Border crossings 161
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Border crossings 161
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Bordercrossings 165
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Bordercrossings 165
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Bordercrossings 166
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"It’s January 2025 and nothing is certain, nothing fixed or real. Images flicker and pass before they can be comprehended; beauty no longer speaks its name; the virtual is the unreal real, a “there” that can’t ever be reached. But Painting resists. Pigment on canvas or panel or sheet, mark by mark, the brush at the end of the hand linked to the animating pumping heart.(...)
Bordercrossings 166
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"It’s January 2025 and nothing is certain, nothing fixed or real. Images flicker and pass before they can be comprehended; beauty no longer speaks its name; the virtual is the unreal real, a “there” that can’t ever be reached. But Painting resists. Pigment on canvas or panel or sheet, mark by mark, the brush at the end of the hand linked to the animating pumping heart. Painting. We bring it to you again in a large, full issue. Heart and spirit; soul and resistance, joy and pleasure, some rage and some hope. "
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Border Crossings 162
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Border Crossings 162
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Bordercrossings 164
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Bordercrossings 164
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"With every step forward we leave a backward trace. A footprint in wet sand is ephemeral but photographs fill a drawer and linger and haunt us; letters and journals call out to be read. We don’t really want our lives and the activities and objects that filled them to be lost and forgotten. Not really. It is our sop against oblivion, and out of our desire to be in the(...)
Bordercrossings 167: the archive
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"With every step forward we leave a backward trace. A footprint in wet sand is ephemeral but photographs fill a drawer and linger and haunt us; letters and journals call out to be read. We don’t really want our lives and the activities and objects that filled them to be lost and forgotten. Not really. It is our sop against oblivion, and out of our desire to be in the company of others that we store and sort and arrange the material evidence of our having been here. The ordering of these artifacts brings sense and coherence to lives that seem fleeting and without conclusive purpose. Our collections—whatever it is that composes them—take an almost imitative corporeal form that we feel may represent us as we are and have been. I am here; this is what I have done; my accomplishments have been assembled and are shown. An Archive."
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The thematic subject of this issue, while not dogmatic or narrow, does include a number of dogs and refers broadly to a correction of our estrangement from animals. The best "fixers" for this limiting, damaging gulf—between humans and animals—are artists. "Estrangement" is chosen with deliberation; it wasn’t always so. Let’s believe instead in a Paradisal prehistory and(...)
Border Crossings 168 : Art and also Animals
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The thematic subject of this issue, while not dogmatic or narrow, does include a number of dogs and refers broadly to a correction of our estrangement from animals. The best "fixers" for this limiting, damaging gulf—between humans and animals—are artists. "Estrangement" is chosen with deliberation; it wasn’t always so. Let’s believe instead in a Paradisal prehistory and make efforts to return there. So: artist, animals, artist and animals.
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"Now, and Then” is a nice elliptical phrase, never standing on its own — inconclusive in an expansive kind of way. It can be read to mean “occasionally,” as in — now and then I have a craving for raw oysters. It can be understood comparatively: this is now and that was then or it can be read as a double state of mind, considering what we are doing now and what took place(...)
Border Crossings 169 : Now, and then
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"Now, and Then” is a nice elliptical phrase, never standing on its own — inconclusive in an expansive kind of way. It can be read to mean “occasionally,” as in — now and then I have a craving for raw oysters. It can be understood comparatively: this is now and that was then or it can be read as a double state of mind, considering what we are doing now and what took place then. This is the way in which our topic for the current issue came to mind. It might also serve as an anchor in our rudderless time, to be consistently nautical, in that we can be engaged in the unavoidable present but we can also be assured that there is a history behind us — both bolstering, and dreadful, some of it we can draw and build on and much for which we ask to be forgiven.
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The latest issue is now available at the bookstore.
Border Crossings 157 : photography
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Border crossings 140
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Dernier numéro disponible en librairie. Latest issue available at the bookstore.
Border crossings 140
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Dernier numéro disponible en librairie. Latest issue available at the bookstore.
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