As the Earth’s climate reaches a state of constant instability, there is growing awareness of how global warming can affect human rights and increase social strife. Less attention has been paid to the ways in which political violence and human rights abuses, from past and present, constitute driving factors in the transformations of the global environment and climate.(...)
Paul Demarais Theatre
1 December 2016, 6pm
In the Frontiers of Climate Change (Toward a Politics of Nonhuman Rights)
Actions:
Description:
As the Earth’s climate reaches a state of constant instability, there is growing awareness of how global warming can affect human rights and increase social strife. Less attention has been paid to the ways in which political violence and human rights abuses, from past and present, constitute driving factors in the transformations of the global environment and climate.(...)
Paul Demarais Theatre
Evoking a provocation famously framed by Le Corbusier, “Architecture ou Révolution,” this conversation will situate the SAAL process in Portugal within international debates during the 1960s and 1970s on social housing and the architect’s social responsibility. Nuno Portas, Secretary of State for Housing and Urbanism of the government established after the 1974 Portuguese(...)
Paul-Desmarais Theatre
14 May 2015 , 6pm
Architecture or Revolution? A Conversation with Nuno Portas and Nuno Grande
Actions:
Description:
Evoking a provocation famously framed by Le Corbusier, “Architecture ou Révolution,” this conversation will situate the SAAL process in Portugal within international debates during the 1960s and 1970s on social housing and the architect’s social responsibility. Nuno Portas, Secretary of State for Housing and Urbanism of the government established after the 1974 Portuguese(...)
Paul-Desmarais Theatre
ARCH256302
Description:
"Les éléments d'exposition du pavillon que la république de Haiti fait construire à l'Expo 67 illustreront le thème 'Haiti, terre de soleil'. L'édifice sera situé dans l'Ile Notre-Dame, à proximité des pavillons de Monaco et de la Yougoslavie. Il se reflétera dans deux des canaux de l'Expo. / The pavilion of the Republic of Haiti will stress the theme 'Haiti... land of the sun,' and will be located on Notre-Dame near the pavilions of Monaco and Yugoslavia. The pavilion's floor and external terrace will be a checkered motif stylizing the sun, while the roof will be made of 16 hollow tubes of varying heights. Total cost of the pavilion will be approximately $150,000.00."--Description.
1967
View of the Pavilion of Haiti, Expo 67, Montréal, Québec
Actions:
ARCH256302
Description:
"Les éléments d'exposition du pavillon que la république de Haiti fait construire à l'Expo 67 illustreront le thème 'Haiti, terre de soleil'. L'édifice sera situé dans l'Ile Notre-Dame, à proximité des pavillons de Monaco et de la Yougoslavie. Il se reflétera dans deux des canaux de l'Expo. / The pavilion of the Republic of Haiti will stress the theme 'Haiti... land of the sun,' and will be located on Notre-Dame near the pavilions of Monaco and Yugoslavia. The pavilion's floor and external terrace will be a checkered motif stylizing the sun, while the roof will be made of 16 hollow tubes of varying heights. Total cost of the pavilion will be approximately $150,000.00."--Description.
To Build Law
To Build Law, a documentary directed by Joshua Frank and exhibition curated by Francesco Garutti, follows bplus.xyz (b+) as they establish a policy lab, HouseEurope.eu, to propose industry reforms and shift cultural norms. To Build Law will closely observe the b+ team during various phases of conceptualization and development of a European Citizens’ Initiative meant to(...)
11 December 2024 to 25 May 2025
To Build Law
Actions:
Description:
To Build Law, a documentary directed by Joshua Frank and exhibition curated by Francesco Garutti, follows bplus.xyz (b+) as they establish a policy lab, HouseEurope.eu, to propose industry reforms and shift cultural norms. To Build Law will closely observe the b+ team during various phases of conceptualization and development of a European Citizens’ Initiative meant to(...)
Take Note
Take Note presents selected pivotal moments in the ongoing relationship between writing and architecture. This exhibition is the fifth in a series of CCA exhibitions developed in collaboration with universities. Curated by Sylvia Lavin, University of California, Los Angeles.
Octagonal gallery
4 February 2010 to 30 May 2010
Take Note
Actions:
Description:
Take Note presents selected pivotal moments in the ongoing relationship between writing and architecture. This exhibition is the fifth in a series of CCA exhibitions developed in collaboration with universities. Curated by Sylvia Lavin, University of California, Los Angeles.
Octagonal gallery
Project
AP206.S1.1982.PR02
Description:
This project series documents an extension and additions to the Milkfed Punjab milk plant in Jalandhar, India from 1982-1985, governed by The National Dairy Development Board (NDDB). This project consisted of an extension to the main milk plant, as well as the building of a garage, stores, service block, duty rooms and an addition to the administrative block. An orchard and covered bike area were also proposed. The main plant extension, used for the processing of butter and ghee, was multi-leveled with a primary height of two-storeys but reaching up to four storeys. Different schemes were proposed for the administrative block addition, one which showed a square building and the other showing a round building. The duty rooms, dotted with irregularly placed and sized geometric windows, had a roof that curled up at one end, opening to expose windows. The project is recorded through original drawings dating from 1973, which include plans, elevations, sections, perspectives and details.
