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From curator Hans Ulrich Obrist, Lives of the Artists, Lives of the Architects offers a unique opportunity to learn about the lives and creativity of the world's leading artists. Hans Ulrich Obrist has been conducting ongoing conversations with the world's greatest living artists since he began in Switzerland, aged 19, with Fischli and Weiss. Here he chooses nineteen of(...)
Lives of the artists, lives of the architects
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From curator Hans Ulrich Obrist, Lives of the Artists, Lives of the Architects offers a unique opportunity to learn about the lives and creativity of the world's leading artists. Hans Ulrich Obrist has been conducting ongoing conversations with the world's greatest living artists since he began in Switzerland, aged 19, with Fischli and Weiss. Here he chooses nineteen of the greatest figures and presents their conversations, offering the reader intimacy with the artists and insight into their creative processes. Inspired by the great Vasari, this book explores the meaning of art and artists today, their varying approaches to creating, and a sense of how their thinking evolves over time.
Théorie de l’art
Room 763
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In 1993, the curator and art critic Hans Ulrich Obrist (born 1968) organized an unannounced exhibition in a hotel room in Paris, where he lived for the duration of the show. This publication tours the now-legendary event, documenting the work of the 70 invited artists.
août 2014
Room 763
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In 1993, the curator and art critic Hans Ulrich Obrist (born 1968) organized an unannounced exhibition in a hotel room in Paris, where he lived for the duration of the show. This publication tours the now-legendary event, documenting the work of the 70 invited artists.
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The 2014 Serpentine Pavilion is designed by Chilean architect Smiljan Radic (born 1965) as a multipurpose social space with a café. A semi-translucent, cylindrical structure that resembles a shell and rests on large quarry stones, its torus-shaped fiberglass shell resembles the cast-off chrysalis of some bulbous insect.
Architecture, monographies
novembre 2014
Smiljan Radic : Serpentine Gallery Pavilion 2014
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The 2014 Serpentine Pavilion is designed by Chilean architect Smiljan Radic (born 1965) as a multipurpose social space with a café. A semi-translucent, cylindrical structure that resembles a shell and rests on large quarry stones, its torus-shaped fiberglass shell resembles the cast-off chrysalis of some bulbous insect.
Architecture, monographies
Qu'est-ce que le curating ?
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Le terme "curating", qu'on traduit souvent par commissariat d'exposition, n'a pas de véritable équivalent en français. Dans cette conférence tenue à l'École normale supérieure de Paris, il apparaît que l'essentiel du travail du curator réside dans la discussion avec les artistes et la maïeutique de la pensée.
Qu'est-ce que le curating ?
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Le terme "curating", qu'on traduit souvent par commissariat d'exposition, n'a pas de véritable équivalent en français. Dans cette conférence tenue à l'École normale supérieure de Paris, il apparaît que l'essentiel du travail du curator réside dans la discussion avec les artistes et la maïeutique de la pensée.
Muséologie
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Né en 1910 en Hongrie, László Elkán arrive à Paris en 1929. Attiré d’abord par la peinture, la musique et la mode, il commence à photographier en 1938 pour Marianne Magazine. Militant communiste, il rejoint dès 1941 les rangs de la Résistance sous le nom de Lucien Hervé. Proche de l’école française humaniste d’après-guerre, sa carrière prend un tournant décisif en 1949(...)
Conversation avec Lucien Hervé
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Né en 1910 en Hongrie, László Elkán arrive à Paris en 1929. Attiré d’abord par la peinture, la musique et la mode, il commence à photographier en 1938 pour Marianne Magazine. Militant communiste, il rejoint dès 1941 les rangs de la Résistance sous le nom de Lucien Hervé. Proche de l’école française humaniste d’après-guerre, sa carrière prend un tournant décisif en 1949 lorsque, grâce au Père Couturier, ami de Matisse, il rencontre Le Corbusier. Photographe attitré de l’architecte jusqu’au décès de ce dernier en 1965, il collabore, entre autres, avec Alvar Aalto et Oscar Niemeyer, et est également reconnu pour ses images de l’abbaye du Thoronet et de l’Escorial. Son œuvre a été exposée dans de nombreux musées et galeries à travers le monde. Dans cet entretien, réalisé avec l'aide de Federico Nicolao, il revisite avec sincérité et passion ses années de travail.
Théorie de l’art
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Here, Hans Ulrich Obrist and Hans-Peter Feldmann have decided to play with the interview format: Obrist poses the questions in writing and Feldmann answers each of them with a picture. The results are frequently funny, and an impressive exercise in visual thinking.
Hans Ulrich Obrist & Hans-Peter Feldmann: Interview
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Here, Hans Ulrich Obrist and Hans-Peter Feldmann have decided to play with the interview format: Obrist poses the questions in writing and Feldmann answers each of them with a picture. The results are frequently funny, and an impressive exercise in visual thinking.
Théorie de l’art
Do it: the compendium
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This publication includes an archive of artists’ instructions, essays contextualizing Do It, documentation from the history of the exhibition and instructions by 200 artists from all over the world selected by Obrist, among them Carl Andre, Jimmie Durham, Dan Graham, Yoko Ono, Christian Marclay and Rosemarie Trockel, including 60 new instructions from Matias Faldbakken,(...)
Do it: the compendium
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This publication includes an archive of artists’ instructions, essays contextualizing Do It, documentation from the history of the exhibition and instructions by 200 artists from all over the world selected by Obrist, among them Carl Andre, Jimmie Durham, Dan Graham, Yoko Ono, Christian Marclay and Rosemarie Trockel, including 60 new instructions from Matias Faldbakken, Theaster Gates, Sarah Lucas, David Lynch, Rivane Neuenschwander and Ai Weiwei, among many others.
Théorie de l’art
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Over the course of about ten years, Hans Ulrich Obrist and Matthew Barney met several times to discuss Barney's past work, current projects and his plans for the future. The resulting collection of interviews provides a rare insight into how the work and working method of one of the most prominent artists of a generation has developed over time, and uncovers the ideas,(...)
Matthew Barney & Hans Ulrich Obrist
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Over the course of about ten years, Hans Ulrich Obrist and Matthew Barney met several times to discuss Barney's past work, current projects and his plans for the future. The resulting collection of interviews provides a rare insight into how the work and working method of one of the most prominent artists of a generation has developed over time, and uncovers the ideas, influences and collaborations that lie behind his multi-layered and multimedia creative output. The conversation covers all of his major pieces to date, from the internationally acclaimed "Cremaster" cycle to the somewhat less well-known "Drawing Restraint" series, as well as looking at particular projects in more detail, such as the recent "Khu" performance and Barney's participation in "Il Tempo del Postino," curated by Obrist at the 2007 Manchester International Festival.
Théorie de l’art
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In this series of interviews, conducted over several years with the curator Hans Ulrich Obrist, he discusses the many dimensions of his artistic life, ranging over subjects including ceramics, blogging, nature, philosophy and the myriad influences that have fed into his work. He also talks candidly about his father, his childhood spent in exile and his criticism of the(...)
Ai Weiwei speaks with Hans Ulrich Obrist
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In this series of interviews, conducted over several years with the curator Hans Ulrich Obrist, he discusses the many dimensions of his artistic life, ranging over subjects including ceramics, blogging, nature, philosophy and the myriad influences that have fed into his work. He also talks candidly about his father, his childhood spent in exile and his criticism of the Chinese state. Together, these extraordinary discussions give a unique insight into the outstanding complexity of Ai Weiwei's thought and work, and are an essential reminder of the need for personal, political and artistic freedom.
Théorie/ philosophie
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The collected essays form the compartments of Obrist’s curatorial toolbox, along with elucidating his views on stewardship, patronage, and art itself. Influences and interlocutors cited and discussed here include, among others, Alexander Dorner, Édouard Glissant, Claude Lévi-Strauss, Jean-François Lyotard, Dominique de Menil, Josef Ortner, Cedric Price, Sir John Soane,(...)
Sharp tongues, loose lips, open eyes, ears to the ground
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The collected essays form the compartments of Obrist’s curatorial toolbox, along with elucidating his views on stewardship, patronage, and art itself. Influences and interlocutors cited and discussed here include, among others, Alexander Dorner, Édouard Glissant, Claude Lévi-Strauss, Jean-François Lyotard, Dominique de Menil, Josef Ortner, Cedric Price, Sir John Soane, and Harald Szeemann.
Théorie de l’art