29466 Results
Form:
exhibitions
exhibitions
Title:
Architecture as Evidence
Architecture as Evidence
Actions:
Description:
Architecture as Evidence presents a set of materials gathered during a forensic analysis of the architecture of Auschwitz. It assembles plaster casts of blueprints, letters, contractor bills, and photographs, as well as two reconstructed monuments (a gas column and a gas-tight hatch), which together provide tangible evidence that Auschwitz was designed by its architects(...)
Architecture as Evidence presents a set of materials gathered during a forensic analysis of the architecture of Auschwitz. It assembles plaster casts of blueprints, letters, contractor bills, and photographs, as well as two reconstructed monuments (a gas column and a gas-tight hatch), which together provide tangible evidence that Auschwitz was designed by its architects(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
16 June 2016 to 11 September 2016
16 June 2016 to 11 September 2016
Title:
Architecture as Evidence
Actions:
Description:
Architecture as Evidence presents a set of materials gathered during a forensic analysis of the architecture of Auschwitz. It assembles plaster casts of blueprints, letters, contractor bills, and photographs, as well as two reconstructed monuments (a gas column and a gas-tight hatch), which together provide tangible evidence that Auschwitz was designed by its architects(...)
Architecture as Evidence
Actions:
Description:
Architecture as Evidence presents a set of materials gathered during a forensic analysis of the architecture of Auschwitz. It assembles plaster casts of blueprints, letters, contractor bills, and photographs, as well as two reconstructed monuments (a gas column and a gas-tight hatch), which together provide tangible evidence that Auschwitz was designed by its architects(...)
Form:
exhibitions
exhibitions
Date:
16 June 2016 to
11 September 2016
16 June 2016 to
11 September 2016
Location:
Octagonal gallery
Octagonal gallery
Form:
graphic materials
graphic materials
Title:
4Flight
4Flight
Actions:
Reference number:
PH2023:0001:001-100
Description:
Set of 100 different postcards created for the CCA on the occassion of the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
PH2023:0001:001-100
Description:
Set of 100 different postcards created for the CCA on the occassion of the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
People:
Date:
2000 (printed 2023)
2000 (printed 2023)
Title:
4Flight
Actions:
PH2023:0001:001-100
Description:
Set of 100 different postcards created for the CCA on the occassion of the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
4Flight
Actions:
PH2023:0001:001-100
Description:
Set of 100 different postcards created for the CCA on the occassion of the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Form:
graphic materials
graphic materials
Date:
2000 (printed 2023)
2000 (printed 2023)
People:
Form:
photographs
photographs
Title:
Various views of Rome, Italy
Various views of Rome, Italy
Actions:
Reference number:
PH1981:1050:001-016
Description:
- Bondini turned 180 degrees when taking photographs PH1981:1050:014 and PH1981:1050:016 of the English Cemetery in Rome. See the periodical 'History of Photography', vol. 20, no. 1, Spring 1996, fig. 10 [PH1981:1050:014] and vol. 24, no. 2, Summer 2000, p. 183, fig. 1 [PH1981:1050:016].
PH1981:1050:001-016
Description:
- Bondini turned 180 degrees when taking photographs PH1981:1050:014 and PH1981:1050:016 of the English Cemetery in Rome. See the periodical 'History of Photography', vol. 20, no. 1, Spring 1996, fig. 10 [PH1981:1050:014] and vol. 24, no. 2, Summer 2000, p. 183, fig. 1 [PH1981:1050:016].
People:
Title:
Various views of Rome, Italy
Actions:
PH1981:1050:001-016
Description:
- Bondini turned 180 degrees when taking photographs PH1981:1050:014 and PH1981:1050:016 of the English Cemetery in Rome. See the periodical 'History of Photography', vol. 20, no. 1, Spring 1996, fig. 10 [PH1981:1050:014] and vol. 24, no. 2, Summer 2000, p. 183, fig. 1 [PH1981:1050:016].
Various views of Rome, Italy
Actions:
PH1981:1050:001-016
Description:
- Bondini turned 180 degrees when taking photographs PH1981:1050:014 and PH1981:1050:016 of the English Cemetery in Rome. See the periodical 'History of Photography', vol. 20, no. 1, Spring 1996, fig. 10 [PH1981:1050:014] and vol. 24, no. 2, Summer 2000, p. 183, fig. 1 [PH1981:1050:016].
Form:
photographs
photographs
People:
Form:
exhibitions
exhibitions
Title:
Starting From... Pink
Starting From... Pink
Actions:
Description:
Architectural engagement with colour involves its physical materiality as well as its atmospheric and psychological aspects. This hall-case display features photographs, renderings, and colour tools from the CCA collection that represent, communicate, and imagine colour for architecture—with a particular emphasis on the hue of pink. Pink is a chromatic anomaly. As a(...)
