119251 Results
Form:
photographs
photographs
Actions:
Reference number:
PH2019:0007:021
Description:
The number of the object depicted is PH1996:0046. Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
PH2019:0007:021
Description:
The number of the object depicted is PH1996:0046. Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
People:
Date:
October 2018
October 2018
Title:
The Museum Is Not Enough: Photograph of Luigi Ghirri showing Aldo Rossi's exterior detail of the Molteni Funerary Chapel, Giussano, Italy, 1987
Actions:
PH2019:0007:021
Description:
The number of the object depicted is PH1996:0046. Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
The Museum Is Not Enough: Photograph of Luigi Ghirri showing Aldo Rossi's exterior detail of the Molteni Funerary Chapel, Giussano, Italy, 1987
Actions:
PH2019:0007:021
Description:
The number of the object depicted is PH1996:0046. Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
Form:
photographs
photographs
Date:
October 2018
October 2018
People:
Form:
photographs
photographs
Actions:
Reference number:
PH2019:0007:024
Description:
The number of the object depicted is PH2017:0049 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
PH2019:0007:024
Description:
The number of the object depicted is PH2017:0049 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
People:
Date:
October 2018
October 2018
Title:
The Museum Is Not Enough: View of Lynne Cohen's photograph, Hall (Baskin Robbins), 1999, in a CCA vault
Actions:
PH2019:0007:024
Description:
The number of the object depicted is PH2017:0049 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
The Museum Is Not Enough: View of Lynne Cohen's photograph, Hall (Baskin Robbins), 1999, in a CCA vault
Actions:
PH2019:0007:024
Description:
The number of the object depicted is PH2017:0049 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
Form:
photographs
photographs
Date:
October 2018
October 2018
People:
Form:
photographs
photographs
Actions:
Reference number:
PH2019:0007:030
Description:
The number of the fonds in Archives is AP200 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
PH2019:0007:030
Description:
The number of the fonds in Archives is AP200 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
People:
Date:
October 2018
October 2018
Title:
The Museum Is Not Enough: View of a software box from the American Institute for Architects (AIA) fonds
Actions:
PH2019:0007:030
Description:
The number of the fonds in Archives is AP200 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
The Museum Is Not Enough: View of a software box from the American Institute for Architects (AIA) fonds
Actions:
PH2019:0007:030
Description:
The number of the fonds in Archives is AP200 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
Form:
photographs
photographs
Date:
October 2018
October 2018
People:
Form:
drawings
drawings
Actions:
Reference number:
DR1967:0012
Description:
The drawing shows an elevation of the Porte Jean Goujon (now known as the Porte Barbet de Jouy) on the southern, quai-side façade of the Louvre, as well as part of the façade to the east of the portal. On the ground floor, candelabras line the windows and niches. The entry portal features a sculptural bust – likely a representation of Louis XIV – and a red banner with the king’s coat of arms. Above the portal’s tympanum is a large ovoid cartouche with faint script in black chalk that may read « Plate pour l’inscription, » indicating that the text had not yet been finalized at the time of the drawing’s creation. The heavily-decorated middle register features two over-life-size mythical and allegorical figures on either side of a balcony. To the left is Hercules, with his club, and to the right is an allegorical representation of Bellona. The balcony is hung with a blue tapestry woven with the king’s interlocking L monogram. Blue curtains with fleurs-de-lys hang over the balcony, revealing the revelers inside the building. These ornamental elements continue along the façade, which is hung with two large, circular portrait reliefs that likely show Louis XIV’s son, Grand Dauphin Louis, and grandson, Louis, the Duke of Burgundy, who was the father of the Duke of Brittany whose birth was being celebrated. Green watercolor paint is used to highlight the foliage festoons and palms that frame the portraits. On the top register of the portal is a seated allegorical figure holding a palm and a portrait, perhaps of the infant Louis, Duke of Brittany. Above her is a large, crowned medallion with the profile of Louis XIV in the guise of a Roman emperor surrounded by green palms. On either side of this central scene are large candelabras and circular portraits of the Grand Dauphin and the Duke of Burgundy. The architectural elements of the façade are carefully drawn in black chalk and faithfully render the architecture of the Louvre in the early eighteenth century.
