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Titre:
London estates: Modernist council housing 1946-1981

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Résumé:
The UK’s landmark Housing Act of 1919 catalyzed the rapid development of state-owned public housing in planned council estates. Construction of these estates has largely ceased since the Thatcherist austerity policies of the ’80s. Fast-forward a few decades and the estates have met various fates; some council estates are now considered notorious, while others are arguably the most desirable places to live in London. This book features 275 estates from the City and every borough. A huge range of architectural styles are represented: from prefabricated and “self-built” schemes to Modernist and Brutalist designs, including over 30 protected historic buildings. There are designs from a broad range of architects, including Denys Lasdun, Erno Goldfinger, Basil Spence and many more. Kate Macintosh’s ziggurat-inspired Dawson’s Heights (1972) shares space with Chamberlin, Powell & Bon’s primary-colored tower Golden Lane Estate (1962). From the paltry to the posh, each estate possesses a fascinating history, and is emblematic of a distinct vision of urban planning.

Titre:
Arseniy Kotov: Soviet cities: labour, life and leisure

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Résumé:
In recent years Russian cities have visibly changed. The architectural heritage of the Soviet period has not been fully acknowledged. As a result many unique modernist buildings have been destroyed or changed beyond recognition. Russian photographer Arseniy Kotov intends to document these buildings and their surroundings before they are lost forever. He likes to take pictures in winter, during the 'blue hour,' which occurs immediately after sunset or just before sunrise. At this time, the warm yellow colors inside apartment-block windows contrast with the twilight gloom outside. To Kotov, this atmosphere reflects the Soviet period of his imagination. His impression of this time is unashamedly idealistic: he envisages a great civilization, built on a fair society, which hopes to explore nature and conquer space. From the Baikonur Cosmodrome in the desert steppes of Kazakhstan to the grim monolithic high-rise dormitory blocks of inner-city Volgograd, Kotov captures the essence of the post-Soviet world.