31789 Results
Level of archival description:
Series
Series
Title:
James Stirling papers
James Stirling papers
Reference number:
AP140.S1
Description:
Series documents James Stirling student years and military service throughout his student projects, some personal documents and collected artworks and photographic materials. The bulk of the material in this series relates to James Stirling's student work at the Liverpool School of Architecture in Liverpool, England, and at the Association for Planning and Regional Reconstruction in London, England, between 1948 and 1952. Also included in this series are a few personal documents relating to his military service in the Second World War and its relation to his university education. Series also consists of drawings executed by Stirling as a student, other drawings collected by Stirling as gifts from friends and colleagues, and photographs and negatives taken by Stirling of architectural subject matters. Material in this series was produced between probably 1939 and 1990. Series contains architectural drawings, textual records, photographic materials and a presentation model, as well as other drawings, including several portraits and caricatures of James Stirling.
AP140.S1
Description:
Series documents James Stirling student years and military service throughout his student projects, some personal documents and collected artworks and photographic materials. The bulk of the material in this series relates to James Stirling's student work at the Liverpool School of Architecture in Liverpool, England, and at the Association for Planning and Regional Reconstruction in London, England, between 1948 and 1952. Also included in this series are a few personal documents relating to his military service in the Second World War and its relation to his university education. Series also consists of drawings executed by Stirling as a student, other drawings collected by Stirling as gifts from friends and colleagues, and photographs and negatives taken by Stirling of architectural subject matters. Material in this series was produced between probably 1939 and 1990. Series contains architectural drawings, textual records, photographic materials and a presentation model, as well as other drawings, including several portraits and caricatures of James Stirling.
People:
Date:
circa 1939-1990
circa 1939-1990
Title:
James Stirling papers
Actions:
AP140.S1
Description:
Series documents James Stirling student years and military service throughout his student projects, some personal documents and collected artworks and photographic materials. The bulk of the material in this series relates to James Stirling's student work at the Liverpool School of Architecture in Liverpool, England, and at the Association for Planning and Regional Reconstruction in London, England, between 1948 and 1952. Also included in this series are a few personal documents relating to his military service in the Second World War and its relation to his university education. Series also consists of drawings executed by Stirling as a student, other drawings collected by Stirling as gifts from friends and colleagues, and photographs and negatives taken by Stirling of architectural subject matters. Material in this series was produced between probably 1939 and 1990. Series contains architectural drawings, textual records, photographic materials and a presentation model, as well as other drawings, including several portraits and caricatures of James Stirling.
James Stirling papers
Actions:
AP140.S1
Description:
Series documents James Stirling student years and military service throughout his student projects, some personal documents and collected artworks and photographic materials. The bulk of the material in this series relates to James Stirling's student work at the Liverpool School of Architecture in Liverpool, England, and at the Association for Planning and Regional Reconstruction in London, England, between 1948 and 1952. Also included in this series are a few personal documents relating to his military service in the Second World War and its relation to his university education. Series also consists of drawings executed by Stirling as a student, other drawings collected by Stirling as gifts from friends and colleagues, and photographs and negatives taken by Stirling of architectural subject matters. Material in this series was produced between probably 1939 and 1990. Series contains architectural drawings, textual records, photographic materials and a presentation model, as well as other drawings, including several portraits and caricatures of James Stirling.
Level of archival description:
Series 1
Series 1
Date:
circa 1939-1990
circa 1939-1990
People:
Level of archival description:
Project
Project
Reference number:
CI005.S1.1917.PR2
Description:
Villa Allegonda was originally built by architect, H.J. Jesse, in the early 20th century before being remodelled by Menso Kamerlingh in 1916-1917. The villa was further renovated in 1927. The villa was one of three summer houses that Jesse built in the dunes of Katwijk aan Zee: Oud assisted with drafting and providing technical advice for the third villa, Villa Sigrid, in 1916-17. Oud worked in partnership with Menso Kamerlingh Onnes. Oud also coordinated the contribution of artist friends and chose the colours. In the second phase of design, Oud contributed to remodelling the villa windows and pillars and designing furniture. Exhaustion caused him to resign in 1928 (Taverne et al. 2001, 127-132). The project series features drawings for different phases of the project, including drawings of the 1917 design and 1931 furniture designs. The series also includes photographs of exterior and interior views of Villa Allegonda and furniture items.
