1524 Résultats
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À l'ère numérique, le code est au coeur de notre quotidien, il modifie notre rapport au monde et aux autres. « Coder le monde » présente un état de la création digitale contemporaine dans différentes disciplines. Revenant sur l'histoire du code numérique et la manière dont les artistes s'en sont emparés depuis l'avènement de l'ordinateur dans les années 1960, ce livre(...)
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À l'ère numérique, le code est au coeur de notre quotidien, il modifie notre rapport au monde et aux autres. « Coder le monde » présente un état de la création digitale contemporaine dans différentes disciplines. Revenant sur l'histoire du code numérique et la manière dont les artistes s'en sont emparés depuis l'avènement de l'ordinateur dans les années 1960, ce livre(...)
Titre:
Coder le monde : mutations créations
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À l'ère numérique, le code est au coeur de notre quotidien, il modifie notre rapport au monde et aux autres. « Coder le monde » présente un état de la création digitale contemporaine dans différentes disciplines. Revenant sur l'histoire du code numérique et la manière dont les artistes s'en sont emparés depuis l'avènement de l'ordinateur dans les années 1960, ce livre fait apparaître un univers esthétique et critique commun qui questionne notre quotidien entièrement irrigué par les logiques numériques. Les artistes, les musiciens, les écrivains, les architectes, les créateurs de toutes disciplines ont en effet été les prescripteurs et les inventeurs d'une approche alternative du code.
Coder le monde : mutations créations
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À l'ère numérique, le code est au coeur de notre quotidien, il modifie notre rapport au monde et aux autres. « Coder le monde » présente un état de la création digitale contemporaine dans différentes disciplines. Revenant sur l'histoire du code numérique et la manière dont les artistes s'en sont emparés depuis l'avènement de l'ordinateur dans les années 1960, ce livre fait apparaître un univers esthétique et critique commun qui questionne notre quotidien entièrement irrigué par les logiques numériques. Les artistes, les musiciens, les écrivains, les architectes, les créateurs de toutes disciplines ont en effet été les prescripteurs et les inventeurs d'une approche alternative du code.
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livres
livres
Publication:
décembre 2018
décembre 2018
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livres
livres
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ABCD de la typographie
ABCD de la typographie
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D'où vient la typographie et quels artistes ont marqué son histoire? Omniprésente dans les livres, dans les publicités et sur les écrans, la typographie reste un art méconnu. Onze dessinateurs racontent ici de manière accessible et ludique les grandes étapes historiques de sa création, de la naissance de l'écriture occidentale à la photocomposition, en passant par la(...)
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D'où vient la typographie et quels artistes ont marqué son histoire? Omniprésente dans les livres, dans les publicités et sur les écrans, la typographie reste un art méconnu. Onze dessinateurs racontent ici de manière accessible et ludique les grandes étapes historiques de sa création, de la naissance de l'écriture occidentale à la photocomposition, en passant par la(...)
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ABCD de la typographie
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D'où vient la typographie et quels artistes ont marqué son histoire? Omniprésente dans les livres, dans les publicités et sur les écrans, la typographie reste un art méconnu. Onze dessinateurs racontent ici de manière accessible et ludique les grandes étapes historiques de sa création, de la naissance de l'écriture occidentale à la photocomposition, en passant par la Rome antique, le Bahaus et la classification Vox.
ABCD de la typographie
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D'où vient la typographie et quels artistes ont marqué son histoire? Omniprésente dans les livres, dans les publicités et sur les écrans, la typographie reste un art méconnu. Onze dessinateurs racontent ici de manière accessible et ludique les grandes étapes historiques de sa création, de la naissance de l'écriture occidentale à la photocomposition, en passant par la Rome antique, le Bahaus et la classification Vox.
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livres
livres
Publication:
novembre 2018
novembre 2018
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livres
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In San Francisco many theaters built between 1910 and 1950 are still standing, and some even remain in operation, serving as poignant reminders of Hollywood's Golden Age and the social interactions that once came with movie-going. R.A. McBride's lush color photographs--made with film cameras, of course--showcase these temples to celluloid in all their threadbare grandeur.(...)
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In San Francisco many theaters built between 1910 and 1950 are still standing, and some even remain in operation, serving as poignant reminders of Hollywood's Golden Age and the social interactions that once came with movie-going. R.A. McBride's lush color photographs--made with film cameras, of course--showcase these temples to celluloid in all their threadbare grandeur.(...)
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Left in the dark: Portraits of San Francisco movie theatres
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In San Francisco many theaters built between 1910 and 1950 are still standing, and some even remain in operation, serving as poignant reminders of Hollywood's Golden Age and the social interactions that once came with movie-going. R.A. McBride's lush color photographs--made with film cameras, of course--showcase these temples to celluloid in all their threadbare grandeur. Photographed empty, the buildings' architectural qualities, from rotunda chandeliers and warmly glowing walls to drab lobbies and worn armrests, come to the fore. Essays by scholars and film exhibitors including Rebecca Solnit, Julie Lindow, Eddie Muller, Chi-Hui Yang and Gary Meyer cast light from personal and scholarly perspectives, examining the movie houses' roles as characters in the cultural drama of the city.
Left in the dark: Portraits of San Francisco movie theatres
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In San Francisco many theaters built between 1910 and 1950 are still standing, and some even remain in operation, serving as poignant reminders of Hollywood's Golden Age and the social interactions that once came with movie-going. R.A. McBride's lush color photographs--made with film cameras, of course--showcase these temples to celluloid in all their threadbare grandeur. Photographed empty, the buildings' architectural qualities, from rotunda chandeliers and warmly glowing walls to drab lobbies and worn armrests, come to the fore. Essays by scholars and film exhibitors including Rebecca Solnit, Julie Lindow, Eddie Muller, Chi-Hui Yang and Gary Meyer cast light from personal and scholarly perspectives, examining the movie houses' roles as characters in the cultural drama of the city.
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livres
livres
Publication:
octobre 2010
octobre 2010
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livres
livres
Titre:
Götz Diergarten: photographs
Götz Diergarten: photographs
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Götz Diergarten documents vernacular architecture throughout Europe: storefront façades, beach cabanas, spas and metro stations in Germany, France, England and Belgium. With the absence of human form, the materials and patterns of passageways, tunnels and railway platforms are transformed into abstract color fields.
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Götz Diergarten documents vernacular architecture throughout Europe: storefront façades, beach cabanas, spas and metro stations in Germany, France, England and Belgium. With the absence of human form, the materials and patterns of passageways, tunnels and railway platforms are transformed into abstract color fields.
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Götz Diergarten: photographs
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Götz Diergarten documents vernacular architecture throughout Europe: storefront façades, beach cabanas, spas and metro stations in Germany, France, England and Belgium. With the absence of human form, the materials and patterns of passageways, tunnels and railway platforms are transformed into abstract color fields.
Götz Diergarten: photographs
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Götz Diergarten documents vernacular architecture throughout Europe: storefront façades, beach cabanas, spas and metro stations in Germany, France, England and Belgium. With the absence of human form, the materials and patterns of passageways, tunnels and railway platforms are transformed into abstract color fields.
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livres
livres
Publication:
août 2010
août 2010
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Monographies photo
Monographies photo
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Here, 18 photographers document cities from Detroit to Manila, to make a composite portrait of a city of all cities. The photographers are Sibylle Bergemann, Jörg Brüggemann, Espen Eichhöfer, Annette Hauschild, Harald Hauswald, Pepa Hristová, Andrej Krementschouk, Ute & Werner Mahler, Thomas Meyer, Dawin Meckel, Julian Röder, Frank Schinski, Jordis Antonia Schlosser, Anne(...)
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Here, 18 photographers document cities from Detroit to Manila, to make a composite portrait of a city of all cities. The photographers are Sibylle Bergemann, Jörg Brüggemann, Espen Eichhöfer, Annette Hauschild, Harald Hauswald, Pepa Hristová, Andrej Krementschouk, Ute & Werner Mahler, Thomas Meyer, Dawin Meckel, Julian Röder, Frank Schinski, Jordis Antonia Schlosser, Anne(...)
Titre:
The city: Becoming and decaying
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Here, 18 photographers document cities from Detroit to Manila, to make a composite portrait of a city of all cities. The photographers are Sibylle Bergemann, Jörg Brüggemann, Espen Eichhöfer, Annette Hauschild, Harald Hauswald, Pepa Hristová, Andrej Krementschouk, Ute & Werner Mahler, Thomas Meyer, Dawin Meckel, Julian Röder, Frank Schinski, Jordis Antonia Schlosser, Anne Schönharting, Linn Schröder, Heinrich Völkel and Maurice Weiss.
The city: Becoming and decaying
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Here, 18 photographers document cities from Detroit to Manila, to make a composite portrait of a city of all cities. The photographers are Sibylle Bergemann, Jörg Brüggemann, Espen Eichhöfer, Annette Hauschild, Harald Hauswald, Pepa Hristová, Andrej Krementschouk, Ute & Werner Mahler, Thomas Meyer, Dawin Meckel, Julian Röder, Frank Schinski, Jordis Antonia Schlosser, Anne Schönharting, Linn Schröder, Heinrich Völkel and Maurice Weiss.
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livres
livres
Publication:
octobre 2010
octobre 2010
Sujet:
Photographie- collections
Photographie- collections
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livres
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Over the course of his entire career, Robert Rauschenberg dedicated works to only five other artists: John Cage, Merce Cunningham, Marcel Duchamp, Jasper Johns, and the Swiss artist Jean Tinguely. The practices of Tinguely and Rauschenberg intersected kinetically during a few pivotal years in the early 1960s. The two men joined forces on several more artistic projects,(...)
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Over the course of his entire career, Robert Rauschenberg dedicated works to only five other artists: John Cage, Merce Cunningham, Marcel Duchamp, Jasper Johns, and the Swiss artist Jean Tinguely. The practices of Tinguely and Rauschenberg intersected kinetically during a few pivotal years in the early 1960s. The two men joined forces on several more artistic projects,(...)
Titre:
Robert Rauschenberg & Jean Tinguely: collaborations
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Over the course of his entire career, Robert Rauschenberg dedicated works to only five other artists: John Cage, Merce Cunningham, Marcel Duchamp, Jasper Johns, and the Swiss artist Jean Tinguely. The practices of Tinguely and Rauschenberg intersected kinetically during a few pivotal years in the early 1960s. The two men joined forces on several more artistic projects, despite their aesthetic differences: Rauschenberg once remarked of Tinguely, "He liked mechanical things such as engines; I preferred hedonistic things such as bathtubs." This punblication documents this productive friendship.
Robert Rauschenberg & Jean Tinguely: collaborations
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Over the course of his entire career, Robert Rauschenberg dedicated works to only five other artists: John Cage, Merce Cunningham, Marcel Duchamp, Jasper Johns, and the Swiss artist Jean Tinguely. The practices of Tinguely and Rauschenberg intersected kinetically during a few pivotal years in the early 1960s. The two men joined forces on several more artistic projects, despite their aesthetic differences: Rauschenberg once remarked of Tinguely, "He liked mechanical things such as engines; I preferred hedonistic things such as bathtubs." This punblication documents this productive friendship.
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livres
livres
Publication:
août 2010
août 2010
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livres
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Rachel Harrison's assemblages of found and constructed objects carry a provisional quality, a wry sense of humor and an all-embracing intelligence. Playing with materials ranging from plinth, pedestal and corrugated cardboard to plastic ketchup bottles, insulated travel mugs and Barbie's wheelchair-bound friend, Harrison creates colorful, canny, thought-provoking(...)
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Rachel Harrison's assemblages of found and constructed objects carry a provisional quality, a wry sense of humor and an all-embracing intelligence. Playing with materials ranging from plinth, pedestal and corrugated cardboard to plastic ketchup bottles, insulated travel mugs and Barbie's wheelchair-bound friend, Harrison creates colorful, canny, thought-provoking(...)
Titre:
Rachel Harrison: Museum with walls
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Rachel Harrison's assemblages of found and constructed objects carry a provisional quality, a wry sense of humor and an all-embracing intelligence. Playing with materials ranging from plinth, pedestal and corrugated cardboard to plastic ketchup bottles, insulated travel mugs and Barbie's wheelchair-bound friend, Harrison creates colorful, canny, thought-provoking constructions that are worthy peers of Rauschenberg's Combines. This volume, the most comprehensive monograph of Harrison's sculpture, video and painting to date, provides documentation of the past 15 years of her work and includes essays by Tom Eccles, David Joselit, Iwona Blazwick and Jack Bankowsky, plus contributions from Paul Chan, John Kelsey, Allan McCollum, Lucy Raven, Amy Sillman and Steven Stern.
Rachel Harrison: Museum with walls
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Rachel Harrison's assemblages of found and constructed objects carry a provisional quality, a wry sense of humor and an all-embracing intelligence. Playing with materials ranging from plinth, pedestal and corrugated cardboard to plastic ketchup bottles, insulated travel mugs and Barbie's wheelchair-bound friend, Harrison creates colorful, canny, thought-provoking constructions that are worthy peers of Rauschenberg's Combines. This volume, the most comprehensive monograph of Harrison's sculpture, video and painting to date, provides documentation of the past 15 years of her work and includes essays by Tom Eccles, David Joselit, Iwona Blazwick and Jack Bankowsky, plus contributions from Paul Chan, John Kelsey, Allan McCollum, Lucy Raven, Amy Sillman and Steven Stern.
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livres
livres
Publication:
août 2010
août 2010
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The only woman to be represented on a Swiss banknote, Sophie Taeuber-Arp was one of the twentieth century's most innovative artists, in painting, sculpture, textiles, dance, architecture and puppetry. Often occupying this role of the only "woman"--in exhibitions, or when socializing among Dadaists and Concrete artists and elsewhere--Taeuber-Arp nevertheless went about her(...)
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The only woman to be represented on a Swiss banknote, Sophie Taeuber-Arp was one of the twentieth century's most innovative artists, in painting, sculpture, textiles, dance, architecture and puppetry. Often occupying this role of the only "woman"--in exhibitions, or when socializing among Dadaists and Concrete artists and elsewhere--Taeuber-Arp nevertheless went about her(...)
Titre:
Sophie Taeuber-Arp: Movement and balance
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The only woman to be represented on a Swiss banknote, Sophie Taeuber-Arp was one of the twentieth century's most innovative artists, in painting, sculpture, textiles, dance, architecture and puppetry. Often occupying this role of the only "woman"--in exhibitions, or when socializing among Dadaists and Concrete artists and elsewhere--Taeuber-Arp nevertheless went about her diverse activities as though gender obstacles were immaterial, and steadily built up a massive body of work whose consistent qualities are warmth, clarity and liveliness. Sophie Taeuber-Arp: Movement and Balance is the most complete survey of the artist's work available in any language to date. Packed with full-color illustrations of her work in all media, from her pre-Concrete abstractions to her fabrics, watercolors, canvases, reliefs and her wonderful marionettes, as well as a visual chronology with archival photographs of Taeuber-Arp posing in her costumes, or next to her works with her husband Hans (Jean) Arp, this volume demonstrates the exemplary adventurousness of her career.
Sophie Taeuber-Arp: Movement and balance
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The only woman to be represented on a Swiss banknote, Sophie Taeuber-Arp was one of the twentieth century's most innovative artists, in painting, sculpture, textiles, dance, architecture and puppetry. Often occupying this role of the only "woman"--in exhibitions, or when socializing among Dadaists and Concrete artists and elsewhere--Taeuber-Arp nevertheless went about her diverse activities as though gender obstacles were immaterial, and steadily built up a massive body of work whose consistent qualities are warmth, clarity and liveliness. Sophie Taeuber-Arp: Movement and Balance is the most complete survey of the artist's work available in any language to date. Packed with full-color illustrations of her work in all media, from her pre-Concrete abstractions to her fabrics, watercolors, canvases, reliefs and her wonderful marionettes, as well as a visual chronology with archival photographs of Taeuber-Arp posing in her costumes, or next to her works with her husband Hans (Jean) Arp, this volume demonstrates the exemplary adventurousness of her career.
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livres
livres
Publication:
août 2010
août 2010
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livres
livres
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More than any other Surrealist, Swiss artist Meret Oppenheim embraced, pursued and defined Surrealism's cult of the object, fashioning such classic works as the famous fur cup and the trussed high-heels, infusing everyday domestic objects with a concise eroticism. Yet many facets of her innovative and wide-ranging practice remain unknown to this day, including her(...)
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More than any other Surrealist, Swiss artist Meret Oppenheim embraced, pursued and defined Surrealism's cult of the object, fashioning such classic works as the famous fur cup and the trussed high-heels, infusing everyday domestic objects with a concise eroticism. Yet many facets of her innovative and wide-ranging practice remain unknown to this day, including her(...)
Titre:
Meret Oppenheim: Fountain stories
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More than any other Surrealist, Swiss artist Meret Oppenheim embraced, pursued and defined Surrealism's cult of the object, fashioning such classic works as the famous fur cup and the trussed high-heels, infusing everyday domestic objects with a concise eroticism. Yet many facets of her innovative and wide-ranging practice remain unknown to this day, including her extraordinary fountain projects. From the late 1960s until her death, Oppenheim designed and produced models for a series of freewheeling aquatic sculptures. Only three of these have been realized: the "Meret Oppenheim Fountain" in Bern in her native Switzerland, the "Spiral (Nature's Course)" in Paris and the "Hermes Fountain" located in the garden of artist and onetime collaborator Daniel Spoerri in Seggiano, Italy. Fountain Stories is the first to gather all of Oppenheim's fountain projects, including her drawings and unrealized models, into a single definitive publication.
Meret Oppenheim: Fountain stories
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More than any other Surrealist, Swiss artist Meret Oppenheim embraced, pursued and defined Surrealism's cult of the object, fashioning such classic works as the famous fur cup and the trussed high-heels, infusing everyday domestic objects with a concise eroticism. Yet many facets of her innovative and wide-ranging practice remain unknown to this day, including her extraordinary fountain projects. From the late 1960s until her death, Oppenheim designed and produced models for a series of freewheeling aquatic sculptures. Only three of these have been realized: the "Meret Oppenheim Fountain" in Bern in her native Switzerland, the "Spiral (Nature's Course)" in Paris and the "Hermes Fountain" located in the garden of artist and onetime collaborator Daniel Spoerri in Seggiano, Italy. Fountain Stories is the first to gather all of Oppenheim's fountain projects, including her drawings and unrealized models, into a single definitive publication.
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livres
livres
Publication:
septembre 2010
septembre 2010
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livres
livres
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In 1789, Italian-born Spanish naval officer Alejandro Malaspina set off to visit Spain's colonies in Asia and the Americas. For five years, he and his crew sailed the Atlantic and Pacific oceans, discovering, cataloguing and analyzing flora, fauna, seas, people and lands. The Malaspina Expedition, as it came to be called, anticipated the global spirit of cross-discipline(...)
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In 1789, Italian-born Spanish naval officer Alejandro Malaspina set off to visit Spain's colonies in Asia and the Americas. For five years, he and his crew sailed the Atlantic and Pacific oceans, discovering, cataloguing and analyzing flora, fauna, seas, people and lands. The Malaspina Expedition, as it came to be called, anticipated the global spirit of cross-discipline(...)
Titre:
The Malaspina expedition: a scientific and political voyage around the world, 1789-1794
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In 1789, Italian-born Spanish naval officer Alejandro Malaspina set off to visit Spain's colonies in Asia and the Americas. For five years, he and his crew sailed the Atlantic and Pacific oceans, discovering, cataloguing and analyzing flora, fauna, seas, people and lands. The Malaspina Expedition, as it came to be called, anticipated the global spirit of cross-discipline synergy that defines the twenty-first century. Ths publication presents the visual legacy of his expedition, combining maps, illustrations and scientific and artistic documents.
The Malaspina expedition: a scientific and political voyage around the world, 1789-1794
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In 1789, Italian-born Spanish naval officer Alejandro Malaspina set off to visit Spain's colonies in Asia and the Americas. For five years, he and his crew sailed the Atlantic and Pacific oceans, discovering, cataloguing and analyzing flora, fauna, seas, people and lands. The Malaspina Expedition, as it came to be called, anticipated the global spirit of cross-discipline synergy that defines the twenty-first century. Ths publication presents the visual legacy of his expedition, combining maps, illustrations and scientific and artistic documents.
Classification:
livres
livres
Publication:
septembre 2010
septembre 2010
