Mare Nostrum
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Espace-temps, espace-mouvement, la mer Méditerranée comme continuité nous positionne face l’histoire, à notre histoire commune. Ses contours, son paysage architectural nous la raconte et nous offre alors une grille de lecture du présent. Ce numéro de Classeur offre un panorama de cette sédimentation qui prend chaque jour passé plus de sens et d’importance. Plus de(...)
Mare Nostrum
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Espace-temps, espace-mouvement, la mer Méditerranée comme continuité nous positionne face l’histoire, à notre histoire commune. Ses contours, son paysage architectural nous la raconte et nous offre alors une grille de lecture du présent. Ce numéro de Classeur offre un panorama de cette sédimentation qui prend chaque jour passé plus de sens et d’importance. Plus de soixante contributions passionnantes nous ont été proposées pour nourrir sur ce thème. La France, l’Italie, la Grèce, Israël, le Liban, la Palestine, l’Egypte, la Libye, l’Algérie, l’ Espagne dessinent les contours de cette compilation de Récits.
Théorie de l’architecture
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La revue rassemble les fragments épars dans le temps et l’espace, pour mieux montrer l’homogénéité, la pureté et l’évidence d’une architecture qui pose les bonnes questions, et qui tente d’y apporter des réponses. Créée par de jeunes étudiants en architecture, Cosa Mentale naît en 2009 comme Revue d’Architecture et de Résistance. Contributeurs: Alberto Campo Baeza,(...)
Cosa Mentale, n.12 : organisation
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La revue rassemble les fragments épars dans le temps et l’espace, pour mieux montrer l’homogénéité, la pureté et l’évidence d’une architecture qui pose les bonnes questions, et qui tente d’y apporter des réponses. Créée par de jeunes étudiants en architecture, Cosa Mentale naît en 2009 comme Revue d’Architecture et de Résistance. Contributeurs: Alberto Campo Baeza, William J.R. Curtis, Herve´ Dubois, Giacomo Guidotti, Jacques Lucan, Giuila Mazza, Giacomo Ortalli.
Revues
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The contributors to this volume, devoted entirely to Mies van der Rohe’s Barcelona Pavilion of 1929, address here for the first time the forgotten contexts of the Pavilion’s genesis. Habitually thought of as an abstract, unpolluted, and splendidly isolated building—a precursor of Mies’s American period—the Pavilion is revealed here as a thoroughly European work, perhaps(...)
Mies van der Rohe: Barcelona-1929
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The contributors to this volume, devoted entirely to Mies van der Rohe’s Barcelona Pavilion of 1929, address here for the first time the forgotten contexts of the Pavilion’s genesis. Habitually thought of as an abstract, unpolluted, and splendidly isolated building—a precursor of Mies’s American period—the Pavilion is revealed here as a thoroughly European work, perhaps less pristine but more authentic. Mies and Lilly Reich were commissioned to design not only the Pavilion but also more than one hundred thousand square feet of German stands spread throughout the Exposition. By examining that work in addition to the Pavilion itself, the contributors present a far-reaching reinterpretation of the whole. They also explore connections with the mass media, highlight the work’s antecedents and meaning in the history of architecture, and analyze the current pavilion, a reconstruction of the original built in 1986.
Architecture, monographies
Adolf Loos: private spaces
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Adolf Loos held that a building should have a soberly discreet exterior, reserving all its riches for its interior. Given that, any real appreciation of the spatial complexity of the work of one of the most misunderstood architects of the twentieth century requires engagement with his interiors, which this book does, brilliantly. In marked contrast to his contemporaries(...)
Adolf Loos: private spaces
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Adolf Loos held that a building should have a soberly discreet exterior, reserving all its riches for its interior. Given that, any real appreciation of the spatial complexity of the work of one of the most misunderstood architects of the twentieth century requires engagement with his interiors, which this book does, brilliantly. In marked contrast to his contemporaries in the Vienna Secession, who designed their spaces down to the smallest detail, Loos presented himself as a “professor of interior design,” perfectly willing to adapt to the habits and tastes of his clients, inviting them to embrace their own tastelessness rather than defer to the discernment of an “aesthete” architect. Together with the future occupant, he designed welcoming interiors whose warmth came from the effective use of quality materials and the creation of a flowing continuity articulated by the furnishings. What Loos created thereby was not merely architecture, but a new culture of living.
Architecture, monographies
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Accompanying the exhibition "Carol Rama. Spazio anche più che tempo" (Carol Rama. Space even more than time), presented by the Archivio Carol Rama at the Palazzo Ca' nova in Venice from May 8 – June 28, 2017, this publication includes full-color illustrations of Rama’s works featured in the exhibition, an unprecedented selection representing the broad range of materials(...)
Carol Rama: Space even more than time
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Accompanying the exhibition "Carol Rama. Spazio anche più che tempo" (Carol Rama. Space even more than time), presented by the Archivio Carol Rama at the Palazzo Ca' nova in Venice from May 8 – June 28, 2017, this publication includes full-color illustrations of Rama’s works featured in the exhibition, an unprecedented selection representing the broad range of materials and styles that comprise her iconoclastic oeuvre. The catalogue also features newly commissioned texts by acclaimed curator and founder of Participant, Inc. Lia Gangitano and Turin-based novelist Andrea Bajani, as well as an introduction by Maria Cristina Mundici and Raffaella Roddolo of the Archivio Carol Rama. With this publication, new light is cast on Rama’s groundbreaking oeuvre.
Bauhaus World Heritage Site
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Between 1919 and 1933, the Bauhaus revolutionized prevailing ideas about architecture and design, and the construction methods associated with them. The architecture of the Bauhaus itself was equally innovative; the buildings conceived by Walter Gropius and Hannes Meyer had a lasting influence on the architecture of the 20th century. To celebrate and preserve this legacy,(...)
Bauhaus World Heritage Site
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Between 1919 and 1933, the Bauhaus revolutionized prevailing ideas about architecture and design, and the construction methods associated with them. The architecture of the Bauhaus itself was equally innovative; the buildings conceived by Walter Gropius and Hannes Meyer had a lasting influence on the architecture of the 20th century. To celebrate and preserve this legacy, the Bauhaus buildings in Weimar and Dessau were named UNESCO World Heritage Sites in 1996. More recently, UNESCO added several other Bauhaus buildings to the list, including the houses with balcony access in Dessau, the ADGB Trades Union School in Bernau, the Haus am Horn and the old Art School and the old School of Arts and Crafts in Weimar. Bauhaus World Heritage Site documents the Bauhaus buildings protected by UNESCO, exploring the architectural legacy of the Bauhaus through a close look at the school’s own architecture.
Modernisme
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Italian photographer Gabriele Basilico (1944–2013) is best known for his photographs of industrial and postindustrial sites. This volume focuses on contemporary ruins and the oscillation between urban space and natural space in cities.
Gabriele Basilico: entropy and urban space
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Italian photographer Gabriele Basilico (1944–2013) is best known for his photographs of industrial and postindustrial sites. This volume focuses on contemporary ruins and the oscillation between urban space and natural space in cities.
Monographies photo
Gianni Pettena
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Il volume presenta la figura e il lavoro di Gianni Pettena attraverso documenti d'archivio, fotografie, disegni e oggetti di design, oltre a un ricco apparato critico che ospita saggi, articoli e testi di Pettena stesso. Artista, architetto e design, Pettena fu, alla fine degli anni sessanta, uno dei più prolifici rappresentanti dell'architettura radicale, un movimento(...)
Gianni Pettena
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Il volume presenta la figura e il lavoro di Gianni Pettena attraverso documenti d'archivio, fotografie, disegni e oggetti di design, oltre a un ricco apparato critico che ospita saggi, articoli e testi di Pettena stesso. Artista, architetto e design, Pettena fu, alla fine degli anni sessanta, uno dei più prolifici rappresentanti dell'architettura radicale, un movimento europeo nato in Italia che mise in discussione l'identità dell'architettura come arte del costruire, mirando a ridefinire l'intera disciplina e riunendo un gran numero di personalità, da Ettore Sottsass jr. ad Alessandro Mendini, da Superstudio ad Archizoom Associati. Artista che ricorre al linguaggio dell'architettura e architetto che si appropria della logica artistica, Pettena ama passare da un campo all'altro, rifiutando qualsiasi barriera disciplinare e definendosi piuttosto "anarchitetto".
Expositions en cours
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This book documents a residency research project (2007–2017) founded by viaindustriae, a cultural non-profit organization and a collective that aims at investigating the intermediate territories between art and architecture, new forms of communication, and activating the artistic message through different methods. Initially based on specific research into a marginal and(...)
10 landscapes: documentary, inventory, utopia
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This book documents a residency research project (2007–2017) founded by viaindustriae, a cultural non-profit organization and a collective that aims at investigating the intermediate territories between art and architecture, new forms of communication, and activating the artistic message through different methods. Initially based on specific research into a marginal and radical rural-mountain landscape in Umbria that used "hypertextual" methods and projects to draw links between different sites and "thematic" landscapes, the outcome is a broad investigation, exhibition, and catalogue on public spaces, site-specific art practices, and interventions on landscape in Italy and beyond.
Théorie de l’art
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Le dernier numéro des cahiers du musée national d'art moderne est maintenant disponible !
Les cahiers du Musée National d'art moderne n.143
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Le dernier numéro des cahiers du musée national d'art moderne est maintenant disponible !
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