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Titre:
John Baldessari : Transatlantique

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$38.00
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Résumé:
John Baldessari est l'un des principaux représentants de l'art conceptuel de la côte ouest américaine. Baldessari explore la langue et la culture des médias de masse dans ses peintures et compositions photographiques, en interrogeant la relation des images aux textes. Enseignant tout au long de sa carrière, il marque des générations d'artistes?; influence toujours très présente aujourd'hui, aussi bien en Amérique du Nord qu'en Europe. Marie de Brugerolle réunit dix artistes qui illustrent, de part et d'autre de l'Atlantique, l'impact de son œuvre.

Titre:
Guy de Cointet

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$45.00
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Résumé:
Mentor to a generation of Californian Conceptualists and performance artists, Guy de Cointet (1934-1983) took language as a material from which to generate drawings, plays and performances. De Cointet collected phrases, words and even single letters culled from popular culture and literary sources, and scripted them as dialogues or props for plays inspired by the writings and homonymic compositional methods of Raymond Roussel: in the 1976 play "At Sunrise... A Cry Was Heard," for example, a large painting depicting letters bisected by a white sash provides the dialogue of the lead actress, who recites its jumble of letters as if it were ordinary conversation. His drawings were often generated by geometric erasures of found text, leaving behind Concrete-style abstract patterns. A formative figure for Mike Kelley and Paul McCarthy during his tenure at the Otis Art institute, de Cointet is today in the process of being rediscovered; this timely monograph is the first overview of his enigmatic and influential oeuvre.

Titre:
Not to play with dead things

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$42.00
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Résumé:
From its Futurist and Dadaist origins to the body art of the 1970s and more recent developments in the genre, the history of Performance art is oriented around a fairly consistent set of elements: movements, speech, the body, impermanence, audience participation. But artists have also produced installations and performative objects for their performances, whose status becomes ambiguous once the action is over. Not to Play with Dead Things pays overdue attention to these frequently orphaned props of performance art, documenting works from the 1960s to the present by artists as diverse as Richard Jackson, Paul McCarthy, Roman Signer, Mike Kelley, Franz West, Jim Shaw, Guy de Cointet, John Bock, Spartacus Chetwynd, Catherine Sullivan and Erwin Wurm. Not to Play with Dead Things asks: are these objects relics of their own making? And is their hybridity a kind of resistance to the streamlining of art?

Titre:
Guy de Cointet: Tempo Rubato

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Résumé:
The installations, books, films and plays of Guy de Cointet (1934–1983) offer conceptually playful and witty treatments of codes, ciphers and optical tensions between language and image. Born in France and based in Los Angeles from 1965 until his death, de Cointet was also an important mentor as a teacher at the Otis Art Institute for a generation of Californian artists, including Paul McCarthy and Mike Kelley. This volume, published for a 2012/13 survey show at Fundación/Colección Jumex in Mexico, includes extensive documentation (playscripts, photographs) of his plays Tempo Rubato, IGLU and Tell Me, alongside relevant works on paper, archival photographs and essays by Magalí Arriola, Jay Sanders and Marie de Brugerolle.

Titre:
Who's that Guy

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$36.50
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Résumé:
A film, a portrait of Guy de Cointet (1934-1983), a French-born artist based in California who created text and sculptural works, often combining them as props and stage sets in theatrical performance pieces.