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Titre:
Uneternalcity, urbanism beyond Rome, section of the 11th international architecture exhibition directed by Aaron Betsky

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$79.00
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Résumé:
Uneternalcity is a multiplicity of projects performed by a dozen architects from around the world, some of them local, some from far away, that provoke a revelation of what Rome is and always has been, and what Rome has become and continually is becoming. If it is possible to figure it out and to re-imagine and reimage Rome the way it appears in our mind’s eye when we think of city, then we can make sense of any post-city urban landscape that is our new home in the world.

Titre:
Frank Havermans: Architectural constructions

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$60.00
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Résumé:
Working without the interventions of an engineer or building contractor, Dutch architect Frank Havermans constructs complex structures that display his fascination with architectonic space. His activities include the design of furniture, interior and exterior design projects and large-scale urbanism. Documenting his work since 1998, this monograph presents maquettes and scale models alongside images of the realized projects.

Titre:
Norihiko Dan and associates

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$50.00
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Résumé:
A concrete tree trunk growing in the middle of a commercial street in Tokyo, an airport terminal that looks almost like a bird's wing, a skyscraper facade that seems to move like ocean waves, a visitors' center perfectly integrated into the landscape of Taiwan's largest lake - nature is everpresent in Japanese architect Norihiko Dan's buildings. His architecture never stands alone, for Dan always seeks symbiosis; this appears in his combination of geometric-archetypical with organic forms, in his urban planning projects, which bring submerged historic and cultural identities back to light, as well as in the ecological orientation of his buildings.

Titre:
Making it modern: the history of modernism in architecture and design

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$46.95
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Résumé:
At its root, modernism is that fundamental. It is a question of having something to represent that is of the moment. In the most radical interpretation, modernism always comes too late. The modern is that which is always new, which is to say, always changing and already old by the time it has appeared. Modernism is always a retrospective act, one of documenting or trying to catch what has already appeared - an attempt to fix life as it is being lived. Modernity is just the very fact that we as human beings are continually remaking the world around us through our actions, and are doing so consciously. Modernism is a monument to or memory of that act, which in its own making tries to remake the world it is pretending to represent.

Titre:
50 lessons to learn from Frank Lloyd Wright

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$43.95
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Résumé:
''50 Lessons to learn from Frank Lloyd Wright'' presents the work and imaginings of this beloved architect in an accessible and compelling form. Here we may glean insight from an American master and find inspiration for the thoughtful design of our own homes. By means of succinct examples, text and visuals, the authors share fifty lessons, or 'learning points,' with an eye to Wright-designed houses and interiors, ranging from 'Inspired by nature,' 'Make a room flexible with screens,' and 'Creating liveable interiors with textiles,' to 'Learning from the East,' 'Green design' and 'Seeking harmony and balance.' Each lesson is accompanied by pearls of wisdom gathered from the master's trove of writings on architecture and design.

Titre:
Frank van der Salm: Nowhere: imagining the global city

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$116.00
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Résumé:
'NOWHERE' shows a world in which Instagrammability is first and foremost, in which the new reality is dictated by the seductive image that may (later) be made from it. Architecture, design, and urban landscape are directed by the mechanisms of global big business, and the same antiseptic beauty exists all over the world. 'NOWHERE—Imagining the Global City' presents the work of Dutch photographer Frank van der Salm from the past twenty-five years. Designed by Irma Boom, the book shows a consumer-oriented, imaginary metropolis. Images, sometimes deliberately upside down, challenge the reality they represent. Seen together they form the image of a city that suddenly seems to be simultaneously everywhere and nowhere: both here and now and nowhere. The essays by Shumon Basar, Aaron Betsky, and Urs Stahel link Frank van der Salm’s oeuvre to the world of design, architecture, urban development, art, and photography.