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Toronto-based practice superkül was founded in 2002. Its principals, Andre D'Elia and Meg Graham, have a broad range of professional experience in Canada and abroad, and this monograph reflects their diverse portfolio of project types, ranging from single-family residences to large-scale commercial and public works. Wood features prominently in the practice's designs,(...)
Superkül: rain gravity heat cold
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Toronto-based practice superkül was founded in 2002. Its principals, Andre D'Elia and Meg Graham, have a broad range of professional experience in Canada and abroad, and this monograph reflects their diverse portfolio of project types, ranging from single-family residences to large-scale commercial and public works. Wood features prominently in the practice's designs, which are inspired by the elements and demonstrate a commitment to pragmatism and advanced building technologies. Printed on soft, folded pages filled with beautiful photographs, this tactile and stimulating volume matches superkül's aesthetic of connecting with the natural context. With a text by Kiel Moe.
Architectes canadiens
Liberté no 309: prendre soin
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Dernier numéro en librairie! The new issue available at the bookstore!
Liberté no 309: prendre soin
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Dernier numéro en librairie! The new issue available at the bookstore!
Revues
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Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six(...)
MIT architecture, the Keller gallery exhibition catalogs 2013-2014
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Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six compact publications touch upon the immediacy of the exhibition itself, as well as a consideration of the context and conversations that surround it. The 2013-2014 Volume includes catalogues for: - "Personal Space" by PostlerFerguson - "99 Marginal Street" by Landing Studio - "Space-Time 1964/2014" by Jorge-Otero Pailos with the MIT Edgerton Center and the MIT Museum - "Get to Work" by Room Studio featuring A:LOG - "New Massings for New Masses" by Milliøns: John J. May and Zeina Koreitem Essay contributors include: Andrew Atwood, Martha Buskirk, Kiel Moe, Andrei Pop, Laura Raskin, and Mechtild Widrich.
Architecture contemporaine
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Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six(...)
MIT architecture, the Keller gallery exhibition catalogs 2012-2013
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Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six compact publications touch upon the immediacy of the exhibition itself, as well as a consideration of the context and conversations that surround it. The 2012-2013 Volume includes exhibition catalogues for: -"Objects by Architects" curated by Sarah Hirschman -"Feeling Contexts" by C+S Architects: Carlo Cappai and Maria Alessandra Segantini -"Patterning by Heat" by Felicia Davis and Delia Dumitrescu -"Certain Aspects of Architectural Form" by William O'Brien Jr. -"Incremental Change" by Anne Filson and Gary Rohrbacher Essay contributors include: Christianna Bonin, Matthijs Bouw, Silvio Carta, Fulvio Irace, Michael Kubo, Mariel Villere, Nader Tehrani
Architecture contemporaine
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Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six(...)
MIT architecture, the Keller gallery exhibition catalogs 2011-2012
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Since its founding in 2011, the Keller Gallery at MIT Architecture has set out to challenge the nature and limits of design discourse in an exhibition format. The gallery brings the spirit of debate, ambition, and design into the heart of the school. Each exhibition catalog compiles a combination of project images, opening photos, and commissioned texts. Together, the six compact publications touch upon the immediacy of the exhibition itself, as well as a consideration of the context and conversations that surround it. Each book in this volume has a distinct accent color used both for the saddle-stitch sewn pamphlet binding and for marginalia inside. The 2011-2012 Volume includes catalogues for: -"Lightweight Concrete" by Timothy Cooke and John E. Fernandez -"The Making of Things" by Ali Tayar -"The New Normal" Justin Lavallee and Nicholas Gelpi, Instructors, -"Walsh Street House: Robin Boyd" -"Waterworks" by Carole Starr Schein Essay contributors include: Shiben Bannerji, Andrew J. Manto, Timothy Cooke, John E. Fernandez, and Daniela Covarrubias.
Architecture contemporaine
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This publication accompanies the National Pavilion of the United Arab Emirates at la Biennale Di Venezia 2014.
Lest We Forget: structures of Memory in the UAE, National Pavilion United Arab Emirates, la Biennale Di Venezia 2014
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This publication accompanies the National Pavilion of the United Arab Emirates at la Biennale Di Venezia 2014.
Arch Moyen-Orient
Ceci n'est pas une bouteille
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ette paraphrase du fameux Ceci n’est pas une pipe de Magritte (1928) pose la question du rapport entre un objet – en l’occurence, une bouteille –, son statut et sa représentation. Le récipient vu par le mudac et celui de la collection du MVVV semblent de natures différentes. Pourtant, les deux sont le résultat de procédures culturelles légitimes, qui leur assurent un(...)
Ceci n'est pas une bouteille
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ette paraphrase du fameux Ceci n’est pas une pipe de Magritte (1928) pose la question du rapport entre un objet – en l’occurence, une bouteille –, son statut et sa représentation. Le récipient vu par le mudac et celui de la collection du MVVV semblent de natures différentes. Pourtant, les deux sont le résultat de procédures culturelles légitimes, qui leur assurent un statut à part en tant qu’objets de collection. Leurs formes communiquent aussi sur d’autres plans : matériaux (qualités de verre, bois), aspect pratique (utilité, obsolescence, détournement), usage (traces, poussières, brillance). L’ouvrage met en valeur une soixantaine de pièces rassemblées par les deux institutions.
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Ce numéro thématique s'intéresse au patrimoine industriel dont la prise en compte, en France, date des années 1970-1980. A la suite des Trente Glorieuses, la désindustrialisation a entraîné la fermeture et l'abandon, de nombreux sites. Demeurent les hautes silhouettes des cheminées des immenses usines, leurs toitures en sheds, les chevalements et les terrils des paysages(...)
Monumental semestriel 1, 2015: le patrimoine industriel
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Ce numéro thématique s'intéresse au patrimoine industriel dont la prise en compte, en France, date des années 1970-1980. A la suite des Trente Glorieuses, la désindustrialisation a entraîné la fermeture et l'abandon, de nombreux sites. Demeurent les hautes silhouettes des cheminées des immenses usines, leurs toitures en sheds, les chevalements et les terrils des paysages miniers qui, ayant modelé le territoire en leur temps, sont apparus dès lors comme un héritage à sauvegarder et à revitaliser.
Revues
La villa Cavrois
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Une présentation de la villa Cavrois, près de Lille, construite par Robert Mallet-Stevens : histoire, espaces restaurés, parc, etc.
La villa Cavrois
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Une présentation de la villa Cavrois, près de Lille, construite par Robert Mallet-Stevens : histoire, espaces restaurés, parc, etc.
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Didier Fiuza Faustino: misarchitectures brings together for the first time the entire work of Didier Faustino and his office Bureau des Mesarchitectures. Through drawings, diagrams, photographs and essays this part-monograph part-manifesto explores the ideas that drive Faustino’s architectural and artistic works: the political and ethical conditions for constructing sites(...)
Didier Fiuza Faustino: misarchitectures
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Didier Fiuza Faustino: misarchitectures brings together for the first time the entire work of Didier Faustino and his office Bureau des Mesarchitectures. Through drawings, diagrams, photographs and essays this part-monograph part-manifesto explores the ideas that drive Faustino’s architectural and artistic works: the political and ethical conditions for constructing sites and spaces within the socio-cultural layout of the city, and in particular how to critically approach the problem of the body in both private and public space. At the same time, the book revisits Faustino’s projects – from sculptures and installations, to public art, architectures and books – up to his most recent work, offering new insight into the architect’s perspective.
Architecture, monographies