CI005.S1.1917.PR2
Description:
Villa Allegonda was originally built by architect, H.J. Jesse, in the early 20th century before being remodelled by Menso Kamerlingh in 1916-1917. The villa was further renovated in 1927. The villa was one of three summer houses that Jesse built in the dunes of Katwijk aan Zee: Oud assisted with drafting and providing technical advice for the third villa, Villa Sigrid, in 1916-17. Oud worked in partnership with Menso Kamerlingh Onnes. Oud also coordinated the contribution of artist friends and chose the colours. In the second phase of design, Oud contributed to remodelling the villa windows and pillars and designing furniture. Exhaustion caused him to resign in 1928 (Taverne et al. 2001, 127-132). The project series features drawings for different phases of the project, including drawings of the 1917 design and 1931 furniture designs. The series also includes photographs of exterior and interior views of Villa Allegonda and furniture items.
People:
Date:
1901-1931 (1917 and 1931 predominant)
1901-1931 (1917 and 1931 predominant)
Title:
Villa Allegonda, Katwijk aan Zee, Netherlands (1917-1928)
Actions:
CI005.S1.1917.PR2
Description:
Villa Allegonda was originally built by architect, H.J. Jesse, in the early 20th century before being remodelled by Menso Kamerlingh in 1916-1917. The villa was further renovated in 1927. The villa was one of three summer houses that Jesse built in the dunes of Katwijk aan Zee: Oud assisted with drafting and providing technical advice for the third villa, Villa Sigrid, in 1916-17. Oud worked in partnership with Menso Kamerlingh Onnes. Oud also coordinated the contribution of artist friends and chose the colours. In the second phase of design, Oud contributed to remodelling the villa windows and pillars and designing furniture. Exhaustion caused him to resign in 1928 (Taverne et al. 2001, 127-132). The project series features drawings for different phases of the project, including drawings of the 1917 design and 1931 furniture designs. The series also includes photographs of exterior and interior views of Villa Allegonda and furniture items.
Villa Allegonda, Katwijk aan Zee, Netherlands (1917-1928)
Actions:
CI005.S1.1917.PR2
Description:
Villa Allegonda was originally built by architect, H.J. Jesse, in the early 20th century before being remodelled by Menso Kamerlingh in 1916-1917. The villa was further renovated in 1927. The villa was one of three summer houses that Jesse built in the dunes of Katwijk aan Zee: Oud assisted with drafting and providing technical advice for the third villa, Villa Sigrid, in 1916-17. Oud worked in partnership with Menso Kamerlingh Onnes. Oud also coordinated the contribution of artist friends and chose the colours. In the second phase of design, Oud contributed to remodelling the villa windows and pillars and designing furniture. Exhaustion caused him to resign in 1928 (Taverne et al. 2001, 127-132). The project series features drawings for different phases of the project, including drawings of the 1917 design and 1931 furniture designs. The series also includes photographs of exterior and interior views of Villa Allegonda and furniture items.
Level of archival description:
project
project
Date:
1901-1931 (1917 and 1931 predominant)
1901-1931 (1917 and 1931 predominant)
People:
Level of archival description:
Project
Project
Reference number:
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
People:
Date:
circa 1968-2015
circa 1968-2015
Title:
Dialogo Pettena-Arnolfo [Pettena-Arnolfo Dialogue] (1968)
Actions:
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
Dialogo Pettena-Arnolfo [Pettena-Arnolfo Dialogue] (1968)
Actions:
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
Level of archival description:
Project
Project
Date:
circa 1968-2015
circa 1968-2015
People:
Level of archival description:
Project
Project
Title:
Laundry (1969)
Laundry (1969)
Actions:
Reference number:
AP207.S1.1969.PR02
Description:
This project series documents Pettena's installation "Laundry" realized in the context of the Campo Urbano, a series of artistic events staged during a day at the Piazza del Duomo, in the historic centre of Como, in Italy, on the 21st of September 1969. Pettena was one of the forty artists, musicians, architects and art critics invited to the event [2]. For his installation, "Pettena chose to hang out washing on clothes lines, with the aim of underlining the difference between the appearance of a city and the experience of living in it." [2]. The project series contains photographs of the installation at the Piazza del Duomo, in Como, sketches of the installation, and a project description in English and Italian. Sources: [1] Radical Pedagogies, https://radical-pedagogies.com/search-cases/i05-campo-urbano/ (last accessed 4 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-laundry-1969-1/ (last accessed 4 November 2019)
AP207.S1.1969.PR02
Description:
This project series documents Pettena's installation "Laundry" realized in the context of the Campo Urbano, a series of artistic events staged during a day at the Piazza del Duomo, in the historic centre of Como, in Italy, on the 21st of September 1969. Pettena was one of the forty artists, musicians, architects and art critics invited to the event [2]. For his installation, "Pettena chose to hang out washing on clothes lines, with the aim of underlining the difference between the appearance of a city and the experience of living in it." [2]. The project series contains photographs of the installation at the Piazza del Duomo, in Como, sketches of the installation, and a project description in English and Italian. Sources: [1] Radical Pedagogies, https://radical-pedagogies.com/search-cases/i05-campo-urbano/ (last accessed 4 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-laundry-1969-1/ (last accessed 4 November 2019)
