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Titre:
Dan Graham

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$59.95
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Résumé:
Dan Graham is among the most influential of the Conceptual artists who emerged in America during the mid 1960s. A pioneer in performance and video art in the 1970s, Graham later turned his attention to architectural projects designed for social interaction in public spaces, among them The Children’s Pavilion (1989) with Jeff Wall. Writing has always been a major aspect of Graham’s work. His texts range from early Conceptual art pieces inserted in mass-market magazines, to writing on his fellow artists, to analyses of popular culture, from Dean Martin to the post-Punk era. Well-known also among architects and urban theorists, during the 1990s Graham has been offered major public commissions throughout North America and Europe. London-based curator Mark Francis discusses with the artist how his public participation-based work has evolved. Brussels-based critic Birgit Pelzer draws on her extensive knowledge of Graham’s work and writings. New York-based architectural theorist Beatriz Colomina focuses on Graham’s Alteration to a Suburban House (1978). The artist has chosen an extract from the science fiction novel Ubik by Philip K Dick, whose writings were a formative influence. A substantial Artist’s Writings section, key to understanding Dan Graham, completes the book.

Titre:
Sexuality and space

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This collection of interdisciplinary essays addresses gender in relation to architectural discourse and critical theory, focusing on finding the close relationships between sexuality and space hidden within everyday practices. The contributors are Jennifer Bloomer, Victor Burgin, Beatriz Colomina, Elizabeth Grosz, Catherine Ingraham, Meaghan Morris, Laura Mulvey, Molly Nesbit, Alessandra Ponte, Lynn Spigel, Patricia White, and Mark Wigley.

Titre:
Privacy and publicity : modern architecture as mass media

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$62.00
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Résumé:
Through a series of close readings of two major figures of the modern movement, Adolf Loos and Le Corbusier, Beatriz Colomina argues that architecture only becomes modern in its engagement with the mass media, and that in so doing it radically displaces the traditional sense of space and subjectivity. "Privacy and Publicity" questions certain ideological assumptions underlying the received view of modern architecture and reconsiders the methodology of architectural criticism itself. Where conventional criticism portrays modern architecture as a high artistic practice in opposition to mass culture, Colomina sees the emerging systems of communication that have come to define twentieth-century culture -- the mass media -- as the true site within which modern architecture was produced. She considers architectural discourse as the intersection of a number of systems of representation such as drawings, models, photographs, books, films, and advertisements. This does not mean abandoning the architectural object, the building, but rather looking at it in a different way. The building is understood here in the same way as all the media that frame it, as a mechanism of representation in its own right.