26589 Results
Level of archival description:
Project
Project
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Reference number:
AP018.S1.1959.PR03
Description:
This project series documents the construction of the residence of J.D. Crashley at 3 Old George Place in Toronto, Ontario from 1959-1965. The office identified the project number as 5959. This project consisted of the construction of a T-shaped, one storey home for J.D. Crashley, who was a prominent Toronto entrepreneur and president of the Art Gallery of Ontario in the 1970s. Only the garage was visible from the street, with one of the stems of the T extending over into the adjacent ravine, creating two levels to the residence. The exterior of the residence was largely field stone with brick on some walls. The design of this home is recorded under a separate project number, assigned by the office (see project series AP018.S1.1956.PR01 in this fonds). Today, the house enjoys special heritage status in Ontario, although the highly controversial addition of a second floor was recently completed. The project is recorded through original drawings dating from 1962-1963 The majority of these drawings are for construction.
AP018.S1.1959.PR03
Description:
This project series documents the construction of the residence of J.D. Crashley at 3 Old George Place in Toronto, Ontario from 1959-1965. The office identified the project number as 5959. This project consisted of the construction of a T-shaped, one storey home for J.D. Crashley, who was a prominent Toronto entrepreneur and president of the Art Gallery of Ontario in the 1970s. Only the garage was visible from the street, with one of the stems of the T extending over into the adjacent ravine, creating two levels to the residence. The exterior of the residence was largely field stone with brick on some walls. The design of this home is recorded under a separate project number, assigned by the office (see project series AP018.S1.1956.PR01 in this fonds). Today, the house enjoys special heritage status in Ontario, although the highly controversial addition of a second floor was recently completed. The project is recorded through original drawings dating from 1962-1963 The majority of these drawings are for construction.
People:
Date:
1962-1963
1962-1963
Title:
J.D. Crashley Residence, Toronto (1959)
Actions:
AP018.S1.1959.PR03
Description:
This project series documents the construction of the residence of J.D. Crashley at 3 Old George Place in Toronto, Ontario from 1959-1965. The office identified the project number as 5959. This project consisted of the construction of a T-shaped, one storey home for J.D. Crashley, who was a prominent Toronto entrepreneur and president of the Art Gallery of Ontario in the 1970s. Only the garage was visible from the street, with one of the stems of the T extending over into the adjacent ravine, creating two levels to the residence. The exterior of the residence was largely field stone with brick on some walls. The design of this home is recorded under a separate project number, assigned by the office (see project series AP018.S1.1956.PR01 in this fonds). Today, the house enjoys special heritage status in Ontario, although the highly controversial addition of a second floor was recently completed. The project is recorded through original drawings dating from 1962-1963 The majority of these drawings are for construction.
J.D. Crashley Residence, Toronto (1959)
Actions:
AP018.S1.1959.PR03
Description:
This project series documents the construction of the residence of J.D. Crashley at 3 Old George Place in Toronto, Ontario from 1959-1965. The office identified the project number as 5959. This project consisted of the construction of a T-shaped, one storey home for J.D. Crashley, who was a prominent Toronto entrepreneur and president of the Art Gallery of Ontario in the 1970s. Only the garage was visible from the street, with one of the stems of the T extending over into the adjacent ravine, creating two levels to the residence. The exterior of the residence was largely field stone with brick on some walls. The design of this home is recorded under a separate project number, assigned by the office (see project series AP018.S1.1956.PR01 in this fonds). Today, the house enjoys special heritage status in Ontario, although the highly controversial addition of a second floor was recently completed. The project is recorded through original drawings dating from 1962-1963 The majority of these drawings are for construction.
Level of archival description:
Project
Project
Date:
1962-1963
1962-1963
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1973.PR14
Description:
This project series documents a site investigation for an office for J. Douglas Crashley in downtown Toronto from 1973-1975. The project was identified as number 7314. During this time, J. Douglas Crashley, a prominent Toronto entrepreneur, sought to develop a combined high-rise, low-rise office building in downtown Toronto. This project investigated possible sites in the CN Tower area to build that office tower. The project often refers to the Walker House, which was a 19th century hotel on the corner of York and Front Streets that developers hoped to demolish. This site, and sites next to the Toronto Convention Centre and CN Tower were also investigated. The proposed office building ranged from 25 to 40 storeys, with three levels of underground parking. The project is recorded through drawings and textual records dating from 1973-1975. The drawings are mostly originals that show typical floor plans, sections, elevations and site plans, while the textual records include correspondence, a meeting report and drawing transmittals.
