3594 Results
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Pierre Dionne fonds
Pierre Dionne fonds
Actions:
Reference number:
AP006
Synopsis:
The Pierre Dionne fonds, 1948-1976, documents the professional career of architect Pierre Dionne. The fonds documents 467of Dionne’s architectural works: 11 student projects (ca. 1948-1952), 437 professional projects (1951-1976) and 19 miscellaneous projects (various dates). Materials in this fonds consist of 6244 drawings (including reprographic copies), 857 photographic materials, 165 slides, 5 l.m. of textual records and 6 models.
AP006
Synopsis:
The Pierre Dionne fonds, 1948-1976, documents the professional career of architect Pierre Dionne. The fonds documents 467of Dionne’s architectural works: 11 student projects (ca. 1948-1952), 437 professional projects (1951-1976) and 19 miscellaneous projects (various dates). Materials in this fonds consist of 6244 drawings (including reprographic copies), 857 photographic materials, 165 slides, 5 l.m. of textual records and 6 models.
People:
Date:
1948-1976
1948-1976
Title:
Pierre Dionne fonds
Actions:
AP006
Synopsis:
The Pierre Dionne fonds, 1948-1976, documents the professional career of architect Pierre Dionne. The fonds documents 467of Dionne’s architectural works: 11 student projects (ca. 1948-1952), 437 professional projects (1951-1976) and 19 miscellaneous projects (various dates). Materials in this fonds consist of 6244 drawings (including reprographic copies), 857 photographic materials, 165 slides, 5 l.m. of textual records and 6 models.
Pierre Dionne fonds
Actions:
AP006
Synopsis:
The Pierre Dionne fonds, 1948-1976, documents the professional career of architect Pierre Dionne. The fonds documents 467of Dionne’s architectural works: 11 student projects (ca. 1948-1952), 437 professional projects (1951-1976) and 19 miscellaneous projects (various dates). Materials in this fonds consist of 6244 drawings (including reprographic copies), 857 photographic materials, 165 slides, 5 l.m. of textual records and 6 models.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1948-1976
1948-1976
People:
Level of archival description:
Sub-series
Sub-series
Title:
Miscellanea
Miscellanea
Reference number:
CI001.S2.D6
Description:
The portfolio 'Oeuvre de C. Rohault de Fleury', published in 1884 (DR1974:0002:029), is introduced by a succinct 'Notice Biographique', the author of which remains unknown. It provides valuable information on his family background and a narrative description of his major works (including unexecuted projects), illustrated by the accompanying unbound prints. The commentary is particulary informative concerning Charles Rohault de Fleury's work at the Muséum national d'histoire naturelle, the 1859 opera house project for the Théâtre Imperiale de l'Opera, and his innovative use of iron (reinforced) floors and roof trusses in both his public and domestic projects. Another copy of this portfolio is located in the CCA library. Album DR1974:0002:026:001-038 (1854-1858) contains drawings of architectural ornament by Charles and/or Georges Rohault de Fleury. Some of the drawing are possibly studies of ornament for Charles' architectural projects of the 1850's such as Hôtel Soltykoff, although others appear to be typical student drawings of classical architecture and ornament executed by Georges. Included are twelve drawings of architectural ornament and sculpture submitted by Georges to a newly introduced 'dessin' Prix d'emulation at the École des beaux-arts (see series CI001.S1: Architetural Education).
CI001.S2.D6
Description:
The portfolio 'Oeuvre de C. Rohault de Fleury', published in 1884 (DR1974:0002:029), is introduced by a succinct 'Notice Biographique', the author of which remains unknown. It provides valuable information on his family background and a narrative description of his major works (including unexecuted projects), illustrated by the accompanying unbound prints. The commentary is particulary informative concerning Charles Rohault de Fleury's work at the Muséum national d'histoire naturelle, the 1859 opera house project for the Théâtre Imperiale de l'Opera, and his innovative use of iron (reinforced) floors and roof trusses in both his public and domestic projects. Another copy of this portfolio is located in the CCA library. Album DR1974:0002:026:001-038 (1854-1858) contains drawings of architectural ornament by Charles and/or Georges Rohault de Fleury. Some of the drawing are possibly studies of ornament for Charles' architectural projects of the 1850's such as Hôtel Soltykoff, although others appear to be typical student drawings of classical architecture and ornament executed by Georges. Included are twelve drawings of architectural ornament and sculpture submitted by Georges to a newly introduced 'dessin' Prix d'emulation at the École des beaux-arts (see series CI001.S1: Architetural Education).