People:
Date:
circa 1969-2017
circa 1969-2017
Title:
Laundry (1969)
Actions:
AP207.S1.1969.PR02
Description:
This project series documents Pettena's installation "Laundry" realized in the context of the Campo Urbano, a series of artistic events staged during a day at the Piazza del Duomo, in the historic centre of Como, in Italy, on the 21st of September 1969. Pettena was one of the forty artists, musicians, architects and art critics invited to the event [2]. For his installation, "Pettena chose to hang out washing on clothes lines, with the aim of underlining the difference between the appearance of a city and the experience of living in it." [2]. The project series contains photographs of the installation at the Piazza del Duomo, in Como, sketches of the installation, and a project description in English and Italian. Sources: [1] Radical Pedagogies, https://radical-pedagogies.com/search-cases/i05-campo-urbano/ (last accessed 4 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-laundry-1969-1/ (last accessed 4 November 2019)
Laundry (1969)
Actions:
AP207.S1.1969.PR02
Description:
This project series documents Pettena's installation "Laundry" realized in the context of the Campo Urbano, a series of artistic events staged during a day at the Piazza del Duomo, in the historic centre of Como, in Italy, on the 21st of September 1969. Pettena was one of the forty artists, musicians, architects and art critics invited to the event [2]. For his installation, "Pettena chose to hang out washing on clothes lines, with the aim of underlining the difference between the appearance of a city and the experience of living in it." [2]. The project series contains photographs of the installation at the Piazza del Duomo, in Como, sketches of the installation, and a project description in English and Italian. Sources: [1] Radical Pedagogies, https://radical-pedagogies.com/search-cases/i05-campo-urbano/ (last accessed 4 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-laundry-1969-1/ (last accessed 4 November 2019)
Level of archival description:
Project
Project
Date:
circa 1969-2017
circa 1969-2017
People:
Level of archival description:
Project
Project
Reference number:
AP207.S1.1977.PR01
Description:
The project series documents the performance "Performance Fotofosforescente" carried out at the Palazzo Grassi, in Venice, for the International Festival "The Art of Performance" in 1977. The performance consisted of a phosphorescent figure descending the grand staircase of the main entrance to the courtyard of the Palazzo Grassi, crossing the atrium through the audience, and heading down the steps towards the Grand Canal to finally disappear into the water. The performer is holding in his hands a three-dimensional phosphorescent Escher cube, the only source of light while the courtyard is in almost total darkness. "The evocative setting, the music, the darkness and this moving light produced an effect of “working” of the space, somewhere between the real and the imaginary [...]." [1] The project series contains a draft and a more final storyboard of the performance, Pettena's handwritten notes, and photographs of the performance at the Palazzo Grassi. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-phorsphorescent-1977/ (last accessed 12 November 2019)
AP207.S1.1977.PR01
Description:
The project series documents the performance "Performance Fotofosforescente" carried out at the Palazzo Grassi, in Venice, for the International Festival "The Art of Performance" in 1977. The performance consisted of a phosphorescent figure descending the grand staircase of the main entrance to the courtyard of the Palazzo Grassi, crossing the atrium through the audience, and heading down the steps towards the Grand Canal to finally disappear into the water. The performer is holding in his hands a three-dimensional phosphorescent Escher cube, the only source of light while the courtyard is in almost total darkness. "The evocative setting, the music, the darkness and this moving light produced an effect of “working” of the space, somewhere between the real and the imaginary [...]." [1] The project series contains a draft and a more final storyboard of the performance, Pettena's handwritten notes, and photographs of the performance at the Palazzo Grassi. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-phorsphorescent-1977/ (last accessed 12 November 2019)
People:
Date:
circa 1977-2015
circa 1977-2015
Title:
Performance Fotofosforescente [Performance Phosphorescent] (1977)
Actions:
AP207.S1.1977.PR01
Description:
The project series documents the performance "Performance Fotofosforescente" carried out at the Palazzo Grassi, in Venice, for the International Festival "The Art of Performance" in 1977. The performance consisted of a phosphorescent figure descending the grand staircase of the main entrance to the courtyard of the Palazzo Grassi, crossing the atrium through the audience, and heading down the steps towards the Grand Canal to finally disappear into the water. The performer is holding in his hands a three-dimensional phosphorescent Escher cube, the only source of light while the courtyard is in almost total darkness. "The evocative setting, the music, the darkness and this moving light produced an effect of “working” of the space, somewhere between the real and the imaginary [...]." [1] The project series contains a draft and a more final storyboard of the performance, Pettena's handwritten notes, and photographs of the performance at the Palazzo Grassi. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-phorsphorescent-1977/ (last accessed 12 November 2019)
Performance Fotofosforescente [Performance Phosphorescent] (1977)
Actions:
AP207.S1.1977.PR01
Description:
The project series documents the performance "Performance Fotofosforescente" carried out at the Palazzo Grassi, in Venice, for the International Festival "The Art of Performance" in 1977. The performance consisted of a phosphorescent figure descending the grand staircase of the main entrance to the courtyard of the Palazzo Grassi, crossing the atrium through the audience, and heading down the steps towards the Grand Canal to finally disappear into the water. The performer is holding in his hands a three-dimensional phosphorescent Escher cube, the only source of light while the courtyard is in almost total darkness. "The evocative setting, the music, the darkness and this moving light produced an effect of “working” of the space, somewhere between the real and the imaginary [...]." [1] The project series contains a draft and a more final storyboard of the performance, Pettena's handwritten notes, and photographs of the performance at the Palazzo Grassi. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-phorsphorescent-1977/ (last accessed 12 November 2019)
Level of archival description:
Project
Project
Date:
circa 1977-2015
circa 1977-2015
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP075.S1.1990.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Ritsumeikan House, a combine residential and educational faculty on Agronomy Road at the University of British Columbia in Vancouver, British Columbia. Oberlander worked on this project in 1990-1993 with architectural firm Matsuzaki Wright Architects. The project consisted in designing a landscape that will include an already existing treed courtyard with mature pine trees on small mounds. Oberlander added a paved pathways between the mounds leading the entrances of the buildings. The landscape design also included planters and tree planting along the buildings. The project was completed in 1992. The project series contains design development drawings, such as landscape plans and planting plans, and working drawings such as planting plans, grading plans, and irrigation plans, and presentation drawings, including landscape plans. The project is also documented through concept notes by Oberlander, correspondence with architects and clients, reports, meetings documents, specifications, plant lists, financial documents and photographs of the planting.
AP075.S1.1990.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Ritsumeikan House, a combine residential and educational faculty on Agronomy Road at the University of British Columbia in Vancouver, British Columbia. Oberlander worked on this project in 1990-1993 with architectural firm Matsuzaki Wright Architects. The project consisted in designing a landscape that will include an already existing treed courtyard with mature pine trees on small mounds. Oberlander added a paved pathways between the mounds leading the entrances of the buildings. The landscape design also included planters and tree planting along the buildings. The project was completed in 1992. The project series contains design development drawings, such as landscape plans and planting plans, and working drawings such as planting plans, grading plans, and irrigation plans, and presentation drawings, including landscape plans. The project is also documented through concept notes by Oberlander, correspondence with architects and clients, reports, meetings documents, specifications, plant lists, financial documents and photographs of the planting.
People:
Date:
1990-1993
1990-1993
Title:
Ritsumeikan House, University of British Columbia, Vancouver, British Columbia (1990-1993)
Actions:
AP075.S1.1990.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Ritsumeikan House, a combine residential and educational faculty on Agronomy Road at the University of British Columbia in Vancouver, British Columbia. Oberlander worked on this project in 1990-1993 with architectural firm Matsuzaki Wright Architects. The project consisted in designing a landscape that will include an already existing treed courtyard with mature pine trees on small mounds. Oberlander added a paved pathways between the mounds leading the entrances of the buildings. The landscape design also included planters and tree planting along the buildings. The project was completed in 1992. The project series contains design development drawings, such as landscape plans and planting plans, and working drawings such as planting plans, grading plans, and irrigation plans, and presentation drawings, including landscape plans. The project is also documented through concept notes by Oberlander, correspondence with architects and clients, reports, meetings documents, specifications, plant lists, financial documents and photographs of the planting.
