Archaeology of the Digital
Archaeology of the Digital is conceived as an investigation into the foundations of digital architecture at the end of the 1980s and the beginning of the 1990s through four seminal projects that established bold new directions for architectural research by experimenting with novel digital tools: the Lewis Residence by Frank Gehry (1985–1995), Peter Eisenman’s unrealized(...)
Main galleries
7 May 2013 to 27 October 2013
Archaeology of the Digital
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Archaeology of the Digital is conceived as an investigation into the foundations of digital architecture at the end of the 1980s and the beginning of the 1990s through four seminal projects that established bold new directions for architectural research by experimenting with novel digital tools: the Lewis Residence by Frank Gehry (1985–1995), Peter Eisenman’s unrealized(...)
Main galleries
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Origins of the digital
Media and Machines marks the second phase of the research project initiated with the 2013 exhibition Archaeology of the Digital. This initiative investigates how architecture engaged with digital technology from the 1980s until the turn of the century. The first exhibition identified the earliest practices looking to computation as a design medium that could serve(...)
Main galleries
21 May 2014 to 5 October 2014
Archaeology of the Digital: Media and Machines
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Media and Machines marks the second phase of the research project initiated with the 2013 exhibition Archaeology of the Digital. This initiative investigates how architecture engaged with digital technology from the 1980s until the turn of the century. The first exhibition identified the earliest practices looking to computation as a design medium that could serve(...)
Main galleries
Archaeology of the Digital: Complexity and Convention is the third exhibition related to the development of a strategy for collecting and preserving digital archives at the CCA. The Archaeology of the Digital program comprises twenty-five projects for which digital materials are integral to an understanding of the design process. For projects included in the first two(...)
11 May 2016 to 16 October 2016
Archaeology of the Digital: Complexity and Convention
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Archaeology of the Digital: Complexity and Convention is the third exhibition related to the development of a strategy for collecting and preserving digital archives at the CCA. The Archaeology of the Digital program comprises twenty-five projects for which digital materials are integral to an understanding of the design process. For projects included in the first two(...)
articles
Origins of the digital
articles
Origins of the digital
In this lecture, Christophe Girot discusses digital landscape models: A quiet revolution has taken place in digital landscape design and analysis over the past decade, caused by the introduction of digital point-cloud models. The scope and precision of these digital landscape models, created with terrestrial laser scanners and mobile and airborne lidar, lead to new(...)
Paul Desmarais Theatre
6 October 2016, 6pm
Unravelling the Digital Landscape
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In this lecture, Christophe Girot discusses digital landscape models: A quiet revolution has taken place in digital landscape design and analysis over the past decade, caused by the introduction of digital point-cloud models. The scope and precision of these digital landscape models, created with terrestrial laser scanners and mobile and airborne lidar, lead to new(...)
Paul Desmarais Theatre
articles
Origins of the digital
Institutional Performance Festival digital
In this lecture, Amy Kulper locates architecture’s “digital turn” in 1988, when Thomas Knoll invented Photoshop. Originally developed as an image-editing software, Photoshop fit neatly within the long history of optical correction in the discipline. Yet its ubiquity today also prompts new questions. Does Photoshop simply introduce logics of adjustment, correction, and(...)
Paul Desmarais Theatre
9 June 2016, 6pm
Amy Kulper: Architecture’s Digital Turn and the Advent of Photoshop
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In this lecture, Amy Kulper locates architecture’s “digital turn” in 1988, when Thomas Knoll invented Photoshop. Originally developed as an image-editing software, Photoshop fit neatly within the long history of optical correction in the discipline. Yet its ubiquity today also prompts new questions. Does Photoshop simply introduce logics of adjustment, correction, and(...)
Paul Desmarais Theatre