People:
Date:
[ca. 1825-1884]
[ca. 1825-1884]
Title:
Miscellanea
CI001.S2.D6
Description:
The portfolio 'Oeuvre de C. Rohault de Fleury', published in 1884 (DR1974:0002:029), is introduced by a succinct 'Notice Biographique', the author of which remains unknown. It provides valuable information on his family background and a narrative description of his major works (including unexecuted projects), illustrated by the accompanying unbound prints. The commentary is particulary informative concerning Charles Rohault de Fleury's work at the Muséum national d'histoire naturelle, the 1859 opera house project for the Théâtre Imperiale de l'Opera, and his innovative use of iron (reinforced) floors and roof trusses in both his public and domestic projects. Another copy of this portfolio is located in the CCA library. Album DR1974:0002:026:001-038 (1854-1858) contains drawings of architectural ornament by Charles and/or Georges Rohault de Fleury. Some of the drawing are possibly studies of ornament for Charles' architectural projects of the 1850's such as Hôtel Soltykoff, although others appear to be typical student drawings of classical architecture and ornament executed by Georges. Included are twelve drawings of architectural ornament and sculpture submitted by Georges to a newly introduced 'dessin' Prix d'emulation at the École des beaux-arts (see series CI001.S1: Architetural Education).
Miscellanea
CI001.S2.D6
Description:
The portfolio 'Oeuvre de C. Rohault de Fleury', published in 1884 (DR1974:0002:029), is introduced by a succinct 'Notice Biographique', the author of which remains unknown. It provides valuable information on his family background and a narrative description of his major works (including unexecuted projects), illustrated by the accompanying unbound prints. The commentary is particulary informative concerning Charles Rohault de Fleury's work at the Muséum national d'histoire naturelle, the 1859 opera house project for the Théâtre Imperiale de l'Opera, and his innovative use of iron (reinforced) floors and roof trusses in both his public and domestic projects. Another copy of this portfolio is located in the CCA library. Album DR1974:0002:026:001-038 (1854-1858) contains drawings of architectural ornament by Charles and/or Georges Rohault de Fleury. Some of the drawing are possibly studies of ornament for Charles' architectural projects of the 1850's such as Hôtel Soltykoff, although others appear to be typical student drawings of classical architecture and ornament executed by Georges. Included are twelve drawings of architectural ornament and sculpture submitted by Georges to a newly introduced 'dessin' Prix d'emulation at the École des beaux-arts (see series CI001.S1: Architetural Education).
Level of archival description:
File 6
File 6
Date:
[ca. 1825-1884]
[ca. 1825-1884]
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Pierlucio Pellissier fonds
Pierlucio Pellissier fonds
Actions:
Reference number:
AP215
Synopsis:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
AP215
Synopsis:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
People:
Date:
1946-2020
1946-2020
Title:
Pierlucio Pellissier fonds
Actions:
AP215
Synopsis:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
Pierlucio Pellissier fonds
Actions:
AP215
Synopsis:
Le fonds Pierlucio Pellissier, 1946-2020, documente les projets de conservation et de commissariat entrepris par Pierlucio Pellissier, architecte, conservateur et professeur, entre 1996 et 2003. Le fonds comprend des documents textuels et photographiques touchant à trois projets distincts : les restaurations de deux églises décorées par l’architecte et artiste Guido Nincheri (1885-1973), qui en assura également le design architectural, soit Sainte-Amélie à Baie-Comeau, Québec (1938-1939) et Notre-Dame-de-la-Défense, Montréal (1919), et le commissariat d’une exposition sur l’œuvre de Guido Nincheri tenue à Montréal en 2001. Le travail de conservation et de restauration des fresques de Nincheri, qui ornent les deux églises, forme la plus grande partie de la documentation, mettant en lumière la spécificité du médium et les problématiques de la conservation d’œuvres d’art à portée publique.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1946-2020
1946-2020
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Joseph Rykwert fonds
Joseph Rykwert fonds
Reference number:
AP209
Synopsis:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
AP209
Synopsis:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
People:
Date:
1928-2022
1928-2022
Title:
Joseph Rykwert fonds
Actions:
AP209
Synopsis:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
Joseph Rykwert fonds
Actions:
AP209
Synopsis:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1928-2022
1928-2022
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Richard Henriquez fonds
Richard Henriquez fonds
Actions:
Reference number:
AP059
Synopsis:
The Richard Henriquez fonds, 1962-2002, documents the professional career of architect and urban designer Richard G. Henriquez. More specifically, the fonds documents Henriquez’s architectural training at the University of Manitoba, his early career as an architect in Jamaica, and his career as a principal at the architectural firm Henriquez Partners Architects. The fonds contains approximately 8935 drawings (including reprographic copies), 106 panels, 100 photographs, 31 l.m textual records, 5 offset printing plates and 1 model.
