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Since 2005, Hans Ulrich Obrist has asked artists, architects, scientists, actors and philosophers the world over to fill in the blank for what’s to come. Now, he turns to China to further his ongoing speculative narrative. In this elfin-size, bilingual (English/Chinese) volume, people active in Chinese culture tell Obrist what they think the future will be. Co-published(...)
Hans Ulrich Obrist: the future will be
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Since 2005, Hans Ulrich Obrist has asked artists, architects, scientists, actors and philosophers the world over to fill in the blank for what’s to come. Now, he turns to China to further his ongoing speculative narrative. In this elfin-size, bilingual (English/Chinese) volume, people active in Chinese culture tell Obrist what they think the future will be. Co-published with the Ullens Center for Contemporary Art, this is the first installment of a new series published by Pinacoteca Giovanni and Marella Agnelli. Participants include A Yi, Nadim Abbas, Ai Weiwei, Daniel A. Bell, Cao Fei, Yung Ho Chang, Chen Jiaying, Chen Xiaoyun, Chen Man, Chen Wei, Cheng Ran, Cheng Wenhao, Chi Huisheng, Heman Chong, Chu Yun, Ding Yi, Duan Jianyu, Fang Lu, Gao Lei, Gao Weigang, Ge Lei, Frank Gehry, Gu Dexin and many others.
petits formats
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Dans ce dialogue pétillant, Claude Parent parle de sa carrière, de ses réalisations, des obstacles qu’il a rencontré, de l’incompréhension que ses positions esthétiques et intellectuelles engagées ont suscité. Mais surtout, il parle de ses rencontres, de ses amitiés déterminantes pour son cheminement. On découvre un homme en avance sur son temps qui s’est toujours(...)
Hans Ulrich Obrist / Claude Parent
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Dans ce dialogue pétillant, Claude Parent parle de sa carrière, de ses réalisations, des obstacles qu’il a rencontré, de l’incompréhension que ses positions esthétiques et intellectuelles engagées ont suscité. Mais surtout, il parle de ses rencontres, de ses amitiés déterminantes pour son cheminement. On découvre un homme en avance sur son temps qui s’est toujours rebellé contre l’ordre établi et la pensée pré-fabriquée. Un humaniste qui a voulu changer le monde et qui porte un message d’espoir pour les générations futures.
Architecture, monographies
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Ce livre réunit 79 conversations avec des artistes, des écrivains, des architectes, des musiciens, des philosophes, des photographes, des designers, des scientifiques et des cinéastes, menées depuis le début des années 90 par Hans Ulrich Obrist. En suivant le modèle encyclopédique de l'entretien conçu comme un fructueux échange d'idées, ces Conversations dessinent un(...)
Hans Ulrich Obrist : conversations (édition française)
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Ce livre réunit 79 conversations avec des artistes, des écrivains, des architectes, des musiciens, des philosophes, des photographes, des designers, des scientifiques et des cinéastes, menées depuis le début des années 90 par Hans Ulrich Obrist. En suivant le modèle encyclopédique de l'entretien conçu comme un fructueux échange d'idées, ces Conversations dessinent un paysage de trajectoires, de pensées, de projets, de faits et de récits qui produisent une histoire inédite de l'art et de la culture au tournant du XXe et du XXIe siècle.
Théorie de l’art
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Here, Hans Ulrich Obrist and Hans-Peter Feldmann have decided to play with the interview format: Obrist poses the questions in writing and Feldmann answers each of them with a picture. The results are frequently funny, and an impressive exercise in visual thinking.
Hans Ulrich Obrist & Hans-Peter Feldmann: Interview
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Here, Hans Ulrich Obrist and Hans-Peter Feldmann have decided to play with the interview format: Obrist poses the questions in writing and Feldmann answers each of them with a picture. The results are frequently funny, and an impressive exercise in visual thinking.
Théorie de l’art
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Gilbert & George Art Titles offers a spin on the catalogue raisonné: a complete catalogue of the titles of all of the duo's works, from 1970 to the present, in the form of a continuous poetical index. Designed by the artists, it begins with their first performance at Nigel Greenwood Gallery in 1970. The catalogue of works is also printed alphabetically, and each title is(...)
février 2011
Gilbert & George: Art titles 1969-2010 in alphabetical order
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Gilbert & George Art Titles offers a spin on the catalogue raisonné: a complete catalogue of the titles of all of the duo's works, from 1970 to the present, in the form of a continuous poetical index. Designed by the artists, it begins with their first performance at Nigel Greenwood Gallery in 1970. The catalogue of works is also printed alphabetically, and each title is identified with an acronym indicating its format.
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Since the mid-1960s when he started out as a fledgling critic, Dan Graham has carved out a unique role for himself, expanding the scope of the Conceptual artist to incorporate art criticism, music criticism, photography and architecture. For this volume, curator Hans Ulrich Obrist met with Graham on several occasions to discuss the artist's work, life and the numerous(...)
