Sous-série
AP197.S1.SS7
Description:
Materials in this series relate to the writing of a published collection of essays “Labor, Work and Architecture” (2002) as well as Frampton's teaching of the seminar “Labor, work and architecture” at the Graduate School of Architecture, Planning and Preservation, Columbia University. Materials consist of photographs and prints for the publication (organized by chapter), layouts for each chapter, an original manuscript of “Labor, Work and Architecture,” reviews of the publication, and course readers for the seminar.
1985-2014
Labor, work and architecture (1966-1969, 1981-2008)
Actions:
AP197.S1.SS7
Description:
Materials in this series relate to the writing of a published collection of essays “Labor, Work and Architecture” (2002) as well as Frampton's teaching of the seminar “Labor, work and architecture” at the Graduate School of Architecture, Planning and Preservation, Columbia University. Materials consist of photographs and prints for the publication (organized by chapter), layouts for each chapter, an original manuscript of “Labor, Work and Architecture,” reviews of the publication, and course readers for the seminar.
Subseries
1985-2014
Sous-série
AP197.S1.SS8
Description:
Materials in this subseries document the theoretical seminar "Comparative Critical Analysis of Built Form," which Kenneth Frampton taught since 1973 at the Graduate School of Architecture, Preservation and Planning, Columbia University. The seminar became the bases for his book “Genealogy of Modern Architecture: Comparative Critical Analysis” (2015). Materials for the seminar make up a significant portion of this subseries. Materials consist of copyright image requests and permission requests (organized in alphabetical order), handwritten and typed drafts with edits, correspondence, layout drafts, notes, copyright information charts, grant applications, as well as student analyses/projects, student drawings, and course readers for the seminar.
circa 1970-2015
Comparative critical analysis (1973-2015, 2018)
Actions:
AP197.S1.SS8
Description:
Materials in this subseries document the theoretical seminar "Comparative Critical Analysis of Built Form," which Kenneth Frampton taught since 1973 at the Graduate School of Architecture, Preservation and Planning, Columbia University. The seminar became the bases for his book “Genealogy of Modern Architecture: Comparative Critical Analysis” (2015). Materials for the seminar make up a significant portion of this subseries. Materials consist of copyright image requests and permission requests (organized in alphabetical order), handwritten and typed drafts with edits, correspondence, layout drafts, notes, copyright information charts, grant applications, as well as student analyses/projects, student drawings, and course readers for the seminar.
Subseries
circa 1970-2015
Sous-série
AP197.S1.SS9
Description:
This subseries is comprised of notes, drafts, research, and photographic materials that were organized by topic. Unlike Kenneth Frampton’s research files which are arranged in Series AP197.S2, these files were compiled for book projects, articles, book reviews, lectures, interviews, conference addresses, and keynote speeches, and document over 300 of Frampton's published or unpublished texts. The materials include notes, contracts, drafts, correspondence, final copies of texts, photographic materials, and research materials. This subseries also includes Frampton’s curriculum vitaes, notebooks, and covers he designed for the journal Architectural Design (1962-1964). The files are organized alphabetically by the topic explored, namely architects. Some of these architects include: Alvar Aalto; Tadao Ando; Georges Baines; Luis Barragan; H.P. Berlage; Mario Botta; Alberto Campo Baeza; David Chipperfield; Alvaro Siza; Michael Kagan; Louis Kahn; Rem Koolhaas; Kengo Kuma; Kisho Kurakawa; Adolf Loos; Le Corbusier; Raphael Moneo; Carlo Scarpa; O.M. Ungers; Raj Rewal; Rogelio Salmona; Frank Lloyd Wright; and Monica Pidgeon. Subjects explored in these texts include: photography; the predicament of environmental design; reciprocal regionalism; the British Library; China's sacred sites; reflections on the oppositions of architecture and building; reflections on Perspecta; and the role of education. Large portions of these boxes document the publications "World Architecture 1900-2000: a Critical Mosaic" (1999), "Le Corbusier" (1997 and 2002), "American Masterworks: the Twentieth Century House" (1995), and "American Masterworks" (2008). Some folders may include coloured tabs with the note "copied." These tabs were used to identify whether the particular writing/project in question had been added to Frampton's curriculum vitae.
circa 1952 -2016
Books, articles, reviews, lectures, and juries
Actions:
AP197.S1.SS9
Description:
This subseries is comprised of notes, drafts, research, and photographic materials that were organized by topic. Unlike Kenneth Frampton’s research files which are arranged in Series AP197.S2, these files were compiled for book projects, articles, book reviews, lectures, interviews, conference addresses, and keynote speeches, and document over 300 of Frampton's published or unpublished texts. The materials include notes, contracts, drafts, correspondence, final copies of texts, photographic materials, and research materials. This subseries also includes Frampton’s curriculum vitaes, notebooks, and covers he designed for the journal Architectural Design (1962-1964). The files are organized alphabetically by the topic explored, namely architects. Some of these architects include: Alvar Aalto; Tadao Ando; Georges Baines; Luis Barragan; H.P. Berlage; Mario Botta; Alberto Campo Baeza; David Chipperfield; Alvaro Siza; Michael Kagan; Louis Kahn; Rem Koolhaas; Kengo Kuma; Kisho Kurakawa; Adolf Loos; Le Corbusier; Raphael Moneo; Carlo Scarpa; O.M. Ungers; Raj Rewal; Rogelio Salmona; Frank Lloyd Wright; and Monica Pidgeon. Subjects explored in these texts include: photography; the predicament of environmental design; reciprocal regionalism; the British Library; China's sacred sites; reflections on the oppositions of architecture and building; reflections on Perspecta; and the role of education. Large portions of these boxes document the publications "World Architecture 1900-2000: a Critical Mosaic" (1999), "Le Corbusier" (1997 and 2002), "American Masterworks: the Twentieth Century House" (1995), and "American Masterworks" (2008). Some folders may include coloured tabs with the note "copied." These tabs were used to identify whether the particular writing/project in question had been added to Frampton's curriculum vitae.
Subseries
circa 1952 -2016
photographies
AP149.S1.1986.PR01.033
ca. 1988
Photographs of Richard Brook taken during his field trip in India
Actions:
AP149.S1.1986.PR01.033
photographies
ca. 1988
photographies
AP149.S1.1988.PR01.029
ca. 1988
photographies
ca. 1988
photographies
AP149.S1.1988.PR01.030
ca. 1988
Negatives for the illustration for the publications "Housing a Billion"
Actions:
AP149.S1.1988.PR01.030
photographies
ca. 1988
photographies
AP149.S1.1988.PR01.031
1992
photographies
1992
photographies
AP149.S1.1990.PR01.006
1980s
Photographs of rural housing development in India for the Contemporary Indian Architecture publication
Actions:
AP149.S1.1990.PR01.006
photographies
1980s
photographies
AP149.S1.1990.PR01.007
Description:
Includes photographs of Delhi and Calcutta.
1980s
Slides of urban housing in India for the Contemporary Indian Architecture publication
Actions:
AP149.S1.1990.PR01.007
Description:
Includes photographs of Delhi and Calcutta.
photographies
1980s
photographies
AP149.S1.1990.PR01.008
1980s
Reference slides for the Contemporary Indian Architecuture publication
Actions:
AP149.S1.1990.PR01.008
photographies
1980s