AP059
Synopsis:
The Richard Henriquez fonds, 1962-2002, documents the professional career of architect and urban designer Richard G. Henriquez. More specifically, the fonds documents Henriquez’s architectural training at the University of Manitoba, his early career as an architect in Jamaica, and his career as a principal at the architectural firm Henriquez Partners Architects. The fonds contains approximately 8935 drawings (including reprographic copies), 106 panels, 100 photographs, 31 l.m textual records, 5 offset printing plates and 1 model.
People:
Date:
1962-2002
1962-2002
Title:
Richard Henriquez fonds
Actions:
AP059
Synopsis:
The Richard Henriquez fonds, 1962-2002, documents the professional career of architect and urban designer Richard G. Henriquez. More specifically, the fonds documents Henriquez’s architectural training at the University of Manitoba, his early career as an architect in Jamaica, and his career as a principal at the architectural firm Henriquez Partners Architects. The fonds contains approximately 8935 drawings (including reprographic copies), 106 panels, 100 photographs, 31 l.m textual records, 5 offset printing plates and 1 model.
Richard Henriquez fonds
Actions:
AP059
Synopsis:
The Richard Henriquez fonds, 1962-2002, documents the professional career of architect and urban designer Richard G. Henriquez. More specifically, the fonds documents Henriquez’s architectural training at the University of Manitoba, his early career as an architect in Jamaica, and his career as a principal at the architectural firm Henriquez Partners Architects. The fonds contains approximately 8935 drawings (including reprographic copies), 106 panels, 100 photographs, 31 l.m textual records, 5 offset printing plates and 1 model.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1962-2002
1962-2002
People:
Level of archival description:
Project
Project
Reference number:
AP056.S1.2000.PR08
Description:
This project series documents buildings for Concordia University's downtown campus in Montréal from 2000-2009. The office identified the project number as 0004. This project eventually became known as Le Quartier Concordia. This project was the winning submission of an architectural competition by Kuwabara Payne McKenna Blumberg Architects, in joint-venture with Fichten Soiferman et Associés Architectes, to design an integrated, vertical campus to revitalize and reinvent the University. This project consisted of three interconnected high-rise buildings on either side of Montreal's Guy Street, below De Maisonneuve Boulevard, to rehouse three important faculties: Visual Arts, Engineering and Computer Science, and the John Molson School of Business. These three buildings had glazed curtain wall exteriors with copper-coloured metal lines that created visual consistency inside and outside of all three buildings. Large art installations were also included on the façades. Triple-height atriums on the ground floors of the Engineering Building and the John Molson building added welcoming, public areas to the campus, and connected pedestrians to the Guy-Concordia metro station below. The tops of these two buildings featured massive north-south canopies that pointed from Montreal's Mont Royal down to the St. Lawrence River. The shorter Visual Arts building was directly connected to the Engineering building and today they are known together as the EV Building. The building interiors, comprised largely of stone tiles and concrete, featured large, multi-storey spiral staircases in a nod to the famous exterior spiral stairs of Montreal homes.[1] The Engineering and Visual Arts buildings were completed in 2005 and the John Molson building in 2009. Recladding of the exterior of another campus building to match these was completed in 2011.[2] It should be noted that these project materials were donated to the CCA part way through the project's realization. The project is recorded through drawings and textual records dating from 2000-2003. The drawings are mostly originals but reprographic copies and printouts of CAD drawings are also included. The drawings consist of sketches, digital renderings, plans, elevations, sections, perspectives, details and construction drawings. The textual records are arranged within the drawings and consist of research. [1]Contributions from Phyllis Lambert et al., The Architecture of Kuwabara, Payne, McKenna, Blumberg (Boston, MA: Birkhäuser-Publishers for Architecture, 2004), 180. [2]"Le Quartier Concordia." KPMB. Accessed July 11, 2019. http://www.kpmb.com/project/concordia-university-john-molson-school-of-business/
AP056.S1.2000.PR08
Description:
This project series documents buildings for Concordia University's downtown campus in Montréal from 2000-2009. The office identified the project number as 0004. This project eventually became known as Le Quartier Concordia. This project was the winning submission of an architectural competition by Kuwabara Payne McKenna Blumberg Architects, in joint-venture with Fichten Soiferman et Associés Architectes, to design an integrated, vertical campus to revitalize and reinvent the University. This project consisted of three interconnected high-rise buildings on either side of Montreal's Guy Street, below De Maisonneuve Boulevard, to rehouse three important faculties: Visual Arts, Engineering and Computer Science, and the John Molson School of Business. These three buildings had glazed curtain wall exteriors with copper-coloured metal lines that created visual consistency inside and outside of all three buildings. Large art installations were also included on the façades. Triple-height atriums on the ground floors of the Engineering Building and the John Molson building added welcoming, public areas to the campus, and connected pedestrians to the Guy-Concordia metro station below. The tops of these two buildings featured massive north-south canopies that pointed from Montreal's Mont Royal down to the St. Lawrence River. The shorter Visual Arts building was directly connected to the Engineering building and today they are known together as the EV Building. The building interiors, comprised largely of stone tiles and concrete, featured large, multi-storey spiral staircases in a nod to the famous exterior spiral stairs of Montreal homes.