AP018.S1.1973.PR14
Description:
This project series documents a site investigation for an office for J. Douglas Crashley in downtown Toronto from 1973-1975. The project was identified as number 7314. During this time, J. Douglas Crashley, a prominent Toronto entrepreneur, sought to develop a combined high-rise, low-rise office building in downtown Toronto. This project investigated possible sites in the CN Tower area to build that office tower. The project often refers to the Walker House, which was a 19th century hotel on the corner of York and Front Streets that developers hoped to demolish. This site, and sites next to the Toronto Convention Centre and CN Tower were also investigated. The proposed office building ranged from 25 to 40 storeys, with three levels of underground parking. The project is recorded through drawings and textual records dating from 1973-1975. The drawings are mostly originals that show typical floor plans, sections, elevations and site plans, while the textual records include correspondence, a meeting report and drawing transmittals.
People:
Date:
1973-1975
1973-1975
Title:
Office building for J.D. Crashley, Site Investigation, Toronto (1973-1975)
Actions:
AP018.S1.1973.PR14
Description:
This project series documents a site investigation for an office for J. Douglas Crashley in downtown Toronto from 1973-1975. The project was identified as number 7314. During this time, J. Douglas Crashley, a prominent Toronto entrepreneur, sought to develop a combined high-rise, low-rise office building in downtown Toronto. This project investigated possible sites in the CN Tower area to build that office tower. The project often refers to the Walker House, which was a 19th century hotel on the corner of York and Front Streets that developers hoped to demolish. This site, and sites next to the Toronto Convention Centre and CN Tower were also investigated. The proposed office building ranged from 25 to 40 storeys, with three levels of underground parking. The project is recorded through drawings and textual records dating from 1973-1975. The drawings are mostly originals that show typical floor plans, sections, elevations and site plans, while the textual records include correspondence, a meeting report and drawing transmittals.
Office building for J.D. Crashley, Site Investigation, Toronto (1973-1975)
Actions:
AP018.S1.1973.PR14
Description:
This project series documents a site investigation for an office for J. Douglas Crashley in downtown Toronto from 1973-1975. The project was identified as number 7314. During this time, J. Douglas Crashley, a prominent Toronto entrepreneur, sought to develop a combined high-rise, low-rise office building in downtown Toronto. This project investigated possible sites in the CN Tower area to build that office tower. The project often refers to the Walker House, which was a 19th century hotel on the corner of York and Front Streets that developers hoped to demolish. This site, and sites next to the Toronto Convention Centre and CN Tower were also investigated. The proposed office building ranged from 25 to 40 storeys, with three levels of underground parking. The project is recorded through drawings and textual records dating from 1973-1975. The drawings are mostly originals that show typical floor plans, sections, elevations and site plans, while the textual records include correspondence, a meeting report and drawing transmittals.
Level of archival description:
Project
Project
Date:
1973-1975
1973-1975
People:
Form:
photographs
Quantity:
28 photograph(s)
photographs
Quantity:
28 photograph(s)
Actions:
Reference number:
ARCH269131
Description:
Group consists of photographs of everyday life in villages near in Chandigarh, India, predominantly of rural houses.
ARCH269131
Description:
Group consists of photographs of everyday life in villages near in Chandigarh, India, predominantly of rural houses.
People:
Date:
1960s
1960s
Title:
Photographs of everyday life in village near in Chandigarh, India
Actions:
ARCH269131
Description:
Group consists of photographs of everyday life in villages near in Chandigarh, India, predominantly of rural houses.
Photographs of everyday life in village near in Chandigarh, India
Actions:
ARCH269131
Description:
Group consists of photographs of everyday life in villages near in Chandigarh, India, predominantly of rural houses.
