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The model room of Olafur Eliasson is a cabinet of studies, which exists both as a spatial structure and a viewing platform for dozens of intricately constructed models of various scales, developed together with Einar Thorsteinn, a architect and artist. The preparatory level – or ground work – is in general crucial to Eliasson's practice; he conceives his works basically(...)
petits formats
juin 2006, Wien
Olafur Eliasson : a laboratory of mediating space
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The model room of Olafur Eliasson is a cabinet of studies, which exists both as a spatial structure and a viewing platform for dozens of intricately constructed models of various scales, developed together with Einar Thorsteinn, a architect and artist. The preparatory level – or ground work – is in general crucial to Eliasson's practice; he conceives his works basically as machines that produce phenomena through their interaction with the visitors. The machines are composed of multiple elements and often involve material and knowledge gained from fields other than art. Olafur Eliasson therefore collaborates with scientists occupied with cognitive and visual matters, with architects, and others.
petits formats
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Ce livre regroupe des photographies du Studio Olafur Eliasson.
TYT (Take your time) vol. 1: Small spatial experiments
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Ce livre regroupe des photographies du Studio Olafur Eliasson.
Architecture, monographies
livres
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Preface: Hans Ulrich Obrist, Visuals: Olafur Eliasson, Afterword: Sven-Olov Wallenstein
mars 2008, New York / Berlin
The hospitality of presence: problems of otherness in Husserl's phenomenology
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Preface: Hans Ulrich Obrist, Visuals: Olafur Eliasson, Afterword: Sven-Olov Wallenstein
livres
mars 2008, New York / Berlin
livres
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The Serpentine Gallery has commissioned Olafur Eliasson and architect Kjetil Thorsen to design its Pavilion in 2007. Based on the principle of a winding ramp, the Pavilion explores the idea of vertical circulation within a single space. “Our collaboration on the Serpentine Pavilion 2007 is defined by our mutual focus on the experience of space and on temporality as a(...)
juillet 2007, London, Baden
Serpentine Gallery Pavillon 2007
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The Serpentine Gallery has commissioned Olafur Eliasson and architect Kjetil Thorsen to design its Pavilion in 2007. Based on the principle of a winding ramp, the Pavilion explores the idea of vertical circulation within a single space. “Our collaboration on the Serpentine Pavilion 2007 is defined by our mutual focus on the experience of space and on temporality as a constitutive element of spaces, private or public. We both work within a field of spatial experimentation that renders conceptual differences between art and architecture superfluous.” The publication comprises extensive visual material documenting the development and realisation of the pavilion; two essays by Doreen Massey, Professor of Geography at The Open University (UK), and Andreas Ruby, architecture critic; a conversation between Olafur Eliasson, Kjetil Thorsen, Hans Ulrich Obrist and Julia Peyton-Jones (Co-directors, Serpentine Gallery).
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juillet 2007, London, Baden
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Really important artists situated their work in the master frame of art, well aware of the importance of the material they are using and conscious of questions about paradigms or paradigm shifts in art. This occurs in a special way in the work of Olafur Eliasson and is placed in full view of the observer by the exhibition at the Kunsthaus Bregenz. Eliasson uses nature(...)
janvier 2002, Bregenz
Olafur Eliasson : the mediated motion - 31.03 - 13.05.2001
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Really important artists situated their work in the master frame of art, well aware of the importance of the material they are using and conscious of questions about paradigms or paradigm shifts in art. This occurs in a special way in the work of Olafur Eliasson and is placed in full view of the observer by the exhibition at the Kunsthaus Bregenz. Eliasson uses nature and the architecture of the building as material : the result is an interplay in flux or a reversal of art and nature. In cooperation with Günter Vogt, landscape architect.
livres
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In 2007, Serpentine Gallery Co-Director Hans Ulrich Obrist and artist Olafur Eliasson invited more than 100 leading artists, architects, filmmakers, academics and scientists--including Peter Cook, Simon Baron-Cohen, Gloria Friedmann, Neil Turok, Kim Gordon, Spartacus Chetwynd, Simon Forti, Fia Backstrom and Joseph Grigely--to expand the notion of experimentation for their(...)
Hans Ulrich Obrist and Olafur Eliasson: experiment marathon
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In 2007, Serpentine Gallery Co-Director Hans Ulrich Obrist and artist Olafur Eliasson invited more than 100 leading artists, architects, filmmakers, academics and scientists--including Peter Cook, Simon Baron-Cohen, Gloria Friedmann, Neil Turok, Kim Gordon, Spartacus Chetwynd, Simon Forti, Fia Backstrom and Joseph Grigely--to expand the notion of experimentation for their 24-Hour Experiment Marathon, held in the Rem Koolhaas-designed Serpentine Gallery Pavilion. In the tradition of Obrist's now-legendary ongoing 24-Hour Interview Marathon, the crowds were standing-room-only and the action never stopped. This publication details the more than 40 screenings, performances and experimental films making up this genre-bending blend of science and art.
