5328 Results
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exhibitions
exhibitions
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Description:
The drawings presented in this exhibition are annotated to show the Italian Renaissance master architect Andrea Palladio as a draughtsman considering a blank sheet of paper. Palladio at Work considers a life sustained by drawing, the process by which Palladio’s design was developed, argued, and communicated. Curated by Guido Beltramini and Charles Hind. Co-organized with(...)
The drawings presented in this exhibition are annotated to show the Italian Renaissance master architect Andrea Palladio as a draughtsman considering a blank sheet of paper. Palladio at Work considers a life sustained by drawing, the process by which Palladio’s design was developed, argued, and communicated. Curated by Guido Beltramini and Charles Hind. Co-organized with(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
3 March 2011 to 22 May 2011
3 March 2011 to 22 May 2011
Title:
Palladio at Work: An annotated exhibition
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Description:
The drawings presented in this exhibition are annotated to show the Italian Renaissance master architect Andrea Palladio as a draughtsman considering a blank sheet of paper. Palladio at Work considers a life sustained by drawing, the process by which Palladio’s design was developed, argued, and communicated. Curated by Guido Beltramini and Charles Hind. Co-organized with(...)
Palladio at Work: An annotated exhibition
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Description:
The drawings presented in this exhibition are annotated to show the Italian Renaissance master architect Andrea Palladio as a draughtsman considering a blank sheet of paper. Palladio at Work considers a life sustained by drawing, the process by which Palladio’s design was developed, argued, and communicated. Curated by Guido Beltramini and Charles Hind. Co-organized with(...)
Form:
exhibitions
exhibitions
Date:
3 March 2011 to
22 May 2011
3 March 2011 to
22 May 2011
Location:
Octagonal gallery
Octagonal gallery
Form:
textual records
textual records
Actions:
Reference number:
ARCH272977
Description:
A cardboard tube containing a Certificate of Commendation award presented to the Foreign Office Architects from Hidenobu Takahide, the Mayor of the City of Yokohama, that confirms that they have taken the Grand Prize for the Yokohama International Ferry Port Terminal competition, Japan. The certificate is accompanied by a sheet of Japanese text written in black ink.
ARCH272977
Description:
A cardboard tube containing a Certificate of Commendation award presented to the Foreign Office Architects from Hidenobu Takahide, the Mayor of the City of Yokohama, that confirms that they have taken the Grand Prize for the Yokohama International Ferry Port Terminal competition, Japan. The certificate is accompanied by a sheet of Japanese text written in black ink.
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Date:
13 February 1995
13 February 1995
Title:
A certificate of commendation from the Mayor of the City of Yokohama to the Foreign Office Architects
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ARCH272977
Description:
A cardboard tube containing a Certificate of Commendation award presented to the Foreign Office Architects from Hidenobu Takahide, the Mayor of the City of Yokohama, that confirms that they have taken the Grand Prize for the Yokohama International Ferry Port Terminal competition, Japan. The certificate is accompanied by a sheet of Japanese text written in black ink.
A certificate of commendation from the Mayor of the City of Yokohama to the Foreign Office Architects
Actions:
ARCH272977
Description:
A cardboard tube containing a Certificate of Commendation award presented to the Foreign Office Architects from Hidenobu Takahide, the Mayor of the City of Yokohama, that confirms that they have taken the Grand Prize for the Yokohama International Ferry Port Terminal competition, Japan. The certificate is accompanied by a sheet of Japanese text written in black ink.
Form:
textual records
textual records
Date:
13 February 1995
13 February 1995
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Form:
events
events
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Description:
Antoni Folkers discusses a collection related to modern architecture in Africa that was recently acquired by the CCA. His account traces the activity of three travellers involved in building the collection: Georg Lippsmeier in the 1950s, Coen Beeker in the 1960s, and Kiran Mukerji in the 1970s. An architect and urban designer, Folkers is the author of Modern Architecture(...)
Antoni Folkers discusses a collection related to modern architecture in Africa that was recently acquired by the CCA. His account traces the activity of three travellers involved in building the collection: Georg Lippsmeier in the 1950s, Coen Beeker in the 1960s, and Kiran Mukerji in the 1970s. An architect and urban designer, Folkers is the author of Modern Architecture(...)
Location:
Shaughnessy House
Shaughnessy House
Date:
14 July 2016, 6pm
14 July 2016, 6pm
Title:
Antoni Folkers: Modern Architecture in Africa
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Description:
Antoni Folkers discusses a collection related to modern architecture in Africa that was recently acquired by the CCA. His account traces the activity of three travellers involved in building the collection: Georg Lippsmeier in the 1950s, Coen Beeker in the 1960s, and Kiran Mukerji in the 1970s. An architect and urban designer, Folkers is the author of Modern Architecture(...)
