Louise Bourgeois
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One of the century's most distinguished artists, Louise Bourgeois is an utterly unique figure. Born in Paris in 1911, Bourgeois spent most of her career receiving little recognition from the art community. She has worked closely to many of the century's key artistic moments, from Surrealism to Abstract Expressionism to feminist art, and yet she remains distinct from all(...)
mai 2003, London
Louise Bourgeois
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One of the century's most distinguished artists, Louise Bourgeois is an utterly unique figure. Born in Paris in 1911, Bourgeois spent most of her career receiving little recognition from the art community. She has worked closely to many of the century's key artistic moments, from Surrealism to Abstract Expressionism to feminist art, and yet she remains distinct from all of them. An extraordinarily influential sculptor, she has worked, often experimentally, with materials varying from alabaster, plaster, latex, bronze and marble. Bourgeois is equally admired for her intimate drawings, often combining fragments of text, and her highly personal writings, which often address her long and complex life story. With the backdrop of a conflicted and sexually complicated family upbringing, her struggles as an artist in a world reserved for men, as well as her experiences as a mother, the subject of her work is as broad as the materials in which she expresses them. Critic Paulo Herkenhoff (with Thyra Goodeve) has been in discussion with Bourgeois for many years. Topics in their interview range from her troubled relationship with her father, to men's fashions, to her recollections of Marcel Duchamp, whom she knew personally. Critic and curator Robert Storr's survey chronicles the unique trajectory of Bourgeois' work and life from a highly personal point of view. In his «Focus», critic Allan Schwartzman concentrates on Cell (You Better Grow Up) (1993), an intense cage-like space. For her «Artist's Choice» Bourgeois has selected extracts from the novel Bonjour Tristesse (1954) by Francoise Sagan, whose story about a young girl's response to her father's amorous relationships parallels to some degree the artist's own childhood experiences. The artist's writings include an early text, 'The Puritan', from 1947, alongside discussions of her own work, autobiographical writings and artist's projects.
Tatiana Trouvé
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This is the most complete monograph of Paris-based Tatiana Trouvé's multifaceted oeuvre, which consists of mixed media sculptures and drawings made from such materials as vinyl and copper. Trouvé was awarded the 2007 Prix Marcel Duchamp.
octobre 2008, Köln
Tatiana Trouvé
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This is the most complete monograph of Paris-based Tatiana Trouvé's multifaceted oeuvre, which consists of mixed media sculptures and drawings made from such materials as vinyl and copper. Trouvé was awarded the 2007 Prix Marcel Duchamp.
Interviews on art
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As a museum curator, academic, editor and writer, Robert Storr has come into contact with the most important artists of our era. Over the years he has amassed a major body of interviews, collected here for the first time in a single volume. 'Interviews on Art' includes over 60 fully illustrated discussions, conducted between 1981 and 2016, with some of the most renowned(...)
Interviews on art
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As a museum curator, academic, editor and writer, Robert Storr has come into contact with the most important artists of our era. Over the years he has amassed a major body of interviews, collected here for the first time in a single volume. 'Interviews on Art' includes over 60 fully illustrated discussions, conducted between 1981 and 2016, with some of the most renowned names in the art world.
Théorie de l’art
Ruth Asawa
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Known for her intricate and dynamic wire sculptures, the American sculptor, educator and arts activist Ruth Asawa challenged conventional notions of material and form through her emphasis on lightness and transparency. Asawa began her now iconic looped-wire works in the late 1940s while still a student at Black Mountain College. Their unique structure was inspired by a(...)
Ruth Asawa
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Known for her intricate and dynamic wire sculptures, the American sculptor, educator and arts activist Ruth Asawa challenged conventional notions of material and form through her emphasis on lightness and transparency. Asawa began her now iconic looped-wire works in the late 1940s while still a student at Black Mountain College. Their unique structure was inspired by a 1947 trip to Mexico, during which local craftsmen taught her how to create baskets out of wire. While seemingly unrelated to the lessons of color and composition taught in Josef Albers’ legendary Basic Design course, these works, as she explained, are firmly grounded in his teachings in their use of unexpected materials and their elision of figure and ground.
livres
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This book has been published to accompany a major retrospective exhibition at The Museum of Modern Art in the summer of 1998, which is the first comprehensive showing of Tony Smith's work as an architect, painter, and sculptor.
Tony Smith : architect, painter, sculptor
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This book has been published to accompany a major retrospective exhibition at The Museum of Modern Art in the summer of 1998, which is the first comprehensive showing of Tony Smith's work as an architect, painter, and sculptor.
livres
octobre 1998, New York
Architecture, monographies