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September 2009
Texte zur Kunst 75: geschmack taste
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September 2009
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In light of the recent spate of revelations detailing abuses of power within the culture sector, the March issue of "Texte zur Kunst" considers art’s relation to rules—or rather, the exceptions to them that art and its agents seem to claim. How, then, to speak of rules in the context of art, where transgressions are lauded even while traditional hierarchies continue to(...)
Texte zur Kunst 109: Art without rules?
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In light of the recent spate of revelations detailing abuses of power within the culture sector, the March issue of "Texte zur Kunst" considers art’s relation to rules—or rather, the exceptions to them that art and its agents seem to claim. How, then, to speak of rules in the context of art, where transgressions are lauded even while traditional hierarchies continue to assert their influence? And would we demand anything less of art than the promise of disobedience, rule breaking both in terms of formal restrictions and normative regulation? Articles by Katharina Hausladen, Josephine Pryde, Christoph Menke, Lucy McKenzie, Hal Foster, Coco Fusco, and Clemens Apprich.
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The latest issue is now in store!
Texte zur Kunst 111 : Amerika
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The latest issue is now in store!
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The latest issue is now available at the bookstore!
Texte zur Kunst 112 : noise/silence
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The latest issue is now available at the bookstore!
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Decades following the rise of computer aided design and the aesthetic-theoretical debates that coincided, it might seem late, at this point, to place a spotlight on photography. After all, hardly anyone defends photography’s loyalty to the analog index anymore, or mourns the medium specificities of centuries past. And yet, who can dispute that the photograph has become(...)
Texte zur Kunst 99: photography
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Decades following the rise of computer aided design and the aesthetic-theoretical debates that coincided, it might seem late, at this point, to place a spotlight on photography. After all, hardly anyone defends photography’s loyalty to the analog index anymore, or mourns the medium specificities of centuries past. And yet, who can dispute that the photograph has become the primary base for establishing identity now, for cohering a social body; one that, as the substrate across which today’s human subject is drawn, stands as, in a sense, our material support? As the image’s gaze has become omnipresent, it is perhaps prime time to ask how do we now understand photo-media to operate? What information do we expect it to carry? What facts do we trust it to convey?
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The latest issue is now available at the bookstore.
Texte zur kunst 130: Ohnmacht
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The latest issue is now available at the bookstore.
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Art criticism has been said to be in crisis for decades – and one of its mainstays, the review, would seem to be in no better shape. The number of exhibition reviews in the pages of national daily papers has been in continuous decline, and the material conditions that make the articulation of well-founded criticism possible are deteriorating. Moreover, at least in the(...)
Texte zur Kunst 131 : Reviews
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Art criticism has been said to be in crisis for decades – and one of its mainstays, the review, would seem to be in no better shape. The number of exhibition reviews in the pages of national daily papers has been in continuous decline, and the material conditions that make the articulation of well-founded criticism possible are deteriorating. Moreover, at least in the domain of visual art, critics seem to be losing the taste for judgment: more and more often, solidly reasoned objections have ceded ground to affirmative description. This issue of ''TEXTE ZUR KUNST'' responds to the situation by making the case for the review and shedding light on its shifting circumstances
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Texte zur kunst 132 : lust
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Traditionally, art scholarship and aesthetic theory have taken a chaste stance toward physical pleasure. Carnal, bodily experiences of pleasure are often associated with a loss of critical thinking; they appear as a base impulse that is said to possess no political agency. Contrary to such dismissal, this issue seeks to tease out the critical potential of pleasure(...)
Texte zur kunst 132 : lust
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Traditionally, art scholarship and aesthetic theory have taken a chaste stance toward physical pleasure. Carnal, bodily experiences of pleasure are often associated with a loss of critical thinking; they appear as a base impulse that is said to possess no political agency. Contrary to such dismissal, this issue seeks to tease out the critical potential of pleasure precisely in its very carnality and immediacy. Although pleasure is typically felt to be a deeply personal and inward experience, it is fundamentally premised on our being-affected and thus points up the relationality and incompleteness of our bodies. This suggests a capacity to arouse unforeseen connections in the social sphere that owe their existence not to the quest for some sort of “inner truths” but to the momentary intensification of bodily sensations.
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The direct and indirect influence of politics is making it increasingly clear that exhibitions have an inherent political dimension. This “Exhibition Politics” issue reveals the often conflicting interests that collide in the exhibition space and analyzes how institutions in particular react to an increasingly intense situation with symbolic and real political actions.(...)
Texte zur kunst #138: Exhibition politics
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The direct and indirect influence of politics is making it increasingly clear that exhibitions have an inherent political dimension. This “Exhibition Politics” issue reveals the often conflicting interests that collide in the exhibition space and analyzes how institutions in particular react to an increasingly intense situation with symbolic and real political actions. Its dual focus examines, on the one hand, the visual regimes and mechanisms of inclusion and exclusion that manifest themselves within the exhibition space and, on the other hand, the concrete debates about culture cuts and the question of how aspects of the Israel-Palestine conflict can be addressed in the exhibition space in the wake of October 7th.
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Texte zur kunst #139: Sports
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Johan Huizinga’s phrase "magic circle" circumscribes cultural fields whose logic manifests itself in rules and rituals that mark a distance from normative societal orders. At the same time, the economic and political realities surrounding the "magic circle" act upon it, are renegotiated within it, and sometimes result in rule changes of the sort that this issue of Texte(...)
Texte zur kunst #139: Sports
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Johan Huizinga’s phrase "magic circle" circumscribes cultural fields whose logic manifests itself in rules and rituals that mark a distance from normative societal orders. At the same time, the economic and political realities surrounding the "magic circle" act upon it, are renegotiated within it, and sometimes result in rule changes of the sort that this issue of Texte zur kunst scrutinizes by comparing two of the practices Huizing approaches with his concept: art and sports. The contributions examine a variety of historical moments and cultural phenomena, including Impressionism’s revolt against the academic disciplining of art; physical-performance-focused artistic practices that dismantle misogynistic traditions; platform capitalism’s effects on the politics of the body supported by digital technology; and the use of technically generated imagery to enforce fairness in sports competition.
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