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A sprawling compendium of Art Deco design from across Europe, Euro Deco features a broad range of exemplary graphic ephemera. Culled from Steven Heller and Louise Fili's popular International Deco series of inspirational reference books, the material in Euro Deco comes from Italy, Spain, the UK, Germany, France, and the Netherlands, primarily between WWI and WWII -- the(...)
décembre 2004, San Francisco
Euro Deco : graphic design between the wars
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A sprawling compendium of Art Deco design from across Europe, Euro Deco features a broad range of exemplary graphic ephemera. Culled from Steven Heller and Louise Fili's popular International Deco series of inspirational reference books, the material in Euro Deco comes from Italy, Spain, the UK, Germany, France, and the Netherlands, primarily between WWI and WWII -- the time when the continent gave birth to modern graphic design. Well over a thousand images from posters, packaging, advertisements, menus, and brochures display the elegant geometry and harmonious marriage of typography and illustration that make deco a popular style to this day. A generous package at an attractive price, Euro Deco is poised to be a standard graphic resource for designers, collectors, and aesthetes alike.
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décembre 2004, San Francisco
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Typography is the single most important design element, and, therefore, the most consequential course that an undergraduate student can take. Then why do so many student portfolios reflect poor typographic skill? In a singular effort to raise the bar on type education, designer and teacher Steven Heller reached out to type-devoted educators across the United States.(...)
The education of a typographer
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Typography is the single most important design element, and, therefore, the most consequential course that an undergraduate student can take. Then why do so many student portfolios reflect poor typographic skill? In a singular effort to raise the bar on type education, designer and teacher Steven Heller reached out to type-devoted educators across the United States. Drawing from hundreds of hours of collective teaching experience, they distilled proposals and working concepts that make for challenging courses without inflating the students’ schedules. In "The Education of a Typographer", editor Heller presents forty-one approaches to laying the foundation for typographic fluency.
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Looking Closer 2 offers recent writing on graphic design, covering new and important issues in design language, education, intellectual property, new media, the state of the business, and the place of design in society. The collection presents a stimulating look at how design issues are affected by and affecting changes in contemporary culture.
avril 1997, New York
Looking closer 2 : critical writings on graphic design
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Looking Closer 2 offers recent writing on graphic design, covering new and important issues in design language, education, intellectual property, new media, the state of the business, and the place of design in society. The collection presents a stimulating look at how design issues are affected by and affecting changes in contemporary culture.
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"Merz to Emigre and Beyond" is a historical survey of avant-garde cultural and political magazines and newspapers from the early twentieth century to the present. The book features a unique selection of international publications from Europe and the U.S.A. including "Merz" (1920's), "View" (1940's), "East Village Other" (1960's), "Punk" (1970's), "Raw" (1980's) and(...)
Merz to Emigre and beyond : avant-garde magazine design of the twentieth century
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"Merz to Emigre and Beyond" is a historical survey of avant-garde cultural and political magazines and newspapers from the early twentieth century to the present. The book features a unique selection of international publications from Europe and the U.S.A. including "Merz" (1920's), "View" (1940's), "East Village Other" (1960's), "Punk" (1970's), "Raw" (1980's) and "Emigre" (1990's). The design of these magazines, often raucous and undisciplined, was as ground-breaking as the ideas they disseminated. Many were linked with controversial art, literary and political movements such as Dada, Surrealism, Modernism, the New Left and Deconstruction. They contain the work of many leading experimental artists and designers of their time from Kurt Schwitters and El Lissitzky in the 1920's and 30's, to Art Spiegelman and Rudy Vanderlans in the 1980's and 90's.
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Godard : this way that way
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Keith Godard (b. 1940) is one of the most unusual personalities on the graphic design scene. His New York practice deals mainly with exhibition design. His poster also create sensations on a regular basis, All his work shares a striking degree of cheerfulness in form and colour, and a sense of humour that gives a hint of Godard’s British origins. Despite this, the(...)
février 2002, Baden
Godard : this way that way
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Keith Godard (b. 1940) is one of the most unusual personalities on the graphic design scene. His New York practice deals mainly with exhibition design. His poster also create sensations on a regular basis, All his work shares a striking degree of cheerfulness in form and colour, and a sense of humour that gives a hint of Godard’s British origins. Despite this, the designer is committed to function and reduced graphics. He trust the power of the idea. This small-format book is conceived as something that will inspire designers with courage.