Form:
photographs
Quantity:
28 photograph(s)
photographs
Quantity:
28 photograph(s)
Date:
1960s
1960s
People:
Form:
textual records
textual records
Title:
Correspondence, brochures, notes, presentation proposal for Mikage Project, photographs of models
Correspondence, brochures, notes, presentation proposal for Mikage Project, photographs of models
Actions:
Reference number:
ARCH257395
Description:
correspondence from AALL, brochures of existing houses, notes, presentation proposal for Mikage Project, photographs of models
ARCH257395
Description:
correspondence from AALL, brochures of existing houses, notes, presentation proposal for Mikage Project, photographs of models
People:
Date:
1989
1989
Title:
Correspondence, brochures, notes, presentation proposal for Mikage Project, photographs of models
Actions:
ARCH257395
Description:
correspondence from AALL, brochures of existing houses, notes, presentation proposal for Mikage Project, photographs of models
Correspondence, brochures, notes, presentation proposal for Mikage Project, photographs of models
Actions:
ARCH257395
Description:
correspondence from AALL, brochures of existing houses, notes, presentation proposal for Mikage Project, photographs of models
Form:
textual records
textual records
Date:
1989
1989
People:
Form:
archives
Level of archival description:
Collection
archives
Level of archival description:
Collection
Reference number:
CI007
Synopsis:
The Ludwig Mies van der Rohe and his students collection documents Mies's work as an architect, a designer and a consulting architect, between 1918 and 1981, as well as the work of his students at the Illinois Institute of Technology in Chicago, between 1938 and 1943. The collection is focussed on Mies's architectural projects and exhibition designs, mainly in Germany and in the United States.
CI007
Synopsis:
The Ludwig Mies van der Rohe and his students collection documents Mies's work as an architect, a designer and a consulting architect, between 1918 and 1981, as well as the work of his students at the Illinois Institute of Technology in Chicago, between 1938 and 1943. The collection is focussed on Mies's architectural projects and exhibition designs, mainly in Germany and in the United States.
People:
Date:
1918-2000
1918-2000
Title:
Ludwig Mies van der Rohe and his students collection
CI007
Synopsis:
The Ludwig Mies van der Rohe and his students collection documents Mies's work as an architect, a designer and a consulting architect, between 1918 and 1981, as well as the work of his students at the Illinois Institute of Technology in Chicago, between 1938 and 1943. The collection is focussed on Mies's architectural projects and exhibition designs, mainly in Germany and in the United States.
Ludwig Mies van der Rohe and his students collection
CI007
Synopsis:
The Ludwig Mies van der Rohe and his students collection documents Mies's work as an architect, a designer and a consulting architect, between 1918 and 1981, as well as the work of his students at the Illinois Institute of Technology in Chicago, between 1938 and 1943. The collection is focussed on Mies's architectural projects and exhibition designs, mainly in Germany and in the United States.
Form:
archives
Level of archival description:
Collection institutionnelle
archives
Level of archival description:
Collection institutionnelle
Date:
1918-2000
1918-2000
People:
Form:
exhibitions
exhibitions
Actions:
Description:
British gardens and garden buildings have held particular importance in British artistic and cultural life over the last four centuries, as well as influenced the development of the architectural and landscape ideas of the European and North American continents. An English Arcadia 1600–1990 documents the history of these gardens and buildings. The exhibition consists of(...)
British gardens and garden buildings have held particular importance in British artistic and cultural life over the last four centuries, as well as influenced the development of the architectural and landscape ideas of the European and North American continents. An English Arcadia 1600–1990 documents the history of these gardens and buildings. The exhibition consists of(...)
Location:
Main galleries
Main galleries
Date:
12 February 1992 to 19 April 1992
12 February 1992 to 19 April 1992
Title:
An English Arcadia, 1600-1990: Designs for Gardens and Garden Buildings in the Care of the National Trust with Selected Objects from the CCA Collections
Actions:
Description:
British gardens and garden buildings have held particular importance in British artistic and cultural life over the last four centuries, as well as influenced the development of the architectural and landscape ideas of the European and North American continents. An English Arcadia 1600–1990 documents the history of these gardens and buildings. The exhibition consists of(...)