[1] The Engineering and Visual Arts buildings were completed in 2005 and the John Molson building in 2009. Recladding of the exterior of another campus building to match these was completed in 2011.[2] It should be noted that these project materials were donated to the CCA part way through the project's realization. The project is recorded through drawings and textual records dating from 2000-2003. The drawings are mostly originals but reprographic copies and printouts of CAD drawings are also included. The drawings consist of sketches, digital renderings, plans, elevations, sections, perspectives, details and construction drawings. The textual records are arranged within the drawings and consist of research. [1]Contributions from Phyllis Lambert et al., The Architecture of Kuwabara, Payne, McKenna, Blumberg (Boston, MA: Birkhäuser-Publishers for Architecture, 2004), 180. [2]"Le Quartier Concordia." KPMB. Accessed July 11, 2019. http://www.kpmb.com/project/concordia-university-john-molson-school-of-business/
People:
Date:
2000-2003
2000-2003
Title:
Concordia University, Montréal (2000-2009)
Actions:
AP056.S1.2000.PR08
Description:
This project series documents buildings for Concordia University's downtown campus in Montréal from 2000-2009. The office identified the project number as 0004. This project eventually became known as Le Quartier Concordia. This project was the winning submission of an architectural competition by Kuwabara Payne McKenna Blumberg Architects, in joint-venture with Fichten Soiferman et Associés Architectes, to design an integrated, vertical campus to revitalize and reinvent the University. This project consisted of three interconnected high-rise buildings on either side of Montreal's Guy Street, below De Maisonneuve Boulevard, to rehouse three important faculties: Visual Arts, Engineering and Computer Science, and the John Molson School of Business. These three buildings had glazed curtain wall exteriors with copper-coloured metal lines that created visual consistency inside and outside of all three buildings. Large art installations were also included on the façades. Triple-height atriums on the ground floors of the Engineering Building and the John Molson building added welcoming, public areas to the campus, and connected pedestrians to the Guy-Concordia metro station below. The tops of these two buildings featured massive north-south canopies that pointed from Montreal's Mont Royal down to the St. Lawrence River. The shorter Visual Arts building was directly connected to the Engineering building and today they are known together as the EV Building. The building interiors, comprised largely of stone tiles and concrete, featured large, multi-storey spiral staircases in a nod to the famous exterior spiral stairs of Montreal homes.[1] The Engineering and Visual Arts buildings were completed in 2005 and the John Molson building in 2009. Recladding of the exterior of another campus building to match these was completed in 2011.[2] It should be noted that these project materials were donated to the CCA part way through the project's realization. The project is recorded through drawings and textual records dating from 2000-2003. The drawings are mostly originals but reprographic copies and printouts of CAD drawings are also included. The drawings consist of sketches, digital renderings, plans, elevations, sections, perspectives, details and construction drawings. The textual records are arranged within the drawings and consist of research. [1]Contributions from Phyllis Lambert et al., The Architecture of Kuwabara, Payne, McKenna, Blumberg (Boston, MA: Birkhäuser-Publishers for Architecture, 2004), 180. [2]"Le Quartier Concordia." KPMB. Accessed July 11, 2019. http://www.kpmb.com/project/concordia-university-john-molson-school-of-business/
Concordia University, Montréal (2000-2009)
Actions:
AP056.S1.2000.PR08
Description:
This project series documents buildings for Concordia University's downtown campus in Montréal from 2000-2009. The office identified the project number as 0004. This project eventually became known as Le Quartier Concordia. This project was the winning submission of an architectural competition by Kuwabara Payne McKenna Blumberg Architects, in joint-venture with Fichten Soiferman et Associés Architectes, to design an integrated, vertical campus to revitalize and reinvent the University. This project consisted of three interconnected high-rise buildings on either side of Montreal's Guy Street, below De Maisonneuve Boulevard, to rehouse three important faculties: Visual Arts, Engineering and Computer Science, and the John Molson School of Business. These three buildings had glazed curtain wall exteriors with copper-coloured metal lines that created visual consistency inside and outside of all three buildings. Large art installations were also included on the façades. Triple-height atriums on the ground floors of the Engineering Building and the John Molson building added welcoming, public areas to the campus, and connected pedestrians to the Guy-Concordia metro station below. The tops of these two buildings featured massive north-south canopies that pointed from Montreal's Mont Royal down to the St. Lawrence River. The shorter Visual Arts building was directly connected to the Engineering building and today they are known together as the EV Building. The building interiors, comprised largely of stone tiles and concrete, featured large, multi-storey spiral staircases in a nod to the famous exterior spiral stairs of Montreal homes.