Ritsumeikan House, University of British Columbia, Vancouver, British Columbia (1990-1993)
Actions:
AP075.S1.1990.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Ritsumeikan House, a combine residential and educational faculty on Agronomy Road at the University of British Columbia in Vancouver, British Columbia. Oberlander worked on this project in 1990-1993 with architectural firm Matsuzaki Wright Architects. The project consisted in designing a landscape that will include an already existing treed courtyard with mature pine trees on small mounds. Oberlander added a paved pathways between the mounds leading the entrances of the buildings. The landscape design also included planters and tree planting along the buildings. The project was completed in 1992. The project series contains design development drawings, such as landscape plans and planting plans, and working drawings such as planting plans, grading plans, and irrigation plans, and presentation drawings, including landscape plans. The project is also documented through concept notes by Oberlander, correspondence with architects and clients, reports, meetings documents, specifications, plant lists, financial documents and photographs of the planting.
Level of archival description:
Project
Project
Date:
1990-1993
1990-1993
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP075.S1.1990.PR11
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Feigl Residence, located on Drummond Drive, in the University Endowment Land, in Vancouver, British Columbia. Oberlander worked on this project in the early 1990s. Oberlander's project for the Feigl residence consisted in redesigning the garden initally executed in the late 1950s by Justice & Webb Landscape Architects. She later returned in 2007-2008 for the design and the planting of an "green shield" of trees to improve to view from the residence and block the noises from the neighbouring developments. The project series contains only nine drawing, including preliminary grading plans, site plans, and land surveys used as reference.The project series also comprises textual records, including concept notes by Oberlander, correspondence with client and contractors, photographs of the existing landscaping, and cost estimates. The 2007-2008 addition is documented through a series of sketches of the view on the garden from the house, correspondence with contractors and client.
AP075.S1.1990.PR11
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Feigl Residence, located on Drummond Drive, in the University Endowment Land, in Vancouver, British Columbia. Oberlander worked on this project in the early 1990s. Oberlander's project for the Feigl residence consisted in redesigning the garden initally executed in the late 1950s by Justice & Webb Landscape Architects. She later returned in 2007-2008 for the design and the planting of an "green shield" of trees to improve to view from the residence and block the noises from the neighbouring developments. The project series contains only nine drawing, including preliminary grading plans, site plans, and land surveys used as reference.The project series also comprises textual records, including concept notes by Oberlander, correspondence with client and contractors, photographs of the existing landscaping, and cost estimates. The 2007-2008 addition is documented through a series of sketches of the view on the garden from the house, correspondence with contractors and client.
People:
Date:
1978-2008
1978-2008
Title:
Feigl Residence, Vancouver, British Columbia (1990-1991)
Actions:
AP075.S1.1990.PR11
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Feigl Residence, located on Drummond Drive, in the University Endowment Land, in Vancouver, British Columbia. Oberlander worked on this project in the early 1990s. Oberlander's project for the Feigl residence consisted in redesigning the garden initally executed in the late 1950s by Justice & Webb Landscape Architects. She later returned in 2007-2008 for the design and the planting of an "green shield" of trees to improve to view from the residence and block the noises from the neighbouring developments. The project series contains only nine drawing, including preliminary grading plans, site plans, and land surveys used as reference.The project series also comprises textual records, including concept notes by Oberlander, correspondence with client and contractors, photographs of the existing landscaping, and cost estimates. The 2007-2008 addition is documented through a series of sketches of the view on the garden from the house, correspondence with contractors and client.
Feigl Residence, Vancouver, British Columbia (1990-1991)
Actions:
AP075.S1.1990.PR11
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Feigl Residence, located on Drummond Drive, in the University Endowment Land, in Vancouver, British Columbia. Oberlander worked on this project in the early 1990s. Oberlander's project for the Feigl residence consisted in redesigning the garden initally executed in the late 1950s by Justice & Webb Landscape Architects. She later returned in 2007-2008 for the design and the planting of an "green shield" of trees to improve to view from the residence and block the noises from the neighbouring developments. The project series contains only nine drawing, including preliminary grading plans, site plans, and land surveys used as reference.The project series also comprises textual records, including concept notes by Oberlander, correspondence with client and contractors, photographs of the existing landscaping, and cost estimates. The 2007-2008 addition is documented through a series of sketches of the view on the garden from the house, correspondence with contractors and client.
