1521 Résultats
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Torn between a revival of aesthetics and the persistence of conceptualism, critical writing about contemporary art has once again come to focus on differing views of its aesthetic dimension. The context and character of these debates has, however, shifted markedly since the 1960s, with changes in art practices, institutions, political contexts, and theoretical(...)
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Torn between a revival of aesthetics and the persistence of conceptualism, critical writing about contemporary art has once again come to focus on differing views of its aesthetic dimension. The context and character of these debates has, however, shifted markedly since the 1960s, with changes in art practices, institutions, political contexts, and theoretical(...)
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Aesthetics and contemporary art
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Torn between a revival of aesthetics and the persistence of conceptualism, critical writing about contemporary art has once again come to focus on differing views of its aesthetic dimension. The context and character of these debates has, however, shifted markedly since the 1960s, with changes in art practices, institutions, political contexts, and theoretical paradigms—and in particular, with the global extension of the Western art world since 1989. This inter- and transdisciplinary collection of essays by philosophers, artists, critics, and art historians, reconsiders the place of the aesthetic in contemporary art, with reference to four main themes: aesthetics as “sensate thinking”; the dissolution of artistic limits; post-autonomous practices; and exhibition-values in a global artworld.
Aesthetics and contemporary art
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Torn between a revival of aesthetics and the persistence of conceptualism, critical writing about contemporary art has once again come to focus on differing views of its aesthetic dimension. The context and character of these debates has, however, shifted markedly since the 1960s, with changes in art practices, institutions, political contexts, and theoretical paradigms—and in particular, with the global extension of the Western art world since 1989. This inter- and transdisciplinary collection of essays by philosophers, artists, critics, and art historians, reconsiders the place of the aesthetic in contemporary art, with reference to four main themes: aesthetics as “sensate thinking”; the dissolution of artistic limits; post-autonomous practices; and exhibition-values in a global artworld.
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livres
livres
Publication:
août 2014
août 2014
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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Le troisième numéro du livre-revue annuel de recherche dédié aux arts sonores (au croisement des approches artistiques, musicales et musicologiques, esthétiques, philosophiques, politiques et socioculturelles au sens large), consacré à la question de l'espace sonore : articles de fond, textes de réflexion, documents, recensions critiques, comptes-rendus...
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Le troisième numéro du livre-revue annuel de recherche dédié aux arts sonores (au croisement des approches artistiques, musicales et musicologiques, esthétiques, philosophiques, politiques et socioculturelles au sens large), consacré à la question de l'espace sonore : articles de fond, textes de réflexion, documents, recensions critiques, comptes-rendus...
Titre:
Tacet 03 : de l'espace sonore
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Le troisième numéro du livre-revue annuel de recherche dédié aux arts sonores (au croisement des approches artistiques, musicales et musicologiques, esthétiques, philosophiques, politiques et socioculturelles au sens large), consacré à la question de l'espace sonore : articles de fond, textes de réflexion, documents, recensions critiques, comptes-rendus...
Tacet 03 : de l'espace sonore
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Le troisième numéro du livre-revue annuel de recherche dédié aux arts sonores (au croisement des approches artistiques, musicales et musicologiques, esthétiques, philosophiques, politiques et socioculturelles au sens large), consacré à la question de l'espace sonore : articles de fond, textes de réflexion, documents, recensions critiques, comptes-rendus...
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livres
livres
Publication:
août 2014
août 2014
Sujet:
Acoustique
Acoustique
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livres
livres
Titre:
May no 12, 04/2014
May no 12, 04/2014
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Conçue comme un espace collectif où se confrontent des positions sur la production artistique contemporaine, la revue May examine, trimestriellement, pratiques et théories de l'art, ainsi que les stratégies, les contextes ou les problématiques dont elles procèdent – une critique à l'œuvre aussi bien dans les textes que dans d'autres formes artistiques. A partir de la(...)
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Conçue comme un espace collectif où se confrontent des positions sur la production artistique contemporaine, la revue May examine, trimestriellement, pratiques et théories de l'art, ainsi que les stratégies, les contextes ou les problématiques dont elles procèdent – une critique à l'œuvre aussi bien dans les textes que dans d'autres formes artistiques. A partir de la(...)
Titre:
May no 12, 04/2014
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Conçue comme un espace collectif où se confrontent des positions sur la production artistique contemporaine, la revue May examine, trimestriellement, pratiques et théories de l'art, ainsi que les stratégies, les contextes ou les problématiques dont elles procèdent – une critique à l'œuvre aussi bien dans les textes que dans d'autres formes artistiques. A partir de la publication d'essais, d'entretiens, d'interventions et de comptes rendus d'exposition réalisés par des artistes, des écrivains, des théoriciens, la revue a également pour objectif d'interroger l'économie de la production des savoirs – notamment l'espace d'indistinction entre information et publicité caractéristique de notre époque. Ceci implique un dialogue avec des formes de critique issues d'autres champs.
May no 12, 04/2014
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Conçue comme un espace collectif où se confrontent des positions sur la production artistique contemporaine, la revue May examine, trimestriellement, pratiques et théories de l'art, ainsi que les stratégies, les contextes ou les problématiques dont elles procèdent – une critique à l'œuvre aussi bien dans les textes que dans d'autres formes artistiques. A partir de la publication d'essais, d'entretiens, d'interventions et de comptes rendus d'exposition réalisés par des artistes, des écrivains, des théoriciens, la revue a également pour objectif d'interroger l'économie de la production des savoirs – notamment l'espace d'indistinction entre information et publicité caractéristique de notre époque. Ceci implique un dialogue avec des formes de critique issues d'autres champs.
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livres
livres
Publication:
août 2014
août 2014
Sujet:
Revues
Revues
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livres
livres
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OBJECT:PHOTO contains brilliant photographs from the first half of the twentieth century--the most dynamic and radical period in the development of modern photography--but it explores them using a new approach: instead of privileging the content of the images, it shifts the dialogue to the photographic object--the actual, physical thing created by a particular artist(...)
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OBJECT:PHOTO contains brilliant photographs from the first half of the twentieth century--the most dynamic and radical period in the development of modern photography--but it explores them using a new approach: instead of privileging the content of the images, it shifts the dialogue to the photographic object--the actual, physical thing created by a particular artist(...)
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OBJECT:PHOTO. Modern Photographs, The Thomas Walther Collection, 1909-1949
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OBJECT:PHOTO contains brilliant photographs from the first half of the twentieth century--the most dynamic and radical period in the development of modern photography--but it explores them using a new approach: instead of privileging the content of the images, it shifts the dialogue to the photographic object--the actual, physical thing created by a particular artist using particular techniques at a precise time, surviving into the present with a unique history.
OBJECT:PHOTO. Modern Photographs, The Thomas Walther Collection, 1909-1949
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OBJECT:PHOTO contains brilliant photographs from the first half of the twentieth century--the most dynamic and radical period in the development of modern photography--but it explores them using a new approach: instead of privileging the content of the images, it shifts the dialogue to the photographic object--the actual, physical thing created by a particular artist using particular techniques at a precise time, surviving into the present with a unique history.
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livres
livres
Publication:
août 2014
août 2014
Sujet:
Photographie- collections
Photographie- collections
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livres
livres
Titre:
More than design
More than design
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Featuring more than 1,100 collection objects selected by the curatorial staff, Smithsonian Design Library, and designer Irma Boom, Making Design is organized entirely by Boom’s visual sequencing of images; her design and the curators’ essays weave parallel narratives throughout the book.
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Featuring more than 1,100 collection objects selected by the curatorial staff, Smithsonian Design Library, and designer Irma Boom, Making Design is organized entirely by Boom’s visual sequencing of images; her design and the curators’ essays weave parallel narratives throughout the book.
Titre:
More than design
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Featuring more than 1,100 collection objects selected by the curatorial staff, Smithsonian Design Library, and designer Irma Boom, Making Design is organized entirely by Boom’s visual sequencing of images; her design and the curators’ essays weave parallel narratives throughout the book.
More than design
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$55.00
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Featuring more than 1,100 collection objects selected by the curatorial staff, Smithsonian Design Library, and designer Irma Boom, Making Design is organized entirely by Boom’s visual sequencing of images; her design and the curators’ essays weave parallel narratives throughout the book.
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livres
livres
Publication:
août 2014
août 2014
Sujet:
Design industriel
Design industriel
Classification:
périodiques
périodiques
Titre:
Cabinet 54: the accident
Cabinet 54: the accident
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Cabinet issue 54, with a special section on "The Accident," features Greg Siegel on the concept of the "decent interval," the amount of time a structure is expected to function before its "accidental" collapse or failure; Jeffrey Schnapp on a philosophy of motorcycle racing and accidents; Dorion Sagan on magic tricks and the production of apparently accidental miracles,(...)
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Cabinet issue 54, with a special section on "The Accident," features Greg Siegel on the concept of the "decent interval," the amount of time a structure is expected to function before its "accidental" collapse or failure; Jeffrey Schnapp on a philosophy of motorcycle racing and accidents; Dorion Sagan on magic tricks and the production of apparently accidental miracles,(...)
Titre:
Cabinet 54: the accident
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Cabinet issue 54, with a special section on "The Accident," features Greg Siegel on the concept of the "decent interval," the amount of time a structure is expected to function before its "accidental" collapse or failure; Jeffrey Schnapp on a philosophy of motorcycle racing and accidents; Dorion Sagan on magic tricks and the production of apparently accidental miracles, and Andrea Reti on the slow-moving horror of the Boston Molasses Disaster.
Cabinet 54: the accident
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Cabinet issue 54, with a special section on "The Accident," features Greg Siegel on the concept of the "decent interval," the amount of time a structure is expected to function before its "accidental" collapse or failure; Jeffrey Schnapp on a philosophy of motorcycle racing and accidents; Dorion Sagan on magic tricks and the production of apparently accidental miracles, and Andrea Reti on the slow-moving horror of the Boston Molasses Disaster.
Classification:
périodiques
périodiques
Publication:
août 2014
août 2014
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
Titre:
Cabinet 55: love
Cabinet 55: love
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Love was classically thought to come in four distinct varieties--agape (spiritual love), eros (physical passion), philia (friendship) and storge (familial affection). It might be argued that with modernity, one of these--eros--has come to dominate our landscape, where romance and its obstacles inform so many of our cultural narratives and consumer fantasies. Nonetheless,(...)
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Love was classically thought to come in four distinct varieties--agape (spiritual love), eros (physical passion), philia (friendship) and storge (familial affection). It might be argued that with modernity, one of these--eros--has come to dominate our landscape, where romance and its obstacles inform so many of our cultural narratives and consumer fantasies. Nonetheless,(...)
Titre:
Cabinet 55: love
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Love was classically thought to come in four distinct varieties--agape (spiritual love), eros (physical passion), philia (friendship) and storge (familial affection). It might be argued that with modernity, one of these--eros--has come to dominate our landscape, where romance and its obstacles inform so many of our cultural narratives and consumer fantasies. Nonetheless, all of these modalities of love continue to structure the relationships that govern human societies. Cabinet issue 55, with a special section on "Love," features Christopher Turner on the "celestial bed" of eighteenth-century proto-sexologist James Graham; Margaret Gordon on epistolary friendships; and Olga Lemerova on the love between humans and their pets. Elsewhere in the issue: Sasha Archibald on the decorative fabric or leather patches worn in the seventeenth century to conceal facial blemishes; D. Graham Burnett on watermarks; and Babak Sadr on how zoos perform annual inventories of their animals, both countable and uncountable.
Cabinet 55: love
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Résumé:
Love was classically thought to come in four distinct varieties--agape (spiritual love), eros (physical passion), philia (friendship) and storge (familial affection). It might be argued that with modernity, one of these--eros--has come to dominate our landscape, where romance and its obstacles inform so many of our cultural narratives and consumer fantasies. Nonetheless, all of these modalities of love continue to structure the relationships that govern human societies. Cabinet issue 55, with a special section on "Love," features Christopher Turner on the "celestial bed" of eighteenth-century proto-sexologist James Graham; Margaret Gordon on epistolary friendships; and Olga Lemerova on the love between humans and their pets. Elsewhere in the issue: Sasha Archibald on the decorative fabric or leather patches worn in the seventeenth century to conceal facial blemishes; D. Graham Burnett on watermarks; and Babak Sadr on how zoos perform annual inventories of their animals, both countable and uncountable.
Classification:
périodiques
périodiques
Publication:
août 2014
août 2014
Sujet:
Revues
Revues
Classification:
livres
livres
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$39.95
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Résumé:
Hand-carved and hand-painted, these sculptural works overturn the notion of the readymade while uncovering wit and poetry in everyday things. Edited and sequenced by Fischli himself, the book features 140 objects, depicting such humble and seemingly inauspicious items as power tools, shipping pallets, stained paintbrushes and buckets. The foldout cover depicts the(...)
$39.95
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Résumé:
Hand-carved and hand-painted, these sculptural works overturn the notion of the readymade while uncovering wit and poetry in everyday things. Edited and sequenced by Fischli himself, the book features 140 objects, depicting such humble and seemingly inauspicious items as power tools, shipping pallets, stained paintbrushes and buckets. The foldout cover depicts the(...)
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Peter Fischli David Weiss : polyurethane obects
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Hand-carved and hand-painted, these sculptural works overturn the notion of the readymade while uncovering wit and poetry in everyday things. Edited and sequenced by Fischli himself, the book features 140 objects, depicting such humble and seemingly inauspicious items as power tools, shipping pallets, stained paintbrushes and buckets. The foldout cover depicts the sculptures as they are exhibited, in arrangements that evoke the distinctive disarray of an artist's studio.
Peter Fischli David Weiss : polyurethane obects
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Résumé:
Hand-carved and hand-painted, these sculptural works overturn the notion of the readymade while uncovering wit and poetry in everyday things. Edited and sequenced by Fischli himself, the book features 140 objects, depicting such humble and seemingly inauspicious items as power tools, shipping pallets, stained paintbrushes and buckets. The foldout cover depicts the sculptures as they are exhibited, in arrangements that evoke the distinctive disarray of an artist's studio.
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livres
livres
Publication:
août 2014
août 2014
Classification:
périodiques
périodiques
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$35.00
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This volume of Oase, a thematic journal on architecture, urbanism and landscape design, focuses on a generation of modern architects-- Fernand Pouillon, Kay Fisker, Fernando Tavora, Giovanni Muzio and others--who have remained in the shadow of their famous contemporaries but managed to develop entirely unique approaches.
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This volume of Oase, a thematic journal on architecture, urbanism and landscape design, focuses on a generation of modern architects-- Fernand Pouillon, Kay Fisker, Fernando Tavora, Giovanni Muzio and others--who have remained in the shadow of their famous contemporaries but managed to develop entirely unique approaches.
Titre:
Oase 92: codes and continuities
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This volume of Oase, a thematic journal on architecture, urbanism and landscape design, focuses on a generation of modern architects-- Fernand Pouillon, Kay Fisker, Fernando Tavora, Giovanni Muzio and others--who have remained in the shadow of their famous contemporaries but managed to develop entirely unique approaches.
Oase 92: codes and continuities
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This volume of Oase, a thematic journal on architecture, urbanism and landscape design, focuses on a generation of modern architects-- Fernand Pouillon, Kay Fisker, Fernando Tavora, Giovanni Muzio and others--who have remained in the shadow of their famous contemporaries but managed to develop entirely unique approaches.
Classification:
périodiques
périodiques
Publication:
août 2014
août 2014
Sujet:
Revues
Revues
Classification:
livres
livres
Titre:
Big sign - Little building
Big sign - Little building
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All the works selected for Big Sign-Little Building explore new interpretations of landscape that synthesize art and architecture. Artists include Charlotte Posenenske, Ed Ruscha, Claes Oldenburg, Allan D'Arcangelo, Robert Smithson and Jeff Wall.
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All the works selected for Big Sign-Little Building explore new interpretations of landscape that synthesize art and architecture. Artists include Charlotte Posenenske, Ed Ruscha, Claes Oldenburg, Allan D'Arcangelo, Robert Smithson and Jeff Wall.
Titre:
Big sign - Little building
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$35.00
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All the works selected for Big Sign-Little Building explore new interpretations of landscape that synthesize art and architecture. Artists include Charlotte Posenenske, Ed Ruscha, Claes Oldenburg, Allan D'Arcangelo, Robert Smithson and Jeff Wall.
Big sign - Little building
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$35.00
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All the works selected for Big Sign-Little Building explore new interpretations of landscape that synthesize art and architecture. Artists include Charlotte Posenenske, Ed Ruscha, Claes Oldenburg, Allan D'Arcangelo, Robert Smithson and Jeff Wall.
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livres
livres
Publication:
août 2014
août 2014