Antoni Folkers: Modern Architecture in Africa
Actions:
Description:
Antoni Folkers discusses a collection related to modern architecture in Africa that was recently acquired by the CCA. His account traces the activity of three travellers involved in building the collection: Georg Lippsmeier in the 1950s, Coen Beeker in the 1960s, and Kiran Mukerji in the 1970s. An architect and urban designer, Folkers is the author of Modern Architecture(...)
Form:
events
events
Date:
14 July 2016
6pm
14 July 2016
6pm
Location:
Shaughnessy House
Shaughnessy House
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP167
Synopsis:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
AP167
Synopsis:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
People:
Date:
1995-2013
1995-2013
Title:
ONL [Oosterhuis_Lénárd] NSA Muscle project records
Actions:
AP167
Synopsis:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
ONL [Oosterhuis_Lénárd] NSA Muscle project records
Actions:
AP167
Synopsis:
The ONL [Oosterhuis_Lénárd] NSA Muscle project records, 1995-2013, contain approximately 5,000 digital working files for the NSA Muscle, a built prototype commissioned for the Non-Standard Architecture exhibition at the Centre George Pompidou in Paris in 2003. The NSA Muscle is a programmable structure that changes its shape and content in real time. The records are entirely digital, and include administrative files, CAD files, Virtools files, publicity materials and photographs. They document the planning, design development, construction and exhibition of the NSA Muscle and related projects.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1995-2013
1995-2013
People:
Form:
events
events
Actions:
Description:
Brian Boigon ran Culture Lab at the back of a rock club in Toronto from 1991 to 1994. Participants from architecture, art, film, video, music, comedy, science and fashion were asked to push their discipline through their assigned thematic field out into the wilds of unknown propagation. Boigon’s talk addresses the temporal and social ramifications that led up and into the(...)
Brian Boigon ran Culture Lab at the back of a rock club in Toronto from 1991 to 1994. Participants from architecture, art, film, video, music, comedy, science and fashion were asked to push their discipline through their assigned thematic field out into the wilds of unknown propagation. Boigon’s talk addresses the temporal and social ramifications that led up and into the(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
31 March 2016
31 March 2016
Title:
Fucking with Interoperability: Culture Lab 1991–94
Actions:
Description:
Brian Boigon ran Culture Lab at the back of a rock club in Toronto from 1991 to 1994. Participants from architecture, art, film, video, music, comedy, science and fashion were asked to push their discipline through their assigned thematic field out into the wilds of unknown propagation. Boigon’s talk addresses the temporal and social ramifications that led up and into the(...)
Fucking with Interoperability: Culture Lab 1991–94
Actions:
Description:
Brian Boigon ran Culture Lab at the back of a rock club in Toronto from 1991 to 1994. Participants from architecture, art, film, video, music, comedy, science and fashion were asked to push their discipline through their assigned thematic field out into the wilds of unknown propagation. Boigon’s talk addresses the temporal and social ramifications that led up and into the(...)
Form:
events
events
Date:
31 March 2016
31 March 2016
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Form:
drawings
drawings
Reference number:
ARCH276033
Description:
Plans de la cuisine, détails de la ventilation des pièces 35 à 38, de la porte de garage, de la porte d'entrée principale, de la salle à manger des juges, de la salle de consultation, des consoles, des plafonds de la Cour de l'Échiquier et de la salle des juges.
ARCH276033
Description:
Plans de la cuisine, détails de la ventilation des pièces 35 à 38, de la porte de garage, de la porte d'entrée principale, de la salle à manger des juges, de la salle de consultation, des consoles, des plafonds de la Cour de l'Échiquier et de la salle des juges.
People:
Date:
1939 - 1940
1939 - 1940
Title:
Plans de la cuisine, détails de la ventilation des pièces 35 à 38
Actions:
ARCH276033
Description:
Plans de la cuisine, détails de la ventilation des pièces 35 à 38, de la porte de garage, de la porte d'entrée principale, de la salle à manger des juges, de la salle de consultation, des consoles, des plafonds de la Cour de l'Échiquier et de la salle des juges.
Plans de la cuisine, détails de la ventilation des pièces 35 à 38
Actions:
ARCH276033
Description:
Plans de la cuisine, détails de la ventilation des pièces 35 à 38, de la porte de garage, de la porte d'entrée principale, de la salle à manger des juges, de la salle de consultation, des consoles, des plafonds de la Cour de l'Échiquier et de la salle des juges.
Form:
drawings
drawings
Date:
1939 - 1940
1939 - 1940
People:
Form:
exhibitions
exhibitions
Actions:
Description:
The armies of World War Two represented only the tips of colliding icebergs, the belligerent nations which had mobilized and transformed themselves for a global “war of production” of unprecedented scale. Architecture in Uniform: Designing and Building for the Second World War documents the extensive contribution of architecture to the war between the bombings of Guernica(...)
The armies of World War Two represented only the tips of colliding icebergs, the belligerent nations which had mobilized and transformed themselves for a global “war of production” of unprecedented scale. Architecture in Uniform: Designing and Building for the Second World War documents the extensive contribution of architecture to the war between the bombings of Guernica(...)
Location:
Main galleries
Main galleries
Date:
13 April 2011 to 18 September 2011
13 April 2011 to 18 September 2011
Title:
Architecture in Uniform: Designing and Building for the Second World War
Actions:
Description:
The armies of World War Two represented only the tips of colliding icebergs, the belligerent nations which had mobilized and transformed themselves for a global “war of production” of unprecedented scale. Architecture in Uniform: Designing and Building for the Second World War documents the extensive contribution of architecture to the war between the bombings of Guernica(...)
Architecture in Uniform: Designing and Building for the Second World War
Actions:
Description:
The armies of World War Two represented only the tips of colliding icebergs, the belligerent nations which had mobilized and transformed themselves for a global “war of production” of unprecedented scale. Architecture in Uniform: Designing and Building for the Second World War documents the extensive contribution of architecture to the war between the bombings of Guernica(...)
Form:
exhibitions
exhibitions
Date:
13 April 2011 to
18 September 2011
13 April 2011 to
18 September 2011
Location:
Main galleries
Main galleries
Form:
events
events
Actions:
Description:
Seeing, perceiving, viewing, envisioning: each is a form of framing that mediates between inside and outside, public and private, what’s evident and what’s hidden. Georges Teyssot, Professor at Université Laval’s School of Architecture in Quebec City and author of A Topology of Everyday Constellations (The MIT Press, 2013), analyzes how the notions of window, door, frame,(...)
Seeing, perceiving, viewing, envisioning: each is a form of framing that mediates between inside and outside, public and private, what’s evident and what’s hidden. Georges Teyssot, Professor at Université Laval’s School of Architecture in Quebec City and author of A Topology of Everyday Constellations (The MIT Press, 2013), analyzes how the notions of window, door, frame,(...)
Location:
Shaughnessy House
Shaughnessy House
Date:
19 February 2015 , 6pm
19 February 2015 , 6pm
Title:
Windows and Screens: Georges Teyssot
Actions:
Description:
Seeing, perceiving, viewing, envisioning: each is a form of framing that mediates between inside and outside, public and private, what’s evident and what’s hidden. Georges Teyssot, Professor at Université Laval’s School of Architecture in Quebec City and author of A Topology of Everyday Constellations (The MIT Press, 2013), analyzes how the notions of window, door, frame,(...)
Windows and Screens: Georges Teyssot
Actions:
Description:
Seeing, perceiving, viewing, envisioning: each is a form of framing that mediates between inside and outside, public and private, what’s evident and what’s hidden. Georges Teyssot, Professor at Université Laval’s School of Architecture in Quebec City and author of A Topology of Everyday Constellations (The MIT Press, 2013), analyzes how the notions of window, door, frame,(...)
Form:
events
events
Date:
19 February 2015
6pm
19 February 2015
6pm
Location:
Shaughnessy House
Shaughnessy House
Title:
Équipement photographique
Équipement photographique
Actions:
Reference number:
ARCH252034
Description:
- 1 tireuse contact 9.5 x 11,5 pouces; - 2 tireuses contact format 8 x 10 pouces; - 1 accessoire de porte-négatif (en bois noir) pour agrandisseur; - 1 accessoire de porte-négatif (en carton) pour agrandisseur;
ARCH252034
Description:
- 1 tireuse contact 9.5 x 11,5 pouces; - 2 tireuses contact format 8 x 10 pouces; - 1 accessoire de porte-négatif (en bois noir) pour agrandisseur; - 1 accessoire de porte-négatif (en carton) pour agrandisseur;
People:
Title:
Équipement photographique
Actions:
ARCH252034
Description:
- 1 tireuse contact 9.5 x 11,5 pouces; - 2 tireuses contact format 8 x 10 pouces; - 1 accessoire de porte-négatif (en bois noir) pour agrandisseur; - 1 accessoire de porte-négatif (en carton) pour agrandisseur;
Équipement photographique
Actions:
ARCH252034
Description:
- 1 tireuse contact 9.5 x 11,5 pouces; - 2 tireuses contact format 8 x 10 pouces; - 1 accessoire de porte-négatif (en bois noir) pour agrandisseur; - 1 accessoire de porte-négatif (en carton) pour agrandisseur;
People:
Actions:
Reference number:
ARCH250604
Description:
1 porte-copie (tilting lever) de marque CR (Copy-Right; New York)
ARCH250604
Description:
1 porte-copie (tilting lever) de marque CR (Copy-Right; New York)
People:
Title:
Porte-copie pour banc de reproduction photographique
Actions:
ARCH250604
Description:
1 porte-copie (tilting lever) de marque CR (Copy-Right; New York)
Porte-copie pour banc de reproduction photographique
Actions:
ARCH250604
Description:
1 porte-copie (tilting lever) de marque CR (Copy-Right; New York)
People:
