1463 Résultats
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livres
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Götz Diergarten: photographs
Götz Diergarten: photographs
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Götz Diergarten documents vernacular architecture throughout Europe: storefront façades, beach cabanas, spas and metro stations in Germany, France, England and Belgium. With the absence of human form, the materials and patterns of passageways, tunnels and railway platforms are transformed into abstract color fields.
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Götz Diergarten documents vernacular architecture throughout Europe: storefront façades, beach cabanas, spas and metro stations in Germany, France, England and Belgium. With the absence of human form, the materials and patterns of passageways, tunnels and railway platforms are transformed into abstract color fields.
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Götz Diergarten: photographs
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Götz Diergarten documents vernacular architecture throughout Europe: storefront façades, beach cabanas, spas and metro stations in Germany, France, England and Belgium. With the absence of human form, the materials and patterns of passageways, tunnels and railway platforms are transformed into abstract color fields.
Götz Diergarten: photographs
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$66.00
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Götz Diergarten documents vernacular architecture throughout Europe: storefront façades, beach cabanas, spas and metro stations in Germany, France, England and Belgium. With the absence of human form, the materials and patterns of passageways, tunnels and railway platforms are transformed into abstract color fields.
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livres
livres
Publication:
août 2010
août 2010
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Monographies photo
Monographies photo
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livres
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Here, 18 photographers document cities from Detroit to Manila, to make a composite portrait of a city of all cities. The photographers are Sibylle Bergemann, Jörg Brüggemann, Espen Eichhöfer, Annette Hauschild, Harald Hauswald, Pepa Hristová, Andrej Krementschouk, Ute & Werner Mahler, Thomas Meyer, Dawin Meckel, Julian Röder, Frank Schinski, Jordis Antonia Schlosser, Anne(...)
$72.00
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Here, 18 photographers document cities from Detroit to Manila, to make a composite portrait of a city of all cities. The photographers are Sibylle Bergemann, Jörg Brüggemann, Espen Eichhöfer, Annette Hauschild, Harald Hauswald, Pepa Hristová, Andrej Krementschouk, Ute & Werner Mahler, Thomas Meyer, Dawin Meckel, Julian Röder, Frank Schinski, Jordis Antonia Schlosser, Anne(...)
Titre:
The city: Becoming and decaying
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Here, 18 photographers document cities from Detroit to Manila, to make a composite portrait of a city of all cities. The photographers are Sibylle Bergemann, Jörg Brüggemann, Espen Eichhöfer, Annette Hauschild, Harald Hauswald, Pepa Hristová, Andrej Krementschouk, Ute & Werner Mahler, Thomas Meyer, Dawin Meckel, Julian Röder, Frank Schinski, Jordis Antonia Schlosser, Anne Schönharting, Linn Schröder, Heinrich Völkel and Maurice Weiss.
The city: Becoming and decaying
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Here, 18 photographers document cities from Detroit to Manila, to make a composite portrait of a city of all cities. The photographers are Sibylle Bergemann, Jörg Brüggemann, Espen Eichhöfer, Annette Hauschild, Harald Hauswald, Pepa Hristová, Andrej Krementschouk, Ute & Werner Mahler, Thomas Meyer, Dawin Meckel, Julian Röder, Frank Schinski, Jordis Antonia Schlosser, Anne Schönharting, Linn Schröder, Heinrich Völkel and Maurice Weiss.
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livres
livres
Publication:
octobre 2010
octobre 2010
Sujet:
Photographie- collections
Photographie- collections
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livres
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Over the course of his entire career, Robert Rauschenberg dedicated works to only five other artists: John Cage, Merce Cunningham, Marcel Duchamp, Jasper Johns, and the Swiss artist Jean Tinguely. The practices of Tinguely and Rauschenberg intersected kinetically during a few pivotal years in the early 1960s. The two men joined forces on several more artistic projects,(...)
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Over the course of his entire career, Robert Rauschenberg dedicated works to only five other artists: John Cage, Merce Cunningham, Marcel Duchamp, Jasper Johns, and the Swiss artist Jean Tinguely. The practices of Tinguely and Rauschenberg intersected kinetically during a few pivotal years in the early 1960s. The two men joined forces on several more artistic projects,(...)
Titre:
Robert Rauschenberg & Jean Tinguely: collaborations
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Over the course of his entire career, Robert Rauschenberg dedicated works to only five other artists: John Cage, Merce Cunningham, Marcel Duchamp, Jasper Johns, and the Swiss artist Jean Tinguely. The practices of Tinguely and Rauschenberg intersected kinetically during a few pivotal years in the early 1960s. The two men joined forces on several more artistic projects, despite their aesthetic differences: Rauschenberg once remarked of Tinguely, "He liked mechanical things such as engines; I preferred hedonistic things such as bathtubs." This punblication documents this productive friendship.
Robert Rauschenberg & Jean Tinguely: collaborations
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Over the course of his entire career, Robert Rauschenberg dedicated works to only five other artists: John Cage, Merce Cunningham, Marcel Duchamp, Jasper Johns, and the Swiss artist Jean Tinguely. The practices of Tinguely and Rauschenberg intersected kinetically during a few pivotal years in the early 1960s. The two men joined forces on several more artistic projects, despite their aesthetic differences: Rauschenberg once remarked of Tinguely, "He liked mechanical things such as engines; I preferred hedonistic things such as bathtubs." This punblication documents this productive friendship.
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livres
livres
Publication:
août 2010
août 2010
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livres
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Rachel Harrison's assemblages of found and constructed objects carry a provisional quality, a wry sense of humor and an all-embracing intelligence. Playing with materials ranging from plinth, pedestal and corrugated cardboard to plastic ketchup bottles, insulated travel mugs and Barbie's wheelchair-bound friend, Harrison creates colorful, canny, thought-provoking(...)
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Rachel Harrison's assemblages of found and constructed objects carry a provisional quality, a wry sense of humor and an all-embracing intelligence. Playing with materials ranging from plinth, pedestal and corrugated cardboard to plastic ketchup bottles, insulated travel mugs and Barbie's wheelchair-bound friend, Harrison creates colorful, canny, thought-provoking(...)
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Rachel Harrison: Museum with walls
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Rachel Harrison's assemblages of found and constructed objects carry a provisional quality, a wry sense of humor and an all-embracing intelligence. Playing with materials ranging from plinth, pedestal and corrugated cardboard to plastic ketchup bottles, insulated travel mugs and Barbie's wheelchair-bound friend, Harrison creates colorful, canny, thought-provoking constructions that are worthy peers of Rauschenberg's Combines. This volume, the most comprehensive monograph of Harrison's sculpture, video and painting to date, provides documentation of the past 15 years of her work and includes essays by Tom Eccles, David Joselit, Iwona Blazwick and Jack Bankowsky, plus contributions from Paul Chan, John Kelsey, Allan McCollum, Lucy Raven, Amy Sillman and Steven Stern.
Rachel Harrison: Museum with walls
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Rachel Harrison's assemblages of found and constructed objects carry a provisional quality, a wry sense of humor and an all-embracing intelligence. Playing with materials ranging from plinth, pedestal and corrugated cardboard to plastic ketchup bottles, insulated travel mugs and Barbie's wheelchair-bound friend, Harrison creates colorful, canny, thought-provoking constructions that are worthy peers of Rauschenberg's Combines. This volume, the most comprehensive monograph of Harrison's sculpture, video and painting to date, provides documentation of the past 15 years of her work and includes essays by Tom Eccles, David Joselit, Iwona Blazwick and Jack Bankowsky, plus contributions from Paul Chan, John Kelsey, Allan McCollum, Lucy Raven, Amy Sillman and Steven Stern.
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livres
livres
Publication:
août 2010
août 2010
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livres
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The only woman to be represented on a Swiss banknote, Sophie Taeuber-Arp was one of the twentieth century's most innovative artists, in painting, sculpture, textiles, dance, architecture and puppetry. Often occupying this role of the only "woman"--in exhibitions, or when socializing among Dadaists and Concrete artists and elsewhere--Taeuber-Arp nevertheless went about her(...)
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The only woman to be represented on a Swiss banknote, Sophie Taeuber-Arp was one of the twentieth century's most innovative artists, in painting, sculpture, textiles, dance, architecture and puppetry. Often occupying this role of the only "woman"--in exhibitions, or when socializing among Dadaists and Concrete artists and elsewhere--Taeuber-Arp nevertheless went about her(...)