Architectural engagement with colour involves its physical materiality as well as its atmospheric and psychological aspects. This hall-case display features photographs, renderings, and colour tools from the CCA collection that represent, communicate, and imagine colour for architecture—with a particular emphasis on the hue of pink. Pink is a chromatic anomaly. As a(...)
Location:
Hall cases
Hall cases
Date:
11 September 2009 to 17 January 2010
11 September 2009 to 17 January 2010
Title:
Starting From... Pink
Actions:
Description:
Architectural engagement with colour involves its physical materiality as well as its atmospheric and psychological aspects. This hall-case display features photographs, renderings, and colour tools from the CCA collection that represent, communicate, and imagine colour for architecture—with a particular emphasis on the hue of pink. Pink is a chromatic anomaly. As a(...)
Starting From... Pink
Actions:
Description:
Architectural engagement with colour involves its physical materiality as well as its atmospheric and psychological aspects. This hall-case display features photographs, renderings, and colour tools from the CCA collection that represent, communicate, and imagine colour for architecture—with a particular emphasis on the hue of pink. Pink is a chromatic anomaly. As a(...)
Form:
exhibitions
exhibitions
Date:
11 September 2009 to
17 January 2010
11 September 2009 to
17 January 2010
Location:
Hall cases
Hall cases
Form:
exhibitions
exhibitions
Actions:
Description:
Parables and Other Allegories: The Work of Melvin Charney 1975–1990 comprises approximately 100 drawings, including many large-scale, sketches, photographs, and three large constructions. By assembling works from various public and private collections, including the CCA, the exhibition permits a comprehensive analysis of Charney’s artistic process to reveal the dialogue(...)
Parables and Other Allegories: The Work of Melvin Charney 1975–1990 comprises approximately 100 drawings, including many large-scale, sketches, photographs, and three large constructions. By assembling works from various public and private collections, including the CCA, the exhibition permits a comprehensive analysis of Charney’s artistic process to reveal the dialogue(...)
Location:
Main galleries
Main galleries
Date:
9 October 1991 to 12 January 1992
9 October 1991 to 12 January 1992
Title:
Parables and Other Allegories: The Work of Melvin Charney, 1975-1990
Actions:
Description:
Parables and Other Allegories: The Work of Melvin Charney 1975–1990 comprises approximately 100 drawings, including many large-scale, sketches, photographs, and three large constructions. By assembling works from various public and private collections, including the CCA, the exhibition permits a comprehensive analysis of Charney’s artistic process to reveal the dialogue(...)
Parables and Other Allegories: The Work of Melvin Charney, 1975-1990
Actions:
Description:
Parables and Other Allegories: The Work of Melvin Charney 1975–1990 comprises approximately 100 drawings, including many large-scale, sketches, photographs, and three large constructions. By assembling works from various public and private collections, including the CCA, the exhibition permits a comprehensive analysis of Charney’s artistic process to reveal the dialogue(...)
Form:
exhibitions
exhibitions
Date:
9 October 1991 to
12 January 1992
9 October 1991 to
12 January 1992
Location:
Main galleries
Main galleries
Form:
books
books
Title:
Stones
Stones
Actions:
Reference number:
PH2023:0012
Description:
Copy of the mock-up for the book "Stones," which was commissioned by the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
PH2023:0012
Description:
Copy of the mock-up for the book "Stones," which was commissioned by the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
People:
Date:
2023
2023
Title:
Stones
Actions:
PH2023:0012
Description:
Copy of the mock-up for the book "Stones," which was commissioned by the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Stones
Actions:
PH2023:0012
Description:
Copy of the mock-up for the book "Stones," which was commissioned by the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Form:
books
books
Date:
2023
2023
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Architect James Frazer Stirling’s work has resisted characterization because of its radical shifts in influence, named by others as prewar modernism to Neoclassicism, Rationalism and Brutalism to Postmodernism. But the continuity of his thinking emerges through the quantity and variety of material in the James Stirling/Michael Wilford Archive, a tool for understanding an(...)
Architect James Frazer Stirling’s work has resisted characterization because of its radical shifts in influence, named by others as prewar modernism to Neoclassicism, Rationalism and Brutalism to Postmodernism. But the continuity of his thinking emerges through the quantity and variety of material in the James Stirling/Michael Wilford Archive, a tool for understanding an(...)
Location:
Main galleries
Main galleries
Date:
16 May 2012 to 14 October 2012
16 May 2012 to 14 October 2012
Title:
Notes from the Archive: James Frazer Stirling
Actions:
Description:
Architect James Frazer Stirling’s work has resisted characterization because of its radical shifts in influence, named by others as prewar modernism to Neoclassicism, Rationalism and Brutalism to Postmodernism. But the continuity of his thinking emerges through the quantity and variety of material in the James Stirling/Michael Wilford Archive, a tool for understanding an(...)