An English Arcadia, 1600-1990: Designs for Gardens and Garden Buildings in the Care of the National Trust with Selected Objects from the CCA Collections
Actions:
Description:
British gardens and garden buildings have held particular importance in British artistic and cultural life over the last four centuries, as well as influenced the development of the architectural and landscape ideas of the European and North American continents. An English Arcadia 1600–1990 documents the history of these gardens and buildings. The exhibition consists of(...)
Form:
exhibitions
exhibitions
Date:
12 February 1992 to
19 April 1992
12 February 1992 to
19 April 1992
Location:
Main galleries
Main galleries
Level of archival description:
Sub-series
Sub-series
Title:
Domestic Commissions
Domestic Commissions
Reference number:
CI001.S2.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. Charles' Hôtel Soltykoff (1854)(DR1974:0002:003:001-105) is exemplary of the Second Empire not only in its architectural language, programme and interior decoration, but also its use of mixed stone and iron construction. The album for Hôtel Soltykoff is one of the most comprehensive in the CCA collection. The drawings incorporate several phases of the design process from conceptual ideas to post-construction revisions. Numerous drawings for the structure and exterior ornamentation are included as well as drawings for the embellishment of the interior spaces. The interior drawings are especially interesting for evidence they provide of the palette of colours and ornamental motifs utilized in the Second Empire. Several prints (plates XIX - XXIII) in 'Oeuvre de C. Rohault de Fleury, architecte', which include general plans and elevations (few of which are included in the Hôtel Solytkoff album), are a useful complement to more specific drawings in the album. The Hôtel Sauvage (ca. 1862) album (DR1974:0002:006:001-024) - a set of 24 contract drawings- consists exclusively general plans, sections and elevations. This group of drawings give a good overall sense of both the interior and exterior. Hôtel Sauvage, like Hôtel Soltykoff is also typical of the Second Empire in style and programme. Château de Marcoussis (ca. 1861), for which a group of drawings were acquired in 1986, diverges somewhat in character from the other examples of Charles' domestic works represented in the CCA collection (DR1986:0379 - DR1986:0413). While most of the other houses are strictly classical in planning and design, for Château de Marcoussis, Charles adopted a more romantic asymmetrical château style design. The domestic commissions (1838-1856) in album, DR1974:0002:002:001-094, roughly fall into two categories. The first category consists of single residences - both town and country. The regimentation of plans and façades in the hôtel particular and country houses manifests the continued influence of Durand, yet Charles was also clearly affected by the Second Empire propensity for elaborate façade treatments with decoratively-shaped windows, complex mouldings and extensive rustication. The second category consists of urban apartment building with stores or occasionally offices on the ground floor, apartments, generally two per floor, above and often servants' rooms in the attic. These buildings are articulated in a restrained manner with mouldings, decorative ironwork and some stone ornament.
CI001.S2.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. Charles' Hôtel Soltykoff (1854)(DR1974:0002:003:001-105) is exemplary of the Second Empire not only in its architectural language, programme and interior decoration, but also its use of mixed stone and iron construction. The album for Hôtel Soltykoff is one of the most comprehensive in the CCA collection. The drawings incorporate several phases of the design process from conceptual ideas to post-construction revisions. Numerous drawings for the structure and exterior ornamentation are included as well as drawings for the embellishment of the interior spaces. The interior drawings are especially interesting for evidence they provide of the palette of colours and ornamental motifs utilized in the Second Empire. Several prints (plates XIX - XXIII) in 'Oeuvre de C. Rohault de Fleury, architecte', which include general plans and elevations (few of which are included in the Hôtel Solytkoff album), are a useful complement to more specific drawings in the album. The Hôtel Sauvage (ca. 1862) album (DR1974:0002:006:001-024) - a set of 24 contract drawings- consists exclusively general plans, sections and elevations. This group of drawings give a good overall sense of both the interior and exterior. Hôtel Sauvage, like Hôtel Soltykoff is also typical of the Second Empire in style and programme. Château de Marcoussis (ca. 1861), for which a group of drawings were acquired in 1986, diverges somewhat in character from the other examples of Charles' domestic works represented in the CCA collection (DR1986:0379 - DR1986:0413). While most of the other houses are strictly classical in planning and design, for Château de Marcoussis, Charles adopted a more romantic asymmetrical château style design. The domestic commissions (1838-1856) in album, DR1974:0002:002:001-094, roughly fall into two categories. The first category consists of single residences - both town and country. The regimentation of plans and façades in the hôtel particular and country houses manifests the continued influence of Durand, yet Charles was also clearly affected by the Second Empire propensity for elaborate façade treatments with decoratively-shaped windows, complex mouldings and extensive rustication. The second category consists of urban apartment building with stores or occasionally offices on the ground floor, apartments, generally two per floor, above and often servants' rooms in the attic. These buildings are articulated in a restrained manner with mouldings, decorative ironwork and some stone ornament.
