Can Bilsel, University of San Diego, San Diego, United States Topic: The Modern Cult of Authenticity: Reproduction of Antiquity and the Location of Architecture in the 20th Century Museum Constance Classen, Concordia University, Montreal, Canada Topic: Beckford and Fonthill: Creating a Palace of the Senses Seminar: Multisensory Marketing and the Design of Retail(...)
Date:
May 2007 to September 2007
May 2007 to September 2007
Title:
Visiting Scholars 2007
Actions:
Description:
S.M. Can Bilsel, University of San Diego, San Diego, United States Topic: The Modern Cult of Authenticity: Reproduction of Antiquity and the Location of Architecture in the 20th Century Museum Constance Classen, Concordia University, Montreal, Canada Topic: Beckford and Fonthill: Creating a Palace of the Senses Seminar: Multisensory Marketing and the Design of Retail(...)
Visiting Scholars 2007
Actions:
Description:
S.M. Can Bilsel, University of San Diego, San Diego, United States Topic: The Modern Cult of Authenticity: Reproduction of Antiquity and the Location of Architecture in the 20th Century Museum Constance Classen, Concordia University, Montreal, Canada Topic: Beckford and Fonthill: Creating a Palace of the Senses Seminar: Multisensory Marketing and the Design of Retail(...)
Form:
research
research
Date:
May 2007 to
September 2007
May 2007 to
September 2007
Form:
photographs
Quantity:
82 photograph(s)
photographs
Quantity:
82 photograph(s)
Actions:
Reference number:
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
People:
Subject:
architecture, engineering, sculpture
architecture, engineering, sculpture
Date:
1980s-1990s
1980s-1990s
Title:
Group of views of architecture from Aldo Rossi's trips to Italy, France, Corsica, Greece, United States and unspecified countries
Actions:
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
Group of views of architecture from Aldo Rossi's trips to Italy, France, Corsica, Greece, United States and unspecified countries
Actions:
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
Form:
photographs
Quantity:
82 photograph(s)
photographs
Quantity:
82 photograph(s)
Date:
1980s-1990s
1980s-1990s
People:
Subject:
architecture, engineering, sculpture
architecture, engineering, sculpture
Form:
graphic materials
graphic materials
Title:
4Flight
4Flight
Actions:
Reference number:
PH2023:0002:001-100
Description:
Set of 100 different postcards created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
PH2023:0002:001-100
Description:
Set of 100 different postcards created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
People:
Date:
2000 (printed 2023)
2000 (printed 2023)
Title:
4Flight
Actions:
PH2023:0002:001-100
Description:
Set of 100 different postcards created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
4Flight
Actions:
PH2023:0002:001-100
Description:
Set of 100 different postcards created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Form:
graphic materials
graphic materials
Date:
2000 (printed 2023)
2000 (printed 2023)
People:
Form:
exhibitions
exhibitions
Title:
1973: Sorry, Out of Gas
1973: Sorry, Out of Gas
Actions:
Description:
1973: Sorry, Out of Gas captures the architectural innovation spurred by the 1973 oil crisis, when the value of oil increased exponentially and triggered economic, political, and social upheaval across the world. Featuring over 350 objects including architectural drawings, photographs, books and pamphlets, archival television footage, and historical artefacts, it maps the(...)
1973: Sorry, Out of Gas captures the architectural innovation spurred by the 1973 oil crisis, when the value of oil increased exponentially and triggered economic, political, and social upheaval across the world. Featuring over 350 objects including architectural drawings, photographs, books and pamphlets, archival television footage, and historical artefacts, it maps the(...)
Date:
7 November 2007 to 20 April 2008
7 November 2007 to 20 April 2008
Title:
1973: Sorry, Out of Gas
Actions:
Description:
1973: Sorry, Out of Gas captures the architectural innovation spurred by the 1973 oil crisis, when the value of oil increased exponentially and triggered economic, political, and social upheaval across the world. Featuring over 350 objects including architectural drawings, photographs, books and pamphlets, archival television footage, and historical artefacts, it maps the(...)
1973: Sorry, Out of Gas
Actions:
Description:
1973: Sorry, Out of Gas captures the architectural innovation spurred by the 1973 oil crisis, when the value of oil increased exponentially and triggered economic, political, and social upheaval across the world. Featuring over 350 objects including architectural drawings, photographs, books and pamphlets, archival television footage, and historical artefacts, it maps the(...)
Form:
exhibitions
exhibitions
Date:
7 November 2007 to
20 April 2008
7 November 2007 to
20 April 2008
Form:
exhibitions
exhibitions
Actions:
Description:
Myron Goldsmith’s architectural works show how an economy of means and a modest approach can generate a profoundly poetic expression. Myron Goldsmith: Poet of Structure reveals how the architect’s methods and ideas are formed, developed, and disseminated by drawing upon the body of notes, sketchbooks, and study documents found in the collection of Goldsmith’s personal(...)
