1524 Résultats
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L'ouverture au public du Centre Pompidou-Metz s'incarne symboliquement dans l'architecture de Shigeru Ban et Jean de Gastines. En son sein, l'exposition inaugurale "Chefs-d'oeuvre?" a permis d'esquisser une histoire des musées d'art moderne et contemporain depuis 1937 - année de l'Exposition internationale à Paris. Les établissements français les plus emblématiques sont(...)
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L'ouverture au public du Centre Pompidou-Metz s'incarne symboliquement dans l'architecture de Shigeru Ban et Jean de Gastines. En son sein, l'exposition inaugurale "Chefs-d'oeuvre?" a permis d'esquisser une histoire des musées d'art moderne et contemporain depuis 1937 - année de l'Exposition internationale à Paris. Les établissements français les plus emblématiques sont(...)
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Chefs-d'oeuvre? : architectures de musées, 1937-2014
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L'ouverture au public du Centre Pompidou-Metz s'incarne symboliquement dans l'architecture de Shigeru Ban et Jean de Gastines. En son sein, l'exposition inaugurale "Chefs-d'oeuvre?" a permis d'esquisser une histoire des musées d'art moderne et contemporain depuis 1937 - année de l'Exposition internationale à Paris. Les établissements français les plus emblématiques sont ici mis en perspective avec des chefs-d'oeuvre de l'architecture muséale internationale. Du Palais de Tokyo au Centre Pompidou-Metz, c'est toute une histoire architecturale et culturelle qui est ici retracée, incluant les projets qui marqueront les années à venir.
Chefs-d'oeuvre? : architectures de musées, 1937-2014
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L'ouverture au public du Centre Pompidou-Metz s'incarne symboliquement dans l'architecture de Shigeru Ban et Jean de Gastines. En son sein, l'exposition inaugurale "Chefs-d'oeuvre?" a permis d'esquisser une histoire des musées d'art moderne et contemporain depuis 1937 - année de l'Exposition internationale à Paris. Les établissements français les plus emblématiques sont ici mis en perspective avec des chefs-d'oeuvre de l'architecture muséale internationale. Du Palais de Tokyo au Centre Pompidou-Metz, c'est toute une histoire architecturale et culturelle qui est ici retracée, incluant les projets qui marqueront les années à venir.
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livres
livres
Publication:
juillet 2010
juillet 2010
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livres
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BIG or Bjarke Ingels Group is one of the best and most talented Danish architectural firms in recent years. Originally, Bjarke Ingels founded the architectural firm PLOT together with Julien de Smedt, and the duo created high-profile projects in a number of locations including Ørestad outside of Copenhagen. In the book, Boris Brorman Jensen and Jens Thomas Arnfred(...)
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BIG or Bjarke Ingels Group is one of the best and most talented Danish architectural firms in recent years. Originally, Bjarke Ingels founded the architectural firm PLOT together with Julien de Smedt, and the duo created high-profile projects in a number of locations including Ørestad outside of Copenhagen. In the book, Boris Brorman Jensen and Jens Thomas Arnfred(...)
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The Big lab: Bjarke Ingels Group
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BIG or Bjarke Ingels Group is one of the best and most talented Danish architectural firms in recent years. Originally, Bjarke Ingels founded the architectural firm PLOT together with Julien de Smedt, and the duo created high-profile projects in a number of locations including Ørestad outside of Copenhagen. In the book, Boris Brorman Jensen and Jens Thomas Arnfred comment on the firm’s latest proposals, first prizes in international competitions and projects under construction, including the unique ”8 House” or BIG House with both residential and commercial units, which is currently being completed in Ørestad. The book is illustrated with drawings and construction site photographs. The main emphasis of the book is on the studio lab where the ideas are developed, the models are constructed, and geometrically sophisticated drawings see the light of the day.
The Big lab: Bjarke Ingels Group
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BIG or Bjarke Ingels Group is one of the best and most talented Danish architectural firms in recent years. Originally, Bjarke Ingels founded the architectural firm PLOT together with Julien de Smedt, and the duo created high-profile projects in a number of locations including Ørestad outside of Copenhagen. In the book, Boris Brorman Jensen and Jens Thomas Arnfred comment on the firm’s latest proposals, first prizes in international competitions and projects under construction, including the unique ”8 House” or BIG House with both residential and commercial units, which is currently being completed in Ørestad. The book is illustrated with drawings and construction site photographs. The main emphasis of the book is on the studio lab where the ideas are developed, the models are constructed, and geometrically sophisticated drawings see the light of the day.
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livres
livres
Publication:
juillet 2010
juillet 2010
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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In 1988 Design Gallery Milano started its business by displaying the exhibition “Bharata” by Ettore Sottsass (with exhibition planning by Michele De Lucchi). Since then, Design Gallery produced hundreds of objects – few of which in more than some dozens copies – that had in common the aim of going beyond the conventional standards of the market circulation. Even if(...)
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In 1988 Design Gallery Milano started its business by displaying the exhibition “Bharata” by Ettore Sottsass (with exhibition planning by Michele De Lucchi). Since then, Design Gallery produced hundreds of objects – few of which in more than some dozens copies – that had in common the aim of going beyond the conventional standards of the market circulation. Even if(...)
Titre:
Design Gallery Milano versus design industry
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In 1988 Design Gallery Milano started its business by displaying the exhibition “Bharata” by Ettore Sottsass (with exhibition planning by Michele De Lucchi). Since then, Design Gallery produced hundreds of objects – few of which in more than some dozens copies – that had in common the aim of going beyond the conventional standards of the market circulation. Even if autonomous and independent from the classic industrial market, Design Gallery is a structural phenomenon in the dynamic system of design, since it represents its complementary avant-garde. Through its interpretation of design, conceived as a discipline rather than a profession – research rather than product – Design Gallery marked in fact a story of radical creativity and unbroken experimentation. This book presents through images and words the history of Design Gallery and outlines the philosophy of its development over the past twenty years. The first part of the book features photographs of the Design Gallery warehouse, taken by Michele De Lucchi in the Autumn of 2009. Published in the second part are the texts gathered together during a lunch at Michele De Lucchi’s office on 30th October 2009 with Andrea Branzi, Michele De Lucchi, Brunella and Mario Godani, Alessandro Mendini. The photographs of the objects were chosen from Design Gallery’s historical archives, and are the work of photographers who have followed and encouraged the Gallery’s work. Lastly, the chronology at the end of the book gives the fullest possible details of the Gallery’s annual collections, produced by groups or individual designers and artists.
Design Gallery Milano versus design industry
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In 1988 Design Gallery Milano started its business by displaying the exhibition “Bharata” by Ettore Sottsass (with exhibition planning by Michele De Lucchi). Since then, Design Gallery produced hundreds of objects – few of which in more than some dozens copies – that had in common the aim of going beyond the conventional standards of the market circulation. Even if autonomous and independent from the classic industrial market, Design Gallery is a structural phenomenon in the dynamic system of design, since it represents its complementary avant-garde. Through its interpretation of design, conceived as a discipline rather than a profession – research rather than product – Design Gallery marked in fact a story of radical creativity and unbroken experimentation. This book presents through images and words the history of Design Gallery and outlines the philosophy of its development over the past twenty years. The first part of the book features photographs of the Design Gallery warehouse, taken by Michele De Lucchi in the Autumn of 2009. Published in the second part are the texts gathered together during a lunch at Michele De Lucchi’s office on 30th October 2009 with Andrea Branzi, Michele De Lucchi, Brunella and Mario Godani, Alessandro Mendini. The photographs of the objects were chosen from Design Gallery’s historical archives, and are the work of photographers who have followed and encouraged the Gallery’s work. Lastly, the chronology at the end of the book gives the fullest possible details of the Gallery’s annual collections, produced by groups or individual designers and artists.
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livres
livres
Publication:
juillet 2010
juillet 2010
Sujet:
Design, époques et styles
Design, époques et styles
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livres
livres
Titre:
Kitty Kraus
Kitty Kraus
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German artist Kitty Kraus applies a Minimalist formal vocabulary to humble, elegiac materials that suggest an active engagement with alchemical transformations. Utilizing household glass, light bulbs, cloth and ice, Krauss explores a trajectory of dissolution in contemporary materials, finding a melancholic beauty in the literal and symbolic failure of form.
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German artist Kitty Kraus applies a Minimalist formal vocabulary to humble, elegiac materials that suggest an active engagement with alchemical transformations. Utilizing household glass, light bulbs, cloth and ice, Krauss explores a trajectory of dissolution in contemporary materials, finding a melancholic beauty in the literal and symbolic failure of form.
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Kitty Kraus
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German artist Kitty Kraus applies a Minimalist formal vocabulary to humble, elegiac materials that suggest an active engagement with alchemical transformations. Utilizing household glass, light bulbs, cloth and ice, Krauss explores a trajectory of dissolution in contemporary materials, finding a melancholic beauty in the literal and symbolic failure of form.
Kitty Kraus
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German artist Kitty Kraus applies a Minimalist formal vocabulary to humble, elegiac materials that suggest an active engagement with alchemical transformations. Utilizing household glass, light bulbs, cloth and ice, Krauss explores a trajectory of dissolution in contemporary materials, finding a melancholic beauty in the literal and symbolic failure of form.
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livres
livres
Publication:
août 2010
août 2010
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Featuring more than 20 works by Japanese architect Koh Kitayama, this compact monograph covers his practice over a twelve-year period beginning in 2002. Interested in collective forms found in cities and how these are meant to support the activities of everyday life, Kitayama has explored transformations in residential districts in Tokyo in order to contemplate the(...)
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Featuring more than 20 works by Japanese architect Koh Kitayama, this compact monograph covers his practice over a twelve-year period beginning in 2002. Interested in collective forms found in cities and how these are meant to support the activities of everyday life, Kitayama has explored transformations in residential districts in Tokyo in order to contemplate the(...)
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Koh Kitayama : architectural works
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Featuring more than 20 works by Japanese architect Koh Kitayama, this compact monograph covers his practice over a twelve-year period beginning in 2002. Interested in collective forms found in cities and how these are meant to support the activities of everyday life, Kitayama has explored transformations in residential districts in Tokyo in order to contemplate the renewal of its urban composition, comparing it to representative cities of the past. His goal is for architects to present a spatial model for the future with which society can identify, and he develops this through his own houses, residential complexes and integrated urban projects.
Koh Kitayama : architectural works
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Featuring more than 20 works by Japanese architect Koh Kitayama, this compact monograph covers his practice over a twelve-year period beginning in 2002. Interested in collective forms found in cities and how these are meant to support the activities of everyday life, Kitayama has explored transformations in residential districts in Tokyo in order to contemplate the renewal of its urban composition, comparing it to representative cities of the past. His goal is for architects to present a spatial model for the future with which society can identify, and he develops this through his own houses, residential complexes and integrated urban projects.
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livres
livres
Publication:
août 2014
août 2014
Sujet:
Architecture, monographies
Architecture, monographies
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livres
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$72.95
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Based in Stockholm, Tham & Videgård Arkitekter believes that architecture is about the future, and considers buildings not only as contemporary, but also a form of continued history projected into that future. Co-founders Bolle Tham and Martin Videgård introduce 40 works and the principle ideas that guide their practice – from large-scale urban planning to buildings and(...)
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Based in Stockholm, Tham & Videgård Arkitekter believes that architecture is about the future, and considers buildings not only as contemporary, but also a form of continued history projected into that future. Co-founders Bolle Tham and Martin Videgård introduce 40 works and the principle ideas that guide their practice – from large-scale urban planning to buildings and(...)
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Tham & Videgard Arkitekter : the operative elements of architecture
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Based in Stockholm, Tham & Videgård Arkitekter believes that architecture is about the future, and considers buildings not only as contemporary, but also a form of continued history projected into that future. Co-founders Bolle Tham and Martin Videgård introduce 40 works and the principle ideas that guide their practice – from large-scale urban planning to buildings and interiors. Foremost is the lasting impact and building quality: long-term environmental effects, architectural integrity and function, and the capacity to convey societal ideals.
Tham & Videgard Arkitekter : the operative elements of architecture
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Based in Stockholm, Tham & Videgård Arkitekter believes that architecture is about the future, and considers buildings not only as contemporary, but also a form of continued history projected into that future. Co-founders Bolle Tham and Martin Videgård introduce 40 works and the principle ideas that guide their practice – from large-scale urban planning to buildings and interiors. Foremost is the lasting impact and building quality: long-term environmental effects, architectural integrity and function, and the capacity to convey societal ideals.
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livres
livres
Publication:
août 2014
août 2014
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$28.00
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Torn between a revival of aesthetics and the persistence of conceptualism, critical writing about contemporary art has once again come to focus on differing views of its aesthetic dimension. The context and character of these debates has, however, shifted markedly since the 1960s, with changes in art practices, institutions, political contexts, and theoretical(...)
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Torn between a revival of aesthetics and the persistence of conceptualism, critical writing about contemporary art has once again come to focus on differing views of its aesthetic dimension. The context and character of these debates has, however, shifted markedly since the 1960s, with changes in art practices, institutions, political contexts, and theoretical(...)
Titre:
Aesthetics and contemporary art
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Torn between a revival of aesthetics and the persistence of conceptualism, critical writing about contemporary art has once again come to focus on differing views of its aesthetic dimension. The context and character of these debates has, however, shifted markedly since the 1960s, with changes in art practices, institutions, political contexts, and theoretical paradigms—and in particular, with the global extension of the Western art world since 1989. This inter- and transdisciplinary collection of essays by philosophers, artists, critics, and art historians, reconsiders the place of the aesthetic in contemporary art, with reference to four main themes: aesthetics as “sensate thinking”; the dissolution of artistic limits; post-autonomous practices; and exhibition-values in a global artworld.
Aesthetics and contemporary art
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Torn between a revival of aesthetics and the persistence of conceptualism, critical writing about contemporary art has once again come to focus on differing views of its aesthetic dimension. The context and character of these debates has, however, shifted markedly since the 1960s, with changes in art practices, institutions, political contexts, and theoretical paradigms—and in particular, with the global extension of the Western art world since 1989. This inter- and transdisciplinary collection of essays by philosophers, artists, critics, and art historians, reconsiders the place of the aesthetic in contemporary art, with reference to four main themes: aesthetics as “sensate thinking”; the dissolution of artistic limits; post-autonomous practices; and exhibition-values in a global artworld.
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livres
livres
Publication:
août 2014
août 2014
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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Le troisième numéro du livre-revue annuel de recherche dédié aux arts sonores (au croisement des approches artistiques, musicales et musicologiques, esthétiques, philosophiques, politiques et socioculturelles au sens large), consacré à la question de l'espace sonore : articles de fond, textes de réflexion, documents, recensions critiques, comptes-rendus...
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Le troisième numéro du livre-revue annuel de recherche dédié aux arts sonores (au croisement des approches artistiques, musicales et musicologiques, esthétiques, philosophiques, politiques et socioculturelles au sens large), consacré à la question de l'espace sonore : articles de fond, textes de réflexion, documents, recensions critiques, comptes-rendus...
Titre:
Tacet 03 : de l'espace sonore
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Le troisième numéro du livre-revue annuel de recherche dédié aux arts sonores (au croisement des approches artistiques, musicales et musicologiques, esthétiques, philosophiques, politiques et socioculturelles au sens large), consacré à la question de l'espace sonore : articles de fond, textes de réflexion, documents, recensions critiques, comptes-rendus...
Tacet 03 : de l'espace sonore
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Le troisième numéro du livre-revue annuel de recherche dédié aux arts sonores (au croisement des approches artistiques, musicales et musicologiques, esthétiques, philosophiques, politiques et socioculturelles au sens large), consacré à la question de l'espace sonore : articles de fond, textes de réflexion, documents, recensions critiques, comptes-rendus...
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livres
livres
Publication:
août 2014
août 2014
Sujet:
Acoustique
Acoustique
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livres
livres
Titre:
May no 12, 04/2014
May no 12, 04/2014
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Conçue comme un espace collectif où se confrontent des positions sur la production artistique contemporaine, la revue May examine, trimestriellement, pratiques et théories de l'art, ainsi que les stratégies, les contextes ou les problématiques dont elles procèdent – une critique à l'œuvre aussi bien dans les textes que dans d'autres formes artistiques. A partir de la(...)
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Conçue comme un espace collectif où se confrontent des positions sur la production artistique contemporaine, la revue May examine, trimestriellement, pratiques et théories de l'art, ainsi que les stratégies, les contextes ou les problématiques dont elles procèdent – une critique à l'œuvre aussi bien dans les textes que dans d'autres formes artistiques. A partir de la(...)
Titre:
May no 12, 04/2014
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Conçue comme un espace collectif où se confrontent des positions sur la production artistique contemporaine, la revue May examine, trimestriellement, pratiques et théories de l'art, ainsi que les stratégies, les contextes ou les problématiques dont elles procèdent – une critique à l'œuvre aussi bien dans les textes que dans d'autres formes artistiques. A partir de la publication d'essais, d'entretiens, d'interventions et de comptes rendus d'exposition réalisés par des artistes, des écrivains, des théoriciens, la revue a également pour objectif d'interroger l'économie de la production des savoirs – notamment l'espace d'indistinction entre information et publicité caractéristique de notre époque. Ceci implique un dialogue avec des formes de critique issues d'autres champs.
May no 12, 04/2014
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Conçue comme un espace collectif où se confrontent des positions sur la production artistique contemporaine, la revue May examine, trimestriellement, pratiques et théories de l'art, ainsi que les stratégies, les contextes ou les problématiques dont elles procèdent – une critique à l'œuvre aussi bien dans les textes que dans d'autres formes artistiques. A partir de la publication d'essais, d'entretiens, d'interventions et de comptes rendus d'exposition réalisés par des artistes, des écrivains, des théoriciens, la revue a également pour objectif d'interroger l'économie de la production des savoirs – notamment l'espace d'indistinction entre information et publicité caractéristique de notre époque. Ceci implique un dialogue avec des formes de critique issues d'autres champs.
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livres
livres
Publication:
août 2014
août 2014
Sujet:
Revues
Revues
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livres
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OBJECT:PHOTO contains brilliant photographs from the first half of the twentieth century--the most dynamic and radical period in the development of modern photography--but it explores them using a new approach: instead of privileging the content of the images, it shifts the dialogue to the photographic object--the actual, physical thing created by a particular artist(...)
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OBJECT:PHOTO contains brilliant photographs from the first half of the twentieth century--the most dynamic and radical period in the development of modern photography--but it explores them using a new approach: instead of privileging the content of the images, it shifts the dialogue to the photographic object--the actual, physical thing created by a particular artist(...)
Titre:
OBJECT:PHOTO. Modern Photographs, The Thomas Walther Collection, 1909-1949
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OBJECT:PHOTO contains brilliant photographs from the first half of the twentieth century--the most dynamic and radical period in the development of modern photography--but it explores them using a new approach: instead of privileging the content of the images, it shifts the dialogue to the photographic object--the actual, physical thing created by a particular artist using particular techniques at a precise time, surviving into the present with a unique history.
OBJECT:PHOTO. Modern Photographs, The Thomas Walther Collection, 1909-1949
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OBJECT:PHOTO contains brilliant photographs from the first half of the twentieth century--the most dynamic and radical period in the development of modern photography--but it explores them using a new approach: instead of privileging the content of the images, it shifts the dialogue to the photographic object--the actual, physical thing created by a particular artist using particular techniques at a precise time, surviving into the present with a unique history.
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livres
livres
Publication:
août 2014
août 2014
Sujet:
Photographie- collections
Photographie- collections