People:
Date:
[between 1838 and 1861]
[between 1838 and 1861]
Title:
Domestic Commissions
CI001.S2.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. Charles' Hôtel Soltykoff (1854)(DR1974:0002:003:001-105) is exemplary of the Second Empire not only in its architectural language, programme and interior decoration, but also its use of mixed stone and iron construction. The album for Hôtel Soltykoff is one of the most comprehensive in the CCA collection. The drawings incorporate several phases of the design process from conceptual ideas to post-construction revisions. Numerous drawings for the structure and exterior ornamentation are included as well as drawings for the embellishment of the interior spaces. The interior drawings are especially interesting for evidence they provide of the palette of colours and ornamental motifs utilized in the Second Empire. Several prints (plates XIX - XXIII) in 'Oeuvre de C. Rohault de Fleury, architecte', which include general plans and elevations (few of which are included in the Hôtel Solytkoff album), are a useful complement to more specific drawings in the album. The Hôtel Sauvage (ca. 1862) album (DR1974:0002:006:001-024) - a set of 24 contract drawings- consists exclusively general plans, sections and elevations. This group of drawings give a good overall sense of both the interior and exterior. Hôtel Sauvage, like Hôtel Soltykoff is also typical of the Second Empire in style and programme. Château de Marcoussis (ca. 1861), for which a group of drawings were acquired in 1986, diverges somewhat in character from the other examples of Charles' domestic works represented in the CCA collection (DR1986:0379 - DR1986:0413). While most of the other houses are strictly classical in planning and design, for Château de Marcoussis, Charles adopted a more romantic asymmetrical château style design. The domestic commissions (1838-1856) in album, DR1974:0002:002:001-094, roughly fall into two categories. The first category consists of single residences - both town and country. The regimentation of plans and façades in the hôtel particular and country houses manifests the continued influence of Durand, yet Charles was also clearly affected by the Second Empire propensity for elaborate façade treatments with decoratively-shaped windows, complex mouldings and extensive rustication. The second category consists of urban apartment building with stores or occasionally offices on the ground floor, apartments, generally two per floor, above and often servants' rooms in the attic. These buildings are articulated in a restrained manner with mouldings, decorative ironwork and some stone ornament.
Domestic Commissions
CI001.S2.D2
Description:
Hubert and Charles Rohault de Fleury received domestic commissions for both urban housing -hôtel particuliers and apartment houses- and rural dwellings -châteaux, country houses and estates. Hubert also executed designs for furniture and garden pavilions. Hubert' work is characterized by restrained classical exteriors and luxurious Empire style interiors; both Charles' exteriors and interiors, especially those for Hôtels Sauvage and Soltykoff, reflect the exuberance of the Second Empire. The CCA albums include drawings from all stages of the design process but with an emphasis on design development drawings. Hubert's albums contain cost calculations and estimates, notes and letters. In general, the drawings by Charles are from a more developed phase of design than Hubert's; Hubert's commissions are more varied than Charles'. Charles' Hôtel Soltykoff (1854)(DR1974:0002:003:001-105) is exemplary of the Second Empire not only in its architectural language, programme and interior decoration, but also its use of mixed stone and iron construction. The album for Hôtel Soltykoff is one of the most comprehensive in the CCA collection. The drawings incorporate several phases of the design process from conceptual ideas to post-construction revisions. Numerous drawings for the structure and exterior ornamentation are included as well as drawings for the embellishment of the interior spaces. The interior drawings are especially interesting for evidence they provide of the palette of colours and ornamental motifs utilized in the Second Empire. Several prints (plates XIX - XXIII) in 'Oeuvre de C. Rohault de Fleury, architecte', which include general plans and elevations (few of which are included in the Hôtel Solytkoff album), are a useful complement to more specific drawings in the album. The Hôtel Sauvage (ca. 1862) album (DR1974:0002:006:001-024) - a set of 24 contract drawings- consists exclusively general plans, sections and elevations. This group of drawings give a good overall sense of both the interior and exterior. Hôtel Sauvage, like Hôtel Soltykoff is also typical of the Second Empire in style and programme. Château de Marcoussis (ca. 1861), for which a group of drawings were acquired in 1986, diverges somewhat in character from the other examples of Charles' domestic works represented in the CCA collection (DR1986:0379 - DR1986:0413). While most of the other houses are strictly classical in planning and design, for Château de Marcoussis, Charles adopted a more romantic asymmetrical château style design. The domestic commissions (1838-1856) in album, DR1974:0002:002:001-094, roughly fall into two categories. The first category consists of single residences - both town and country. The regimentation of plans and façades in the hôtel particular and country houses manifests the continued influence of Durand, yet Charles was also clearly affected by the Second Empire propensity for elaborate façade treatments with decoratively-shaped windows, complex mouldings and extensive rustication. The second category consists of urban apartment building with stores or occasionally offices on the ground floor, apartments, generally two per floor, above and often servants' rooms in the attic. These buildings are articulated in a restrained manner with mouldings, decorative ironwork and some stone ornament.
Level of archival description:
File 2
File 2
Date:
[between 1838 and 1861]
[between 1838 and 1861]
People:
Form:
photographs
Quantity:
10 photograph(s)
photographs
Quantity:
10 photograph(s)
Actions:
Reference number:
ARCH269666
Description:
Group consists of various photographs predominantly of Chandigarh, India, including: - Pierre Jeanneret smoking in his office at the Architects's office in sector 19 - Le Corbusier and an indian journalist at the Bhakra Dam, near Talwara - Le Corbusier sitting in a car - Le Corbusier working at the Bhakra Dam - Sketches by Le Corbusier (2 photographs) - Entrance of an rural house - A man with two cobras - Women and children spinning string in a rural home near Chandigarh - A woman and a baby
ARCH269666
Description:
Group consists of various photographs predominantly of Chandigarh, India, including: - Pierre Jeanneret smoking in his office at the Architects's office in sector 19 - Le Corbusier and an indian journalist at the Bhakra Dam, near Talwara - Le Corbusier sitting in a car - Le Corbusier working at the Bhakra Dam - Sketches by Le Corbusier (2 photographs) - Entrance of an rural house - A man with two cobras - Women and children spinning string in a rural home near Chandigarh - A woman and a baby
People:
Date:
between 1951 and 1965
between 1951 and 1965
Title:
Photographs predominantly of Chandigarh
Actions:
ARCH269666
Description:
Group consists of various photographs predominantly of Chandigarh, India, including: - Pierre Jeanneret smoking in his office at the Architects's office in sector 19 - Le Corbusier and an indian journalist at the Bhakra Dam, near Talwara - Le Corbusier sitting in a car - Le Corbusier working at the Bhakra Dam - Sketches by Le Corbusier (2 photographs) - Entrance of an rural house - A man with two cobras - Women and children spinning string in a rural home near Chandigarh - A woman and a baby
Photographs predominantly of Chandigarh
Actions:
ARCH269666
Description:
Group consists of various photographs predominantly of Chandigarh, India, including: - Pierre Jeanneret smoking in his office at the Architects's office in sector 19 - Le Corbusier and an indian journalist at the Bhakra Dam, near Talwara - Le Corbusier sitting in a car - Le Corbusier working at the Bhakra Dam - Sketches by Le Corbusier (2 photographs) - Entrance of an rural house - A man with two cobras - Women and children spinning string in a rural home near Chandigarh - A woman and a baby
Form:
photographs
Quantity:
10 photograph(s)
photographs
Quantity:
10 photograph(s)
Date:
between 1951 and 1965
between 1951 and 1965
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1994.PR14
Description:
This project series documents renovations to the Stratford Festival Theatre in Stratford, Ontario from 1994-1997. The office identified the project number as 9428. This project consisted of the major reimagining and renewal of the famous tent-shaped theatre, which had not previously been updated in the 40 years since its original construction. Conceived with Thomas Payne as the partner-in-charge, the project reconceptualised the existing front-of-house spaces, the performance auditorium and the formal arrival space. The auditorium, which contained a Greek-style thrust stage inspired by Shakespeare's Globe Theatre, saw an increase in comfort by eliminating some seats to make the remaining more spacious. With this, site lines to the stage and the theatre acoustics were also improved. A large expansion of the theatre's lobby, box office, festival shops and member spaces accommodated the theatre's growing number of patrons. On the outside, a large curved entrance drive was added with extensive landscaping and gardens to add to the grandeur of the formal arrival area. A marquee space was also added to the building, which housed a year-round terrace. Thomas Payne created this project's original master plan under a different project number in 1988, but it should be noted that some materials in both projects are overlapping (see project series AP056.S1.1988.PR03 in this fonds). The project is recorded through drawings, presentation paintings and some textual materials dating from 1988-1996. The drawings are mostly originals and include sketches, presentation drawings, drawings for the model, plans, elevations, sections, perspectives, details and drawings of new furnishings. The textual records, which describe the project's design concept, are part of a presentation book.
AP056.S1.1994.PR14
Description:
This project series documents renovations to the Stratford Festival Theatre in Stratford, Ontario from 1994-1997. The office identified the project number as 9428. This project consisted of the major reimagining and renewal of the famous tent-shaped theatre, which had not previously been updated in the 40 years since its original construction. Conceived with Thomas Payne as the partner-in-charge, the project reconceptualised the existing front-of-house spaces, the performance auditorium and the formal arrival space. The auditorium, which contained a Greek-style thrust stage inspired by Shakespeare's Globe Theatre, saw an increase in comfort by eliminating some seats to make the remaining more spacious. With this, site lines to the stage and the theatre acoustics were also improved. A large expansion of the theatre's lobby, box office, festival shops and member spaces accommodated the theatre's growing number of patrons. On the outside, a large curved entrance drive was added with extensive landscaping and gardens to add to the grandeur of the formal arrival area. A marquee space was also added to the building, which housed a year-round terrace. Thomas Payne created this project's original master plan under a different project number in 1988, but it should be noted that some materials in both projects are overlapping (see project series AP056.S1.1988.PR03 in this fonds). The project is recorded through drawings, presentation paintings and some textual materials dating from 1988-1996. The drawings are mostly originals and include sketches, presentation drawings, drawings for the model, plans, elevations, sections, perspectives, details and drawings of new furnishings. The textual records, which describe the project's design concept, are part of a presentation book.
People:
Date:
1988-1996
1988-1996
Title:
Stratford Festival Theatre, Renovations, Stratford, Ontario (1994-1997)
Actions:
AP056.S1.1994.PR14
Description:
This project series documents renovations to the Stratford Festival Theatre in Stratford, Ontario from 1994-1997. The office identified the project number as 9428. This project consisted of the major reimagining and renewal of the famous tent-shaped theatre, which had not previously been updated in the 40 years since its original construction. Conceived with Thomas Payne as the partner-in-charge, the project reconceptualised the existing front-of-house spaces, the performance auditorium and the formal arrival space. The auditorium, which contained a Greek-style thrust stage inspired by Shakespeare's Globe Theatre, saw an increase in comfort by eliminating some seats to make the remaining more spacious. With this, site lines to the stage and the theatre acoustics were also improved. A large expansion of the theatre's lobby, box office, festival shops and member spaces accommodated the theatre's growing number of patrons. On the outside, a large curved entrance drive was added with extensive landscaping and gardens to add to the grandeur of the formal arrival area. A marquee space was also added to the building, which housed a year-round terrace. Thomas Payne created this project's original master plan under a different project number in 1988, but it should be noted that some materials in both projects are overlapping (see project series AP056.S1.1988.PR03 in this fonds). The project is recorded through drawings, presentation paintings and some textual materials dating from 1988-1996. The drawings are mostly originals and include sketches, presentation drawings, drawings for the model, plans, elevations, sections, perspectives, details and drawings of new furnishings. The textual records, which describe the project's design concept, are part of a presentation book.