1982-1985
NDDB Milkfed Punjab, Jalandhar, India (1982-1985)
Actions:
AP206.S1.1982.PR02
Description:
This project series documents an extension and additions to the Milkfed Punjab milk plant in Jalandhar, India from 1982-1985, governed by The National Dairy Development Board (NDDB). This project consisted of an extension to the main milk plant, as well as the building of a garage, stores, service block, duty rooms and an addition to the administrative block. An orchard and covered bike area were also proposed. The main plant extension, used for the processing of butter and ghee, was multi-leveled with a primary height of two-storeys but reaching up to four storeys. Different schemes were proposed for the administrative block addition, one which showed a square building and the other showing a round building. The duty rooms, dotted with irregularly placed and sized geometric windows, had a roof that curled up at one end, opening to expose windows. The project is recorded through original drawings dating from 1973, which include plans, elevations, sections, perspectives and details.
Project
1982-1985
Series
AP115.S1
Description:
Cette série porte sur le travail de documentation photographique de Robert Duchesnay d'un des exemples construit du Dymaxion Dwelling Machine, à Wichita, Kansas, aux États-Unis. Le Dymaxion Dwelling Machine, concept conçu par Buckminster Fuller et considéré comme le précurseur du dôme géodésique, visait a créer un mode d'habitation donnant un maximun d'espace pour un minimum de coût et de matériaux. L'exemple du Wichita House est conçu par Fuller en 1945-1946. "L'apparence de cette machine à habiter ressemble quelque peu à une soucoupe volante. Avec sa peau externe en aluminium et ses fenêtres en plexiglass, elle offre un surface élégante et profilée, tout en renferman un espace au sol de 1100 pieds carrées." [1] Le Dymaxion Dwelling Machine est abandonné en 1970, pour être finalement acquise en 1990 par le Henry Ford Museum à Detroit, au Michigan. La structure est démantelé la même année avec l'aide d'un ancien collaborateur de Buckminster Fuller, Jay Baldwin. Le Dymaxion Dwelling Machine est toujours visible au Ford Museum. La série contient des photographies de la Wichita House avant et durant le démantèlement, brochures et feuillets du Wichita Art Museum présentant l'exposition de Robert Duchesnay sur le bâtiment, correspondance reçue par Duchesnay sur son projet de documentation des dômes géodésiques de Buckminster Fuller, et coupures de presse sur le Dymaxion Dwelling Machine et le démantèlement de la Wichita House. [1] Robert Duchesnay, "Dymaxion Dwelling Machine", 2022, https://robertduchesnay.com/fr/dymaxion-fr/ (page consultée 27 février 2023).
1990-1992
Dymaxion Dwelling Machine, Wichita, Kansas
Actions:
AP115.S1
Description:
Cette série porte sur le travail de documentation photographique de Robert Duchesnay d'un des exemples construit du Dymaxion Dwelling Machine, à Wichita, Kansas, aux États-Unis. Le Dymaxion Dwelling Machine, concept conçu par Buckminster Fuller et considéré comme le précurseur du dôme géodésique, visait a créer un mode d'habitation donnant un maximun d'espace pour un minimum de coût et de matériaux. L'exemple du Wichita House est conçu par Fuller en 1945-1946. "L'apparence de cette machine à habiter ressemble quelque peu à une soucoupe volante. Avec sa peau externe en aluminium et ses fenêtres en plexiglass, elle offre un surface élégante et profilée, tout en renferman un espace au sol de 1100 pieds carrées." [1] Le Dymaxion Dwelling Machine est abandonné en 1970, pour être finalement acquise en 1990 par le Henry Ford Museum à Detroit, au Michigan. La structure est démantelé la même année avec l'aide d'un ancien collaborateur de Buckminster Fuller, Jay Baldwin. Le Dymaxion Dwelling Machine est toujours visible au Ford Museum. La série contient des photographies de la Wichita House avant et durant le démantèlement, brochures et feuillets du Wichita Art Museum présentant l'exposition de Robert Duchesnay sur le bâtiment, correspondance reçue par Duchesnay sur son projet de documentation des dômes géodésiques de Buckminster Fuller, et coupures de presse sur le Dymaxion Dwelling Machine et le démantèlement de la Wichita House. [1] Robert Duchesnay, "Dymaxion Dwelling Machine", 2022, https://robertduchesnay.com/fr/dymaxion-fr/ (page consultée 27 février 2023).
Série
1990-1992
The exhibition Jai Tech: ÁbalosHerreros selected by Juan José Castellón examines the way the tower typology manifests distinct, strategic approaches in the architecture of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Objects presented include site plans, photomontages, models, floor plans, and photographs. The exhibition also features a selection(...)
Octagonal gallery
24 May 2015 to 12 July 2015
Jai Tech: Ábalos&Herreros selected by Juan José Castellón
Actions:
Description:
The exhibition Jai Tech: ÁbalosHerreros selected by Juan José Castellón examines the way the tower typology manifests distinct, strategic approaches in the architecture of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Objects presented include site plans, photomontages, models, floor plans, and photographs. The exhibition also features a selection(...)
Octagonal gallery
Toy Town
Toy Town explores how villages, towns, and cities have been represented in toys from Europe and North America. Drawn from CCA’s collection of architectural toys and games, the twenty-nine toys reflect shifting social values and different approaches to the design, organisation, and planning of communities in the nineteenth and twentieth centuries. Toy Town is the sixth in(...)
Octagonal gallery
22 October 1997 to 31 May 1998
Toy Town
Actions:
Description:
Toy Town explores how villages, towns, and cities have been represented in toys from Europe and North America. Drawn from CCA’s collection of architectural toys and games, the twenty-nine toys reflect shifting social values and different approaches to the design, organisation, and planning of communities in the nineteenth and twentieth centuries. Toy Town is the sixth in(...)
Octagonal gallery