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Founded in 2007 by Stéphanie Bru and Alexandre Theriot, Bruther works in the fields of architecture, research, education, urbanism, and landscape. Its projects suggest a delicate balance between strategy and form, rigour and freedom, specific and generic, immediacy and evolutivity. The office is known for designs that represent open infrastructures matching an abundance(...)
El Croquis 197 : Bruther (2012-2018)
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Founded in 2007 by Stéphanie Bru and Alexandre Theriot, Bruther works in the fields of architecture, research, education, urbanism, and landscape. Its projects suggest a delicate balance between strategy and form, rigour and freedom, specific and generic, immediacy and evolutivity. The office is known for designs that represent open infrastructures matching an abundance of contextual possibilities and with a wide malleability of uses. This monographic instalment presents a selection of Bruther's work from 2012 to the present, featuring no less than 20 projects across a range of typologies, from the Helsinki Central Library to sports centres, residential solutions, and more.
El Croquis
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Based in Los Angeles, Johnston Marklee is an architecture practice founded in 1998 by principals Sharon Johnston and Mark Lee. It has been said that the pair is in some ways more closely associated with a group of well-travelled younger architects from around the world than with its home city, and they have often engaged in collaborative projects with other firms in(...)
El Croquis 198 : Johnston Marklee (2005-2019)
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Based in Los Angeles, Johnston Marklee is an architecture practice founded in 1998 by principals Sharon Johnston and Mark Lee. It has been said that the pair is in some ways more closely associated with a group of well-travelled younger architects from around the world than with its home city, and they have often engaged in collaborative projects with other firms in Europe and South America. This monographic issue covers diverse projects by Johnston Marklee from 2005 to the present. It includes an interview with the architects and features notable works such as the Menil Drawing Institute and the Museum of Contemporary Art Chicago, plus a number of private residences.
El Croquis
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Chilean architect Smiljan Radic is widely recognised for his distinctive approach to form, materials, and natural settings, and this edition of the magazine pays tribute to his talent by presenting his most recent projects. Featuring a conversation with Radic and Enrique Walker, it presents 25 designs ranging from a wine cellar, bus stop, chapel, antenna tower, and(...)
El Croquis 199: Smiljan Radic 2013-2019
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Chilean architect Smiljan Radic is widely recognised for his distinctive approach to form, materials, and natural settings, and this edition of the magazine pays tribute to his talent by presenting his most recent projects. Featuring a conversation with Radic and Enrique Walker, it presents 25 designs ranging from a wine cellar, bus stop, chapel, antenna tower, and several houses, to the Chilean Museum of Pre-Columbian Art in Santiago, the Boca Sur Civic District, the Alexander McQueen Project, the Serpentine Gallery Pavilion in London, and the Beyeler Foundation near Basel, which owns and oversees the art collection of Hildy and Ernst Beyeler.
El Croquis
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This monographic issue takes stock of the studio’s production from 2012 to the present, from its most recognised works, such as Copper House II and the Ahmedabad Residence, to more modest projects like the Ganga Maki Textile Studio in the Himalayan foothills, MPavilion 2016 in Melbourne, and a winery extension in the south of France. The issue also features handmade(...)
El Croquis 200: Studio Mumbai (2012-20019) in-between spaces
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This monographic issue takes stock of the studio’s production from 2012 to the present, from its most recognised works, such as Copper House II and the Ahmedabad Residence, to more modest projects like the Ganga Maki Textile Studio in the Himalayan foothills, MPavilion 2016 in Melbourne, and a winery extension in the south of France. The issue also features handmade furniture shown at Maniera gallery in Brussels, which draws on universal materials and traditional Indian craft.
El Croquis
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This issue features two architecture giants from opposite corners of the globe. Swiss-based architect Christian Kerez, known for his Chapel in Oberrealta and the Kunstmuseum Liechtenstein (together with Meinrad Morger and Heinrich Degelo), is presented through a selection of his latest work (20102015) that also includes large projects in China. In his turn, Junya(...)
El Croquis 182: Christian Kerez, Junya Ishigami
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This issue features two architecture giants from opposite corners of the globe. Swiss-based architect Christian Kerez, known for his Chapel in Oberrealta and the Kunstmuseum Liechtenstein (together with Meinrad Morger and Heinrich Degelo), is presented through a selection of his latest work (20102015) that also includes large projects in China. In his turn, Junya Ishigami, who worked at SANAA before establishing his own firm in 2004, and was awarded the Golden Lion at the 12th Venice Architecture Biennale in 2010, is featured with sixteen recent projects (20052015), among them the Polytechnic Museum Moscow and a Home for the Elderly in Akita.
Architecture, monographies
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This edition of the magazine examines the work of French architect Jean Nouvel since just prior to his being awarded the Pritzker Prize in 2008. Featuring an interview with the architect and Francis Marmande, plus an essay by Santiago de Molina, it offers a diverse overview of how this critically acclaimed designer arrived at the present moment in his career. Included are(...)
El Croquis 183: Jean Nouvel 2007-2016
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This edition of the magazine examines the work of French architect Jean Nouvel since just prior to his being awarded the Pritzker Prize in 2008. Featuring an interview with the architect and Francis Marmande, plus an essay by Santiago de Molina, it offers a diverse overview of how this critically acclaimed designer arrived at the present moment in his career. Included are nineteen projects that span the globe, among them the Louvre Abu Dhabi, the Danish Radio Concert House in Copenhagen, the renovation of Moritz Brewery, Hotel Renaissance in Barcelona, two housing projects in Bordeaux, One Central Park in Sydney, and the European Patent Office in Rijswijk.
El Croquis
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In this instalment, the focus is on two of today’s progressive practices: Spain’s AMID.cero9 and New York-based MOS Architects. Featuring recent work from the past several years, plus critical essays by the architects and others, a revealing image and comparison of the two architect duos emerges. Seven projects by AMID.cero9 are explored in depth, including the Fuente(...)
El Croquis 184: Amid.cero9 / MOS
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In this instalment, the focus is on two of today’s progressive practices: Spain’s AMID.cero9 and New York-based MOS Architects. Featuring recent work from the past several years, plus critical essays by the architects and others, a revealing image and comparison of the two architect duos emerges. Seven projects by AMID.cero9 are explored in depth, including the Fuente Santa Spa, Pavilion for Sharjah Biennial 11, and the Clunia Archaeological Site Visitor Centre. A variety of more than twenty projects by MOS Architects also appears, among them private homes, pavilions, mixed-use buildings, and more, including an art historian’s library and Hawai’i Presidential Center
El Croquis
périodiques
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Belgian architect Xaveer De Geyter is the focus of this issue, which features a selection of projects from the past fifteen years. He began his career working with Rem Koolhaas at OMA, and started his own firm in the early 1990s. De Geyter believes architecture is about opening up possibilities: the potential of a site, the hidden opportunity of a particular situation, of(...)
El Croquis 204: XDGA Xavier De Geyter 2005-2020
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Belgian architect Xaveer De Geyter is the focus of this issue, which features a selection of projects from the past fifteen years. He began his career working with Rem Koolhaas at OMA, and started his own firm in the early 1990s. De Geyter believes architecture is about opening up possibilities: the potential of a site, the hidden opportunity of a particular situation, of a programmatic conflict. Among the featured projects are Hasselt’s Z33 Museum, Sint-Lucas School of Fine Arts in Ghent, a learning and innovation centre in Brussels, and a design for the International Olympic Committee Headquarters. Includes an interview with the architect by Sarah Whiting and essay by Philip Ursprung.
périodiques
août 2020
El Croquis
El Croquis 205 : Sanaa (1)
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The magazine turns its focus on the Japanese architecture powerhouse duo of Kazuyo Sejima and Ryue Nishizawa in this instalment, examining both their collaborative and individual work over the past five years. Accompanying its selection of fifteen featured projects are a text by architect Maki Onishi as well as a conversation between her and the founding partners of(...)
El Croquis 205 : Sanaa (1)
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The magazine turns its focus on the Japanese architecture powerhouse duo of Kazuyo Sejima and Ryue Nishizawa in this instalment, examining both their collaborative and individual work over the past five years. Accompanying its selection of fifteen featured projects are a text by architect Maki Onishi as well as a conversation between her and the founding partners of SANAA. Notable recent works include the new Hitachi City Hall and Naoshima Port in Honmura (SANAA), Sumida Hokusai Museum and a new library at Japan Women’s University (Sejima), and Jining Art Museum, an office building, and six private residences (Nishizawa).
El Croquis
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Dutch architect Anne Holtrop started his own practice in 2009 and completed his first two major projects in 2015, Museum Fort Vechten in the Netherlands and the National Pavilion of the Kingdom of Bahrain. In some of his works, form is explored through appropriations from natural occurrences and random drawings, while others focus on the unique gestures dictated by a(...)
El Croquis 206 : Studio Anne Holtrop (2009-2020)
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Dutch architect Anne Holtrop started his own practice in 2009 and completed his first two major projects in 2015, Museum Fort Vechten in the Netherlands and the National Pavilion of the Kingdom of Bahrain. In some of his works, form is explored through appropriations from natural occurrences and random drawings, while others focus on the unique gestures dictated by a particular material. This overview of his practice to date features nineteen projects spread among the Netherlands, United Kingdom, Middle East, and Japan. Included are several projects designed and built in Bahrain, where the studio maintains its second office, such as the shopping district Qaysariyah Suq.
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