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Résumé:
In this book, Saul Anton argues that The Little Screens ‘operate both as a collection and much like a single photographic work conceived as open-ended, potentially infinite’. Marking the historical intersection of modern art and photography at the moment when television came into its own, Friedlander’s images reflect the competing logics of the museum, print and(...)
Lee Friedlander : the little screens
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Prix:
$22.00
(disponible sur commande)
Résumé:
In this book, Saul Anton argues that The Little Screens ‘operate both as a collection and much like a single photographic work conceived as open-ended, potentially infinite’. Marking the historical intersection of modern art and photography at the moment when television came into its own, Friedlander’s images reflect the competing logics of the museum, print and electronic media, and anticipate the issues that have emerged in a world of ubiquitous ‘little screens’.
Théorie de la photographie