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février 2002, Baden
$41.50
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Walk down any street in Mexico, and you'll be greeted by images of soccer stars, mariachi singers, space ships, taxis, tortas, tequila, or any one of the colorful posters that shopkeepers, advertisers, designers, and artists have put up throughout their cities and towns. Sensacional: Mexican Street Graphics is a collection of these images that often define public space(...)
juillet 2002, New York
Sensacional! Mexican street graphics
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Walk down any street in Mexico, and you'll be greeted by images of soccer stars, mariachi singers, space ships, taxis, tortas, tequila, or any one of the colorful posters that shopkeepers, advertisers, designers, and artists have put up throughout their cities and towns. Sensacional: Mexican Street Graphics is a collection of these images that often define public space south of the border. The images collected here depict a vibrant and experimental visual culture. Advertising everything from sex clubs, wrestling arenas, and restaurants to dentist's offices, auto-body shops, locksmiths, and shoe-repair stores, these images provide an inspiring monument to the craft of vernacular design, and are as much a part of the streetscape as the buildings they cover. Following a foreword by renowned musician and artist David Byrne, and an introduction by design historian Steven Heller, Sensacional presents more than 300 full-color illustrations of Mexico's most animated street graphics.
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Ces dernières années ont été marquées dans le domaine de la typographie par un grand retour de l'écriture manuscrite. De plus en plus, campagnes publicitaires, pochettes de disque, couvertures de livre, affiches de concert et logos arborent des textes écrits à la main de façon apparemment spontanée. Pour la première fois, un livre offre un panorama de cette pratique à(...)
novembre 2005, Paris
Ecrit à la main : la lettre manuscrite à l'ère du numérique
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Ces dernières années ont été marquées dans le domaine de la typographie par un grand retour de l'écriture manuscrite. De plus en plus, campagnes publicitaires, pochettes de disque, couvertures de livre, affiches de concert et logos arborent des textes écrits à la main de façon apparemment spontanée. Pour la première fois, un livre offre un panorama de cette pratique à travers de très nombreux exemples provenant du monde entier.
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Pas d'explications alambiquées. Pas de jargon. Le livre pour réussir vos créations graphiques est une introduction claire à la discipline. A travers l'étude de 50 créations iconiques, les auteurs présentent les grands principes d'une création visuelle réussie. Traversant les pays et les époques, ils mettent en valeur les règles indispensables, les techniques audacieuses(...)
septembre 2016
Le livre pour réussir vos créations graphiques
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Pas d'explications alambiquées. Pas de jargon. Le livre pour réussir vos créations graphiques est une introduction claire à la discipline. A travers l'étude de 50 créations iconiques, les auteurs présentent les grands principes d'une création visuelle réussie. Traversant les pays et les époques, ils mettent en valeur les règles indispensables, les techniques audacieuses et les petits détails qui font d'une création graphique une image forte et mémorable.
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Le livre pour réussir vos créations typographiques est une introduction claire à la discipline. A travers l'étude de 50 créations iconiques, les auteurs présentent les principes majeurs de la création typographique. Choix des polices, lettrage manuel, références historiques, jeux sur les capitales et les bas de casse... sont ainsi mis à l'honneur. Traversant les pays et(...)
septembre 2016
Le livre pour réussir vos créations typographiques
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Le livre pour réussir vos créations typographiques est une introduction claire à la discipline. A travers l'étude de 50 créations iconiques, les auteurs présentent les principes majeurs de la création typographique. Choix des polices, lettrage manuel, références historiques, jeux sur les capitales et les bas de casse... sont ainsi mis à l'honneur. Traversant les pays et les époques, cet ouvrage met en valeur les règles indispensables, les techniques audacieuses et les petits détails qui font d'une création typographique une image forte et mémorable.
Type tells tales
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Stretching the boundaries of typographic expression, Type Tells Tales is a sensational showcase of type that is integral to the message it conveys, with the capacity to emote, engage, and guide the reader from one thought to the next. Navigating the far reaches of graphic design, Steven Heller and Gail Anderson reveal how type can render a particular voice or multiple(...)
Type tells tales
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Stretching the boundaries of typographic expression, Type Tells Tales is a sensational showcase of type that is integral to the message it conveys, with the capacity to emote, engage, and guide the reader from one thought to the next. Navigating the far reaches of graphic design, Steven Heller and Gail Anderson reveal how type can render a particular voice or multiple conversations, how letters in various shapes and sizes can guide the eye through dense information, and how type can become both content and illustration, as letters take the form of people, animals, cars, or planes. The book’s 332 illustrations – including 290 in color – feature historical examples by F. T. Marinetti, Bruno Munari, and Francis Picabia, among others, as well as by contemporary designers such as Richard Eckersley, John Hendrix, Maira Kalman, and Corita Kent.