Titre:
Sophie Taeuber-Arp: Movement and balance
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The only woman to be represented on a Swiss banknote, Sophie Taeuber-Arp was one of the twentieth century's most innovative artists, in painting, sculpture, textiles, dance, architecture and puppetry. Often occupying this role of the only "woman"--in exhibitions, or when socializing among Dadaists and Concrete artists and elsewhere--Taeuber-Arp nevertheless went about her diverse activities as though gender obstacles were immaterial, and steadily built up a massive body of work whose consistent qualities are warmth, clarity and liveliness. Sophie Taeuber-Arp: Movement and Balance is the most complete survey of the artist's work available in any language to date. Packed with full-color illustrations of her work in all media, from her pre-Concrete abstractions to her fabrics, watercolors, canvases, reliefs and her wonderful marionettes, as well as a visual chronology with archival photographs of Taeuber-Arp posing in her costumes, or next to her works with her husband Hans (Jean) Arp, this volume demonstrates the exemplary adventurousness of her career.
Sophie Taeuber-Arp: Movement and balance
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The only woman to be represented on a Swiss banknote, Sophie Taeuber-Arp was one of the twentieth century's most innovative artists, in painting, sculpture, textiles, dance, architecture and puppetry. Often occupying this role of the only "woman"--in exhibitions, or when socializing among Dadaists and Concrete artists and elsewhere--Taeuber-Arp nevertheless went about her diverse activities as though gender obstacles were immaterial, and steadily built up a massive body of work whose consistent qualities are warmth, clarity and liveliness. Sophie Taeuber-Arp: Movement and Balance is the most complete survey of the artist's work available in any language to date. Packed with full-color illustrations of her work in all media, from her pre-Concrete abstractions to her fabrics, watercolors, canvases, reliefs and her wonderful marionettes, as well as a visual chronology with archival photographs of Taeuber-Arp posing in her costumes, or next to her works with her husband Hans (Jean) Arp, this volume demonstrates the exemplary adventurousness of her career.
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livres
livres
Publication:
août 2010
août 2010
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livres
livres
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$48.00
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More than any other Surrealist, Swiss artist Meret Oppenheim embraced, pursued and defined Surrealism's cult of the object, fashioning such classic works as the famous fur cup and the trussed high-heels, infusing everyday domestic objects with a concise eroticism. Yet many facets of her innovative and wide-ranging practice remain unknown to this day, including her(...)
$48.00
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Résumé:
More than any other Surrealist, Swiss artist Meret Oppenheim embraced, pursued and defined Surrealism's cult of the object, fashioning such classic works as the famous fur cup and the trussed high-heels, infusing everyday domestic objects with a concise eroticism. Yet many facets of her innovative and wide-ranging practice remain unknown to this day, including her(...)
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Meret Oppenheim: Fountain stories
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More than any other Surrealist, Swiss artist Meret Oppenheim embraced, pursued and defined Surrealism's cult of the object, fashioning such classic works as the famous fur cup and the trussed high-heels, infusing everyday domestic objects with a concise eroticism. Yet many facets of her innovative and wide-ranging practice remain unknown to this day, including her extraordinary fountain projects. From the late 1960s until her death, Oppenheim designed and produced models for a series of freewheeling aquatic sculptures. Only three of these have been realized: the "Meret Oppenheim Fountain" in Bern in her native Switzerland, the "Spiral (Nature's Course)" in Paris and the "Hermes Fountain" located in the garden of artist and onetime collaborator Daniel Spoerri in Seggiano, Italy. Fountain Stories is the first to gather all of Oppenheim's fountain projects, including her drawings and unrealized models, into a single definitive publication.
Meret Oppenheim: Fountain stories
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More than any other Surrealist, Swiss artist Meret Oppenheim embraced, pursued and defined Surrealism's cult of the object, fashioning such classic works as the famous fur cup and the trussed high-heels, infusing everyday domestic objects with a concise eroticism. Yet many facets of her innovative and wide-ranging practice remain unknown to this day, including her extraordinary fountain projects. From the late 1960s until her death, Oppenheim designed and produced models for a series of freewheeling aquatic sculptures. Only three of these have been realized: the "Meret Oppenheim Fountain" in Bern in her native Switzerland, the "Spiral (Nature's Course)" in Paris and the "Hermes Fountain" located in the garden of artist and onetime collaborator Daniel Spoerri in Seggiano, Italy. Fountain Stories is the first to gather all of Oppenheim's fountain projects, including her drawings and unrealized models, into a single definitive publication.
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livres
livres
Publication:
septembre 2010
septembre 2010
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livres
livres
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$54.00
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In 1789, Italian-born Spanish naval officer Alejandro Malaspina set off to visit Spain's colonies in Asia and the Americas. For five years, he and his crew sailed the Atlantic and Pacific oceans, discovering, cataloguing and analyzing flora, fauna, seas, people and lands. The Malaspina Expedition, as it came to be called, anticipated the global spirit of cross-discipline(...)
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In 1789, Italian-born Spanish naval officer Alejandro Malaspina set off to visit Spain's colonies in Asia and the Americas. For five years, he and his crew sailed the Atlantic and Pacific oceans, discovering, cataloguing and analyzing flora, fauna, seas, people and lands. The Malaspina Expedition, as it came to be called, anticipated the global spirit of cross-discipline(...)
Titre:
The Malaspina expedition: a scientific and political voyage around the world, 1789-1794
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In 1789, Italian-born Spanish naval officer Alejandro Malaspina set off to visit Spain's colonies in Asia and the Americas. For five years, he and his crew sailed the Atlantic and Pacific oceans, discovering, cataloguing and analyzing flora, fauna, seas, people and lands. The Malaspina Expedition, as it came to be called, anticipated the global spirit of cross-discipline synergy that defines the twenty-first century. Ths publication presents the visual legacy of his expedition, combining maps, illustrations and scientific and artistic documents.
The Malaspina expedition: a scientific and political voyage around the world, 1789-1794
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In 1789, Italian-born Spanish naval officer Alejandro Malaspina set off to visit Spain's colonies in Asia and the Americas. For five years, he and his crew sailed the Atlantic and Pacific oceans, discovering, cataloguing and analyzing flora, fauna, seas, people and lands. The Malaspina Expedition, as it came to be called, anticipated the global spirit of cross-discipline synergy that defines the twenty-first century. Ths publication presents the visual legacy of his expedition, combining maps, illustrations and scientific and artistic documents.
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livres
livres
Publication:
septembre 2010
septembre 2010
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livres
livres
Titre:
The Biennial reader
The Biennial reader
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Born as a vehicle for national propaganda, the art biennial today has become an outsize phenomenon mobilizing not only artists, curators and gallerists but sponsors, celebrities and politicians, commanding huge press attention and deciding the careers of artists worldwide. For a city to host a biennial today has colossal ramifications. This anthology on the art biennial(...)
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Born as a vehicle for national propaganda, the art biennial today has become an outsize phenomenon mobilizing not only artists, curators and gallerists but sponsors, celebrities and politicians, commanding huge press attention and deciding the careers of artists worldwide. For a city to host a biennial today has colossal ramifications. This anthology on the art biennial(...)
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The Biennial reader
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Born as a vehicle for national propaganda, the art biennial today has become an outsize phenomenon mobilizing not only artists, curators and gallerists but sponsors, celebrities and politicians, commanding huge press attention and deciding the careers of artists worldwide. For a city to host a biennial today has colossal ramifications. This anthology on the art biennial gathers previously published seminal texts from around the world alongside commissioned contributions from the leading scholars, curators, critics and thinkers today--among them Carlos Basualdo, Daniel Buren, John Clark, Okwui Enwezor, Bruce Ferguson, Milena Hoegsberg, Ranjit Hoskote, Caroline A. Jones, Jakouba Konaté, Gerardo Mosquera and Rafal Niemojewski. Tracing the genealogy of the standard exhibition format and examining some of the most famous examples of the twentieth and twenty-first century this reader explores the artistic, theoretical, and political ambitions of such large-scale exhibition projects.
The Biennial reader
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Born as a vehicle for national propaganda, the art biennial today has become an outsize phenomenon mobilizing not only artists, curators and gallerists but sponsors, celebrities and politicians, commanding huge press attention and deciding the careers of artists worldwide. For a city to host a biennial today has colossal ramifications. This anthology on the art biennial gathers previously published seminal texts from around the world alongside commissioned contributions from the leading scholars, curators, critics and thinkers today--among them Carlos Basualdo, Daniel Buren, John Clark, Okwui Enwezor, Bruce Ferguson, Milena Hoegsberg, Ranjit Hoskote, Caroline A. Jones, Jakouba Konaté, Gerardo Mosquera and Rafal Niemojewski. Tracing the genealogy of the standard exhibition format and examining some of the most famous examples of the twentieth and twenty-first century this reader explores the artistic, theoretical, and political ambitions of such large-scale exhibition projects.
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livres
livres
Publication:
décembre 2010
décembre 2010
Sujet:
Muséologie
Muséologie
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livres
livres
Titre:
Daniel Spoerri : eaten by
Daniel Spoerri : eaten by
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Daniel Spoerri was a co-signatory of the Nouveau Réalisme manifesto in 1960, an early member of Fluxus and the author of the classic "Anecdoted Topography of Chance", which recorded and annotated the contents of Spoerri's desk. In 1968 Spoerri also opened Restaurant Spoerri, introducing his concept of "Eat Art," which he had initiated a decade earlier, and which explored(...)
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Daniel Spoerri was a co-signatory of the Nouveau Réalisme manifesto in 1960, an early member of Fluxus and the author of the classic "Anecdoted Topography of Chance", which recorded and annotated the contents of Spoerri's desk. In 1968 Spoerri also opened Restaurant Spoerri, introducing his concept of "Eat Art," which he had initiated a decade earlier, and which explored(...)
Titre:
Daniel Spoerri : eaten by
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Daniel Spoerri was a co-signatory of the Nouveau Réalisme manifesto in 1960, an early member of Fluxus and the author of the classic "Anecdoted Topography of Chance", which recorded and annotated the contents of Spoerri's desk. In 1968 Spoerri also opened Restaurant Spoerri, introducing his concept of "Eat Art," which he had initiated a decade earlier, and which explored the creation, decay and "trapping" of food upon tables that were then recapitulated as assemblages. Marking the occasion of the artist's eightieth birthday, this publication approaches the theme of food throughout Spoerri's oeuvre, from the early 1960s to the present. It includes the artist's replica of the Restaurant Spoerri, a survey of Spoerri's trap pictures from 1978 to 1992, and a large number of more recent assemblages and sculptures, bringing his audience fully up to date.
Daniel Spoerri : eaten by
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Daniel Spoerri was a co-signatory of the Nouveau Réalisme manifesto in 1960, an early member of Fluxus and the author of the classic "Anecdoted Topography of Chance", which recorded and annotated the contents of Spoerri's desk. In 1968 Spoerri also opened Restaurant Spoerri, introducing his concept of "Eat Art," which he had initiated a decade earlier, and which explored the creation, decay and "trapping" of food upon tables that were then recapitulated as assemblages. Marking the occasion of the artist's eightieth birthday, this publication approaches the theme of food throughout Spoerri's oeuvre, from the early 1960s to the present. It includes the artist's replica of the Restaurant Spoerri, a survey of Spoerri's trap pictures from 1978 to 1992, and a large number of more recent assemblages and sculptures, bringing his audience fully up to date.
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livres
livres
Publication:
août 2010
août 2010
Classification:
livres
livres
Titre:
Oase 81: Criticism revisted
Oase 81: Criticism revisted
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This issue of OASE examines the diminishing culture of architecture criticism, and the role that architecture magazines play within the current debate. A record of events organized around the journal's twenty-fifth anniversary, this issue brings together important critical voices around one central question: what role should the architecture journal play in an(...)
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This issue of OASE examines the diminishing culture of architecture criticism, and the role that architecture magazines play within the current debate. A record of events organized around the journal's twenty-fifth anniversary, this issue brings together important critical voices around one central question: what role should the architecture journal play in an(...)
Titre:
Oase 81: Criticism revisted
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This issue of OASE examines the diminishing culture of architecture criticism, and the role that architecture magazines play within the current debate. A record of events organized around the journal's twenty-fifth anniversary, this issue brings together important critical voices around one central question: what role should the architecture journal play in an increasingly acritical landscape?
Oase 81: Criticism revisted
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This issue of OASE examines the diminishing culture of architecture criticism, and the role that architecture magazines play within the current debate. A record of events organized around the journal's twenty-fifth anniversary, this issue brings together important critical voices around one central question: what role should the architecture journal play in an increasingly acritical landscape?
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livres
livres
Publication:
septembre 2010
septembre 2010
Sujet:
Revues
Revues