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janvier 1900
Théorie de l’art
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This book closely examines 25 of Eliasson's books dating back to 1997, and reveals a whole oeuvre of artist's books—57 titles in all—that will come as a revelation to those who may not closely identify the artist with this medium. Eliasson's exhibition catalogues are always designed with pronounced care, and many are already long out of print or hard to find. Here, in(...)
Olafur Eliasson: take your time printed
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This book closely examines 25 of Eliasson's books dating back to 1997, and reveals a whole oeuvre of artist's books—57 titles in all—that will come as a revelation to those who may not closely identify the artist with this medium. Eliasson's exhibition catalogues are always designed with pronounced care, and many are already long out of print or hard to find. Here, in spreads and thorough annotations, we encounter his considered musings on book form and design, and the complex process of book collaboration. Printed Matter also supplies a bibliography of all of Eliasson's books to date, alongside an interview with the artist.
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The Danish-Icelandic artist Olafur Eliasson developed a sequence of spatial experiments for his Your Chance Encounter exhibition in the 21st Century Museum of Contemporary Art, Kanazawa, Japan. His piece challenges visitors to move around and get their bearings, and stimulates them to see the museum as a public space for addressing art and reality critically. The(...)
Olafur Eliasson: your chance encounter
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The Danish-Icelandic artist Olafur Eliasson developed a sequence of spatial experiments for his Your Chance Encounter exhibition in the 21st Century Museum of Contemporary Art, Kanazawa, Japan. His piece challenges visitors to move around and get their bearings, and stimulates them to see the museum as a public space for addressing art and reality critically. The installations were developed especially for the exhibition. They are arranged in a tight context with the spatial structure of the museum and extend the concept of architecture by the Japanese architecture practice SANAA. Olafur Eliasson does not work only in the museum galleries, but also in the corridors in between and the adjacent courtyards, thus linking the indoor and outdoor areas closely and examining this museum’s unique qualities. The artist’s book was created in close co-operation with Olafur Eliasson’s studio. Its elaborate design with an extensive pictorial section offers a comprehensive record of the exhibition and an important analysis of this artist’s work. An essay by art historian Eve Blau interprets the exhibition in relation to its surroundings and contrasts the experimental approaches of Olafur Eliasson and SANAA, while curator Hiromi Kurosawa introduces the history and context of the museum in Kanazawa.
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Conceived by the Danish architectural offices of Henning Larsen, Harpa is a new concert hall located at the old harbor of Reykjavik. The concert hall and conference center are home to the national symphony orchestra and the opera. The entry façade, made of more than 1,000 polygonal glass units modeled after the island’s basalt pillars, was created in collaboration with(...)
Architecture, monographies
novembre 2012
Harpa and other music venues by Henning Larsen Architects
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Conceived by the Danish architectural offices of Henning Larsen, Harpa is a new concert hall located at the old harbor of Reykjavik. The concert hall and conference center are home to the national symphony orchestra and the opera. The entry façade, made of more than 1,000 polygonal glass units modeled after the island’s basalt pillars, was created in collaboration with the artist Olafur Eliasson. This publication presents the building from its initial design in 2005 to its completion in May 2011, and demonstrates how nature can help inspire architecture to dematerialize.
Architecture, monographies
$48.00
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Since the 1990's, Olafur Eliasson has been exploring cognitive and physical phenomena as we know them from the natural sciences and nature. He uses both technically sophisticated equipment and deceptively simple means such as water or light to create artificial landscapes and moments of perception that let viewers perceive or reenact natural phenomena. Their strongly(...)
Olafur Eliasson : sonne statt regen
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Since the 1990's, Olafur Eliasson has been exploring cognitive and physical phenomena as we know them from the natural sciences and nature. He uses both technically sophisticated equipment and deceptively simple means such as water or light to create artificial landscapes and moments of perception that let viewers perceive or reenact natural phenomena. Their strongly atmospheric but entirely constructed nature makes viewers become painfully conscious of how far modern civilization has progressed from immediate experience; they question the acceptance of authenticity in the area of perception. This book, published in an edition of only 1,500 copies and conceived in cooperation with the artist, features a series of landscape photographs by Eliasson from his native Iceland, exploring the limits and conventions of our traditional view of landscape. They show that our perception of nature has been fundamentally affected by cultural influences, memories, and expectations.