DR1967:0012
Description:
The drawing shows an elevation of the Porte Jean Goujon (now known as the Porte Barbet de Jouy) on the southern, quai-side façade of the Louvre, as well as part of the façade to the east of the portal. On the ground floor, candelabras line the windows and niches. The entry portal features a sculptural bust – likely a representation of Louis XIV – and a red banner with the king’s coat of arms. Above the portal’s tympanum is a large ovoid cartouche with faint script in black chalk that may read « Plate pour l’inscription, » indicating that the text had not yet been finalized at the time of the drawing’s creation. The heavily-decorated middle register features two over-life-size mythical and allegorical figures on either side of a balcony. To the left is Hercules, with his club, and to the right is an allegorical representation of Bellona. The balcony is hung with a blue tapestry woven with the king’s interlocking L monogram. Blue curtains with fleurs-de-lys hang over the balcony, revealing the revelers inside the building. These ornamental elements continue along the façade, which is hung with two large, circular portrait reliefs that likely show Louis XIV’s son, Grand Dauphin Louis, and grandson, Louis, the Duke of Burgundy, who was the father of the Duke of Brittany whose birth was being celebrated. Green watercolor paint is used to highlight the foliage festoons and palms that frame the portraits. On the top register of the portal is a seated allegorical figure holding a palm and a portrait, perhaps of the infant Louis, Duke of Brittany. Above her is a large, crowned medallion with the profile of Louis XIV in the guise of a Roman emperor surrounded by green palms. On either side of this central scene are large candelabras and circular portraits of the Grand Dauphin and the Duke of Burgundy. The architectural elements of the façade are carefully drawn in black chalk and faithfully render the architecture of the Louvre in the early eighteenth century.
People:
Subject:
temporary architecture
temporary architecture
Date:
circa 1704
circa 1704
Title:
Design for ceremonial decorations at the Louvre
Actions:
DR1967:0012
Description:
The drawing shows an elevation of the Porte Jean Goujon (now known as the Porte Barbet de Jouy) on the southern, quai-side façade of the Louvre, as well as part of the façade to the east of the portal. On the ground floor, candelabras line the windows and niches. The entry portal features a sculptural bust – likely a representation of Louis XIV – and a red banner with the king’s coat of arms. Above the portal’s tympanum is a large ovoid cartouche with faint script in black chalk that may read « Plate pour l’inscription, » indicating that the text had not yet been finalized at the time of the drawing’s creation. The heavily-decorated middle register features two over-life-size mythical and allegorical figures on either side of a balcony. To the left is Hercules, with his club, and to the right is an allegorical representation of Bellona. The balcony is hung with a blue tapestry woven with the king’s interlocking L monogram. Blue curtains with fleurs-de-lys hang over the balcony, revealing the revelers inside the building. These ornamental elements continue along the façade, which is hung with two large, circular portrait reliefs that likely show Louis XIV’s son, Grand Dauphin Louis, and grandson, Louis, the Duke of Burgundy, who was the father of the Duke of Brittany whose birth was being celebrated. Green watercolor paint is used to highlight the foliage festoons and palms that frame the portraits. On the top register of the portal is a seated allegorical figure holding a palm and a portrait, perhaps of the infant Louis, Duke of Brittany. Above her is a large, crowned medallion with the profile of Louis XIV in the guise of a Roman emperor surrounded by green palms. On either side of this central scene are large candelabras and circular portraits of the Grand Dauphin and the Duke of Burgundy. The architectural elements of the façade are carefully drawn in black chalk and faithfully render the architecture of the Louvre in the early eighteenth century.
Design for ceremonial decorations at the Louvre
Actions:
DR1967:0012
Description:
The drawing shows an elevation of the Porte Jean Goujon (now known as the Porte Barbet de Jouy) on the southern, quai-side façade of the Louvre, as well as part of the façade to the east of the portal. On the ground floor, candelabras line the windows and niches. The entry portal features a sculptural bust – likely a representation of Louis XIV – and a red banner with the king’s coat of arms. Above the portal’s tympanum is a large ovoid cartouche with faint script in black chalk that may read « Plate pour l’inscription, » indicating that the text had not yet been finalized at the time of the drawing’s creation. The heavily-decorated middle register features two over-life-size mythical and allegorical figures on either side of a balcony. To the left is Hercules, with his club, and to the right is an allegorical representation of Bellona. The balcony is hung with a blue tapestry woven with the king’s interlocking L monogram. Blue curtains with fleurs-de-lys hang over the balcony, revealing the revelers inside the building. These ornamental elements continue along the façade, which is hung with two large, circular portrait reliefs that likely show Louis XIV’s son, Grand Dauphin Louis, and grandson, Louis, the Duke of Burgundy, who was the father of the Duke of Brittany whose birth was being celebrated. Green watercolor paint is used to highlight the foliage festoons and palms that frame the portraits. On the top register of the portal is a seated allegorical figure holding a palm and a portrait, perhaps of the infant Louis, Duke of Brittany. Above her is a large, crowned medallion with the profile of Louis XIV in the guise of a Roman emperor surrounded by green palms. On either side of this central scene are large candelabras and circular portraits of the Grand Dauphin and the Duke of Burgundy. The architectural elements of the façade are carefully drawn in black chalk and faithfully render the architecture of the Louvre in the early eighteenth century.