Notes from the Archive: James Frazer Stirling
Actions:
Description:
Architect James Frazer Stirling’s work has resisted characterization because of its radical shifts in influence, named by others as prewar modernism to Neoclassicism, Rationalism and Brutalism to Postmodernism. But the continuity of his thinking emerges through the quantity and variety of material in the James Stirling/Michael Wilford Archive, a tool for understanding an(...)
Form:
exhibitions
exhibitions
Date:
16 May 2012 to
14 October 2012
16 May 2012 to
14 October 2012
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Title:
Toys and Transport
Toys and Transport
Actions:
Description:
Every new transportation link and every change in systems of urban mobility introduces new infrastructure to the urban landscape: massive cuts enabling railway tracks to converge at a terminal or junction; wide railyards that service suburban and metropolitan transit systems; the proliferation of bridges, ramps, elevated highways, freeway cuts, parking lots, and even(...)
Every new transportation link and every change in systems of urban mobility introduces new infrastructure to the urban landscape: massive cuts enabling railway tracks to converge at a terminal or junction; wide railyards that service suburban and metropolitan transit systems; the proliferation of bridges, ramps, elevated highways, freeway cuts, parking lots, and even(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
15 November 2000 to 1 April 2001
15 November 2000 to 1 April 2001
Title:
Toys and Transport
Actions:
Description:
Every new transportation link and every change in systems of urban mobility introduces new infrastructure to the urban landscape: massive cuts enabling railway tracks to converge at a terminal or junction; wide railyards that service suburban and metropolitan transit systems; the proliferation of bridges, ramps, elevated highways, freeway cuts, parking lots, and even(...)
Toys and Transport
Actions:
Description:
Every new transportation link and every change in systems of urban mobility introduces new infrastructure to the urban landscape: massive cuts enabling railway tracks to converge at a terminal or junction; wide railyards that service suburban and metropolitan transit systems; the proliferation of bridges, ramps, elevated highways, freeway cuts, parking lots, and even(...)
Form:
exhibitions
exhibitions
Date:
15 November 2000 to
1 April 2001
15 November 2000 to
1 April 2001
Location:
Octagonal gallery
Octagonal gallery
Form:
events
events
Actions:
Description:
David Goldblatt and Ivan Vladislavić talk about their joint publication TJ/Double Negative, an innovative combination of photographs and fiction that tries to make sense of Johannesburg. They discuss their approach to representing this troubled but intriguing city in words and images. Goldblatt is a renowned documenter of South African people and places, and has been(...)
David Goldblatt and Ivan Vladislavić talk about their joint publication TJ/Double Negative, an innovative combination of photographs and fiction that tries to make sense of Johannesburg. They discuss their approach to representing this troubled but intriguing city in words and images. Goldblatt is a renowned documenter of South African people and places, and has been(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
9 May 2013 , 7pm
9 May 2013 , 7pm
Title:
Learning from... Johannesburg
Actions:
Description:
David Goldblatt and Ivan Vladislavić talk about their joint publication TJ/Double Negative, an innovative combination of photographs and fiction that tries to make sense of Johannesburg. They discuss their approach to representing this troubled but intriguing city in words and images. Goldblatt is a renowned documenter of South African people and places, and has been(...)
Learning from... Johannesburg
Actions:
Description:
David Goldblatt and Ivan Vladislavić talk about their joint publication TJ/Double Negative, an innovative combination of photographs and fiction that tries to make sense of Johannesburg. They discuss their approach to representing this troubled but intriguing city in words and images. Goldblatt is a renowned documenter of South African people and places, and has been(...)
Form:
events
events
Date:
9 May 2013
7pm
9 May 2013
7pm
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Title:
Rohault de Fleury collection
Rohault de Fleury collection
Reference number:
CI001
Synopsis:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
CI001
Synopsis:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
People:
Date:
1717-[1884]
1717-[1884]
Title:
Rohault de Fleury collection
CI001
Synopsis:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Rohault de Fleury collection
CI001
Synopsis:
The Rohault de Fleury collection documents the work of three generations of French architects, Hubert, his son Charles, and his grandson Georges, spanning from the early 18th to late 19th century. The collection is extremely varied encompassing both private and government commissions and including domestic work, institutional buildings, commercial buildings, urban planning, and student work from both the École des beaux-arts and the École polytechnique, and archaeological studies. Stylistically, the projects incorporate the two dominant contemporary directions in French architecture - functionalism as advocated by Jean-Nicolas-Louis Durand and the classicism of the École des beaux-arts.
Form:
archives
Level of archival description:
Collection 1
archives
Level of archival description:
Collection 1
Date:
1717-[1884]
1717-[1884]
People:
