Ways of Curating
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Hans Ulrich Obrist curated his first exhibit in his kitchen when he was twenty-three years old. Since then he has staged more than 250 shows internationally, many of them among the most influential exhibits of our age. ''Ways of Curating'' is a compendium of the insights Obrist has gained from his years of extraordinary work in the art world. It skips between centuries(...)
Ways of Curating
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Hans Ulrich Obrist curated his first exhibit in his kitchen when he was twenty-three years old. Since then he has staged more than 250 shows internationally, many of them among the most influential exhibits of our age. ''Ways of Curating'' is a compendium of the insights Obrist has gained from his years of extraordinary work in the art world. It skips between centuries and continents, flitting from meetings with the artists who have inspired him (including Gerhard Richter, Louise Bourgeois, and Gilbert and George) to biographies of influential figures such as Diaghilev and Walter Hopps. It describes some of the greatest exhibitions in history, as well as some of the greatest exhibitions never realized. It traces the evolution of collections from Athanasius Kircher's seventeenth-century Wunderkammer to modern museums, and points the way for projects yet to come. Obrist has rescued the word "curate" from wine stores and playlists to remind us of the power inherent in looking at art--and at the world--in a new way.
Muséologie
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This publication documents this year's Serpentine Pavilion in London--a chrysalis-like structure made from colorful, transparent plastic by Spanish architects José Selgas (born 1965) and Lucía Cano (born 1965). Sketches, diagrams and construction methods are also included in this ample overview of the installation.
Architecture, monographies
janvier 2016
Selgascano: Serpentine Pavilion 2015
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This publication documents this year's Serpentine Pavilion in London--a chrysalis-like structure made from colorful, transparent plastic by Spanish architects José Selgas (born 1965) and Lucía Cano (born 1965). Sketches, diagrams and construction methods are also included in this ample overview of the installation.
Architecture, monographies
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'We Can’t Do This Alone: Jefferson Hack the System' re-defines the purpose of alternative media in the 21st century—drawing on a wealth of innovative projects to artfully map out a bright future for radical publishing. In the spirit of progressive individualism at its core every single copy is unique, emblazoned with an individuated, numbered cover displaying a one-off(...)
mai 2016
We can't do this alone: Jefferson Hack the system
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'We Can’t Do This Alone: Jefferson Hack the System' re-defines the purpose of alternative media in the 21st century—drawing on a wealth of innovative projects to artfully map out a bright future for radical publishing. In the spirit of progressive individualism at its core every single copy is unique, emblazoned with an individuated, numbered cover displaying a one-off fresco of the provocative material between its pages. If you stand for nothing, you’ll fall for anything.
Invent the future with elements of the past: 12 Zurich artists on a stroll with Lucius Burckhardt
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'Invent the Future with Elements of the Past' looks at a fascinating recent artistic interpretation of Burckhardt’s theories: the contribution of twelve contemporary artists to the Swiss Pavilion at the fourteenth International Architecture Exhibition of the Venice Biennale. Developed in Zurich and curated by Hans Ulrich Obrist, the project was realized through a series(...)
Invent the future with elements of the past: 12 Zurich artists on a stroll with Lucius Burckhardt
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'Invent the Future with Elements of the Past' looks at a fascinating recent artistic interpretation of Burckhardt’s theories: the contribution of twelve contemporary artists to the Swiss Pavilion at the fourteenth International Architecture Exhibition of the Venice Biennale. Developed in Zurich and curated by Hans Ulrich Obrist, the project was realized through a series of strolls throughout the city that offered new narratives about the urban space. The resulting objects and events are reproduced here with more than one hundred illustrations, including many in color; interviews with the participating artists, and contributions by Judith Albert, Muriel Baumgartner with Tom Stäubli, Stefan Burger, Christina Hemauer with Roman Keller, San Keller, Adrian Notz, Hans Ulrich Obrist, Paul Polaris, Christian Ratti, Roland Roos, Tom Stäubli, Navid Tschopp, and !Mediengruppe Bitnik.
Théorie de l’urbanisme
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Volume number 10 in the Conversation Series with the influential museum director, curator, writer and conversationalist Hans Ulrich Obrist, is given over to an intensive talk with the important German conceptual artist, Thomas Demand, who constructs precise environments out of paper maquettes, which are then photographed to haunting effect. Topics include concepts and(...)
Thomas Demand / Hans Ulrich Obrist : the conversation series 10
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Volume number 10 in the Conversation Series with the influential museum director, curator, writer and conversationalist Hans Ulrich Obrist, is given over to an intensive talk with the important German conceptual artist, Thomas Demand, who constructs precise environments out of paper maquettes, which are then photographed to haunting effect. Topics include concepts and rules of operation, the reconstruction and reverberation of history, work processes, studio realities and significant exhibitions of recent years. This wide-ranging conversation, modestly illustrated with black-and-white images, is as intelligent as it is revealing, giving the reader an unprecedented glimpse into the minds of two of the most brilliant players on the international art scene. Demand lives between Berlin and New York, where a retrospective of his work was shown at The Museum of Modern Art in 2005. Hans Ulrich Obrist is the Co-Director of the Musee d'Art Moderne de la Ville de Paris, as well as the Serpentine Gallery, London, where he lives and works.
$24.00
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"People make too much of architecture. I have a running quarrel with architects who overestimate architecture. Reality is at eye-level with people walking down the street." Born in 1923 in Budapest, Hungary, Yona Friedman is widely considered one of the greatest utopian visionary architects of the twentieth century. Currently based in Paris, he is just as much a(...)
juillet 2007, Cologne
Yona Friedman / Hans Ulrich Obrist : the conversation series 7
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"People make too much of architecture. I have a running quarrel with architects who overestimate architecture. Reality is at eye-level with people walking down the street." Born in 1923 in Budapest, Hungary, Yona Friedman is widely considered one of the greatest utopian visionary architects of the twentieth century. Currently based in Paris, he is just as much a sociologist as a designer of buildings, more concerned with the way people interact with their environments than monumental statements by an ego-centric creator. In this illuminating talk with The Conversation Series editor Hans Ulrich Obrist, he touches on the needs of the individual in heterogeneous urban societies, past and future projects, utopia, influences and metaphysics, revealing a wise and deeply-animated humanistic intellect. Known for his 1958 manifesto, L'Architecture mobile, Friedman's ideas have remained influential. His work was featured at the 2002 Documenta.
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In this traditional paperback, critic and curator Hans Ulrich Obrist teams up with Dutch avant-garde architect and paradigm-shifting intellectual, Rem Koolhaas, for a discussion of Koolhaas's work in China, his designs for Prada, architecture as metaphor, and the development of urbanism in the slipstream of globalization.
avril 2007, Köln
Rem Koolhaas / Hans Ulrich Obrist : the conversation series 4
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In this traditional paperback, critic and curator Hans Ulrich Obrist teams up with Dutch avant-garde architect and paradigm-shifting intellectual, Rem Koolhaas, for a discussion of Koolhaas's work in China, his designs for Prada, architecture as metaphor, and the development of urbanism in the slipstream of globalization.
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Catalogue de la 9e Biennale d'art contemporain de Lyon (19 septembre 2007 – 6 janvier 2008), conçu suivant les principes qui régissent la programmation de la manifestation organisée par Stéphanie Moisdon et Hans Ulrich Obrist. Cet ouvrage relève à la fois du jeu, de la cartographie et de l'expérience d'une écriture collective. Pensé comme un livre d'histoire et de(...)
octobre 2007, Lyon, Dijon, Zürich
Biennale de Lyon 2007 : 00's - L'histoire d'une décennie qui n'est pas encore nommée
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Catalogue de la 9e Biennale d'art contemporain de Lyon (19 septembre 2007 – 6 janvier 2008), conçu suivant les principes qui régissent la programmation de la manifestation organisée par Stéphanie Moisdon et Hans Ulrich Obrist. Cet ouvrage relève à la fois du jeu, de la cartographie et de l'expérience d'une écriture collective. Pensé comme un livre d'histoire et de géographie de l'art contemporain, il est le résultat d'une série d'investigations et de programmations des concepteurs de la manifestation et de Thierry Raspail. Réunissant 70 « joueurs » du monde entier (artistes, critiques et commissaires d'exposition) répartis entre deux cercles selon le type d'intervention demandé, le projet s'est développé autour d'une question centrale : « Comment définir la décennie actuelle ? ». S'il était proposé au premier cercle de choisir de choisir des réponses parmi ce que les artistes produisent aujourd'hui, il était demandé aux joueurs du second cercle de séquencer leurs choix ou de les confronter à d'autres. L'ensemble de ces subjectivités, cadrées par quelques règles de présentation (qui ? pourquoi ? comment ?), participent ici à un exercice de délimitation, de détourage et de recadrage d'une décennie et d'un objet – l'art – dont le tracé est de plus en plus indispensable. La publication s'accompagne d'essais inédits de et d'entretiens avec Mehdi Belhaj-Kacem, Stefano Boeri, François Cusset, Okwui Enwezor, Michel Houellebecq, Anselm Jappe, Paul Veyne et Ralph Rugoff.
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The volume presents itself as a ‘meta-book’, that is a collection of Ettore Spalletti’s production concerning books, intended as works, artist’s books, editions and catalogues. ''Artist’s books often do not get the same attention artists’ other works receive. And there are even fewer books on artist’s books. I believe it is of crucial importance that books as an artist’s(...)
Ettore Spalletti: Libri/Books
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The volume presents itself as a ‘meta-book’, that is a collection of Ettore Spalletti’s production concerning books, intended as works, artist’s books, editions and catalogues. ''Artist’s books often do not get the same attention artists’ other works receive. And there are even fewer books on artist’s books. I believe it is of crucial importance that books as an artist’s medium are presented alongside their other works. The passion and precision with which Spalletti has worked on his books throughout his trajectory presents a wonderful example of their importance in an artist’s oeuvre.'' - from the preface by Hans Ulrich Obrist.
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Since 2005, Hans Ulrich Obrist has asked artists, architects, scientists, actors and philosophers the world over to fill in the blank for what’s to come. Now, he turns to China to further his ongoing speculative narrative. In this elfin-size, bilingual (English/Chinese) volume, people active in Chinese culture tell Obrist what they think the future will be. Co-published(...)
Hans Ulrich Obrist: the future will be
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Since 2005, Hans Ulrich Obrist has asked artists, architects, scientists, actors and philosophers the world over to fill in the blank for what’s to come. Now, he turns to China to further his ongoing speculative narrative. In this elfin-size, bilingual (English/Chinese) volume, people active in Chinese culture tell Obrist what they think the future will be. Co-published with the Ullens Center for Contemporary Art, this is the first installment of a new series published by Pinacoteca Giovanni and Marella Agnelli. Participants include A Yi, Nadim Abbas, Ai Weiwei, Daniel A. Bell, Cao Fei, Yung Ho Chang, Chen Jiaying, Chen Xiaoyun, Chen Man, Chen Wei, Cheng Ran, Cheng Wenhao, Chi Huisheng, Heman Chong, Chu Yun, Ding Yi, Duan Jianyu, Fang Lu, Gao Lei, Gao Weigang, Ge Lei, Frank Gehry, Gu Dexin and many others.
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