Form:
drawings
drawings
Date:
circa 1704
circa 1704
People:
Subject:
temporary architecture
temporary architecture
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Title:
Mart Stam collection
Mart Stam collection
Reference number:
CI006
Synopsis:
The Mart Stam Collection documents Stam's work as an architect between 1926 and 1932. The collection focuses primarly on Stam's architectural projects, mainly work executed in The Netherlands, Germany and Czechoslovakia. The collection also includes photographic material of Stam projects by German photographer Ilse Bing.
CI006
Synopsis:
The Mart Stam Collection documents Stam's work as an architect between 1926 and 1932. The collection focuses primarly on Stam's architectural projects, mainly work executed in The Netherlands, Germany and Czechoslovakia. The collection also includes photographic material of Stam projects by German photographer Ilse Bing.
People:
Date:
1925-1932, 1972
1925-1932, 1972
Title:
Mart Stam collection
CI006
Synopsis:
The Mart Stam Collection documents Stam's work as an architect between 1926 and 1932. The collection focuses primarly on Stam's architectural projects, mainly work executed in The Netherlands, Germany and Czechoslovakia. The collection also includes photographic material of Stam projects by German photographer Ilse Bing.
Mart Stam collection
CI006
Synopsis:
The Mart Stam Collection documents Stam's work as an architect between 1926 and 1932. The collection focuses primarly on Stam's architectural projects, mainly work executed in The Netherlands, Germany and Czechoslovakia. The collection also includes photographic material of Stam projects by German photographer Ilse Bing.
Form:
archives
Level of archival description:
Collection institutionnelle
archives
Level of archival description:
Collection institutionnelle
Date:
1925-1932, 1972
1925-1932, 1972
People:
Form:
exhibitions
exhibitions
Title:
Seagram Plaza
Seagram Plaza
Actions:
Description:
The plaza at the Seagram Building in New York, designed by Ludwig Mies van der Rohe and completed in 1958, was a litmus test of what an open space in the city could be. Raised three steps above the sidewalk along Park Avenue, the plaza is an oasis of calm, distant from the commotion and turbulence of the street. The way in which the plaza has been adopted by New Yorkers(...)
The plaza at the Seagram Building in New York, designed by Ludwig Mies van der Rohe and completed in 1958, was a litmus test of what an open space in the city could be. Raised three steps above the sidewalk along Park Avenue, the plaza is an oasis of calm, distant from the commotion and turbulence of the street. The way in which the plaza has been adopted by New Yorkers(...)
Location:
Hall cases
Hall cases
Date:
1 May 2013 to 18 August 2013
1 May 2013 to 18 August 2013
Title:
Seagram Plaza
Actions:
Description:
The plaza at the Seagram Building in New York, designed by Ludwig Mies van der Rohe and completed in 1958, was a litmus test of what an open space in the city could be. Raised three steps above the sidewalk along Park Avenue, the plaza is an oasis of calm, distant from the commotion and turbulence of the street. The way in which the plaza has been adopted by New Yorkers(...)
Seagram Plaza
Actions:
Description:
The plaza at the Seagram Building in New York, designed by Ludwig Mies van der Rohe and completed in 1958, was a litmus test of what an open space in the city could be. Raised three steps above the sidewalk along Park Avenue, the plaza is an oasis of calm, distant from the commotion and turbulence of the street. The way in which the plaza has been adopted by New Yorkers(...)
Form:
exhibitions
exhibitions
Date:
1 May 2013 to
18 August 2013
1 May 2013 to
18 August 2013
Location:
Hall cases
Hall cases
Form:
textual records
textual records
Actions:
Reference number:
ARCH258535
Description:
Un dossier des notes manuscrites à l'encre et à la mine de plomb (en français, anglais ou italien) de divers auteurs relatifs à l'architecture, à la Villa Madama, aux jardins, à l’histoire de l'art et à la mythologie grecque. Cormier a souvent écrit la date de publication, l'édition et le numéro de page.
ARCH258535
Description:
Un dossier des notes manuscrites à l'encre et à la mine de plomb (en français, anglais ou italien) de divers auteurs relatifs à l'architecture, à la Villa Madama, aux jardins, à l’histoire de l'art et à la mythologie grecque. Cormier a souvent écrit la date de publication, l'édition et le numéro de page.
People:
Date:
circa 1915
circa 1915
Title:
Notes sur Villa Madama à Rome
Actions:
ARCH258535
Description:
Un dossier des notes manuscrites à l'encre et à la mine de plomb (en français, anglais ou italien) de divers auteurs relatifs à l'architecture, à la Villa Madama, aux jardins, à l’histoire de l'art et à la mythologie grecque. Cormier a souvent écrit la date de publication, l'édition et le numéro de page.
Notes sur Villa Madama à Rome
Actions:
ARCH258535
Description:
Un dossier des notes manuscrites à l'encre et à la mine de plomb (en français, anglais ou italien) de divers auteurs relatifs à l'architecture, à la Villa Madama, aux jardins, à l’histoire de l'art et à la mythologie grecque. Cormier a souvent écrit la date de publication, l'édition et le numéro de page.
Form:
textual records
textual records
Date:
circa 1915
circa 1915
People:
Form:
photographs
photographs
Title:
The Museum Is Not Enough: Photograph of Peter Eisenman's axometric for Fin d'Ou T Hou S, 1983
The Museum Is Not Enough: Photograph of Peter Eisenman's axometric for Fin d'Ou T Hou S, 1983
Actions:
Reference number:
PH2019:0007:011
Description:
The number of the object depicted is DR1994:0141:208 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
PH2019:0007:011
Description:
The number of the object depicted is DR1994:0141:208 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
People:
Date:
October 2018
October 2018
Title:
The Museum Is Not Enough: Photograph of Peter Eisenman's axometric for Fin d'Ou T Hou S, 1983
Actions:
PH2019:0007:011
Description:
The number of the object depicted is DR1994:0141:208 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
The Museum Is Not Enough: Photograph of Peter Eisenman's axometric for Fin d'Ou T Hou S, 1983
Actions:
PH2019:0007:011
Description:
The number of the object depicted is DR1994:0141:208 Commissioned by the Canadian Centre for Architecture, Montréal, for "The Museum Is Not Enough," 2018
Form:
photographs
photographs
Date:
October 2018
October 2018
People:
Form:
drawings, textual records
drawings, textual records
Title:
Competition programme, correspondence, competition entry, pamphlet, sketches, notes, and clipping
Competition programme, correspondence, competition entry, pamphlet, sketches, notes, and clipping
Actions:
Reference number:
DR1995:0318:001-001
Description:
competition programme for an Architectural Competition for the Design of a Public House for Vaux and Associated Breweries Limited, correspondence, competition entry, pamphlet, sketches, notes, and clipping
DR1995:0318:001-001
Description:
competition programme for an Architectural Competition for the Design of a Public House for Vaux and Associated Breweries Limited, correspondence, competition entry, pamphlet, sketches, notes, and clipping
People:
Date:
1962
1962
Title:
Competition programme, correspondence, competition entry, pamphlet, sketches, notes, and clipping
Actions:
DR1995:0318:001-001
Description:
competition programme for an Architectural Competition for the Design of a Public House for Vaux and Associated Breweries Limited, correspondence, competition entry, pamphlet, sketches, notes, and clipping
Competition programme, correspondence, competition entry, pamphlet, sketches, notes, and clipping
Actions:
DR1995:0318:001-001
Description:
competition programme for an Architectural Competition for the Design of a Public House for Vaux and Associated Breweries Limited, correspondence, competition entry, pamphlet, sketches, notes, and clipping
Form:
drawings, textual records
drawings, textual records
Date:
1962
1962
People:
Form:
textual records
textual records
Reference number:
ARCH256778
Description:
23 files - waterproofing concerning sealants, roofing, doors, windows, elevator, garbage compactor, computer museum, security systems, architectural and structural specifications
ARCH256778
Description:
23 files - waterproofing concerning sealants, roofing, doors, windows, elevator, garbage compactor, computer museum, security systems, architectural and structural specifications
People:
Date:
1984-1987
1984-1987
Title:
Sealants, roofing, doors, windows, elevator
Actions:
ARCH256778
Description:
23 files - waterproofing concerning sealants, roofing, doors, windows, elevator, garbage compactor, computer museum, security systems, architectural and structural specifications
Sealants, roofing, doors, windows, elevator
Actions:
ARCH256778
Description:
23 files - waterproofing concerning sealants, roofing, doors, windows, elevator, garbage compactor, computer museum, security systems, architectural and structural specifications
Form:
textual records
textual records
Date:
1984-1987
1984-1987
People:
