textual records
Boyer Galleries
ARCH104055
Description:
correspondence, catalogues and programs of exhibitions, clippings, photographs
1933, 1937-1938, 1978
Boyer Galleries
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ARCH104055
Description:
correspondence, catalogues and programs of exhibitions, clippings, photographs
textual records
1933, 1937-1938, 1978
textual records
John B. Pierce Foundation
ARCH104212
Description:
correspondence, offprints, reproductions of drawings, various documentation, photographs
1938-1939
John B. Pierce Foundation
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ARCH104212
Description:
correspondence, offprints, reproductions of drawings, various documentation, photographs
textual records
1938-1939
photographs
AP140.S2.SS1.D47.P1
Description:
aerial photograph showing competition site for reference purposes
Political and Administrative Centre Competition
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AP140.S2.SS1.D47.P1
Description:
aerial photograph showing competition site for reference purposes
photographs
photographs
Photographs of artwork for reproduction for chapter 5 of Labor, work and architecture publication
AP197.S1.SS7.005
Description:
Photographs are numbered form 67-92 El Usoitzky.
circa 1990-2000
Photographs of artwork for reproduction for chapter 5 of Labor, work and architecture publication
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AP197.S1.SS7.005
Description:
Photographs are numbered form 67-92 El Usoitzky.
photographs
circa 1990-2000
photographs
Photographs of artwork for reproduction for chapter 8 of Labor, work and architecture publication
AP197.S1.SS7.008
Description:
Photographs are numbered from130-148 City of dialectical.
circa 1990-2000
Photographs of artwork for reproduction for chapter 8 of Labor, work and architecture publication
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AP197.S1.SS7.008
Description:
Photographs are numbered from130-148 City of dialectical.
photographs
circa 1990-2000
photographs
Photographs of artwork for reproduction for chapter 11 of Labor, work and architecture publication
AP197.S1.SS7.011
Description:
Photographs are numbered from 198-205 American notes.
circa 1990-2000
Photographs of artwork for reproduction for chapter 11 of Labor, work and architecture publication
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AP197.S1.SS7.011
Description:
Photographs are numbered from 198-205 American notes.
photographs
circa 1990-2000
photographs
AP178.S1.1994.PR09.016
Description:
Original file title: Maison Van Middelem - Dupont - Photographs
ca. 2000
Photographs of the buildings before construction, Casa Van Middelem-Dupont, Oudenbourg
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AP178.S1.1994.PR09.016
Description:
Original file title: Maison Van Middelem - Dupont - Photographs
photographs
ca. 2000
photographs
Photographs of construction work, C. Cultural e Audit. para a Fundação Ibere Camargo, Porto Alegre
AP178.S1.1998.PR07.038
Description:
Original file title: Iberê Camargo copies of photographs
ca. 2005
Photographs of construction work, C. Cultural e Audit. para a Fundação Ibere Camargo, Porto Alegre
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AP178.S1.1998.PR07.038
Description:
Original file title: Iberê Camargo copies of photographs
photographs
ca. 2005
The beginning of the 1950s was a moment of global upheaval. From India to Morocco, from Guatemala to Indochina, the process of decolonization gained momentum and the Cold War began. Architects working or acting as experts in the non-Western areas of the globe could no longer plan as if sites were terrains vague and people were mute subjects. The end of colonial(...)
Main galleries Keyword(s):
Casablanca, Chandigarh, Le Corbusier, Jeanneret, Morocco, Punjab, India, Morocco, modernism, Africa, Takashi Homma, Yto Barrada
26 November 2013 to 20 April 2014
How architects, experts, politicians, international agencies and citizens negotiate modern planning: Casablanca Chandigarh
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Description:
The beginning of the 1950s was a moment of global upheaval. From India to Morocco, from Guatemala to Indochina, the process of decolonization gained momentum and the Cold War began. Architects working or acting as experts in the non-Western areas of the globe could no longer plan as if sites were terrains vague and people were mute subjects. The end of colonial(...)
Main galleries Keyword(s):
Casablanca, Chandigarh, Le Corbusier, Jeanneret, Morocco, Punjab, India, Morocco, modernism, Africa, Takashi Homma, Yto Barrada
Paul Nelson (1895–1979), American architect, film set designer, painter, critic, and educator, taught and practised architecture in the United States and France for over fifty years. Nelson was a central figure in the development of functionalism in the 1930s and 1940s, which rejected the Beaux-Arts language in favour of technological and functional expression. The Filter(...)
Main galleries
27 March 1991 to 26 May 1991
The Filter of Reason: The Work of Paul Nelson
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Description:
Paul Nelson (1895–1979), American architect, film set designer, painter, critic, and educator, taught and practised architecture in the United States and France for over fifty years. Nelson was a central figure in the development of functionalism in the 1930s and 1940s, which rejected the Beaux-Arts language in favour of technological and functional expression. The Filter(...)
Main galleries