Stratford Festival Theatre, Renovations, Stratford, Ontario (1994-1997)
Actions:
AP056.S1.1994.PR14
Description:
This project series documents renovations to the Stratford Festival Theatre in Stratford, Ontario from 1994-1997. The office identified the project number as 9428. This project consisted of the major reimagining and renewal of the famous tent-shaped theatre, which had not previously been updated in the 40 years since its original construction. Conceived with Thomas Payne as the partner-in-charge, the project reconceptualised the existing front-of-house spaces, the performance auditorium and the formal arrival space. The auditorium, which contained a Greek-style thrust stage inspired by Shakespeare's Globe Theatre, saw an increase in comfort by eliminating some seats to make the remaining more spacious. With this, site lines to the stage and the theatre acoustics were also improved. A large expansion of the theatre's lobby, box office, festival shops and member spaces accommodated the theatre's growing number of patrons. On the outside, a large curved entrance drive was added with extensive landscaping and gardens to add to the grandeur of the formal arrival area. A marquee space was also added to the building, which housed a year-round terrace. Thomas Payne created this project's original master plan under a different project number in 1988, but it should be noted that some materials in both projects are overlapping (see project series AP056.S1.1988.PR03 in this fonds). The project is recorded through drawings, presentation paintings and some textual materials dating from 1988-1996. The drawings are mostly originals and include sketches, presentation drawings, drawings for the model, plans, elevations, sections, perspectives, details and drawings of new furnishings. The textual records, which describe the project's design concept, are part of a presentation book.
Level of archival description:
Project
Project
Date:
1988-1996
1988-1996
People:
Form:
photographs
Quantity:
241 slide(s)
photographs
Quantity:
241 slide(s)
Actions:
Reference number:
ARCH197167
Description:
Exterior and interior views of various buildings and projects involving Gene Summers, from the offices of Mies van de Rohe, C.F. Murphy Associates and Ridgway Ltd. They include: Seagram Building; Farnsworth House; IIT Chapel; Federal Center; Social Services Building, University of Chicago; McCormick Place; Kansas City Convention Center; Malcom X Jr. College, Chicago; The Newporter Resort Hotel; Cañada Business Center; Ridgway Office at Newport Beach; the Biltmore Hotel; Coral Gables Hotel competition and others. Includes works of ceramic art.
ARCH197167
Description:
Exterior and interior views of various buildings and projects involving Gene Summers, from the offices of Mies van de Rohe, C.F. Murphy Associates and Ridgway Ltd. They include: Seagram Building; Farnsworth House; IIT Chapel; Federal Center; Social Services Building, University of Chicago; McCormick Place; Kansas City Convention Center; Malcom X Jr. College, Chicago; The Newporter Resort Hotel; Cañada Business Center; Ridgway Office at Newport Beach; the Biltmore Hotel; Coral Gables Hotel competition and others. Includes works of ceramic art.
People:
Title:
Exterior and interior views of various buildings and projects involving Gene Summers
Actions:
ARCH197167
Description:
Exterior and interior views of various buildings and projects involving Gene Summers, from the offices of Mies van de Rohe, C.F. Murphy Associates and Ridgway Ltd. They include: Seagram Building; Farnsworth House; IIT Chapel; Federal Center; Social Services Building, University of Chicago; McCormick Place; Kansas City Convention Center; Malcom X Jr. College, Chicago; The Newporter Resort Hotel; Cañada Business Center; Ridgway Office at Newport Beach; the Biltmore Hotel; Coral Gables Hotel competition and others. Includes works of ceramic art.
Exterior and interior views of various buildings and projects involving Gene Summers
Actions:
ARCH197167
Description:
Exterior and interior views of various buildings and projects involving Gene Summers, from the offices of Mies van de Rohe, C.F. Murphy Associates and Ridgway Ltd. They include: Seagram Building; Farnsworth House; IIT Chapel; Federal Center; Social Services Building, University of Chicago; McCormick Place; Kansas City Convention Center; Malcom X Jr. College, Chicago; The Newporter Resort Hotel; Cañada Business Center; Ridgway Office at Newport Beach; the Biltmore Hotel; Coral Gables Hotel competition and others. Includes works of ceramic art.
Form:
photographs
Quantity:
241 slide(s)
photographs
Quantity:
241 slide(s)
People:
