ARCH169191
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3 reprographies: Plan du site photocopies, jusqu'à 28 x 43 cm 1 reprographie: Vue d'une maquette copie laser couleur d'une photographie 2 enveloppes de négatifs couleur: Vues du site 5 planches d'impressions: Vues du bâtiments logeant l'usine de filtration où était présentée l'exposition
Plan du site, vues du site, maquette
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ARCH169191
Description:
3 reprographies: Plan du site photocopies, jusqu'à 28 x 43 cm 1 reprographie: Vue d'une maquette copie laser couleur d'une photographie 2 enveloppes de négatifs couleur: Vues du site 5 planches d'impressions: Vues du bâtiments logeant l'usine de filtration où était présentée l'exposition
Media and Machines marks the second phase of the research project initiated with the 2013 exhibition Archaeology of the Digital. This initiative investigates how architecture engaged with digital technology from the 1980s until the turn of the century. The first exhibition identified the earliest practices looking to computation as a design medium that could serve(...)
Main galleries
21 May 2014 to 5 October 2014
Archaeology of the Digital: Media and Machines
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Media and Machines marks the second phase of the research project initiated with the 2013 exhibition Archaeology of the Digital. This initiative investigates how architecture engaged with digital technology from the 1980s until the turn of the century. The first exhibition identified the earliest practices looking to computation as a design medium that could serve(...)
Main galleries
For the third and last installment in this series, Mauricio Pezo and Sofia von Ellrichshausen of Pezo von Ellrichshausen explore domestic monumentality in Williamss work. The exhibition presents technical drawings of monumental elements incorporated in two key projects—Casa Sobre el Arroyo [House on the river] and Casa Demarás [Desmarás house]—alongside an array of(...)
Octagonal gallery Keyword(s):
Amancio Williams, Pezo von Ellrichshausen, Buenos Aires, Out of the box, Argentina, Casa sobre el arroyo, Casa Desmarás, bridge house
22 February 2024 to 19 May 2024
Domestic Monument: Amancio Williams selected by Pezo von Ellrichshausen
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For the third and last installment in this series, Mauricio Pezo and Sofia von Ellrichshausen of Pezo von Ellrichshausen explore domestic monumentality in Williamss work. The exhibition presents technical drawings of monumental elements incorporated in two key projects—Casa Sobre el Arroyo [House on the river] and Casa Demarás [Desmarás house]—alongside an array of(...)
Octagonal gallery Keyword(s):
Amancio Williams, Pezo von Ellrichshausen, Buenos Aires, Out of the box, Argentina, Casa sobre el arroyo, Casa Desmarás, bridge house
Dream Houses, Toy Homes
Through selections from the CCA’s collection of architectural toys and games, including 33 European and North American architectural toys dating from the early nineteenth century to 1995, Dream Houses, Toy Homes examines the notions of home, childhood, play, gender, and learning. The exhibition uncovers the potential of toys to embody images and ideas of domestic(...)
Dream Houses, Toy Homes
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Through selections from the CCA’s collection of architectural toys and games, including 33 European and North American architectural toys dating from the early nineteenth century to 1995, Dream Houses, Toy Homes examines the notions of home, childhood, play, gender, and learning. The exhibition uncovers the potential of toys to embody images and ideas of domestic(...)
Laboratories examines how architecture can respond to an uncertain post-September 11 world and construct a new stage for thought. Six young Montreal architecture firms present environments or installations that investigate the fundamental language of architecture and that affirm the civilizing power of the imagination. The contributing firms are Atelier Big City, Atelier(...)
Main galleries
18 April 2002 to 15 September 2002
Laboratories: Six Young Architectural Firms in the CCA Galleries
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Laboratories examines how architecture can respond to an uncertain post-September 11 world and construct a new stage for thought. Six young Montreal architecture firms present environments or installations that investigate the fundamental language of architecture and that affirm the civilizing power of the imagination. The contributing firms are Atelier Big City, Atelier(...)
Main galleries
Cornelia Hahn Oberlander: Ecological Landscapes demonstrates Oberlanders pioneering vision of socially conscious and environmentally sustainable landscape design in Canada. The exhibition presents a selection of projects executed in Ottawa, Toronto, Vancouver, Yellowknife, and Berlin over a period of more than 30 years. Drawings and writings from the CCA’s Oberlander(...)
Octagonal gallery
11 May 2006 to 30 July 2006
Cornelia Hahn Oberlander: Ecological Landscapes
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Cornelia Hahn Oberlander: Ecological Landscapes demonstrates Oberlanders pioneering vision of socially conscious and environmentally sustainable landscape design in Canada. The exhibition presents a selection of projects executed in Ottawa, Toronto, Vancouver, Yellowknife, and Berlin over a period of more than 30 years. Drawings and writings from the CCA’s Oberlander(...)
Octagonal gallery
textual records
ARCH258336
Description:
Correspondance et rapports de diverses associations, incluant l'institut Royal d'Architecture de Canada, l'Ordre des architectes du Québec, le Prix Préfontaine, University of Calgary, et de la correspondance avec le Musée des Beaux-arts de Montréal au sujet de l'exposition « Prize Award Winners 1908-1965 » qui inclus l'aquarelle de Cormier « Fontaine du Jardin Borghèse à Rome ».
1967-1977
Correspondance et rapports de diverses associations
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ARCH258336
Description:
Correspondance et rapports de diverses associations, incluant l'institut Royal d'Architecture de Canada, l'Ordre des architectes du Québec, le Prix Préfontaine, University of Calgary, et de la correspondance avec le Musée des Beaux-arts de Montréal au sujet de l'exposition « Prize Award Winners 1908-1965 » qui inclus l'aquarelle de Cormier « Fontaine du Jardin Borghèse à Rome ».
textual records
1967-1977
Tangent - Alain Paiement
The first in a series of exhibitions that invites artists to create new work in response to a corpus of photographs selected from the CCA’s collection. In a provocative installation, Québec artist Alain Paiement juxtaposes a wide range of photographic subjects from the collection – buildings under construction, models of student work, architectural abstractions, different(...)
23 April 2003 to 23 November 2003
Tangent - Alain Paiement
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The first in a series of exhibitions that invites artists to create new work in response to a corpus of photographs selected from the CCA’s collection. In a provocative installation, Québec artist Alain Paiement juxtaposes a wide range of photographic subjects from the collection – buildings under construction, models of student work, architectural abstractions, different(...)
Trois Architectes, Trois Quartiers focuses on three Montréal-based architects whose work had a strong presence in a specific area of the city during the first half of the twentieth century: Ludger Lemieux (1872–1953) in St-Henri, Ernest lsbell Barott (1884–1966) in St-Antoine on the southern and western slopes of Mount Royal, and Ernest Cormier (1885–1980) at the(...)
1440 rue Sainte-Catherine Ouest
20 May 1983 to 19 August 1983
Trois architectes, trois quartiers : Ludger Lemieux (St. Henri), Ernest Cormier (Cité universitaire), Ernest Isbell Barott (St. Antoine)
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Trois Architectes, Trois Quartiers focuses on three Montréal-based architects whose work had a strong presence in a specific area of the city during the first half of the twentieth century: Ludger Lemieux (1872–1953) in St-Henri, Ernest lsbell Barott (1884–1966) in St-Antoine on the southern and western slopes of Mount Royal, and Ernest Cormier (1885–1980) at the(...)
1440 rue Sainte-Catherine Ouest
Series
Carnet de croquis
AP066.S1
Description:
La série est composée d'un groupe de onze carnets contenant des notes et des croquis relatifs aux projets conçus par Jacques Rousseau entre 1982 et 1997. Presque tous les projets de Rousseau y sont représentés. On y retrouve aussi des ébauches de projets qui ont été soit abandonnés, comme la transformation de la maison Coloniale en " Maison de l'architecture ", soit développés dans d'autres projets, comme, par exemple, le projet de Montréal " sous-terrain " qui a servi à la fois au projet du Musée des Beaux-Arts de Montréal et à l'exposition Du poétique de la maquette et de ses répliques.
1982-1997
Carnet de croquis
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AP066.S1
Description:
La série est composée d'un groupe de onze carnets contenant des notes et des croquis relatifs aux projets conçus par Jacques Rousseau entre 1982 et 1997. Presque tous les projets de Rousseau y sont représentés. On y retrouve aussi des ébauches de projets qui ont été soit abandonnés, comme la transformation de la maison Coloniale en " Maison de l'architecture ", soit développés dans d'autres projets, comme, par exemple, le projet de Montréal " sous-terrain " qui a servi à la fois au projet du Musée des Beaux-Arts de Montréal et à l'exposition Du poétique de la maquette et de ses répliques.
Series
1982-1997