Myron Goldsmith’s architectural works show how an economy of means and a modest approach can generate a profoundly poetic expression. Myron Goldsmith: Poet of Structure reveals how the architect’s methods and ideas are formed, developed, and disseminated by drawing upon the body of notes, sketchbooks, and study documents found in the collection of Goldsmith’s personal(...)
Location:
Main galleries
Main galleries
Date:
13 March 1991 to 2 June 1991
13 March 1991 to 2 June 1991
Title:
Myron Goldsmith: Poet of Structure
Actions:
Description:
Myron Goldsmith’s architectural works show how an economy of means and a modest approach can generate a profoundly poetic expression. Myron Goldsmith: Poet of Structure reveals how the architect’s methods and ideas are formed, developed, and disseminated by drawing upon the body of notes, sketchbooks, and study documents found in the collection of Goldsmith’s personal(...)
Myron Goldsmith: Poet of Structure
Actions:
Description:
Myron Goldsmith’s architectural works show how an economy of means and a modest approach can generate a profoundly poetic expression. Myron Goldsmith: Poet of Structure reveals how the architect’s methods and ideas are formed, developed, and disseminated by drawing upon the body of notes, sketchbooks, and study documents found in the collection of Goldsmith’s personal(...)
Form:
exhibitions
exhibitions
Date:
13 March 1991 to
2 June 1991
13 March 1991 to
2 June 1991
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Title:
Architecture as Evidence
Architecture as Evidence
Actions:
Description:
Architecture as Evidence presents a set of materials gathered during a forensic analysis of the architecture of Auschwitz. It assembles plaster casts of blueprints, letters, contractor bills, and photographs, as well as two reconstructed monuments (a gas column and a gas-tight hatch), which together provide tangible evidence that Auschwitz was designed by its architects(...)
Architecture as Evidence presents a set of materials gathered during a forensic analysis of the architecture of Auschwitz. It assembles plaster casts of blueprints, letters, contractor bills, and photographs, as well as two reconstructed monuments (a gas column and a gas-tight hatch), which together provide tangible evidence that Auschwitz was designed by its architects(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
16 June 2016 to 11 September 2016
16 June 2016 to 11 September 2016
Title:
Architecture as Evidence
Actions:
Description:
Architecture as Evidence presents a set of materials gathered during a forensic analysis of the architecture of Auschwitz. It assembles plaster casts of blueprints, letters, contractor bills, and photographs, as well as two reconstructed monuments (a gas column and a gas-tight hatch), which together provide tangible evidence that Auschwitz was designed by its architects(...)
Architecture as Evidence
Actions:
Description:
Architecture as Evidence presents a set of materials gathered during a forensic analysis of the architecture of Auschwitz. It assembles plaster casts of blueprints, letters, contractor bills, and photographs, as well as two reconstructed monuments (a gas column and a gas-tight hatch), which together provide tangible evidence that Auschwitz was designed by its architects(...)
Form:
exhibitions
exhibitions
Date:
16 June 2016 to
11 September 2016
16 June 2016 to
11 September 2016
Location:
Octagonal gallery
Octagonal gallery
Form:
graphic materials
graphic materials
Title:
4Flight
4Flight
Actions:
Reference number:
PH2023:0001:001-100
Description:
Set of 100 different postcards created for the CCA on the occassion of the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
PH2023:0001:001-100
Description:
Set of 100 different postcards created for the CCA on the occassion of the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
People:
Date:
2000 (printed 2023)
2000 (printed 2023)
Title:
4Flight
Actions:
PH2023:0001:001-100
Description:
Set of 100 different postcards created for the CCA on the occassion of the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
4Flight
Actions:
PH2023:0001:001-100
Description:
Set of 100 different postcards created for the CCA on the occassion of the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Form:
graphic materials
graphic materials
Date:
2000 (printed 2023)
2000 (printed 2023)
People:
Form:
photographs
photographs
Title:
Various views of Rome, Italy
Various views of Rome, Italy
Actions:
Reference number:
PH1981:1050:001-016
Description:
- Bondini turned 180 degrees when taking photographs PH1981:1050:014 and PH1981:1050:016 of the English Cemetery in Rome. See the periodical 'History of Photography', vol. 20, no. 1, Spring 1996, fig. 10 [PH1981:1050:014] and vol. 24, no. 2, Summer 2000, p. 183, fig. 1 [PH1981:1050:016].