[1] The Engineering and Visual Arts buildings were completed in 2005 and the John Molson building in 2009. Recladding of the exterior of another campus building to match these was completed in 2011.[2] It should be noted that these project materials were donated to the CCA part way through the project's realization. The project is recorded through drawings and textual records dating from 2000-2003. The drawings are mostly originals but reprographic copies and printouts of CAD drawings are also included. The drawings consist of sketches, digital renderings, plans, elevations, sections, perspectives, details and construction drawings. The textual records are arranged within the drawings and consist of research. [1]Contributions from Phyllis Lambert et al., The Architecture of Kuwabara, Payne, McKenna, Blumberg (Boston, MA: Birkhäuser-Publishers for Architecture, 2004), 180. [2]"Le Quartier Concordia." KPMB. Accessed July 11, 2019. http://www.kpmb.com/project/concordia-university-john-molson-school-of-business/
Level of archival description:
Project
Project
Date:
2000-2003
2000-2003
People:
Form:
textual records
textual records
Title:
Essays by Werner Oechslin rejected for publication by editorial board of Oppositions magazine
Essays by Werner Oechslin rejected for publication by editorial board of Oppositions magazine
Actions:
Reference number:
ARCH153692
Description:
3 essays by Werner Oechslin rejected for publication by editorial board of Oppositions magazine: Constant Désiré Despradelle- A Representative of the Parisian Beaux-Arts-System at M.I.T, The Age of Philip Johnson, New York's Projected Monument of Post-Modernism: Philip Johnson's Project for the New At&T Building; includes reasearch and photographic material
ARCH153692
Description:
3 essays by Werner Oechslin rejected for publication by editorial board of Oppositions magazine: Constant Désiré Despradelle- A Representative of the Parisian Beaux-Arts-System at M.I.T, The Age of Philip Johnson, New York's Projected Monument of Post-Modernism: Philip Johnson's Project for the New At&T Building; includes reasearch and photographic material
People:
Date:
1977-1981
1977-1981
Title:
Essays by Werner Oechslin rejected for publication by editorial board of Oppositions magazine
Actions:
ARCH153692
Description:
3 essays by Werner Oechslin rejected for publication by editorial board of Oppositions magazine: Constant Désiré Despradelle- A Representative of the Parisian Beaux-Arts-System at M.I.T, The Age of Philip Johnson, New York's Projected Monument of Post-Modernism: Philip Johnson's Project for the New At&T Building; includes reasearch and photographic material
Essays by Werner Oechslin rejected for publication by editorial board of Oppositions magazine
Actions:
ARCH153692
Description:
3 essays by Werner Oechslin rejected for publication by editorial board of Oppositions magazine: Constant Désiré Despradelle- A Representative of the Parisian Beaux-Arts-System at M.I.T, The Age of Philip Johnson, New York's Projected Monument of Post-Modernism: Philip Johnson's Project for the New At&T Building; includes reasearch and photographic material
Form:
textual records
textual records
Date:
1977-1981
1977-1981
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP140
Synopsis:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
AP140
Synopsis:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
People:
Date:
circa 1939-2004
circa 1939-2004
Title:
James Stirling / Michael Wilford fonds
Actions:
AP140
Synopsis:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
James Stirling / Michael Wilford fonds
Actions:
AP140
Synopsis:
The James Stirling/Michael Wilford fonds documents the personal activities and professional practice of architects James Stirling and Michael Wilford. It pertains to their work as architectural students, and to the architectural and urban planning projects by the successive firms of Stirling and Gowan; James Stirling; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; Michael Wilford GmbH; and Wilford Schupp Architekten GmbH, as well as by the firms of Michael Wilford Architects and Michael Wilford + MUMA. Significant British and German projects designed by the firms of James Stirling and Partner and successive firms are particularly well represented in the fonds.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
circa 1939-2004
circa 1939-2004
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Office dA project records
Office dA project records
Actions:
Reference number:
AP179
Synopsis:
The Office dA project records, 1991-2007, document the firm’s work on the Casa La Roca, Witte Arts Center, and Tongxian Arts Center projects. All three projects involved the use of traditional and locally-sourced materials, such as brick and terracotta block, to create continuous surfaces that appear structural despite remaining an architectural effect in the skin of the building. The archive consists of approximately 8362 digital files (8.5 GB), 1461 drawings and reproductions, four models and approximately 40 model pieces, as well as photographic materials, textual records and ephemera.