Level of archival description:
Project
Project
Date:
1978-2008
1978-2008
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1997.PR04
Description:
This project series documents the Centro Cultural Manzana de Revellin in Ceuta, Spain. While the records were held in the office’s archives this project was assigned the number 85/90. The office assigned the date 1997 to this project. The project site is located in the historic center of Ceuta. The project consists of five white buildings, including an auditorium, a museum, offices and shops, and two buildings for the school of music, school of languages and school of commerce. Each of the buildings is a different size and shape and occupies a city block. Collaborators on the project were Lia Kiladis, Angela Princiotto, Francesca Montalto, Andrea Smaniotto, Axel Baudendistel, Avelino Silva, Markus Elmiger, Nicola Natali, Rita Amaral, and Duarte Kruger. The project was realized between 1998 and 2012. Documenting this project are sketches, studies, presentation drawings, working drawings, and mechanical drawings. Textual material includes documentation about the structure, electricity, and acoustics of the auditorium. Photographs and negatives document the model.
AP178.S1.1997.PR04
Description:
This project series documents the Centro Cultural Manzana de Revellin in Ceuta, Spain. While the records were held in the office’s archives this project was assigned the number 85/90. The office assigned the date 1997 to this project. The project site is located in the historic center of Ceuta. The project consists of five white buildings, including an auditorium, a museum, offices and shops, and two buildings for the school of music, school of languages and school of commerce. Each of the buildings is a different size and shape and occupies a city block. Collaborators on the project were Lia Kiladis, Angela Princiotto, Francesca Montalto, Andrea Smaniotto, Axel Baudendistel, Avelino Silva, Markus Elmiger, Nicola Natali, Rita Amaral, and Duarte Kruger. The project was realized between 1998 and 2012. Documenting this project are sketches, studies, presentation drawings, working drawings, and mechanical drawings. Textual material includes documentation about the structure, electricity, and acoustics of the auditorium. Photographs and negatives document the model.
People:
Date:
1997-2007
1997-2007
Title:
Centro Cultural Manzana del Revellin [Manzana dei Revellin Cultural Centre], Ceuta, Spain (1997)
Actions:
AP178.S1.1997.PR04
Description:
This project series documents the Centro Cultural Manzana de Revellin in Ceuta, Spain. While the records were held in the office’s archives this project was assigned the number 85/90. The office assigned the date 1997 to this project. The project site is located in the historic center of Ceuta. The project consists of five white buildings, including an auditorium, a museum, offices and shops, and two buildings for the school of music, school of languages and school of commerce. Each of the buildings is a different size and shape and occupies a city block. Collaborators on the project were Lia Kiladis, Angela Princiotto, Francesca Montalto, Andrea Smaniotto, Axel Baudendistel, Avelino Silva, Markus Elmiger, Nicola Natali, Rita Amaral, and Duarte Kruger. The project was realized between 1998 and 2012. Documenting this project are sketches, studies, presentation drawings, working drawings, and mechanical drawings. Textual material includes documentation about the structure, electricity, and acoustics of the auditorium. Photographs and negatives document the model.
Centro Cultural Manzana del Revellin [Manzana dei Revellin Cultural Centre], Ceuta, Spain (1997)
Actions:
AP178.S1.1997.PR04
Description:
This project series documents the Centro Cultural Manzana de Revellin in Ceuta, Spain. While the records were held in the office’s archives this project was assigned the number 85/90. The office assigned the date 1997 to this project. The project site is located in the historic center of Ceuta. The project consists of five white buildings, including an auditorium, a museum, offices and shops, and two buildings for the school of music, school of languages and school of commerce. Each of the buildings is a different size and shape and occupies a city block. Collaborators on the project were Lia Kiladis, Angela Princiotto, Francesca Montalto, Andrea Smaniotto, Axel Baudendistel, Avelino Silva, Markus Elmiger, Nicola Natali, Rita Amaral, and Duarte Kruger. The project was realized between 1998 and 2012. Documenting this project are sketches, studies, presentation drawings, working drawings, and mechanical drawings. Textual material includes documentation about the structure, electricity, and acoustics of the auditorium. Photographs and negatives document the model.