Hans Ulrich Obrist, the conversation series 25 : Dan Graham
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Since the mid-1960s when he started out as a fledgling critic, Dan Graham has carved out a unique role for himself, expanding the scope of the Conceptual artist to incorporate art criticism, music criticism, photography and architecture. For this volume, curator Hans Ulrich Obrist met with Graham on several occasions to discuss the artist's work, life and the numerous interests he passionately follows. The conversation thus wanders seamlessly from architecture to rock and roll, philosophy to astrology, Graham's early performance pieces, photography and articles, to the films and glass pavilions for which he is best known today. A fountain of art folklore, Graham offers recollections of friends and colleagues, art work and influences, providing an invaluable insight not only into the New York art scene of the 60s and 70s, but also one of its most influential representatives.
Théorie de l’art
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Japanese architect Kazuyo Sejima (born 1956) has established her Tokyo studio SANAA, cofounded with Ryue Nishizawa, as one of the art world's favorite architectural teams. SANAA has been responsible for some of the most innovative art museums built over the past two decades, from the New Museum in New York and one of the Serpentine pavilions in London to the 21st Century(...)
Hans Ulrich Obrist, the conversation series 26 : Sanaa
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Japanese architect Kazuyo Sejima (born 1956) has established her Tokyo studio SANAA, cofounded with Ryue Nishizawa, as one of the art world's favorite architectural teams. SANAA has been responsible for some of the most innovative art museums built over the past two decades, from the New Museum in New York and one of the Serpentine pavilions in London to the 21st Century Museum of Contemporary Art in Kanazawa, which won the Golden Lion in 2004 as the most significant building at the 9th International Architecture Exhibition at the Venice Biennale. In 2010, Sejima and Nishizawa co-curated the 12th International Architecture Exhibition at the Biennale. Hans Ulrich Obrist caught up with Sejima on several occasions throughout the past few years. They discussed her built and unbuilt projects, her collaborations with other architects and artists and the changing role of women within architecture.
Théorie de l’art
A brief history of new music
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Hans Ulrich Obrist’s interviews map the evolution of the new music in Europe and America across all of its genres, from musique concrète to the recent hybridizations between pop and avant-garde, as techniques from both realms cross-pollinate. A Brief History of New Music is an ideal introduction to the experimental and new classical music of the past half-century.
A brief history of new music
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Hans Ulrich Obrist’s interviews map the evolution of the new music in Europe and America across all of its genres, from musique concrète to the recent hybridizations between pop and avant-garde, as techniques from both realms cross-pollinate. A Brief History of New Music is an ideal introduction to the experimental and new classical music of the past half-century.
Acoustique
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This first volume of JRP|Ringier’s complete John Baldessari writings project traces the genesis and development of the artist’s understanding of art in the early 1960s. More Than You Wanted to Know About John Baldessari presents Baldessari as storyteller, moralist, teacher and occasional gadfly, always concerned to accomplish what he describes as the central task of art(...)
Théorie de l’art
juin 2012
More than you wanted to know about John Baldessari : Vol. 1
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This first volume of JRP|Ringier’s complete John Baldessari writings project traces the genesis and development of the artist’s understanding of art in the early 1960s. More Than You Wanted to Know About John Baldessari presents Baldessari as storyteller, moralist, teacher and occasional gadfly, always concerned to accomplish what he describes as the central task of art making: to communicate in a way that people can understand. These writings address everything from matters of color in sculpture, to the dilemmas of art students in need of ideas, to the art world’s ever-conflicted relationship with money, while always returning to Baldessari’s love of language and his longstanding investigation into the tensions of word and image.
Théorie de l’art
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With his memorably titled 1956 collage "Just What is it that Makes Today's Homes So Different, So Appealing?", British artist Richard Hamilton (born 1922) heralded the British Pop revolution; and with his 1967 Swingeing London series of prints, which depicted the arrest of Mick Jagger and Robert Fraser, Hamilton's art entered the general public consciousness. But unlike(...)
juillet 2010
Richard Hamilton : Modern moral matters
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With his memorably titled 1956 collage "Just What is it that Makes Today's Homes So Different, So Appealing?", British artist Richard Hamilton (born 1922) heralded the British Pop revolution; and with his 1967 Swingeing London series of prints, which depicted the arrest of Mick Jagger and Robert Fraser, Hamilton's art entered the general public consciousness. But unlike so many Pop artists, Hamilton was never an uncritical or ambivalent advocate of postwar society, and he has often agitated directly against it, producing a great deal of openly political, satirical work that assaults both consumer culture at large and more immediate political events. This monograph, published for Hamilton's 2010 exhibition at the Serpentine Gallery in London (his first exhibition since 1992), brings together Hamilton's famous "protest" paintings as well as newer political works and features essays by Benjamin H.D. Buchloh and Michael Bracewell.