PH1981:1050:001-016
Description:
- Bondini turned 180 degrees when taking photographs PH1981:1050:014 and PH1981:1050:016 of the English Cemetery in Rome. See the periodical 'History of Photography', vol. 20, no. 1, Spring 1996, fig. 10 [PH1981:1050:014] and vol. 24, no. 2, Summer 2000, p. 183, fig. 1 [PH1981:1050:016].
People:
Title:
Various views of Rome, Italy
Actions:
PH1981:1050:001-016
Description:
- Bondini turned 180 degrees when taking photographs PH1981:1050:014 and PH1981:1050:016 of the English Cemetery in Rome. See the periodical 'History of Photography', vol. 20, no. 1, Spring 1996, fig. 10 [PH1981:1050:014] and vol. 24, no. 2, Summer 2000, p. 183, fig. 1 [PH1981:1050:016].
Various views of Rome, Italy
Actions:
PH1981:1050:001-016
Description:
- Bondini turned 180 degrees when taking photographs PH1981:1050:014 and PH1981:1050:016 of the English Cemetery in Rome. See the periodical 'History of Photography', vol. 20, no. 1, Spring 1996, fig. 10 [PH1981:1050:014] and vol. 24, no. 2, Summer 2000, p. 183, fig. 1 [PH1981:1050:016].
Form:
photographs
photographs
People:
Form:
exhibitions
exhibitions
Title:
Starting From... Pink
Starting From... Pink
Actions:
Description:
Architectural engagement with colour involves its physical materiality as well as its atmospheric and psychological aspects. This hall-case display features photographs, renderings, and colour tools from the CCA collection that represent, communicate, and imagine colour for architecture—with a particular emphasis on the hue of pink. Pink is a chromatic anomaly. As a(...)
Architectural engagement with colour involves its physical materiality as well as its atmospheric and psychological aspects. This hall-case display features photographs, renderings, and colour tools from the CCA collection that represent, communicate, and imagine colour for architecture—with a particular emphasis on the hue of pink. Pink is a chromatic anomaly. As a(...)
Location:
Hall cases
Hall cases
Date:
11 September 2009 to 17 January 2010
11 September 2009 to 17 January 2010
Title:
Starting From... Pink
Actions:
Description:
Architectural engagement with colour involves its physical materiality as well as its atmospheric and psychological aspects. This hall-case display features photographs, renderings, and colour tools from the CCA collection that represent, communicate, and imagine colour for architecture—with a particular emphasis on the hue of pink. Pink is a chromatic anomaly. As a(...)
Starting From... Pink
Actions:
Description:
Architectural engagement with colour involves its physical materiality as well as its atmospheric and psychological aspects. This hall-case display features photographs, renderings, and colour tools from the CCA collection that represent, communicate, and imagine colour for architecture—with a particular emphasis on the hue of pink. Pink is a chromatic anomaly. As a(...)
Form:
exhibitions
exhibitions
Date:
11 September 2009 to
17 January 2010
11 September 2009 to
17 January 2010
Location:
Hall cases
Hall cases
Form:
exhibitions
exhibitions
Actions:
Description:
Parables and Other Allegories: The Work of Melvin Charney 1975–1990 comprises approximately 100 drawings, including many large-scale, sketches, photographs, and three large constructions. By assembling works from various public and private collections, including the CCA, the exhibition permits a comprehensive analysis of Charney’s artistic process to reveal the dialogue(...)
Parables and Other Allegories: The Work of Melvin Charney 1975–1990 comprises approximately 100 drawings, including many large-scale, sketches, photographs, and three large constructions. By assembling works from various public and private collections, including the CCA, the exhibition permits a comprehensive analysis of Charney’s artistic process to reveal the dialogue(...)
Location:
Main galleries
Main galleries
Date:
9 October 1991 to 12 January 1992
9 October 1991 to 12 January 1992
Title:
Parables and Other Allegories: The Work of Melvin Charney, 1975-1990
Actions:
Description:
Parables and Other Allegories: The Work of Melvin Charney 1975–1990 comprises approximately 100 drawings, including many large-scale, sketches, photographs, and three large constructions. By assembling works from various public and private collections, including the CCA, the exhibition permits a comprehensive analysis of Charney’s artistic process to reveal the dialogue(...)
Parables and Other Allegories: The Work of Melvin Charney, 1975-1990
Actions:
Description:
Parables and Other Allegories: The Work of Melvin Charney 1975–1990 comprises approximately 100 drawings, including many large-scale, sketches, photographs, and three large constructions. By assembling works from various public and private collections, including the CCA, the exhibition permits a comprehensive analysis of Charney’s artistic process to reveal the dialogue(...)
Form:
exhibitions
exhibitions
Date:
9 October 1991 to
12 January 1992
9 October 1991 to
12 January 1992
Location:
Main galleries
Main galleries