AP179
Synopsis:
The Office dA project records, 1991-2007, document the firm’s work on the Casa La Roca, Witte Arts Center, and Tongxian Arts Center projects. All three projects involved the use of traditional and locally-sourced materials, such as brick and terracotta block, to create continuous surfaces that appear structural despite remaining an architectural effect in the skin of the building. The archive consists of approximately 8362 digital files (8.5 GB), 1461 drawings and reproductions, four models and approximately 40 model pieces, as well as photographic materials, textual records and ephemera.
People:
Date:
1991-2007
1991-2007
Title:
Office dA project records
Actions:
AP179
Synopsis:
The Office dA project records, 1991-2007, document the firm’s work on the Casa La Roca, Witte Arts Center, and Tongxian Arts Center projects. All three projects involved the use of traditional and locally-sourced materials, such as brick and terracotta block, to create continuous surfaces that appear structural despite remaining an architectural effect in the skin of the building. The archive consists of approximately 8362 digital files (8.5 GB), 1461 drawings and reproductions, four models and approximately 40 model pieces, as well as photographic materials, textual records and ephemera.
Office dA project records
Actions:
AP179
Synopsis:
The Office dA project records, 1991-2007, document the firm’s work on the Casa La Roca, Witte Arts Center, and Tongxian Arts Center projects. All three projects involved the use of traditional and locally-sourced materials, such as brick and terracotta block, to create continuous surfaces that appear structural despite remaining an architectural effect in the skin of the building. The archive consists of approximately 8362 digital files (8.5 GB), 1461 drawings and reproductions, four models and approximately 40 model pieces, as well as photographic materials, textual records and ephemera.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1991-2007
1991-2007
People:
Form:
events
events
Title:
Materiality of Parkour
Materiality of Parkour
Actions:
Description:
Engineer, artist, and theoretician Zoe Laughlin presents the new functions of existing materials in public spaces in relation to parkour, an activity which reinterprets the urban landscape. Her ideas focus on the materiality of daily life: how matter behaves, its sensorial qualities, and how people react to it. A member of the Division of Engineering’s Materials Research(...)
Engineer, artist, and theoretician Zoe Laughlin presents the new functions of existing materials in public spaces in relation to parkour, an activity which reinterprets the urban landscape. Her ideas focus on the materiality of daily life: how matter behaves, its sensorial qualities, and how people react to it. A member of the Division of Engineering’s Materials Research(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
19 February 2009
19 February 2009
Title:
Materiality of Parkour
Actions:
Description:
Engineer, artist, and theoretician Zoe Laughlin presents the new functions of existing materials in public spaces in relation to parkour, an activity which reinterprets the urban landscape. Her ideas focus on the materiality of daily life: how matter behaves, its sensorial qualities, and how people react to it. A member of the Division of Engineering’s Materials Research(...)
Materiality of Parkour
Actions:
Description:
Engineer, artist, and theoretician Zoe Laughlin presents the new functions of existing materials in public spaces in relation to parkour, an activity which reinterprets the urban landscape. Her ideas focus on the materiality of daily life: how matter behaves, its sensorial qualities, and how people react to it. A member of the Division of Engineering’s Materials Research(...)
Form:
events
events
Date:
19 February 2009
19 February 2009
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
