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Titre:
Reflected transparency: contemporary architects working in glass

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$74.99
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Résumé:
Reflected Transparency presents the recent photography of Erieta Attali in a beautifully printed medium-format book. A rare look at celebrated buildings, the work embraces the aesthetic effects of glass in contemporary architecture. The photographs include the work of Kisho Kurokawa, Kazuo Sejima, Coop Himmelb(l)au, Bernard Tschumi, and others. In addition to being a presentation of the work of an acclaimed photographer, Reflected Transparency is also an indispensible primer for architects and architectural students interested in the effects of transparency, both literal and phenomenal.

Titre:
Renzo Piano building workshop : GA architect 14

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$112.00
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Works include: Centre Georges Pompidou; Menil Collection Museum; Genoa's Underground Stations; Thomson Optronic Factory; Kansai International Airport Passenger Terminal Building.

Titre:
The dissolution of buildings

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$27.95
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Advocating an architecture that is "the opposite of global action," architect Angelo Bucci's work responds to the topography of the city and to its urban environment. In a lecture delivered at Columbia University's Graduate School of Architecture, Planning and Preservation, Bucci discusses work designed with his firm SPBR, projects that span from the scale of the house to the city. His built work is here accompanied by an excerpt from his doctoral dissertation, which explores how the devices available to architecture—and the sectional manipulation of groundplanes in particular—can mitigate some of the inequities and exclusions built in to the fabric of the contemporary city. An essay by Kenneth Frampton frames these projects within the rich lineage of Brazilian house design and members of the Paulista school such as Paulo Mendes da Rocha and João Batista Vilanova Artigas.

Titre:
Som journal 7

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$30.00
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Som journal 7 includes the essays “Notes on the Techno-Aesthetic Evolution of High-Rise Form, 1896–1997” by Kenneth Frampton, “The Myth of Natural Growth II” by Thomas van Leeuwan, “Building Tall” by William Baker, “Emergence and the Power of One” by Mark Sarkisian, and “How the Leopard Got Its Spots: Lever House as a Skyscraper” by Nicholas Adams.

Titre:
Five North American architects : an anthology

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$55.00
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Résumé:
This publication brings together five architectural practices that, while all distinct, share a particular sensibility for the impact of craftsmanship and climate on the generation of form, as well as a concern for the expressive tactility of material and the effect of light on the articulation of structure. Designed with detail, the book offers an indepth survey of recent work by Steven Holl (New York), Rick Joy (Tucson), John and Patricia Patkau (Vancouver), Stanley Saitowitz (San Francisco), and Brigitte Shim and Howard Sutcliffe (Toronto). The regional specificity of the work is considered against a larger North American context, allowing one to assess the practice of its architecture today.

Titre:
Sketches for a national history museum

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This book presents various designs for a National History Museum in the Netherlands. Kenneth Frampton and Hans Ibelings wrote essays on good museum architecture, researchers at the Berlage Institute made sketches, and three young European architecture firms, 51N4E, Baukuh, and Monadnock, submitted plans to encourage thinking about new museum architecture.

Titre:
SOM journal 6

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$36.00
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SOM Journal 6 features Thomas Herzog on solar energy; a reprint of Manuel de Solà Morales's pivotal text on urban planning; Robert Polidori's photo essay documenting the slums surrounding the Mumbai airport; the Director of the Glasgow School of Art discussing the seminal building of Charles Rennie Mackintosh; and much else.

Titre:
Building Brasilia

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$82.00
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‘From nothing; from nothing to construction.’ Thus Marcel Gautherot, the ideal architectural photographer, recalled his epic undertaking in the late 1950s – photographing every step of the construction of the city of Brasilia, from untouched grassland to modern capital. Gautherot had studied architecture and design, and was influenced by Le Corbusier and other modernist architects as well as the political radicalism of the interwar period. Postwar, however, he devoted his life to travel and photography, taking with him the formal rigour of modernism but also a sympathy for ordinary people that was to help him in his work. After moving to Brazil in 1940, he forged many friendships and partnerships, most notably with Oscar Niemeyer, the chief architect of Brasilia. Indeed, Gautherot recorded most of Niemeyer’s work as his photographer of choice. It was, however, in Brasilia – the high point of the careers of both Niemeyer and chief urban planner Lucio Costa – that the photographer’s art of light and shadow reached its zenith. Gautherot repeatedly visited Brasilia, photographing not only every stage of construction, but also the faces and homes of the workers who worked on the construction sites and satellite cities in the making. The result is a monumental photo essay on this triumph of urban planning and architecture. Here, for the first time, the photographs are collected to form a portfolio of Gautherot’s work in Brasilia, and it pays due tribute to this great Franco-Brazilian artist in the centenary of his birth and on the fiftieth anniversary of Brasilia’s inauguration.

Titre:
Erieta Attali : In extremis

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Résumé:
Israeli photographer Erieta Attali (born 1966) is a cartographer of contemporary global architecture, focusing upon the relationship between building types and the landscapes they inhabit. Attentive to subtle changes in light and weather conditions, Attali illuminates unlikely affinities between projects in seemingly disparate locales from the Chilean desert to the Norwegian arctic.

Titre:
Neues Museum Berlin, David Chipperfield architects

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Résumé:
This book documents David Chipperfield's most important project to date: the Neues Museum, centerpiece of the Berlin Museumsinsel. Photographs taken in natural light by Candida Hofer show the rooms after their completion and before they were furnished. Hofer's images are complemented by texts from well-known architects, architectural historians, art historians and conservation architects highlighting the fundamental principles of the project. An interview with David Chipperfield gives insight into the problems surrounding the work.