SOM journal 5
$45.00
(disponible en magasin)
Résumé:
Since 1936, Skidmore, Owings & Merrill has set the standard for corporate design, producing some of the most iconic buildings of the last century and shaping cities throughout the world. SOM, a small-format volume, amply illustrated and (of course) beautifully designed, places the firm's production in the context of critical discussion among some of the profession's(...)
SOM journal 5
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Prix:
$45.00
(disponible en magasin)
Résumé:
Since 1936, Skidmore, Owings & Merrill has set the standard for corporate design, producing some of the most iconic buildings of the last century and shaping cities throughout the world. SOM, a small-format volume, amply illustrated and (of course) beautifully designed, places the firm's production in the context of critical discussion among some of the profession's leading thinkers: artists, engineers, architectural critics and architects themselves.
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$59.95
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With a statement by Daniel Libeskind.
Architecture, monographies
avril 1998, Windsor, UK
Peter Pran : an architecture of poetic movement
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$59.95
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With a statement by Daniel Libeskind.
livres
avril 1998, Windsor, UK
Architecture, monographies
$33.95
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Over the past 30 years, the French Swiss architectural photographer Hélène Binet has traveled the world to photograph historic and contemporary buildings, as well as projects in the making. Considered by many the premier “architect’s photographer,” Binet has worked closely with Zaha Hadid, Daniel Libeskind and Peter Zumthor among others, who have turned to her to(...)
Light lines: the architectural photographs of Hélène Binet
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$33.95
(disponible sur commande)
Résumé:
Over the past 30 years, the French Swiss architectural photographer Hélène Binet has traveled the world to photograph historic and contemporary buildings, as well as projects in the making. Considered by many the premier “architect’s photographer,” Binet has worked closely with Zaha Hadid, Daniel Libeskind and Peter Zumthor among others, who have turned to her to interpret their work. Using only analogue techniques, Binet’s photographs are both a representation and a discovery of her subjects, all of them buildings that break the mold, pushing daringly at the boundaries of their time.
Monographies photo