Level of archival description:
Project
Project
Date:
1997-2007
1997-2007
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP075.S1.2007.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the green roof of the Wong Residence on Quadra Island, off the eastern cost of Vancouver, in the Strait of Georgia. Oberlander worked in this project in the second half of the 2000s. The residence was built in a thick and old-growth forest and "Oberlander designed the rooftop landscape as an experimental extansion of this forest system" [1] The project consists in a three landscaped roofs, with a bridge linking a larger platform to two smaller roofs by a glass bridge. The project series contains correspondence, including correspondence with client, contractors and suppliers, project descriptions and digital photographs of the plant selection and planting work. The project is also documents through studies and sketches, such as sun movements studies and preliminary landscape sketches, and also roof plans used as reference. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 96.
AP075.S1.2007.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the green roof of the Wong Residence on Quadra Island, off the eastern cost of Vancouver, in the Strait of Georgia. Oberlander worked in this project in the second half of the 2000s. The residence was built in a thick and old-growth forest and "Oberlander designed the rooftop landscape as an experimental extansion of this forest system" [1] The project consists in a three landscaped roofs, with a bridge linking a larger platform to two smaller roofs by a glass bridge. The project series contains correspondence, including correspondence with client, contractors and suppliers, project descriptions and digital photographs of the plant selection and planting work. The project is also documents through studies and sketches, such as sun movements studies and preliminary landscape sketches, and also roof plans used as reference. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 96.
People:
Date:
2007-2008
2007-2008
Title:
Wong Residence, Quadra Island, British Columbia (circa 2007)
Actions:
AP075.S1.2007.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the green roof of the Wong Residence on Quadra Island, off the eastern cost of Vancouver, in the Strait of Georgia. Oberlander worked in this project in the second half of the 2000s. The residence was built in a thick and old-growth forest and "Oberlander designed the rooftop landscape as an experimental extansion of this forest system" [1] The project consists in a three landscaped roofs, with a bridge linking a larger platform to two smaller roofs by a glass bridge. The project series contains correspondence, including correspondence with client, contractors and suppliers, project descriptions and digital photographs of the plant selection and planting work. The project is also documents through studies and sketches, such as sun movements studies and preliminary landscape sketches, and also roof plans used as reference. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 96.
Wong Residence, Quadra Island, British Columbia (circa 2007)
Actions:
AP075.S1.2007.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project for the green roof of the Wong Residence on Quadra Island, off the eastern cost of Vancouver, in the Strait of Georgia. Oberlander worked in this project in the second half of the 2000s. The residence was built in a thick and old-growth forest and "Oberlander designed the rooftop landscape as an experimental extansion of this forest system" [1] The project consists in a three landscaped roofs, with a bridge linking a larger platform to two smaller roofs by a glass bridge. The project series contains correspondence, including correspondence with client, contractors and suppliers, project descriptions and digital photographs of the plant selection and planting work. The project is also documents through studies and sketches, such as sun movements studies and preliminary landscape sketches, and also roof plans used as reference. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 96.
Level of archival description:
Project
Project
Date:
2007-2008
2007-2008
People:
Form:
photographs
photographs
Actions:
Reference number:
AP149.S1.1990.PR01.001
Description:
Group consists of slides of background researchs including photograph of indian houses, buildings and various contemporary installations. The slides are predominantly organised by alphabetical order of the locations where the photograph were taken.
AP149.S1.1990.PR01.001
Description:
Group consists of slides of background researchs including photograph of indian houses, buildings and various contemporary installations. The slides are predominantly organised by alphabetical order of the locations where the photograph were taken.
People:
Date:
ca. 1988-1990
ca. 1988-1990
Title:
Research for the Contemporary Indian Architecture project
Actions:
AP149.S1.1990.PR01.001
Description:
Group consists of slides of background researchs including photograph of indian houses, buildings and various contemporary installations. The slides are predominantly organised by alphabetical order of the locations where the photograph were taken.
Research for the Contemporary Indian Architecture project
Actions:
AP149.S1.1990.PR01.001
Description:
Group consists of slides of background researchs including photograph of indian houses, buildings and various contemporary installations. The slides are predominantly organised by alphabetical order of the locations where the photograph were taken.
Form:
photographs
photographs
Date:
ca. 1988-1990
ca. 1988-1990
People:
